front cover of Georgia
Georgia
A Cultural Journey through the Wardrop Collection
Nikoloz Aleksidze
Bodleian Library Publishing, 2018
When Marjory Wardrop joined her diplomat brother Oliver in Georgia in 1894, the two siblings found themselves witnessing the birth pangs of a modern nation. Recognizing the significance of these transformative years, they actively participated in the work of Ilia Chavchavadze and other leaders of the independence movement, which culminated in Georgia’s declaration of independence in 1918.
            Becoming increasingly fascinated by Georgian history and culture, the Wardrops gathered a significant collection of manuscripts dating from the eleventh to the twentieth century, including a seventeenth-century manuscript of Georgia’s national epic poem The Man in the Panther’s Skin, which Marjory famously translated. Through the items of the Waldrop collection—manuscripts, royal charters, correspondence, notebooks, and a draft of the 1918 declaration of independence—Nikoloz Aleksidze narrates a history of Georgian literature and culture, moving from epic and folk tales, to the Georgian Church’s battle against persecution, to the political activism of women in Georgia at the end of the nineteenth century.
            Richly illustrated with rare and previously unpublished images from the collection, this book offers unique insight into Georgian culture and political history through the remarkable lens of an eccentric English diplomat and his talented sister.
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Japonisme and the Birth of Cinema
Daisuke Miyao
Duke University Press, 2020
In Japonisme and the Birth of Cinema, Daisuke Miyao explores the influence of Japanese art on the development of early cinematic visual style, particularly the actualité films made by the Lumière brothers between 1895 and 1905. Examining nearly 1,500 Lumière films, Miyao contends that more than being documents of everyday life, they provided a medium for experimenting with aesthetic and cinematic styles imported from Japan. Miyao further analyzes the Lumière films produced in Japan as a negotiation between French Orientalism and Japanese aesthetics. The Lumière films, Miyao shows, are best understood within a media ecology of photography, painting, and cinema, all indebted to the compositional principles of Japonisme and the new ideas of kinetic realism it inspired. The Lumière brothers and their cinematographers shared the contemporaneous obsession among Impressionist and Post-Impressionist artists about how to instantly and physically capture the movements of living things in the world. Their engagement with Japonisme, he concludes, constituted a rich and productive two-way conversation between East and West.
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Memorializing Motherhood
Anna Jarvis and the Struggle for Control of Mother's Day
Katharine Lane Antolini
West Virginia University Press, 2017

Few know the name Anna Jarvis, yet on the second Sunday in May, we mail the card, buy the flowers, place the phone call, or make the brunch reservation to honor our mothers, all because of her. 

Anna Jarvis organized the first official Mother’s Day celebration in Grafton, West Virginia in 1908 and then spent decades promoting the holiday and defending it from commercialization. She designed her Mother’s Day celebration around a sentimental view of motherhood and domesticity, envisioning a day venerating the daily services and sacrifices of mothers within the home.

     After Mother’s Day became a national holiday in 1914, many organizations sought to align the holiday’s meaning with changing perceptions of modern motherhood in the twentieth century. Instead of restricting a mother’s service and influence solely to the domestic sphere, they emphasized the power of mothers both within their homes and throughout their communities. 

     Jarvis refused to accept this changing interpretation, claiming both intellectual and legal ownership of Mother’s Day. Her obsession with protecting the purity of her vision sustained a war of verbal and legal assaults against rival holiday promoters, patriotic women’s organizations, charitable foundations, public health reformers, and the Franklin D. Roosevelt administration. The struggle for control of Mother’s Day ultimately threatened her livelihood, physical health, and emotional stability. 

Memorializing Motherhood explores the complicated history of Anna Jarvis’s movement to establish and control Mother’s Day, as well as the powerful conceptualization of this day as both a holiday and a cultural representation of motherhood.

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