During the Thirty Years' War, a war that seemed to be determining the future of Protestantism, those who believed that they were the most truly Protestant part of English society, the Puritans, frequently opposed the foreign policies of the English government. In this perceptive study of the Puritans' contribution to English nationalism between 1618 and 1640, Marvin Arthur Breslow analyzes their attitudes toward foreign nations. He demonstrates how their views of the warring European nations also expressed certain aspects of their thinking about England and how in these views there was mirrored an image of England--an image against which they measured the religion and patriotism of the true Englishman.
Drawing on contemporary parliamentary diaries, letters, memoirs, sermons, and tracts, Breslow discusses specifically the Puritans' attitudes toward Germany, the area in which the Thirty Years' War began; toward Spain, English fear and hatred of which were already firmly established; the Netherlands, with which there was trade rivalry; France, where they were forced to harmonize conflicting interests; and, finally, Sweden. The author identifies several recurrent themes, including a fundamental concern for Protestantism and the effective mythologizing of the Elizabethan past. He also reveals that while Puritan foreign policy was often opposed to the policies of the English government, it accorded closely with the attitudes, however passive, of the general public. The significant differences were the greater degree of intensity with which the Puritans vigorously expressed their concern and their efforts to arouse the general public.
Breslow emphasizes the importance of Puritan foreign-policy attitudes, the fusion of religious and political concerns in the patriotic Englishman, and the Puritan definition of the English nation in the decades preceding the Civil War and Revolution.
Collecting the interpretations of outstanding writers on the literature and history of modern Britain, this book deals with a rich variety of themes, some familiar, many unexpected, taking the reader on a highly engaging excursion through British life and intellectual biography. The scope includes not only the personalities, politics, and culture of England, Wales, Scotland, and Ireland, but also the interaction of British and other societies throughout the world.
A comparative analysis of two militant nationalist groups.
Why do some militant nationalists turn to electoral politics while others resist-and even seek to destroy-that arena? Cynthia L. Irvin examines two cases of electoral interventions by nationalist organizations engaged in violent political competition: in Northern Ireland and in the Basque provinces of Spain. Based on her findings, she offers insights into the circumstances that lead such groups to abandon violence in favor of institutional political struggle.
Using fieldwork done in Northern Ireland and the Basque Country, Irvin develops a model linking the internal dynamics of Sinn Fein and Herri Batasuna (the electoral arm of the militant Basque separatists) to changes in their external environments. In this unusual comparative analysis, she draws on interviews with more than 100 Sinn Fein and Herri Batasuna activists and on a unique survey of 140 Herri Batasuna activists. This approach moves Irvin’s work beyond previous analyses, which have relied on either descriptive and historical accounts or formal models of insurgent violence. This detailed account has broad implications for the study of social movements and ethnic identity, providing a valuable new perspective into the strategic interactions and often conflict-ridden relationship between social movements and political parties. ISBN 0-8166-3114-X Cloth £00.00 $49.95xxISBN 0-8166-3115-8 Paper £00.00 $19.95x304 Pages 26 Tables 5 7/8 x 9 MaySocial Movements, Protest, and Contention Series, volume 9Translation inquiries: University of Minnesota PressA compelling new biography that recasts the most important European statesman of the first half of the nineteenth century, famous for his alleged archconservatism, as a friend of realpolitik and reform, pursuing international peace.
Metternich has a reputation as the epitome of reactionary conservatism. Historians treat him as the archenemy of progress, a ruthless aristocrat who used his power as the dominant European statesman of the first half of the nineteenth century to stifle liberalism, suppress national independence, and oppose the dreams of social change that inspired the revolutionaries of 1848. Wolfram Siemann paints a fundamentally new image of the man who shaped Europe for over four decades. He reveals Metternich as more modern and his career much more forward-looking than we have ever recognized.
Clemens von Metternich emerged from the horrors of the Revolutionary and Napoleonic wars, Siemann shows, committed above all to the preservation of peace. That often required him, as the Austrian Empire’s foreign minister and chancellor, to back authority. He was, as Henry Kissinger has observed, the father of realpolitik. But short of compromising on his overarching goal Metternich aimed to accommodate liberalism and nationalism as much as possible. Siemann draws on previously unexamined archives to bring this multilayered and dazzling man to life. We meet him as a tradition-conscious imperial count, an early industrial entrepreneur, an admirer of Britain’s liberal constitution, a failing reformer in a fragile multiethnic state, and a man prone to sometimes scandalous relations with glamorous women.
Hailed on its German publication as a masterpiece of historical writing, Metternich will endure as an essential guide to nineteenth-century Europe, indispensable for understanding the forces of revolution, reaction, and moderation that shaped the modern world.
A keen observer of culture, Czech writer Vladimír Macura (1945–99) devoted a lifetime to illuminating the myths that defined his nation. The Mystifications of a Nation, the first book-length translation of Macura’s work in English, offers essays deftly analyzing a variety of cultural phenomena that originate, Macura argues, in the “big bang” of the nineteenth-century Czech National Revival, with its celebration of a uniquely Czech identity.
In reflections on two centuries of Czech history, he ponders the symbolism in daily life. Bridges, for example—once a force of civilization connecting diverse peoples—became a sign of destruction in World War I. Turning to the Soviet and post-Soviet eras, Macura probes a range of richly symbolic practices, from the naming of the Prague metro system, to the mass gymnastic displays of the Communist period, to post–Velvet Revolution preoccupations with the national anthem. In “The Potato Bug,” he muses on one of the stranger moments in the Cold War—the claim that the United States was deliberately dropping insects from airplanes to wreak havoc on the crops of Czechoslovakia.
While attending to the distinctively Czech elements of such phenomena, Macura reveals the larger patterns of Soviet-brand socialism. “We were its cocreators,” he declares, “and its analysis touches us as a scalpel turned on its own body.” Writing with erudition, irony, and wit, Macura turns the scalpel on the authoritarian state around him, demythologizing its mythology.
“Lots of Romanians, in my day, dreamed of France; not many got there,” writes the author in his introduction. “Fortuitousness, contingency, and sheer good luck made me fall into France, just as one falls into love.” Fifty years after reaching France, by way of school in England, Eugen Weber presents a series of illuminations on the country he loves, and whose civilization he has made the center of his life's work as an interpreter of European history, subspecialty France.
My France focuses on some of the most intriguing aspects of French life: polities, myths, personalities, public problems, actions, conflicts. The topics Weber treats range from sports to religion, and include comments on folklore, peasant politicization, national socialism, the nature of the French right, antisemitism, and famous Frenchmen such as Pierre de Coubertin, Maurice Barres, and Marc Bloch. In every chapter he questions established assumptions, asks if things are quite as they are taken to be, and points out links between apparently unrelated doings (literature and private income, religion and superstition, fairy tales and everyday life). Every essay reflects his unique insight and is enlivened by his witty and graceful style, making My France irresistible not only to students of modern European history, but also to Francophiles and pundits of Europe everywhere.
An epochal event in French history, the St. Bartholomew’s Day religious massacres are still the subject of controversy. A leading historian of the early modern period, Robert Kingdon, writes about the reactions to the massacres that were published at the time, showing how the relatively new medium of print was used by the Protestants to shape reaction to the catastrophe an early example of the printing press as an agent of social and political change.
Kingdon describes the loosely connected network of printers in Geneva, Basel, Strasbourg, Frankfurt, Heidelberg, London, La Rochelle, and other cities that printed and distributed the grisly accounts of the murders of thousands of Protestants by Catholic zealots. But the pamphlets encompassed more than the making of martyrs. Some linked the massacres with an evil international conspiracy led by the French monarchy, Rome, and Spain. Others were political treatises arguing for a type of government that would no longer claim absolute power and would permit the survival of an ideological minority. Thus, the book contributes to an understanding of the history of printed propaganda and the role of myths in historical events, and illuminates important aspects of international diplomacy and political thought during the period of the later Reformation.
In a provocative study, Paul Sonnino examines the diplomatic negotiations that took place in Westphalia from 1643 to 1648, which brought an end to the agonizing civil and religious conflict of the Thirty Years’ War.
Sonnino steps back from myriad historical readings of Westphalia to take the diplomats’ intentions and interactions strictly on their own terms. He places the reader alongside the pivotal figure of French minister Jules Cardinal Mazarin as he maneuvers for gain. The narrative thus offers a firsthand experience of the negotiations as they played out, as well as a penetrating look into the character, personality, and ideas of the crafty cardinal. Although Mazarin acquired the province of Alsace—making him a hero to French nationalists—he had a much more successful peace within his grasp, but lost it when he insisted on annexing the Spanish Low Countries. Sonnino also offers a new interpretation of the origins of the Fronde, linking the French domestic revolt to foreign policy, in Mazarin’s failure to secure peace with Spain.
Based on unprecedented archival documentation, Mazarin’s Quest provides an original and illuminating look at one of the most complicated diplomatic gatherings of all time.
The insurrection of 31 May-2 June 1793 that overthrew the Girondins and brought the Montagnards to power was a decisive event in the history of the French Revolution. Morris Slavin's study is the first that discusses the background, the mechanisms, and the immediate results of the uprising, as well as the hidden forces that produced it and the contradictions that were inherent in it from the beginning.
Slavin's approach to the controversy between the Gironde and the Mountain is from below (d'en bas), from the vantage point of the sections of Paris and their extralegal assembly, the Eveche assembly, and its Comite des Neuf. He shows how and why the Montagnards used the insurrectionary organs created by the sans-culottes for their own purposes, and how the Montagnards won them over against their Girondin enemies by granting the sans-culottes economic concessions, at the same time disarming them politically.
This revelation of the profound differences between the sans-culottes and the Montagnards on the goals of the insurrection is a major contribution to understanding French revolutionary behavior. Slavin finds that the rank and file in the pro-Girondin sections were just as self-sacrificing and just as patriotic as the followers of the Mountain. The dispute between the Girondins and the Montagnards was an intraclass contest, not a class struggle.
In a brilliant, original rendition, Monsters of the Gévaudan revisits a spellbinding French tale that has captivated imaginations for over two hundred years, and offers the definitive explanation of the strange events that underlie this timeless story.
In 1764 a peasant girl was killed and partially eaten while tending a flock of sheep. Eventually, over a hundred victims fell prey to a mysterious creature, or creatures, whose cunning and deadly efficiency terrorized the region and mesmerized Europe. The fearsome aggressor quickly took on mythic status, and the beast of the Gévaudan passed into French folklore.
What species was this killer, why did it decapitate so many of its victims, and why did it prefer the flesh of women and children? Why did contemporaries assume that the beast was anything but a wolf, or a pack of wolves, as authorities eventually claimed, and why is the tale so often ignored in histories of the ancien régime? Smith finds the answer to these last two questions in an accident of timing. The beast was bound to be perceived as strange and anomalous because its ravages coincided with the emergence of modernity itself.
Expertly situated within the social, intellectual, cultural, and political currents of French life in the 1760s, Monsters of the Gévaudan will engage a wide range of readers with both its recasting of the beast narrative and its compelling insights into the allure of the monstrous in historical memory.
The contributions of female artists to the development of literary and artistic modernism in early twentieth century France remain poorly understood. It was during this period that a so-called “modern woman” began occupying urban spaces associated with the development of modern art and modernism’s struggles to define subjectivities and sexualities. Whereas most studies of modernism’s formal innovations and its encouragement of artistic autonomy neglect or omit necessary discussions of gender, race, class, and sexual orientation, the contributors of The Modern Woman Revisited inject these perspectives into the discussion.
Between the two World Wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public artistic and intellectual life. Many of these women made lasting contributions in art and literature. Some of the artists discussed include Colette, Tamara de Lempicka, Sonia Delaunay, Djuna Barnes, Augusta Savage, and Lee Miller.
Inthis book, an internationally recognized roster of art historians, literary critics, and other scholars offers a nuanced portrait of what it meant to be a modern woman during this decisive period of modernism’s development. Individual essays explore the challenges faced by women in the early decades of the twentieth century, as well as the strategies these women deployed to create their art and to build meaningful lives and careers. The introduction underscores the importance of the contributors’ efforts to engender larger questions about modernity, sexuality, race, and class.
Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism.
Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.
The harsh Armistice terms of 1918, the short-lived Weimar Republic, Hindenburg's senile vacillations, and behind-the-scene power plays form the backbone of this excellent study covering German history during the first three-and-a-half decades of the century.
This is a remarkable historical and psychological examination of the enigma of Adolf Hitler—who he was, how he wielded power, and why he was destined to fail.
Beginning with Hitler’s early life, Sebastian Haffner probes the historical, political, and emotional forces that molded his character. In examining the inhumanity of a man for whom politics became a substitute for life, he discusses Hitler’s bizarre relationships with women, his arrested psychological development, his ideological misconceptions, his growing obsession with racial extermination, and the murderous rages of his distorted mind. Finally, Haffner confronts the most disturbing question of all: Could another Hitler rise to power in modern Germany?
How the modern world understood the ancient Greeks and why they matter today.
The study of ancient Greece has been central to Western conceptions of history since the Renaissance. The Muse of History traces the shifting patterns of this preoccupation in the last three centuries, in which successive generations have reinterpreted the Greeks in the light of their contemporary worlds. Thus, in the eighteenth century, the conflict between Athens and Sparta became a touchstone in the development of republicanism, and in the nineteenth, Athens came to represent the democratic ideal. Amid the ideological conflicts of the twentieth century, the Greeks were imagined in an age of suffering, inspiring defenses against nationalism, Nazism, communism, and capitalism.
Oswyn Murray draws powerful conclusions from this historiography, using the ever-changing narrative of ancient Greece to illuminate grand theories of human society. Analyzing the influence of historians and philosophers including Hegel, Burckhardt, Nietzsche, and Braudel, Murray also considers how coming generations might perceive the Greeks. Along the way, The Muse of History offers rare behind-the-scenes glimpses of figures who shaped the study of ancient Greece, some devotedly cited to this day and others forgotten. We sit in on a class with Arnaldo Momigliano; meet Moses Finley after his arrival in England; eavesdrop on Paul Veyne, Jean-Pierre Vernant, and Pierre Vidal-Naquet; and rediscover Michel Foucault.
A thrilling work that rewrites established scholarly traditions and locates important ideas in unexpected places, The Muse of History reminds us that the meaning of the past is always made in and for the present.
During the early part of the twentieth century all the Mediterranean powers were transforming or at least expanding their navies from mere coastal defense forces to modern war machines, thus adding to a highly unstable political situation. The naval challenge of the Triple Alliance to Britain and especially to France was a serious one. Indeed, this study demonstrates that the Mediterranean situation had great influence on the plans and estimates of the British Admiralty.
Paul G. Halpern has uncovered new material in London, Paris, Rome, and Vienna that helps to explain the plans and dispositions of Entente and Triple Alliance forces at the outbreak of the war.
Mediterranean in Dis/order reveals the connection between space and politics by examining the role that space has played in insurgencies, conflicts, uprisings, and mobilities in the Mediterranean region. With this approach, the authors are able to challenge well-established beliefs about the power structure of the state across different disciplines (including political science, history, sociology, geography, and anthropology), and its impact on the conception, production, and imagination of space in the broader Mediterranean. Further, they contribute to particular areas of studies, such as migration, political Islam, mobilization, and transition to democracy, among others. The book, infusing critical theory, unveils original and revelatory case studies in Tunisia, Libya, Lebanon, Turkey, Syria, Morocco, and the EU Mediterranean policy, through a various set of actors and practices—from refugees and migrations policies, to Islamist or students’ movements, architectural sites, or movies. This multidisciplinary perspective on space and power provides a valuable resource for practitioners interested in how space, context, and time interact to produce institutions, political subjectivities, and asymmetries of power, particularly since the turning point of the Arab uprisings. The book also helps readers understand the conditions under which the uprisings develop, giving a clearer picture about various national, regional, and international dynamics.
Concern with memory permeated Roman literature, history, rhetorical training, and art and architecture. This is the first book to look at the phenomenon from a variety of perspectives, including cognitive science. There is no orthodoxy in memory studies and the approaches are both empirical and theoretical. A central issue is: who and what preserved and shaped cultural memory in Rome, and how did that process work? Areas and subjects covered include the Romans' view of the changing physical fabric of the city, monuments (by etymology related to memory) such as the Arch of Constantine, memory and the Roman triumph, Roman copies of Greek sculpture and their relation to memory, the importance of written information and of continuing process, the creation of memory in Republican memoirs and Flavian poetry, the invention of traditions, and the connection of cultural and digital memory.
The ten chapters present original findings that complement earlier scholarship from the perspective of memory and open up new horizons for inquiry. The introduction by volume editor Karl Galinsky situates the work within current studies on cultural and social memory, and the concluding chapter by Daniel Libeskind provides the perspective of a contemporary practitioner.
Additional contributors include Richard Jenkyns, Harriet I. Flower, T. P. Wiseman, Karl-J. Hölkeskamp, Gianpiero Rosati, Diane Favro, Jessica Hughes, Anna Anguissola, Lisa Marie Mignone, and Bernard Frischer.
A new history of how one of the Renaissance’s preeminent cities lost its independence in the Italian Wars.
In 1499, the duchy of Milan had known independence for one hundred years. But the turn of the sixteenth century saw the city battered by the Italian Wars. As the major powers of Europe battled for supremacy, Milan, viewed by contemporaries as the “key to Italy,” found itself wracked by a tug-of-war between French claimants and its ruling Sforza family. In just thirty years, the city endured nine changes of government before falling under three centuries of Habsburg dominion.
John Gagné offers a new history of Milan’s demise as a sovereign state. His focus is not on the successive wars themselves but on the social disruption that resulted. Amid the political whiplash, the structures of not only government but also daily life broke down. The very meanings of time, space, and dynasty—and their importance to political authority—were rewritten. While the feudal relationships that formed the basis of property rights and the rule of law were shattered, refugees spread across the region. Exiles plotted to claw back what they had lost.
Milan Undone is a rich and detailed story of harrowing events, but it is more than that. Gagné asks us to rethink the political legacy of the Renaissance: the cradle of the modern nation-state was also the deathbed of one of its most sophisticated precursors. In its wake came a kind of reversion—not self-rule but chaos and empire.
In 1537, Florentine Duke Alessandro dei Medici was murdered by his cousin and would-be successor, Lorenzino dei Medici. Lorenzino's treachery forced him into exile, however, and the Florentine senate accepted a compromise candidate, seventeen-year-old Cosimo dei Medici. The senate hoped Cosimo would act as figurehead, leaving the senate to manage political affairs. But Cosimo never acted as a puppet. Instead, by the time of his death in 1574, he had stabilized ducal finances, secured his borders while doubling his territory, attracted an array of scholars and artists to his court, academy, and universities, and, most importantly, dissipated the perennially fractious politics of Florentine life.
Gregory Murry argues that these triumphs were far from a foregone conclusion. Drawing on a wide variety of archival and published sources, he examines how Cosimo and his propagandists successfully crafted an image of Cosimo as a legitimate sacral monarch. Murry posits that both the propaganda and practice of sacral monarchy in Cosimo's Florence channeled preexisting local religious assumptions as a way to establish continuities with the city's republican and renaissance past. In The Medicean Succession, Murry elucidates the models of sacral monarchy that Cosimo chose to utilize as he deftly balanced his ambition with the political sensitivities arising from existing religious and secular traditions.
A Mattress Maker’s Daughter richly illuminates the narrative of two people whose mutual affection shaped their own lives and in some ways their times. According to the Renaissance legend, told and retold across the centuries, a woman of questionable reputation bamboozles a middle-aged warrior-prince into marrying her, and the family takes revenge. He is don Giovanni de’ Medici, son of the Florentine grand duke; she is Livia Vernazza, daughter of a Genoese artisan. They live in luxury for a while, far from Florence, and have a child. Then, Giovanni dies, the family pounces upon the inheritance, and Livia is forced to return from riches to rags. Documents, including long-lost love letters, reveal another story behind the legend, suppressed by the family and forgotten. Brendan Dooley investigates this largely untold story, among the various settings where episodes occurred, between Florence, Genoa, Venice.
In the course of explaining their improbable liaison and its consequences, A Mattress Maker’s Daughter explores early modern emotions, material culture, heredity, absolutism, and religious tensions at the crux of one of the great transformations in European culture, society, and statecraft. Giovanni and Livia exemplify changing concepts of love and romance, new standards of public and private conduct, and emerging attitudes toward property and legitimacy just as the age of Renaissance humanism gave way to the culture of Counter Reformation and Early Modern Europe.
Contributors. Edward Allworth, Hans Bräker, Marie Broxup, Georg Brunner, Bert G. Fragner, Uwe Halbach, Wolfgang Höpken, Andreas Kappeler, Edward J. Lazzerini, Richard Lorenz, Alexandre Popovi´c, Sabrina Petra Ramet, Azade-Ayse Rorlich, Gerhard Simon, Tadeusz Swietochowski
Offering a fundamental reinterpretation of the emergence of the Soviet state, Peter Holquist situates the Bolshevik Revolution within the continuum of mobilization and violence that began with World War I and extended through Russia's civil war. In so doing, Holquist provides a new genealogy for Bolshevik political practices, one that places them clearly among Russian and European wartime measures. From this perspective, the Russian Revolution was no radical rupture with the past, but rather the fulcrum point in a continent-wide era of crisis and violence that began in 1914.
While Tsarist and Revolutionary governments implemented policies for total mobilization common to other warring powers, they did so in a supercharged and concentrated form. Holquist highlights how the distinctive contours of Russian political life set its experience in these years apart from other wartime societies. In pursuit of revolution, statesmen carried over crisis-created measures into political life and then incorporated them into the postwar political structure. Focusing on three particular policies--state management of food; the employment of official violence for political ends; and state surveillance--Holquist demonstrates the interplay of state policy and local implementation, and its impact on the lives of ordinary citizens. Making War, Forging Revolution casts a new light on Russia's revolution and boldly inserts it into the larger story of the Great War and twentieth-century European history.
The Bolshevik seizure of power in 1917 and the ensuing communist regime have often been portrayed as a man’s revolution, with women as bystanders or even victims. Midwives of the Revolution examines the powerful contribution made by women to the overthrow of tsarism in 1917 and their importance in the formative years of communism in Russia.
Focusing on the masses as well as the high-ranking intelligentsia, Midwives of the Revolution is the first sustained analysis of female involvement in the revolutionary era of Russian history. The authors investigate the role of Bolshevik women and the various forms their participation took. Drawing on the experiences of representative individuals, the authors discuss the important relationship between Bolshevik women and the workers in the turbulent months of 1917.
The authors demonstrate that women were an integral part of the revolutionary process and challenge assumptions that they served merely to ignite an essentially masculine revolt. By placing women center stage, without exaggerating their roles, this study enriches our understanding of a momentous event in twentieth-century history.
Joseph Stalin had been dead for three years when his successor, Nikita Khrushchev, stunned a closed gathering of Communist officials with a litany of his predecessor’s abuses. Meant to clear the way for reform from above, Khrushchev’s “Secret Speech” of February 25, 1956, shattered the myth of Stalin’s infallibility. In a bid to rejuvenate the Party, Khrushchev had his report read out loud to members across the Soviet Union that spring. However, its message sparked popular demands for more information and greater freedom to debate.
Moscow 1956: The Silenced Spring brings this first brief season of thaw into fresh focus. Drawing on newly declassified Russian archives, Kathleen Smith offers a month-by-month reconstruction of events as the official process of de-Stalinization unfolded and political and cultural experimentation flourished. Smith looks at writers, students, scientists, former gulag prisoners, and free-thinkers who took Khrushchev’s promise of liberalization seriously, testing the limits of a more open Soviet system.
But when anti-Stalin sentiment morphed into calls for democratic reform and eventually erupted in dissent within the Soviet bloc—notably in the Hungarian uprising—the Party balked and attacked critics. Yet Khrushchev had irreversibly opened his compatriots’ eyes to the flaws of monopolistic rule. Citizens took the Secret Speech as inspiration and permission to opine on how to restore justice and build a better society, and the new crackdown only reinforced their discontent. The events of 1956 set in motion a cycle of reform and retrenchment that would recur until the Soviet Union’s collapse in 1991.
In the early sixteenth century, the monk Filofei proclaimed Moscow the “Third Rome.” By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world.
Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.
Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.
An Innovative Study on Historical Multiculturalism in Central and Eastern Europe
The Polish-Lithuanian Commonwealth (1569–1795) was once the largest country in Europe—a multicultural republic that was home to Belarusians, Germans, Jews, Lithuanians, Poles, Ruthenians, Tatars, Ukrainians, and other ethnic and religious groups. Although long since dissolved, the Commonwealth remains a rich resource for mythmaking in its descendent modern-day states, but also a source of contention between those with different understandings of its history. Multicultural Commonwealth brings together the expertise of world-renowned scholars in a range of disciplines to present perspectives on both the Commonwealth’s historical diversity and the memory of this diversity. With cutting-edge research on the intermeshed histories and memories of different ethnic and religious groups of the Commonwealth, this volume asks how various contemporary conceptions of multiculturalism can be applied to the region through a critical lens that also seeks to understand the past on its own terms.The ethnographic focus is a former undocumented fish market that at one time employed both Portuguese and Cape Verdean women. Both groups eventually sought work in low-wage professions as maids, nannies, and restaurant-kitchen help. The visibility of poor Portuguese women as domestics was thought to undermine the appearance of Portuguese modernity; by contrast, the association of poor African women with domestic work confirmed it. Fikes argues that we can better understand how Portugal interpreted its economic absorption into the EU by attending to the different directions in which working-poor Portuguese and Cape Verdean women were routed in the mid-1990s and by observing the character of the new work relationships that developed among them. In Managing African Portugal, Fikes pushes for a study of migrant phenomena that considers not only how the enactment of citizenship by the citizen manages the migrant, but also how citizens are simultaneously governed through their uptake and assumption of new EU citizen roles.
A dispatch from a foreign land, when crafted by an attentive and skilled writer, can be magical, transmitting pleasure, drama, and seductive strangeness.
In The Moon, Come to Earth, Philip Graham offers an expanded edition of a popular series of dispatches originally published on McSweeney’s, an exuberant yet introspective account of a year’s sojourn in Lisbon with his wife and daughter. Casting his attentive gaze on scenes as broad as a citywide arts festival and as small as a single paving stone in a cobbled walk, Graham renders Lisbon from a perspective that varies between wide-eyed and knowing; though he’s unquestionably not a tourist, at the same time he knows he will never be a local. So his lyrical accounts reveal his struggles with (and love of) the Portuguese language, an awkward meeting with Nobel laureate José Saramago, being trapped in a budding soccer riot, and his daughter’s challenging transition to adolescence while attending a Portuguese school—but he also waxes loving about Portugal’s saudade-drenched music, its inventive cuisine, and its vibrant literary culture. And through his humorous, self-deprecating, and wistful explorations, we come to know Graham himself, and his wife and daughter, so that when an unexpected crisis hits his family, we can’t help but ache alongside them.
A thoughtful, finely wrought celebration of the moment-to-moment excitement of diving deep into another culture and confronting one’s secret selves, The Moon, Come to Earth is literary travel writing of a rare intimacy and immediacy.
In April 1955, twenty-nine countries from Africa, Asia, and the Middle East came together for a diplomatic conference in Bandung, Indonesia, intending to define the direction of the postcolonial world. Representing approximately two-thirds of the world’s population, the Bandung conference occurred during a key moment of transition in the mid-twentieth century—amid the global wave of decolonization that took place after the Second World War and the nascent establishment of a new cold war world order in its wake. Participants such as Jawaharlal Nehru of India, Gamal Abdel Nasser of Egypt, Zhou Enlai of China, and Ahmed Sukarno of Indonesia seized this occasion to attempt the creation of a political alternative to the dual threats of Western neocolonialism and the cold war interventionism of the United States and the Soviet Union.
The essays in this volume explore the diverse repercussions of this event, tracing the diplomatic, intellectual, and sociocultural histories that have emanated from it. Making a World after Empire consequently addresses the complex intersection of postcolonial history and cold war history and speaks to contemporary discussions of Afro-Asianism, empire, and decolonization, thus reestablishing the conference’s importance in twentieth-century global history.
Contributors: Michael Adas, Laura Bier, James R. Brennan, G. Thomas Burgess, Antoinette Burton, Dipesh Chakrabarty, Julian Go, Christopher J. Lee, Jamie Monson, Jeremy Prestholdt, Denis M. Tull
Hardly more than a decade old, the twenty-first century has already been dubbed the Asian Century in recognition of China and India’s increasing importance in world affairs. Yet discussions of Asia seem fixated on economic indicators—gross national product, per capita income, share of global trade. Makers of Modern Asia reorients our understanding of contemporary Asia by highlighting the political leaders, not billionaire businessmen, who helped launch the Asian Century.
The nationalists who crafted modern Asia were as much thinkers as activists, men and women who theorized and organized anticolonial movements, strategized and directed military campaigns, and designed and implemented political systems. The eleven thinker-politicians whose portraits are presented here were a mix of communists, capitalists, liberals, authoritarians, and proto-theocrats—a group as diverse as the countries they represent.
From China, the world’s most populous country, come four: Mao Zedong, leader of the Communist Revolution; Zhou Enlai, his close confidant; Deng Xiaoping, purged by Mao but rehabilitated to play a critical role in Chinese politics in later years; and Chiang Kai-shek, whose Kuomintang party formed the basis of modern Taiwan. From India, the world’s largest democracy, come three: Mohandas Gandhi, Jawaharlal Nehru, and Indira Gandhi, all of whom played crucial roles in guiding India toward independence and prosperity. Other exemplary nationalists include Vietnam’s Ho Chi Minh, Indonesia’s Sukarno, Singapore’s Lee Kuan Yew, and Pakistan’s Zulfiqar Ali Bhutto. With contributions from leading scholars, Makers of Modern Asia illuminates the intellectual and ideological foundations of Asia’s spectacular rise to global prominence.
From "green" pop and "clean" cinema to halal songs, Islamic soaps, Muslim rap, Islamist fantasy serials, and Suficized music, the performing arts have become popular and potent avenues for Islamic piety movements, politically engaged Islamists, Islamic states, and moderate believers to propagate their religio-ethical beliefs. Muslim Rap, Halal Soaps, and Revolutionary Theater is the first book that explores this vital intersection between artistic production and Islamic discourse in the Muslim world.
The contributors to this volume investigate the historical and structural conditions that impede or facilitate the emergence of a "post-Islamist" cultural sphere. They discuss the development of religious sensibilities among audiences, which increasingly include the well-to-do and the educated young, as well as the emergence of a local and global religious market. At the heart of these essays is an examination of the intersection between cultural politics, performing art, and religion, addressing such questions as where, how, and why pop culture and performing arts have been turned into a religious mission, and whether it is possible to develop a new Islamic aesthetic that is balanced with religious sensibilities. As we read about young Muslims and their quest for a "cool Islam" in music, their struggle to quell their stigmatized status, or the collision of morals and the marketplace in the arts, a vivid, varied new perspective on Muslim culture emerges.
The ancient Middle East was the theater of passionate interaction between Phoenicians, Aramaeans, Arabs, Jews, Greeks, and Romans. At the crossroads of the Mediterranean, Mesopotamia, and the Arabian peninsula, the area dominated by what the Romans called Syria was at times a scene of violent confrontation, but more often one of peaceful interaction, of prosperous cultivation, energetic production, and commerce--a crucible of cultural, religious, and artistic innovations that profoundly determined the course of world history.
Maurice Sartre has written a long overdue and comprehensive history of the Semitic Near East (modern Syria, Lebanon, Jordan, and Israel) from the eve of the Roman conquest to the end of the third century C.E. and the dramatic rise of Christianity. Sartre's broad yet finely detailed perspective takes in all aspects of this history, not just the political and military, but economic, social, cultural, and religious developments as well. He devotes particular attention to the history of the Jewish people, placing it within that of the whole Middle East.
Drawing upon the full range of ancient sources, including literary texts, Greek, Latin, and Semitic inscriptions, and the most recent archaeological discoveries, The Middle East under Rome will be an indispensable resource for students and scholars. This absorbing account of intense cultural interaction will also engage anyone interested in the history of the Middle East.
In The Middle East and the Making of the Modern World, Cyrus Schayegh takes up a fundamental problem historians face: how to make sense of the spatial layeredness of the past. He argues that the modern world’s ultimate socio-spatial feature was not the oft-studied processes of globalization or state formation or urbanization. Rather, it was fast-paced, mutually transformative intertwinements of cities, regions, states, and global circuits, a bundle of processes he calls transpatialization.
To make this case, Schayegh’s study pivots around Greater Syria (Bilad al-Sham in Arabic), which is roughly coextensive with present-day Syria, Jordan, Lebanon, and Israel/Palestine. From this region, Schayegh looks beyond, to imperial and global connections, diaspora communities, and neighboring Egypt, Iraq, and Turkey. And he peers deeply into Bilad al-Sham: at cities and their ties, and at global economic forces, the Ottoman and European empire-states, and the post-Ottoman nation-states at work within the region. He shows how diverse socio-spatial intertwinements unfolded in tandem during a transformative stretch of time, the mid-nineteenth to mid-twentieth centuries, and concludes with a postscript covering the 1940s to 2010s.
By the end of World War II, strategists in Washington and London looked ahead to a new era in which the United States shouldered global responsibilities and Britain concentrated its regional interests more narrowly. The two powers also viewed the Muslim world through very different lenses. Mapping the End of Empire reveals how Anglo–American perceptions of geography shaped postcolonial futures from the Middle East to South Asia.
Aiyaz Husain shows that American and British postwar strategy drew on popular notions of geography as well as academic and military knowledge. Once codified in maps and memoranda, these perspectives became foundations of foreign policy. In South Asia, American officials envisioned an independent Pakistan blocking Soviet influence, an objective that outweighed other considerations in the contested Kashmir region. Shoring up Pakistan meshed perfectly with British hopes for a quiescent Indian subcontinent once partition became inevitable. But serious differences with Britain arose over America’s support for the new state of Israel. Viewing the Mediterranean as a European lake of sorts, U.S. officials—even in parts of the State Department—linked Palestine with Europe, deeming it a perfectly logical destination for Jewish refugees. But British strategists feared that the installation of a Jewish state in Palestine could incite Muslim ire from one corner of the Islamic world to the other.
As Husain makes clear, these perspectives also influenced the Dumbarton Oaks Conference and blueprints for the UN Security Council and shaped French and Dutch colonial fortunes in the Levant and the East Indies.
The Iraq war defined the first decade of the twenty-first century – leading to mass protests and raising profound questions about domestic politics and the use of military force. Yet most explanations of the war have a narrow focus either on political personalities or oil.
Christopher Doran provides a unique perspective, arguing that the drive to war came from the threat Iraq might pose to American economic hegemony if the UN sanctions regime was ended. Doran argues that this hegemony is rooted in third world debt and corporate market access. It was protection of these arrangements that motivated US action, not Iraq’s alleged weapons of mass destruction or a simplistic desire to seize its oil.
This book will provide new insights on the war which still casts a shadow over global politics, and will have wide appeal to all those concerned about the Middle East, world peace and global development.
Amid the high mountains of Egypt's southern Sinai Peninsula stands Jebel Musa, "Mount Moses," revered by most Christians and Muslims as Mount Sinai. (Jewish tradition holds that Mount Sinai should remain terra incognita, unlocated, and does not associate it with this mountain.) In this fascinating study, Joseph Hobbs draws on geography and archaeology, Biblical and Quranic accounts, and the experiences of people ranging from Christian monks to Bedouin shepherds to casual tourists to explore why this mountain came to be revered as a sacred place and how that very perception now threatens its fragile ecology and its sense of holy solitude.
After discussing the physical characteristics of Jebel Musa and the debate that selected it as the most probable Mount Sinai, Hobbs fully describes all Christian and Muslim sacred sites around the mountain. He views Mount Sinai from the perspectives of the centuries-long inhabitants of the region—the monks of the Monastery of St. Katherine and the Jabaliya Bedouins—and of tourists and pilgrims, from medieval Europeans to modern travelers dispirited by Western industrialization.
Hobbs concludes his account with the recent international debate over whether to build a cable car on Mount Sinai and with an unflinching description of the negative impact of tourism on the delicate desert environment. His book raises important, troubling questions for everyone concerned about the fate of the earth's wild and sacred places.
This is the inside story of the Palestine Liberation Organisation (PLO), from its beginnings in 1964 to the signing of the Oslo agreement in 1993.
For over three decades, the main goal of the PLO was to achieve a just peace in the Arab-Israeli conflict, and to build a democratic state in Palestine for all its citizens. Shafiq Al-Hout, a high ranking PLO official until his resignation in 1993, provides previously unavailable details on the key events in its history such as its recognition by the UN and the Oslo peace negotiations. Taking us right to the heart of the decision making processes, this book explains the personalities and internal politics that shaped the PLO's actions and the Palestinian experience of the twentieth century.
Although he was an insider, Al-Hout's book does not shy from analysing and criticising decisions and individuals, including Yasser Arafat. This book is an essential piece of history that sheds new light on the significance of the PLO in the Palestinian struggle for justice.
Two rabbis, visiting Palestine in 1897, observed that the land was like a bride, 'beautiful, but married to another man'. By which they meant that, if a place was to be found for Israel in Palestine, where would the people of Palestine go? This is a dilemma that Israel has never been able to resolve.
No conflict today is more dangerous than that between Israel and the Palestinians. The implications it has for regional and global security cannot be overstated. The peace process as we know it is dead and no solution is in sight. Nor, as this book argues, will that change until everyone involved in finding a solution accepts the real causes of conflict, and its consequences on the ground.
Leading writer Ghada Karmi explains in fascinating detail the difficulties Israel's existence created for the Arab world and why the search for a solution has been so elusive. Ultimately, she argues that the conflict will end only once the needs of both Arabs and Israelis are accommodated equally. Her startling conclusions overturn conventional thinking -- but they are hard to refute.
Building on rigorous research by the world-renowned Glasgow University Media Group, More Bad News From Israel examines media coverage of the current conflict in the Middle East and the impact it has on public opinion.
The book brings together senior journalists and ordinary viewers to examine how audiences understand the news and how their views are shaped by media reporting. In the largest study ever undertaken in this area, the authors focus on television news. They illustrate major differences in the way Israelis and Palestinians are represented, including how casualties are shown and the presentation of the motives and rationales of both sides. They combine this with extensive audience research involving hundreds of participants from the USA, Britain and Germany. It shows extraordinary differences in levels of knowledge and understanding, especially amongst young people from these countries.
Covering recent developments, including the Israeli attacks on Lebanon and Gaza, this authoritative and up-to-date study will be an invaluable tool for journalists, activists and students and researchers of media studies.
On October 10, 1941, the entire Jewish population of the Belarusian village of Krucha was rounded up and shot. While Nazi death squads routinely carried out mass executions on the Eastern Front, this particular atrocity was not the work of the SS but was committed by a regular German army unit acting on its own initiative. Marching into Darkness is a bone-chilling exposé of the ordinary footsoldiers who participated in the Final Solution on a daily basis.
Although scholars have exploded the myth that the Wehrmacht played no significant part in the Holocaust, a concrete picture of its involvement at the local level has been lacking. Among the crimes Waitman Wade Beorn unearths are forced labor, sexual violence, and graverobbing, though a few soldiers refused to participate and even helped Jews. By meticulously reconstructing the German army's activities in Belarus in 1941, Marching into Darkness reveals in stark detail how the army willingly fulfilled its role as an agent of murder on a massive scale. Early efforts at improvised extermination progressively became much more methodical, with some army units going so far as to organize "Jew hunts." Beorn also demonstrates how the Wehrmacht used the pretense of anti-partisan warfare as a subterfuge by reporting murdered Jews as partisans.
Through archival research into military and legal records, survivor testimonies, and eyewitness interviews, Beorn paints a searing portrait of a professional army's descent into ever more intimate participation in genocide.
Humanitarian, philanthropist, and campaigner for Jewish emancipation on a grand scale, Sir Moses Montefiore (1784–1885) was the preeminent Jewish figure of the nineteenth century—and one of the first truly global celebrities. His story, told here in full for the first time, is a remarkable and illuminating tale of diplomacy and adventure. Abigail Green’s sweeping biography follows Montefiore through the realms of court and ghetto, tsar and sultan, synagogue and stock exchange.
Interweaving the public triumph of Montefiore’s foreign missions with the private tragedy of his childless marriage, this book brings the diversity of nineteenth-century Jewry brilliantly to life—from London to Jerusalem, Rome to St. Petersburg, Morocco to Istanbul. Here we see the origins of Zionism and the rise of international Jewish consciousness, the faltering birth of international human rights, and the making of the modern Middle East. With the globalization and mobilization of religious identities now at the top of the political agenda, Montefiore’s life story is relevant as never before.
Mining materials from eleven countries in nine languages, Green’s masterly biography bridges the East-West divide in modern Jewish history, presenting the transformation of Jewish life in Europe, the Middle East, and the New World as part of a single global phenomenon. As it reestablishes Montefiore’s status as a major historical player, it also restores a significant chapter to the history of our modern world.
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