A SCHOLARLY BOOK REPOSITORY
Envisioning the Framework offers a visual opportunity for thought, discovery, and sense-making of the Framework and its concepts. Seventeen chapters packed with full-color illustrations and tables explore topics including:
- LibGuides creation through conceptual integration with the Framework
- fostering interdisciplinary transference
- the convergence of metaliteracy with the Framework
- teaching multimodalities and data visualization
- mapping a culturally responsive information literacy journal for international students
Twenty-first-century information literacy involves the metaliterate learner, reflects seismic changes in the duties and roles of teaching librarians, requires new partnerships with faculty and instructional designers, and emphasizes continuous assessment practices. Envisioning the Framework can help you use symbols and visuals for deeper understanding of the Framework, to map the Framework with teaching and learning objectives, and to tell a coherent story to students featuring the frames and the Framework.
Páraic Finnerty clarifies the essential role that Shakespeare had in Dickinson's life by locating her allusions to his writings within a nineteenth-century American context and by treating reading as a practice that is shaped, to a large extent, by culture. In the process, he throws new light on Shakespeare's multifaceted presence in Dickinson's world: in education, theater, newspapers, public lectures, reading clubs, and literary periodicals.
Through analysis of letters, journals, diaries, records, periodicals, newspapers, and marginalia, Finnerty juxtaposes Dickinson's engagement with Shakespeare with the responses of her contemporaries. Her Shakespeare emerges as an immoral dramatist and highly moral poet; a highbrow symbol of class and cultivation and a lowbrow popular entertainer; an impetus behind the emerging American theater criticism and an English author threatening American creativity; a writer culturally approved for women and yet one whose authority women often appropriated to critique their culture. Such a context allows the explication of Dickinson's specific references to Shakespeare and further conjecture about how she most likely read him.
Finnerty also examines those of Dickinson's responses to Shakespeare that deviated from what might have been expected and approved of by her culture. Imaginatively departing from the commonplace, Dickinson chose to admire three of Shakespeare's most powerful and transgressive female characters—Cleopatra, Queen Margaret, and Lady Macbeth—instead of his more worthy and virtuous heroines. More startling, although the poet found resonance for her own life in Hamlet, Romeo and Juliet, and Macbeth, she chose, in the racially charged atmosphere of nineteenth-century America, to identify with Shakespeare's most controversial character, Othello, thereby defying expectations once again.
Rediscovering an early scientific challenge to racism
This is the first paperback edition of the only English-language translation of the Haitian scholar Anténor Firmin's The Equality of the Human Races, a foundational text in critical anthropology first published in 1885 when anthropology was just emerging as a specialized field of study. Marginalized for its "radical" position that the human races were equal, Firmin's lucid and persuasive treatise was decades ahead of its time. Arguing that the equality of the races could be demonstrated through a positivist scientific approach, Firmin challenged racist writings and the dominant views of the day. Translated by Asselin Charles and framed by Carolyn Fluehr-Lobban's substantial introduction, this rediscovered text is an important contribution to contemporary scholarship in anthropology, pan-African studies, and colonial and postcolonial studies.
Unusual shapes and colors make many mushrooms alluring to the eye, while the exotic flavors and textures of edible mushrooms are a gourmet delicacy for the palate. Yet many people never venture beyond the supermarket offerings, fearing that all other mushrooms are poisonous.
With amateur mushroom hunters especially in mind, David Fischer and Alan Bessette have prepared Edible Wild Mushrooms of North America. This field guide presents more than 100 species of the most delicious mushrooms, along with detailed information on how to find, gather, store, and prepare them for the table. More than 70 savory recipes, ranging from soups and salads to casseroles, canapes, quiches, and even a dessert, are included.
Throughout, the authors constantly emphasize the need for correct identification of species for safe eating. Each species is described in detailed, nontechnical language, accompanied by a list of key identifying characteristics that reliably rule out all but the target species. Superb color photographs also aid in identification. Poisonous "lookalikes" are described and illustrated, and the authors also assess the risks of allergic or idiosyncratic reactions to edible species and the possibilities of chemical or bacterial contamination.
Kathleen Flake, associate professor of American religious history at Vanderbilt University examines the logic of those women who thrived, rather than suffered, in early Mormon polygamy, and finds that the marriage covenant granted them priestly rights and independence through the powers of heaven.
A very short introduction to Roman history.
Florus, born apparently in Africa, lived in Spain and in Rome during Hadrian’s time. He wrote, in succinct rhetorical style, a summary of Roman history (especially wars) in two books in order to show the early greatness and subsequent decline of Roman morals. It is based chiefly on Livy. Florus’ Epitome was perhaps planned to reach his own times, but the extant work ends with Augustus’ reign. Florus provides a useful rapid sketch of Roman military history.
Poetry by Florus is also available in the Loeb Classical Library, in Volume II of Minor Latin Poets (LCL 434).
Equality in the City engenders a timely debate about what future cities might look like and what their concerns should be. Using a multi-disciplinary perspective, it features acclaimed scholars whose work investigates the proposed networked, digital technologies that ostensibly affect planning policies, control infrastructures, and deliver and manage city services and systems. The contributors offer insights into how future cities might be envisaged, planned, and executed in order to be more equal.
This is the workbook to accompany English Sentence Structure.
Voegelin’s books gave rise to a vast secondary literature that continues to grow, yet the exceptionally impactful late essays and meditative works have never received the scholarly commentaries they deserve because they were published originally as journal articles or chapters in edited collections. This volume remedies that shortcoming with 14 critical analyses that elucidate the late essays while also addressing their implications for the entirety of Voegelin’s thought. The commentaries will prove invaluable to students and scholars in political science, philosophy, history, theology, and other disciplines, serving as a companion piece to the singularly important Vol. 12 of Voegelin’s Collected Works, Published Essays 1966–1985.
"His critical blast blows like a north wind against the more pretentious erections of modern economics. It is however a healthy and invigorating blast, without malice and with a sincere regard for scientific objectivity."—K.E. Boulding, Political Science Quarterly
"Certainly one of the most engrossing volumes that has appeared recently in economic theory."—William J. Baumol, Review of Economics and Statistics
Although it was labeled a “bagatelle,” Echoes, like most of Gad’s other plays, is quite funny. The play brings together three individuals in the out-of-the-way cottage of an old servant. Countess Clara takes refuge with Maren, her former nursemaid, during a sudden downpour and is soon joined by Niels, her former tutor, who claims to be passing by on his way to a church, where he hopes to find important historical documents. During Clara’s conversations with the two, it comes out that she is considering marriage to a count who lives nearby, even though she finds him and his way of life unattractive, and that she and Niels had been in love years before.
Gad’s graceful dialogue manages to touch on questions hotly debated in the last decades of the nineteenth century, such as the ability of individuals to break with the past or with outmoded or repressive conventions, while also making audiences laugh. Despite the play’s lighthearted wittiness, Echoes is an inventive example of turn-of-the-century avant-garde theater.
Harnessing a myriad of methodologies and research spanning multiple continents, this volume delves into the power of everyday forms of biodiversity conservation, motivated by sensory and embodied engagement with plants. Through an array of interdisciplinary contributions, the authors argue that the vast majority of biodiversity conservation worldwide is carried out not by large-scale, hierarchical initiatives but by ordinary people who cultivate sensory-motivated, place-based bonds with plants.
Acknowledging the monumental role of everyday champions in tending biodiversity, the contributors write that this caretaking is crucial to countering ecological harm and global injustice stemming from colonial violence and racial capitalism.
Contributors
Mike Anastario
Ally Ang
Antonia Barreau
Julián Caviedes
Chen Chen
Evelyn Flores
Terese V. Gagnon
José Tomás Ibarra
Fred L. Joiner
Gary Nabhan
Virginia D. Nazarea
Shannon A. Novak
Valentina Peveri
Emily Ramsey
Yasuaki Sato
Justin Simpson
David E. Sutton
Bringing together an international and interdisciplinary group of contributors, ranging across history, philology, classical studies, philosophy, and theology, Ethics, Politics and Justice in Dante presents new research on ethics, politics, and justice in the works of Dante Alighieri, including chapters on Dante’s conception of the afterlife. Contributors scrutinize the Divine Comedy and Dante’s other works in Italian and Latin, showing the evolution of his thought throughout his writing career, with chapters focusing especially on his early philosophical Convivio and on the two “Eclogues” of his final years. Other chapters tackle themes relating to judgment, justice, rhetoric, and literary ethics in the Divine Comedy, as well as the differing public reception and use of Dante’s work in Italy and Britain.
Economists dream of equilibrium. It’s time to wake up.
In mainstream economics, markets are ideal if competition is perfect. When supply balances demand, economic maturity is orderly and disturbed only by shocks. These ideas are rooted in doctrines going back thousands of years yet, as James K. Galbraith and Jing Chen show, they contradict the foundations of our scientific understanding of the physical and biological worlds.
Entropy Economics discards the conventions of equilibrium and presents a new basis for thinking about economic issues, one rooted in life processes—an unequal world of unceasing change in which boundaries, plans, and regulations are essential. Galbraith and Chen’s theory of value is based on scarcity, and it accounts for the power of monopoly. Their theory of production covers increasing and decreasing returns, uncertainty, fixed investments over time, and the impact of rising resource costs. Together, their models illuminate key problems such as trade, finance, energy, climate, conflict, and demography.
Entropy Economics is a thrilling framework for understanding the world as it is and will be keenly relevant to the economic challenges of a world threatened with disorder.
“A welcome publication, this book will nicely supplement the other books that are now appearing in the field of African American archaeology.”
—Charles E. Orser Jr., Illinois State University
Over the last decade, the field of American historical archaeology has seen enormous growth in the study of people of African descent. This edited volume is the first dedicated solely to archaeology and the construction of gender in an African American context. The common thread running through this collection is not a shared definition of gender or an agreed-upon feminist approach, but rather a regional thread, a commitment to understanding ethnicity and gender within the social, political, and ideological structures of the eighteenth- and nineteenth-century American South.
Taken together, these essays represent a departure in historical archaeology, an important foray into the study of the construction of gender within various African American communities that is based in the archaeological record. Those interested in historical archaeology, history, women’s studies and African American studies will find this a valuable addition to the literature. Topics range from gendered residential and consumption patterns in colonial Virginia and the construction of identity in Middle Tennessee to midwifery practices in postbellum Louisiana. Contributors to this volume include Melanie Cabak, Marie Danforth, Garrett Fesler, Jillian Galle, Barbara Heath, Larry McKee, Patricia Samford, Elizabeth Scott, Brian Thomas, Larissa Thomas, Laura Wilkie, Kristin Wilson, and Amy Young.
Jillian E. Galle is project manager of the Digital Archaeological Archive of Chesapeake Slavery at Monticello. Amy L. Young is assistant professor at the University of Southern Mississippi.
Eugene O'Neill - American Writers 45 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Experimental Dining examines the construction of the world of restaurants and their creative methods, the experience of dining, and the broader ideological frames within which the work takes place, bringing together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art.
These fourteen essays covering a wide range of subjects of great current interest reflect the continuous evolution of the author’s thought from 1951 to 1961. Range and flexibility characterize Alexander Gerschenkron’s dynamic approach to Europe’s industrial history. Connecting evolution in individual countries with their degree of economic backwardness, he presents the industrialization of the continent as a “case of unity in diversity,” thus offering a cogent alternative, supported by case studies, to the traditional view of industrialization as monotonous repetition of the same process from country to country. Brought together for the first time, these essays were originally published in specialized periodicals in the United States and abroad.
Explaining and systematizing the elements of creative innovation in industrial history, Gerschenkron opens new paths of research and poses a number of pertinent questions for the problem of economic development in backward countries. His versatile analysis not only includes construction of ingenious industrial output indices and fruitful historical hypotheses on the index-number problem, but also original insights gleaned from a study of Soviet novels and a brilliant critique of Doctor Zhivago.
“The Emmanuel Movement” was a name given by the contemporary press to a combined method of group and individual psychotherapy introduced in 1906 by the Rev. Elwood Worcester, Rector of the Emmanuel Church in Boston. This treatment method for the common neuroses, offered to the public free of charge and open to all social classes and religious denominations, was first welcomed with great popular acclaim but later ravaged by the widespread newspaper publicity it attracted. The movement continued its stormy existence for a decade beyond Worcester’s retirement in 1929. His successors applied his methods—including group treatment, the first to be employed in psychotherapy anywhere—to the treatment of alcoholics.
In The Emmanuel Movement, Sanford Gifford presents the definitive statement on this unique movement. He examines its position during a critical phase of American psychotherapy, and discusses the methods and personalities—both champions and detractors—associated with it.
"The reprint will come as a blessing to many archaeologists who have sought in vain to obtain a copy of the original volume. It now stands as a body of data easily accessible to all workers, and we look forward to a new phase of synthesis of Hohokam archaeology."—American Antiquity
Opening with a detailed overview of funding and resource management in public and private institutions, the book looks at the criteria by which the effectiveness, efficiency, and equity of educational resource management can be judged. It goes on to explore cost structures, budgets, and the principles of asset management through case studies that draw on practitioner experiences as well as the authors’ own observations. Educational Resource Management concludes with a review of current tensions and points towards further study, providing a succinct yet comprehensive guide for school and college leaders.
This is an auto-narrated audiobook edition of this book.
A sweeping history of the American invention of modern money.
Economists endlessly debate the nature of legal tender monetary systems—coins and bills issued by a government or other authority. Yet the origins of these currencies have received little attention.
Dror Goldberg tells the story of modern money in North America through the Massachusetts colony during the seventeenth century. As the young settlement transitioned to self-governance and its economy grew, the need to formalize a smooth exchange emerged. Printing local money followed.
Easy Money illustrates how colonists invented contemporary currency by shifting its foundation from intrinsically valuable goods—such as silver—to the taxation of the state. Goldberg traces how this structure grew into a worldwide system in which, monetarily, we are all Massachusetts. Weaving economics, law, and American history, Easy Money is a new touchstone in the story of monetary systems.
Emma Goldman: A Documentary History of the American Years reconstructs the life of Emma Goldman through significant texts and documents. These volumes collect personal letters, lecture notes, newspaper articles, court transcripts, government surveillance reports, and numerous other documents, many of which appear here in English for the first time. Supplemented with thorough annotations, multiple appendixes, and detailed chronologies, the texts bring to life the memory of this singular, pivotal figure in American and European radical history.
Volume 2: Making Speech Free, 1902-1909 extends many of the themes introduced in the previous volume, including Goldman's evolving attitudes toward political violence and social reform, intensified now by documentary accounts of the fomenting revolution in Russia and the legal opposition toward anarchism and labor organizing in the United States. Always an impassioned defender of free expression, Goldman's launch of her magazine Mother Earth in 1906 signaled a desire to bring radical thought into wider circulation, and its pages brought together modern literary and cultural ideas with a radical social agenda, quickly becoming a platform for her feminist critique, among her many other challenges to the status quo. With abundant examples from her writings and speeches, this volume details Goldman's emergence as one of American history's most fiercely outspoken opponents of hypocrisy and pretension in politics and public life.
In this book, renowned Latin Americanist Mike Gonzalez explores the rocky course of the left in Latin American politics. Although the left-wing developments of the past twenty years have been widely celebrated by activists, Gonzalez cautions us to consider the problems and conflicts that have arisen during their tenure as well. Through critical examination of the failings of Argentina, Bolivia, Brazil, Chile, Ecuador, and Venezuela, Gonzalez is able to identify both weaknesses and strengths, and to suggest possible future pathways for the renewal of the left in nations across Latin America.
Providing a critical but sympathetic analysis of the records of the left governments across the continent, Gonzalez offers a refreshing reflection on the prospects and future of Latin American politics.
This volume, which deals mostly with painting, is divided into three sections that consider the interplay between art and economics from different perspectives. In the first section, Art and Economic Theory, economists clarify the need to construct a framework for understanding the roles of taste and fashion in art valuation. A historical view is considered in a piece about the teacher of Velasquez and artistic adviser to the Inquisition in Seville, who took into account not only market factors, like demand, but also the "truth" and the nobility of the artist’s profession and of the painting itself. Also in this section is an essay on Rousseau’s perspective on the worth of a painting based on its envy value in social circles; other contributions focus on William Stanley Jevons, a nineteenth century British political economist, whose problems with art stemmed from the uniqueness of each work, rendering definitive market and economic terms irrelevant. The second section of the book, Art and Economic Policy, looks at broader policy issues with regard to the historical role of art. Essays consider policy with respect to art exports and imports and federal patronage of the arts during theDepression; Lionel Robbins and the political economy of art; and the interplay among economy, architecture, and politics as shown in certain postwar Hilton hotels. In the final section, The Business of Art, a variety of perspectives are considered: the economics of art in early modern times, discussed in the context of both humanist and scholastic approaches; the pricing of pictures based on a study of the Smith-Reynolds connection; and the relationships between Otto Nuerath, graphic art, and the social order.
The first collaborative and historical treatment of the connection between art and economics, Economic Engagements with Art will appeal to people across, from history and economics to art history.
Contributors. Márcia Balisciano, William J. Barber, Neil de Marchi, Bertil Fridén, Crauford D. Goodwin, Guido Guerzoni, Robert J. Leonard, Harro Maas, Ernest Mathijs, Steven G. Medema, Bert Mosselmans, Zarinés Negrón, Marcia Pointon, Helen Rees, Toon van Houdt, Annabel Wharton, Sara Zablotney
This volume, which deals mostly with painting, is divided into three sections that consider the interplay between art and economics from different perspectives. In the first section, Art and Economic Theory, economists clarify the need to construct a framework for understanding the roles of taste and fashion in art valuation. A historical view is considered in a piece about the teacher of Velasquez and artistic adviser to the Inquisition in Seville, who took into account not only market factors, like demand, but also the "truth" and the nobility of the artist’s profession and of the painting itself. Also in this section is an essay on Rousseau’s perspective on the worth of a painting based on its envy value in social circles; other contributions focus on William Stanley Jevons, a nineteenth century British political economist, whose problems with art stemmed from the uniqueness of each work, rendering definitive market and economic terms irrelevant. The second section of the book, Art and Economic Policy, looks at broader policy issues with regard to the historical role of art. Essays consider policy with respect to art exports and imports and federal patronage of the arts during theDepression; Lionel Robbins and the political economy of art; and the interplay among economy, architecture, and politics as shown in certain postwar Hilton hotels. In the final section, The Business of Art, a variety of perspectives are considered: the economics of art in early modern times, discussed in the context of both humanist and scholastic approaches; the pricing of pictures based on a study of the Smith-Reynolds connection; and the relationships between Otto Nuerath, graphic art, and the social order.
The first collaborative and historical treatment of the connection between art and economics, Economic Engagements with Art will appeal to people across, from history and economics to art history.
Contributors. Márcia Balisciano, William J. Barber, Neil de Marchi, Bertil Fridén, Crauford D. Goodwin, Guido Guerzoni, Robert J. Leonard, Harro Maas, Ernest Mathijs, Steven G. Medema, Bert Mosselmans, Zarinés Negrón, Marcia Pointon, Helen Rees, Toon van Houdt, Annabel Wharton, Sara Zablotney
Few sources before have dealt with the archaeology of African American settlements outside the Atlantic seaboard and the southern states. This book describes in detail the archaeological investigations conducted at the town site of Buxton, Iowa, a coal mining community inhabited by a significantly large population of blacks between 1900 and 1925.
David Gradwohl and Nancy Osborn present the archaeology of Buxton from “the group up” to articulate the material remains with the data acquired from archival studies and oral history interviews. They also examine the broader significance of the Buxton experience in terms of those who lived there and their children and grandchildren who have heard about Buxton all their lives.
Edna St. Vincent Millay was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Despite the suffragist activities of the 1920s and the heightened pressures brought to bear on traditionally “male-only” institutions in American society during the past three decades, many vocations remain sanctuaries of male dominance. One such area is the classical music world; though, as Jan Bell Groh asserts in Evening the Score, inroads into this field have bene made, sometimes at great cost.
At the center of this work is a unique set of newsletters edited and published by Frédérique Petrides, one of America’s first and most influential female conductors. In Petride’s time, most women musicians were forced to ply their trade in all-female orchestras; through the thirty-seven issues of Women in Music published from 1935 to 1940, the achievements of these musicians were championed, and the prejudices, misconceptions, and deliberately discriminatory policies of many of their male counterparts were exposed and condemned.
Evening the Score is an ambitious endeavor that seeks not only to preserve these early documents and explain them within the context of the 1930s music industry but also to garner for Petrides the long-overdue praise to which she is entitled. It is at once a celebration and a source of inspiration.
Hailed as a masterpiece when first published in 1939, this great work of synthesis rapidly became indispensable to scholars fluent in French. Now, after a decade of preparation, this unique history of Central Asia is available in English, in a felicitous translation by Naomi Walford from the 1952 French edition, the last published in Grousset's lifetime. Nineteen maps have been expressly prepared for the Rutgers edition, and a comprehensive 54-page index has been added. In addition, specialists have checked the text, notes, and bibliographical references to bring this vast work into conformity with present-day academic standards.
Minnow finds support in the company of his roguish grandfather, his loyal pal Mark, and beautiful Opal Parsons, who has her own worries as the first African American student in their school. When the sheriff seems in no hurry to solve the murder, Minnow must seek justice by partnering with unlikely allies and discovering his own courage.
The compilation of the Complete Library of the Four Treasuries (Ssu-k’u ch’üan-shu) was one of the most ambitious intellectual projects of the Ch’ing dynasty. Initiated by imperial command in 1772, the project sought to evaluate, edit, and reproduce the finest Chinese writings in the four traditional categories: Confucian classics, histories, philosophy, and belles lettres. The final products, created over a 22-year period, were an annotated catalog of some 10,000 titles and seven new manuscript libraries of nearly 3,600 titles. The project had its darker side as well, for together with the evaluation of books there developed a campaign of censorship and proscription.
R. Kent Guy’s study gives a balanced account of the project and its significance. Dozens of celebrated Chinese scholars willingly participated in the project, though it was sponsored by the Manchu emperor, and Guy explains their reasons for doing so. He also reconsiders the issue of censorship, arguing that it grew as much from tensions and jealousies within the intellectual elite as from imperial command. Guy’s work will be useful to all those interested in the relationship between intellectuals and the state in late imperial China.
From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.
Volume 1: Foundations of Cultural Studies focuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics. This volume's stand-out essays include his field-defining “Cultural Studies and Its Theoretical Legacies;” the prescient “The Great Moving Right Show,” which first identified the emergent mode of authoritarian populism in British politics; and “Encoding and Decoding in the Television Discourse,” one of his most influential pieces of media criticism. As a whole, Volume 1 provides a panoramic view of Hall's fundamental contributions to cultural studies.
Volume 2: Identity and Diaspora draws from Hall's later essays, in which he investigated questions of colonialism, empire, and race. It opens with “Gramsci's Relevance for the Study of Race and Ethnicity,” which frames the volume and finds Hall rethinking received notions of racial essentialism. In addition to essays on multiculturalism and globalization, black popular culture, and Western modernity's racial underpinnings, Volume 2 contains three interviews with Hall, in which he reflects on his life to theorize his identity as a colonial and diasporic subject.
Featuring a variety of topics and methods, essays in Empires of Hygiene compare the disease that is physically suffered to that which is scientifically classified and identified as a social problem. Diseases such as leprosy and STDs, which have biomedical identities in Western settings but in Asia emerge as inseparable from certain colonial regimes, are examined. Spermatorrhea—a disease that compromises the male body’s ability to reproduce—is discussed in relation to the disarray of the Chinese Republic during the mid-twentieth century. The collection also addresses imperial themes of prewar Japan in the literary works of Mori Rintaro and Shimazaki Tison.
Contributors. Warwick Anderson, Michael Bourdaghs, Judith Farquhar, Marta Hanson, Thomas LaMarre, Philippa Levine, Hugh Shapiro, Nathan Sivin
"This inductive method in the teaching of grammar is educationally sound, and in employing it in this text some eighty years ago, the author was certainly far ahead of his time."—William Chomsky, Jewish Bookland
"A treatment of much that is essential in Hebrew grammar. . . .useful tools to the divinity student and instructor in biblical Hebrew."—David Weinstein, Jewish Education
As the world's largest polluter and its wealthiest country, the United States has a potentially enormous impact on international efforts to protect the environment. In this innovative and thought-provoking book, an international group of scholars examines how U.S. foreign policy affects and is affected by global environmental change.
Covering three broad areas—national security and geopolitics, domestic and international politics, and national interests and international obligations—the contributors examine a host of key issues, including ozone depletion and climate change, biodiversity and whale hunting, environmental and energy security, and international trade. They also raise moral issues associated with the United States's obligations to the rest of humanity. Because the environment has become an ever-more pressing issue at the diplomatic level, this book is essential, timely reading for policymakers, activists, and anyone interested in environmental change and international relations.
Sidney Harris is America's foremost science cartoonist. He has been praised by luminaries such as Linus Pauling and Isaac Asimov, as well as countless others throughout the world, for his ability to find humor in what is traditionally regarded as a somewhat dry subject.
Harris does for science what Scott Adams (the creator of Dilbert) does for business: his unique perspective illustrates the scientific and technological environments in such a funny way that everyone can enjoy it.
Now this best-selling book has been updated and revised with new cartoons. It's the perfect gift for a whole new generation of fans. But even if you're only mildly interested in science and technology--or just think that what goes on in those disciplines can be wacky at times--then this book is guaranteed to make you laugh out loud!
This eye-opening and well-researched companion to the first volume of Executing Democracy enters the death-penalty discussion during the debates of 1835 and 1843, when pro-death penalty Calvinist minister George Barrell Cheever faced off against abolitionist magazine editor John O’Sullivan. In contrast to the macro-historical overview presented in volume 1, volume 2 provides micro-historical case studies, using these debates as springboards into the discussion of the death penalty in America at large. Incorporating a wide range of sources, including political poems, newspaper editorials, and warring manifestos, this second volume highlights a variety of perspectives, thus demonstrating the centrality of public debates about crime, violence, and punishment to the history of American democracy. Hartnett’s insightful assessment bears witness to a complex national discussion about the political, metaphysical, and cultural significance of the death penalty.
The life of Edgar Allan Poe (1809–49) is the quintessential writer’s biography—great works arising from a life of despair, poverty, alcoholism, and a mysterious solitary death. It may seem like a cliché now, but it was Poe who helped shape this idea in the popular imagination. Despite or perhaps even inspired by his many hardships, Poe wrote some of the most well-known poems and intricately crafted stories in American literature. In Edgar Allan Poe,Kevin J. Hayes argues that Poe’s work anticipated many of the directions Western thought would take in the century to come, and he identifies links between Poe and writers and artists such as Walter Benjamin, Salvador Dalí, Sergei Eisenstein, and Jean Cocteau.
Whereas previous biographers have tended to concentrate on the sorry details of Poe’s life, by contrast Hayes takes an original approach by examining Poe’s life within the context of his writings. The author offers fresh, insightful readings of many of Poe’s short stories, and presents newly-discovered information about previously unknown books from Poe’s library, as well as updated biographical details obtained from nineteenth-century newspapers and magazines. This well-researched biography goes beyond previous scholarship and creates a complete picture of Poe and his significant body of work.
Approachably written, Edgar Allan Poe will appeal to the many fans of Poe’s work—from “The Raven” to the “Tell-Tale Heart”—as well as readers interested in American literary history.
Long respected as a classic in Europe, this translation is welcomed as the first comprehensive survey of Swedish economic history available in this country. Herein the late Eli Filip Heckscher discusses Swedish economy from the feudalism of the Middle Ages to World War II socialism.
Complete coverage is given to such diverse yet interrelated subjects as land distribution and use, agrarian reforms, growth of cities, social structure, foreign influence and immigration, development of iron and other metals, forest industry, population growth, trade beginnings, cooperatives, and the growth of socialism.
Faithfully translated, and with a newly added conclusion by Gunnar Heckscher, the author's son, this interesting book is valuable as a study of one of Europe's most economically advanced countries. Well-illustrated with maps, charts, and graphs, it provides invaluable reference material.
Arte da Lingua Malabar is a grammar of the Tamil spoken in the sixteenth century by the Parava pearl fisher community on the east coast of South India between Kanyakumari and Rameswaram. Fr. Henrique Henriques, S.J., a Portuguese Jesuit missionary to South India, was the first diligent student of Tamil from Europe. He wrote this grammar in Portuguese around 1549 CE for the benefit of his colleagues engaged in learning the local language for spreading their religious beliefs. Consequently, Arte da Lingua Malabar reflects the first linguistic contact between India and the West.
This grammar is unique in many aspects. It is not based on traditional Indian grammars; rather, it uses Latin grammatical categories to describe sixteenth-century Tamil. The effort to describe a language (Tamil) in terms of an unrelated language (Portuguese) has resulted in several inaccuracies in transliteration and scribing. Yet, Arte da Lingua Malabar is the best evidence for showing how sixteenth-century Tamil was heard and written by a sixteenth-century Portuguese. This English translation by Jeanne Hein and V. S. Rajam also includes analysis of the grammar and a description of the political context in which it was written.
Jón Karl Helgason looks at comic books, plays, travel books, music, and films in order to explore the reincarnations of a range of legendary characters, from the Nordic gods Thor and Odin to the saga characters Hallgerd Long-legs, Gunnar of Hlidarendi, and Leif the Lucky. Roaming the globe, Helgason unearths echoes of Nordic lore in Scandinavia, Britain, America, Germany, Italy, and Japan. He examines the comic work of Jack Kirby and cartoon work of Peter Madsen; reads the plays of Henrik Ibsen and Gordon Bottomley; engages thought travelogues by Frederick Metcalfe and Poul Vad; listens to the music of Richard Wagner, Edward Elgar, and the metal band Manowar; and watches films by directors such as Roy William Neill and Richard Fleischer, outlining the presence of the eddas and sagas in these nineteenth- and twentieth-century works.
Altogether, Echoes of Valhalla tells the remarkable story of how disparate, age-old poetry and prose originally recorded in remote areas of medieval Iceland have come to be a part of our shared cultural experience today—how Nordic gods and saga heroes have survived and how their colorful cast of characters and adventures they went on are as vibrant as ever.
With its penetrating examination of the British school system and postwar trends, Establishment and Meritocracy is an important resource for those concerned about the link between education and later success, both for individuals and their societies.
Essays featured in this issue analyze the use of cartography to communicate the urban form of early colonial Mexico City and the application of botanical and protochemical knowledge to make ink for native maps from Oaxaca. Other essays address the representation of ethnicity and space in seventeenth-century Manila, the construction of spatial boundaries through the use of word and image in central Mexico, and the survival of Nahua place names and social ordering in eighteenth-century Mexico City.
Alexander Hidalgo is Assistant Professor of Latin American History at Texas Christian University. John F. López is a Provost’s Postdoctoral Scholar at the University of Chicago.
Embracing Change: Alternatives to Traditional Research Writing Assignments collects existing alternative assignments from librarians and classroom instructors and examines their benefits and drawbacks, impact on various student populations, and the support needed to make them successful. In two parts—Analog-Driven Assignments and Technology-Driven Assignments—authors offer a wealth of insight into the theory and practice of utilizing alternative assignments. Case studies detail the development of assignments, their implementation, lessons learned, and assessment, and provide examples and reference materials for incorporating or refining your own alternative assignments. Projects covered include:
- how students engage with writing gray literature
- producing a local voting guide
- creating museum-level exhibit labels
- composing and printing original poems using a letterpress
- developing finding aids
- writing a children’s book
- creating infographics and lightning talk videos
- learning digital literacy using podcasts
- a variety of digital humanities projects
Drawing upon the philosophical theories of William James, Dewey, and Mead and focusing upon major works by Whitman, Stein, Howells, Dreiser, and Henry James, Anthony Hilfer explores how these authors have structured their characters' consciousness, their purpose in doing so, and how this presentation controls the reader's moral response.
Hilfer contends that there was a significant change in the mode of character presentation in American literature of the late nineteenth and early twentieth centuries. The self defined in terms of a Victorian ethic and judged adversely for its departures from that code shifted to the self defined in terms of emotional intensity and judged adversely for its failures of nerve. In the first mode, characters are almost always wrong to yield to desire; in the second, characters are frequently wrong not to and, in fact, are seen less as the sum of their ethical choices than as the process of their longings.
His conclusion: modern fiction is as overbalanced toward pathos as Victorian fiction was toward ethos. but the continued dialectic between the two is a tension that ought not be resolved.
While the Spanish conquistadors have been stereotyped as rapacious treasure seekers, many firstcomers to the New World realized that its greatest wealth lay in the native populations whose labor could be harnessed to build a new Spain. Hence, the early arrivals in Mexico sought encomiendas—"a grant of the Indians of a prescribed indigenous polity, who were to provide the grantee (the encomendero) tribute in the form of commoditiesand service in return for protection and religious instruction."
This study profiles the 506 known encomenderos in New Spain (present-day Mexico) during the years 1521-1555, using their life histories to chart the rise, florescence, and decline of the encomienda system. The first part draws general conclusions about the actual workings of the encomienda system. The second part provides concise biographies of the encomenderos themselves.
Edward Lear, while probably best known as the author of The Owl and the Pussycat and the famous Nonsense Books, was by profession a draughtsman and painter. For over fifty years after 1836, from the age of twenty-four, he spent much of his life traveling or in residence abroad, producing thousands of sketches and drawings, some of which he later elaborated or used as studies for paintings. He is now belatedly becoming recognized as one of the best topographical draughtsmen of his day.
Philip Hofer has long been an admirer and collector of the works of Edward Lear. He here presents a selection of Lear's landscape drawings chosen from his own collection and from the more than four thousand in the Harvard collection, which is the most extensive in the world. Hofer, whose constant concern has been in large part responsible for the excellence of this collection, introduces the plates with a biographical sketch of Lear, an extensive treatment of his development as a landscape draughtsman, and an appraisal of his work. He then reviews the growing appreciation of Lear's drawings and the present status of Lear collections both here and abroad, and adds a brief selected bibliography.
Edward Everett Hale is remembered by millions as the author of The Man Without a Country. This popular and gifted nineteenth-century writer was an outstanding and prolific contributor to the fields of journalism, fiction, essay, and history. He wrote more than 150 books and pamphlets (one novel sold more than a million copies in his lifetime) and was intimately associated with the publication of many of the early American journals, among them the North American Review, Atlantic Monthly, and Christian Examiner. He served as editor of Old and New and was a frequent contributor to the foremost newspapers and periodicals of his time.
Yet the writings of this “journalist with a touch of genius” were only incidental to Hale’s Christian ministry in New England and in Washington, D.C., where he was for five years Chaplain of the Senate. His literary creed reflected that of his ministry, for Hale’s interpretation of the social gospel comprised an active concern with all phases of human affairs.
Confidant of poets and editors, friend to diplomats and statesmen, Hale helped mold public opinions in economics, sociology, history, and politics through three-quarters of what he called “a most extraordinary century in history.” In recounting Hale’s life and times, Holloway vividly portrays this fascinating and often turbulent era.
“[The] book makes a wonderfully cohesive whole. It is rich in ideas, elegantly expressed. I highly recommend it to any serious student of science and culture.”—Lucy Horwitz, Boston Book Review
“An important and lasting contribution to a more profound understanding of the place of science in our culture.”—Hans C. von Baeyer, Boston Sunday Globe
“[Holton’s] themes are central to an understanding of the nature of science, and Holton does an excellent job of identifying and explaining key features of the scientific enterprise, both in the historical sense and in modern science…I know of no better informed scientist who has studied the nature of science for half a century.”—Ron Good, Science and Education
Through his rich exploration of Einstein’s thought, Gerald Holton shows how the best science depends on great intuitive leaps of imagination, and how science is indeed the creative expression of the traditions of Western civilization.
Seventy-Five Years Ago, the Last American Soldier Who Paid the Ultimate Price for Desertion
A New Edition of the Acclaimed Investigative Story
In August 1944, a drab convoy of raw recruits destined to join the 28th Division lumbered along a windy French road strewn with dead animals, shattered bodies, and burning equipment. One of those draftees was 24-year-old Eddie Slovik, a petty thief from Detroit who had spent his youth in and out of reform schools. Eddie's luck had recently changed, however, with a steady factory job and marriage to a beautiful girl who gave Eddie hope and security for the first time in his life. But their honeymoon—like that of many other wartime newlyweds—was interrupted by the call to service. The convoy came under intense artillery fire, and in the confusion Slovik became separated from his unit. He joined a Canadian outfit and traveled with them before finally reporting to the 28th Division. He carried a rifle but no ammunition. He was assigned to a platoon but walked away. Refusing to kill, Slovik was arrested, court martialed, and condemned to death. Hundreds of soldiers were tried for desertion during World War II and sentenced to die, but only Eddie Slovik paid the price, supposedly as a deterrent, yet word of the nature of his death was never officially released to the public.
In The Execution of Private Slovik, considered to be among the best investigative books ever written, journalist and author William Bradford Huie reconstructs this entire story with the full cooperation of the U.S. Army in order to find out what made Eddie Slovik an unlikely pacifist and why the affair was covered up. Through interviews with those who knew him and the hundreds of letters to his wife, the author reveals a hard luck depression-era kid who when faced with the reality of war realized that he simply could not kill another human being. Throughout, Huie reveals how Eddie Slovik's death has much to tell us about life and duty to one's country. This edition marking the seventy-fifth anniversary of the sentence being carried out, contains a new introduction by the author's daughter.
Praise for The Execution of Private Slovik:
"In the hands of an expert, who writes both passionately and with an almost transparent effort to be fair to all concerned, the story raises questions to which our wisest leaders still lack satisfying answers."
—New York Times
"A remarkable story reported by a master."—W. E. B. Griffin
"Recommended reading for all military historians."—Military Affairs
"Tremendously moving."—The Atlantic
"It is very likely that William Bradford Huie's The Execution of Private Slovikwill long survive the official histories of World War II. It is a big book and Mr. Huie deserves some sort of rich reward for this unburying of an incident of the war which must disturb us all. For Slovik was more than a 'coward.' He not only did not want to die but he did not want to kill, and one must look far in literature for a figure so moving as Private Slovik wandering about Europe not with bullets in his cartridge belt but with writing paper. The question is not 'How might we improve military procedures?' The question is, 'What has happened to love in our world when he who would rather love than kill must die?'"—from a letter to the New York Times
An estimated two billion people worldwide regularly consume insects, yet bugs are rarely eaten in the West. Why are some disgusted at the thought of eating insects while others find them delicious? Edible Insects: A Global History provides a broad introduction to the role of insects as human food, from our prehistoric past to current food trends—and even recipes. On the menu are beetles, butterflies, grasshoppers, and grubs of many kinds, with stories that highlight traditional methods of insect collection, preparation, consumption, and preservation. But we not only encounter the culinary uses of creepy-crawlies across many cultures. We also learn of the potential of insects to alleviate global food shortages and natural resource overexploitation, as well as the role of world-class chefs in making insects palatable to consumers in the West.
Taking cues from the Japanese concept of ethical or stakeholder capitalism, this book demonstrates how the business activities of firms in Thailand and Indonesia are guided by their perceptions of morality in society and their concerns about the environment. The authors explore the likelihood that foreign influences contributed to the development of such management philosophies, for example through the expansion of Japanese subsidiary firms in the 1980s or the spread of foreign articulations of the concept of corporate social responsibility (CSR) since the 2000s. Companies in both countries may exercise a degree of pragmatism in how they develop these activities. As the authors reveal, the perceptions of morality in business that have shaped many entrepreneurs and companies in Thailand and Indonesia are their responses to the dynamic political, social, and economic factors that have formed the business environments of both countries.
English Sentence Structure presents and clarifies all facets of the sentence for beginning and intermediate students. Oral drills, examples, and written exercises form a pattern of regular review and self-evaluation. Each lesson is coordinated with English Pattern Practices.
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