In a fast-paced, complicated, and evermore dangerous world it is easy to become self-absorbed and consumed with our own problems. There is one place, however, where we put our self-centered concerns aside, and our deep, common humanity is profoundly touched. That place is where sick children dwell.

It is no less difficult—and perhaps even more difficult in many ways—for physicians who have chosen to attend to the health and well-being of gravely ill or dying children. Margaret Mohrmann has devoted most of her professional life to them, and in Attending Children she shares the remarkable education those children and their families have given her. Her narratives are both painful and hopeful, tragic and funny, full of remarkable characters and sometimes bizarre families.

Mohrmann has sifted through her thirty years as a pediatrician, and with poignancy, humor, and uncompromising honesty, she shares her sometimes stumbling but always deeply caring journey through a land where, sometimes, small hands have to be let go too soon. She introduces us to not only the physical challenges she, her colleagues, and her patients encounter, but the spiritual ones as well.

Attending Children is a unique experience as Mohrmann takes the reader on a doctor's rounds over many years to meet the faces and the struggles, the heartaches and the joys of being a pediatrician. In the case of Margaret Mohrmann and her patients, no one could ask for better teachers.

It is 1842—a dramatic year in the history of Texas-Mexican relations. After five years of uneasy peace, of futile negotiations, of border raids and temporary, unofficial truces, a series of military actions upsets the precarious balance between the two countries. Once more the Mexican Army marches on Texas soil; once more the frontier settlers strengthen their strongholds for defense or gather their belongings for flight. Twice San Antonio falls to Mexican generals; twice the Texans assemble armies for the invasion of Mexico. It is 1842—a year of attack and counterattack.

This is the story that Joseph Milton Nance relates, with a definitiveness and immediacy which come from many years of meticulous research. The exciting story of 1842 is a story of emotions which had simmered through the long, insecure years and which now boil out in blustery threats and demands for vengeance. The Texans threaten to march beyond the Sierra Madres and raise their flag at Monterrey; the Mexicans promise to subdue this upstart Texas and to teach its treacherous inhabitants their place. With communications poor and imaginations fertile, rumors magnify chance banditry into military raids, military raids into full-scale invasions. Newspapers incite their readers with superdramatic, intoxicating accounts of the events. Texans and Mexicans alike respond with a kind of madness that has little or no method. Texas solicits volunteers, calls out troops, plans invasions, and assembles her armies, completely disregarding the fact that her treasury is practically empty—there is little money to buy guns. Meanwhile, in Mexico, where gold and silver are needed for other purposes, “invasions” of Texas are launched—but they are only brief forays more suitable for impressive publicity than for permanent gains.

Still, the conflicts of threat and retaliation, so often futile, are frequently dignified by idealism, friendship, courage, and determination. Both Mexicans and Texans are fighting and dying for liberty, defending their homes against foreign invaders, establishing and maintaining friendships that cross racial and national boundaries, struggling with conflicting loyalties, and—all the while—striving to wrest a living for themselves and their families from the grudging frontier.

Attack and Counterattack, continuing the account which was begun in After San Jacinto, tells from original sources the full story of Texas-Mexican relations from the time of the Santa Fe Expedition through the return of the Somervell Expedition from the Rio Grande. These books examine in great detail and with careful accuracy a period of Texas history that had not heretofore been thoroughly studied and that had seldom been given unbiased treatment. The source materials compiled in the notes and bibliography—particularly the military reports, letters, diaries, contemporary newspapers, and broadsides—will be a valuable tool for any scholar who wishes to study this or related periods.

The stage was set for conflict: The First Congress of the Republic of Texas had arbitrarily designated the Rio Grande as the boundary of the new nation. Yet the historic boundaries of Texas, under Spain and Mexico, had never extended beyond the Nueces River. Mexico, unwilling to acknowledge Texas independence, was even more unwilling to allow this further encroachment upon her territory.

But neither country was in a strong position to substantiate claims; so the conflict developed as a war of futile threats, border raids, and counterraids. Nevertheless, men died—often heroically—and this is the first full story of their bitter struggle. Based on original sources, it is an unbiased account of Texas-Mexican relations in a crucial period.

Here is a verbal and pictorial illustration of the credo that has guided one of the world's most distinguished architects throughout his career. "Architecture is, and must be, a synthesis of technology and art."

Using nearly 200 drawings and photographs, including plans, interesting details, various stages of construction, and both interior and exterior views of some of his major works, Mr. Nervi shows how his philosophy is put into practice. Referring to most of his important projects, he discusses solutions to various functional and construction requirements where he used precast and cast-in-place concrete, emphasizing the richness of this material. Mr. Nervi stresses the advantages of reinforced concrete, which, he says, allows greater flexibility and makes it easier to satisfy his triple demand of economy, technical correctness, and aesthetic satisfaction.

In predicting the future of architecture he stresses the necessity of architectural solutions that are functionally and technically sound. His final remarks concern his ideas about the proper course of study for architecture students, training that will produce architects with a "far greater technical sense than in the past, a technical sense which results in a constant search for economic efficiency."

Aloe vera is one of the most important cultivated medicinal plants and a key component of the floras of Africa, Arabia, and Madagascar. Here, for the first time since the 1960s, is a comprehensive account of all currently accepted aloe taxa in an easy-to-use and accessible format. Organized by habitat and size, entries for more than five hundred species each include descriptions, illustrations, and diagnostic features, accompanied by information on distribution, habitat, and relationship to other Aloe species. This volume is a must-have not only for succulent plant enthusiasts but for all who need a well-illustrated and comprehensive academic reference to the Aloe genus.

American studies has changed drastically over the past few decades, as a new wave of scholars—armed with groundbreaking ideas and more extensive methods of research—flocked to the relatively young field. This focus on scholarship, though necessary to the advancement of the discipline, has left pedagogy largely ignored. In American Studies in Dialogue, Matthias Oppermann consciously resists the traditional academic split between scholarship and classroom practice. His study calls for a radical reconstruction of American studies grounded in an understanding of cultural analysis and critique as genuinely dialogic processes of research and pedagogy. Drawing on case studies ranging from courses in early American civilization to recent multimedia projects, American Studies in Dialogue will be required reading for American studies scholars and teachers.

THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.

In this probing history of twentieth-century American attitudes toward the poor, James Patterson explores how we have viewed poverty and what our welfare reformers have tried to do about it. It is a history broad in scope--and one that is especially pertinent to the ongoing welfare-reform debate.

When the Iron Curtain fell in 1989, Eastern Europe saw a new era begin, and the widespread changes that followed extended into the world of art. Art and Democracy in Post-Communist Europe examines the art created in light of the profound political, social, economic, and cultural transformations that occurred in the former Eastern Bloc after the Cold War ended. Assessing the function of art in post-communist Europe, Piotr Piotrowski describes the changing nature of art as it went from being molded by the cultural imperatives of the communist state and a tool of political propaganda to autonomous work protesting against the ruling powers.