A suspicious mind.
Sextus Empiricus (ca. AD 160–210), exponent of scepticism and critic of the Dogmatists, was a Greek physician and philosopher, pupil and successor of the medical sceptic Herodotus (not the historian) of Tarsus. He probably lived for years in Rome and possibly also in Alexandria and Athens. His three surviving works are Outlines of Pyrrhonism (three books on the practical and ethical scepticism of Pyrrho of Elis, ca. 360–275 BC, as developed later, presenting also a case against the Dogmatists); Against the Dogmatists (five books dealing with the Logicians, the Physicists, and the Ethicists); and Against the Professors (six books: Grammarians, Rhetors, Geometers, Arithmeticians, Astrologers, and Musicians). These two latter works might be called a general criticism of professors of all arts and sciences. Sextus’ work is a valuable source for the history of thought especially because of his development and formulation of former sceptic doctrines.
The Loeb Classical Library edition of Sextus Empiricus is in four volumes.
Five years into capitalism's deepest crisis, which has led to cuts and economic pain across the world, Against Austerity addresses a puzzling aspect of the current conjuncture: why are the rich still getting away with it? Why is protest so ephemeral? Why does the left appear to be marginal to political life?
In an analysis which challenges our understanding of capitalism, class and ideology, Richard Seymour shows how ‘austerity’ is just one part of a wider elite plan to radically re-engineer society and everyday life in the interests of profit, consumerism and speculative finance.
But Against Austerity is not a gospel of despair. Seymour argues that once we turn to face the headwinds of this new reality, dispensing with reassuring dogmas, we can forge new collective resistance and alternatives to the current system. Following Brecht, Against Austerity argues that the good old things are over, it's time to confront the bad new ones.
Winner of the ASCAP Deems Taylor Award in Concert Music Books
Proposing that Arnold Schoenberg has been more discussed than heard, more tolerated than loved, Allen Shawn puts aside ultimate judgments about Schoenberg’s place in music history to explore the composer’s fascinating world in a series of linked essays—“soundings”—that are both searching and wonderfully suggestive. Approaching Schoenberg primarily from the listener’s point of view, Shawn plunges into the details of some of Schoenberg’s works while at the same time providing a broad overview of his involvements in music, painting, and the history through which he lived.
An object maker, musician, poet, and performer, Willie Cole is an artist with remarkably diverse art-making skills and a formidable imagination. Best known for his assemblage, mixed media sculptural works, and prints, Cole liberates and aggrandizes everyday artifacts, including irons, ironing boards, hairdryers, high-heeled shoes, lawn jockeys, bicycle parts, and other discarded domestic appliances and hardware and transforms them into powerful and iconic art works.
The time-textured objects that he works with are seen by most as banal and expendable, but in Cole's hands they are given new vitality and metaphorical meaning. Frequently, he takes his found American consumer objects and Africanizes or ritualizes them, creating potent global artistic hybrids. His works also track his distinctive, Newark, New Jersey-based heritage, movingly melding the social, political, and cultural perspectives of urban African American experience.
Although wit and humor are often evident in his methods, Cole's readaptions of African tribal art motifs and forms are based more in respectful appreciation than appropriation and careful study rather than simple imitation. His works address a range of serious topics including race relations, capitalist materialism, religious belief systems, and human pathos.
Surveying the wide range of Cole's methods, media, and themes from the late 1980s to the present, this catalog includes thirty stunning color illustrations of his most significant sculptures, paintings, works on paper, and prints. An extensive interview with Cole by Dr. Leslie King-Hammond, Dean of the Maryland Institute of Art, as well as a commentary by Dr. Lowery Stokes Sims, President of the Studio Museum in Harlem, about Cole's pivotal residency there place this unique artist's work in the context of African American and contemporary art. The catalogue also includes biographical information in the form of two chronologies, one of which is a personal resum by the artist, as well as exhibition histories, bibliographies, and a listing of public collections of his work.
By bringing instances of Afro-Asian traffic in the realms of politics, economics, and culture to the foreground, this collection maps an alternative global circuit. The issue examines the non-Eurocentric form of cosmopolitanism that emerged from creative encounters of racialized people in Jazz Age Paris, the Harlem Renaissance, and colonial Shanghai. It reconceptualizes the Indian Ocean as a crucial site for Afro-Asian cross-pollination and investigates the cinematic culture of kung fu as a global discourse of Afro-Asian anti-imperialism.
Contributors. Brent Edwards, Andrew F. Jones, Yukiko Koshiro, Bill Mullen, Vijay Prashad, William Schaefer, Nikhil Pal Singh, Françoise Vergès, Daniel Widener
Archibald MacLeish - American Writers 99 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Apes—to look at them is to see a mirror of ourselves. Our close genetic relatives fascinate and unnerve us with their similar behavior and social personality. Here, John Sorenson delves into our conflicted relationship to the great apes, which often reveals as much about us as humans as it does about the apes themselves.
From bonobos and chimpanzees to gibbons, gorillas, and orangutans, Ape examines the many ways these remarkable animals often serve as models for humans. Anthropologists use their behavior to help explain our fundamental human nature; scientists utilize them as subjects in biomedical research; and behavioral researchers experiment with ways apes emulate us. Sorenson explores the challenges to the complex division between apes and ourselves, describing language experiments, efforts to cross-foster apes by raising them as human children, and the ethical challenges posed by the Great Ape Project. As well, Ape investigates representations of apes in popular culture, particularly films and advertising in which apes are often portrayed as human caricatures, monsters, and clowns.
Containing nearly one hundred illustrations of apes in nature and culture, Ape will appeal to readers interested in animal-human relationships and anyone curious to know more about our closest animal cousins, many of whom teeter on the brink of extinction.
Autobiography in Early Modern Spain was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Autobiography in Early Modern Spain Nicholas Spadaccini and Jenaro Talens, Editors
Introduction. The Construction of the Self: Notes on Autobiography in Early Modern Spain
Nicholas Spadaccini and Jenaro TalensChapter 1. Narration and Argumentation in Autobiographical Discourse Antonio Gomez-Moriana
Chapter 2. A Clown at Court: Francesillo de Zuniga's Cronica burlesca George Mariscal
Chapter 3. A Methodological Prolegomenon to a Post-Modernist Reading of Santa Teresa's Autobiography
Patrick DustChapter 4. Golden Age Autobiography: The Soldiers Margarita Levisi
Chapter 5. The Picaresque as Autobiography: Story and History Edward Friedman
Chapter 6. The Historical Function of Picaresque Autobiographies: Toward a History of Social Offenders
Anthony N. ZahareasChapter 7. Fortune's Monster and the Monarchy in Las relaciones de Antonio Perez Helen H. Reed
Chapter 8. The Woman at the Border: Some Thoughts on Cervantes and Autobiography Ruth El Saffar
Chapter 9. Poetry as Autobiography: Theory and Poetic Practice in Cervantes Jenaro Talens
Appendix Curriculum vitae
Miguel de Cervantes SaavedraAllen Tate and His Work was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The thirty-five essays and memoirs about Allen Tate which are collected in this volume along with the introduction by Radcliffe Squires provide a perceptive, many-windowed view of Tate's work and his life. Poet, critic, novelist -- Tate is all of these, and the selections, reflecting these various aspects of his career, are arranged in sections entitled "The Man," "The Essayist," "The Novelist," and "The Poet." As Professor Squires points out, the last three divisions take cognizance of the astounding diversity of Tate's achievement. "But in a last analysis," he continues, "the divisions are an Aristotelian nicety, an arbitrary convenience. His work is really all of a piece. It has all derived from the same energy, the same insights. It has all had a single aim."
What is that aim? Squires compares it to a simple physics experiment in which students are taught the principles of pressure, and he goes on to explain: "The synergy of Allen Tate's poetry, fiction, and essays has had the aim of applying pressure—think of the embossed, bitterly stressed lines, his textured metaphors—until it brings up before our eyes a blanched parody of the human figure, which is our evil, the world's evil, so that we begin to long for God. That has seemed to him a worthwhile task to perform for modern man threatened by such fatal narcissism, such autotelic pride that he is in danger of disappearing into a glassy fantasy of his own concoction. We shall need his help for a long time to come."
The selections were first published in a variety of periodicals and books over the years. The volume includes a substantial bibliography.
In this book, Dan Stanislawski studies the geography of various small towns in one Mexican state. He discusses the factors—landscape, buildings, culture groups, and so forth—that create a unique personality for each of these towns.
Answerable Style was first published in 1953. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
By the use of both new and traditional techniques of critical analysis, Arnold Stein presents in this volume of six essays a fresh interpretation of Milton's epic.
Beginning with the assumption that style is "answerable" to idea, he has tried to trace Milton's epic vision as it is bodied forth in patterns of structure (the ideas tested in action) and patterns of expression (the ideas tested in style). Mr. Stein explains: "My approach is in part based on an attempt to accept as fact both that I am a twentieth century reader and that this is a seventeenth-century poem. Milton is, I think, illuminated by some modern critical considerations; and some of those considerations are in turn illuminated, and some are found wanting."Alexander Edwin Sweet (1841-1901) is Texas's own "Sifter," whose humorous columns appeared in the Galveston Daily News in the late 1870s and early 1880s. In his wickedly funny, tongue-in-cheek sketches, readers learned of an astonishing variety of frontier phenomena, some familiar, others downright odd. For example, there was the typical nineteenth-century custom of New Year's Day receptions for bachelor guests only, with refreshments consisting largely of strong drink and equally strong fruitcake. Imbibing a bit more cheer at each stop, according to Sweet, the bachelors brought the last prospective sweethearts they visited New Year's greetings as incoherent as they were heartfelt.
At times Sweet parodied the Yankee image of the typical Texan, whom he described as "half alligator, half human," eating raw buffalo and toting an arsenal of weaponry like a "perambulating gun-rack." But he also did as much as any writer to establish and enlarge upon the national image of Texas and Texans. Even the irascible red ant and the other "critters" in Sweet's column were Texas big and Texas-fabulous!
In 1881 Sweet co-founded Texas Siftings, a humor magazine that moved from Austin to New York to become one of the most popular periodicals of its kind in the United States. From Texas Siftings, from Sweet's two published books (one called by John Jenkins in Basic Texas Books the "best volume of 19th century Texas humor"), and from many never-before-collected newspaper columns, editor Virginia Eisenhour has assembled an Alex Sweet sampler that presents the very best of the timeless humorist's work. The result—Alex Sweet's Texas—clearly demonstrates why the New York Journal pronounced Sweet "second to no living writer in freshness, originality, sparkling wit, and refined humor." A century later, that wit still sparkles and is guaranteed to delight Texans present as it once did Texans past.
To say that the entirety of human experience can be a novelist’s theme is to voice an absurdity. But, as Peter Swiggart convincingly argues, Faulkner’s work can be viewed as an extraordinary attempt to transform the panorama of man’s social experience into thematic material. Faulkner’s two-dimensional characters, his rhetorical circumlocutions, and his technical experiments are efforts to achieve a dramatic focus upon material too unwieldy, at least in principle, for any kind of fictional condensation.
Faulkner makes use of devices of stylization that apply to virtually every aspect of his successful novels. For example, the complex facts of Southern history and culture are reduced to the scale of a simplified and yet grandiose social mythology: the degeneration of the white aristocracy, the rise of Snopesism, and the white Southerner’s gradual recognition of his latent sense of racial guilt. Within Faulkner’s fictional universe, human psychology takes the form of absolute distinctions between puritan and nonpuritan characters, between individuals corrupted by moral rationality and those who are simultaneously free of moral corruption and social involvement. In this way Faulkner is able to create the impression of a comprehensive treatment of important social concerns and universal moral issues.
Like Henry James, he makes as much as he can of clearly defined dramatic events, until they seem to echo the potential complexity and depth of situations outside the realm of fiction. When this technique is successful the reader is left with the impression that he knows a Faulkner character far better than he could know an actual person. At the same time, the character retains the atmosphere of complexity and mystery imposed upon it by Faulkner’s handling of style and structure.
This method of characterization reflects Faulkner’s simplifications of experience and yet suggests the inadequacy of any rigid interpretation of actual behavior. The reader is supplied with special eyeglasses through which the tragedy of the South, as well as humanity’s general inhumanity to itself, can be viewed in a perspective of simultaneous mystery and symbolic clarity.
The paramount historian of the early Roman empire.
Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years’ absence he experienced the terrors of Emperor Domitian’s last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.
Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola’s career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus’s other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66).
Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount.
The Loeb Classical Library edition of Tacitus is in five volumes.
The paramount historian of the early Roman empire.
Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years’ absence he experienced the terrors of Emperor Domitian’s last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.
Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola’s career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus’s other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66).
Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount.
The Loeb Classical Library edition of Tacitus is in five volumes.
The paramount historian of the early Roman empire.
Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years’ absence he experienced the terrors of Emperor Domitian’s last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.
Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola’s career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus’s other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66).
Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount.
The Loeb Classical Library edition of Tacitus is in five volumes.
In Analytical Methods in Economics Akira Takayama presents an exposition of the essential mathematical tools of economics and illustrates their applications to selected economic problems. Drawing on his own teaching experiences and research to provide concrete macro- and microeconomic illustrations of the concepts featured, Takayama clarifies the unifying analytical structure of economic theory and elucidates the mathematical tools that underlie it.
Following a thorough review of preliminary mathematical tools, Takayama discusses the nonlinear programming, uncertainty, differential equations, and optimal control theory. Emphasizing "why" rather than "how-to" questions, the author focuses on explanation, considerations of motivation, and economic application.
Analytical Methods is designed to enable economists, graduate students, and advanced undergraduates in economics to achieve a high level of comfort in the use of analytical techniques.
Featuring
•More than 1,900 Sign Illustrations Including 327 New SignsThe first reference source that allows users to access ASL signs without previous knowledge of their English equivalents (far superior to those in most other English-ASL glossaries). Likely to become indispensable on many educators’ and students’ bookshelves.—CHOICE
Now, the bestselling resource The American Sign Language Handshape Dictionary has been completely revised with more than 320 new signs and a new DVD. This unique reference can help users locate a sign whose meaning they have forgotten, or help them find the meaning of a new sign they have just seen for the first time. It organizes more than 1,900 ASL signs by 40 basic handshapes and includes detailed descriptions on how to form these signs to represent the different English words that they might mean. ASL students can begin to track down a sign by determining whether it is formed with one hand or two. Further distinctions of handshape, palm orientation, location, movement, and other nonmanual body signals help them pinpoint their search while also refining their grasp of ASL syntax and grammar. A complete English word index provides the option of referring to an alphabetical listing of English terms to locate an equivalent sign or choice of signs.
The new DVD shows how each sign is formed from beginning to end. Users can watch a sign at various speeds to learn precisely how to master it themselves. Together, the new edition of The American Sign Language Handshape Dictionary and its accompanying DVD presents students, sign language teachers, and deaf and hearing people alike with the perfect combination for enhancing communication skills in both ASL and English.
Austere apologetics.
Q. Septimus Florens Tertullianus (ca. AD 150–222) was born a soldier’s son at Carthage, educated in Greek and Roman literature, philosophy, and medicine, and later studied law to became a pleader, remaining a clever and often tortuous arguer. At Rome he became a learned and militant Christian. After visiting churches in Greece (and Asia Minor?) he returned to Carthage and in his writings there founded a Christian Latin language and literature, toiling to fuse enthusiasm with reason; to unite the demands of the Bible with the practice of the Church; and to continue to vindicate the Church’s possession of the true doctrine in the face of unbelievers, Jews, Gnostics, and others. In some of his many works he defended Christianity, in others he attacked heretical people and beliefs; in others he dealt with morals. In this volume are his Apologeticus and De Spectaculis.
Of Minucius, an early Christian writer of unknown date, we have only Octavius, a vigorous and readable debate between an unbeliever and a Christian friend of Minucius, the lawyer Octavius Ianuarius. Minucius himself acts as presiding judge. Octavius wins the argument. The whole work presents a picture of social and religious conditions in Rome, apparently about the end of the second century.
American Humorists - American Writers 42 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Nikolaas Tinbergen has devoted a lifetime of research to exploring the behavior of many types of animals in their natural environments, and has founded centers of worldwide renown for research and teaching in the behavioral sciences, first in his native Holland and later at Oxford. His influence extends far beyond the borders of Europe and zoology proper, and he has contributed substantially to international and interdisciplinary collaboration. He has tirelessly worked for the use of scientific methods in the study of human behavior, both normal and abnormal.
Volume I is devoted to field studies. Volume II includes accounts of Tinbergen’s remarkable laboratory experiments as well as his significant general papers. These selections explore the search for animal roots of human behavior, behavior and natural selection, appeasement signals, and the nature of ethology.
“Early Childhood Autism,” written by Professor Tinbergen and his wife Elisabeth Tinbergen, is among the most important papers. It is a pioneer work in applied ethology and is a product of thirty years of observing non-verbal expression in both animals and children. Also included is Professor Tinbergen’s 1972 Croonian Lecture, “Functional Ethology and the Human Sciences.”
These classic original studies will fascinate the increasing number of readers interested in the topical problems of animal and human behavior.
This edition of Common Threads investigates the intersection of social justice work with education in the visual arts, music, theatre, dance, and literature. Weaving together resources from a range of University of Illinois Press journals, the editors offer articles on the scholarly inquiry, theory, and practice of social justice arts education. Selections from the past three decades reflect the synergy of the diverse scholars, educators, and artists actively engaged in such projects. Together, the contributors bring awareness to the importance of critically reflective and inclusive pedagogy in arts educational contexts. They also provide pedagogical theory and practical tools for building a social justice orientation through the arts.
Contributors: Joni Boyd Acuff, Seema Bahl, Elizabeth Delacruz, Elizabeth Garber, Elizabeth Gould, Kirstin Hotelling, Tuulikki Laes, Monica Prendergast, Elizabeth Saccá, Alexandra Schulteis, Amritjit Singh, and Stephanie Springgay
The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.
The Annual, the journal of the Society of Christian Ethics, is an essential source for students and faculty to keep abreast of new developments in Christian and religious ethics and to locate sources for research. The Annual publishes nine to ten refereed scholarly articles a year as well as a professional resources section on teaching and scholarship in ethics. Subjects include the nature and tasks of religious ethics, comparative ethics involving a variety of Western and Eastern traditions, religious social ethics and social theory, and problems in professional and applied ethics.
The Annual, the journal of the Society of Christian Ethics, is an essential source for students and faculty to keep abreast of new developments in Christian and religious ethics and to locate sources for research. The Annual publishes nine to ten refereed scholarly articles a year as well as a professional resources section on teaching and scholarship in ethics. Subjects include the nature and tasks of religious ethics, comparative ethics involving a variety of Western and Eastern traditions, religious social ethics and social theory, and problems in professional and applied ethics.
From the prestige films of Cagney Productions to recent, ultra-low budget cult hits, such as Clerks and The Blair Witch Project, American independent cinema has produced some of the most distinctive films ever made. This comprehensive introduction draws on key films, filmmakers, and film companies from the early twentieth century to the present to examine the factors that shaped this vital and evolving mode of filmmaking.
Specifically, it explores the complex and dynamic relations between independent and mainstream Hollywood cinema, showing how institutional, industrial, and economic changes in the latter have shaped and informed the former. Ordered chronologically, the book begins with Independent Filmmaking in the Studio Era (examining both top-rank and low-end film production), moves to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking), and finishes with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalization of independent cinema in the 1990s). Each chapter includes case studies which focus on specific films, filmmakers, and production and distribution companies.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press