front cover of Artaud and His Doubles
Artaud and His Doubles
Kimberly Jannarone
University of Michigan Press, 2012

Artaud and His Doubles is a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe.

Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.

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front cover of Renaissance Man of Cannery Row
Renaissance Man of Cannery Row
The Life and Letters of Edward F. Ricketts
Edward F. Ricketts, edited by Katharine A. Rodger
University of Alabama Press, 2002

This portrait of one of John Steinbeck's closest friends illuminates the life and work of a figure central to the development of scientific and literary thought in the 20th century.

Marine biologist Edward F. Ricketts is perhaps best known as the inspiration for John Steinbeck's most empathic literary characters Doc in Cannery Row, Slim in Of Mice and Men, Jim Casy in The Grapes of Wrath, and Lee in East of Eden. The correspondence of this accomplished scientist, writer, and philosopher reveals the influential exchange of ideas he shared with such prominent thinkers and artists as Henry Miller, Joseph Campbell, Ellwood Graham, and James Fitzgerald, in addition to Steinbeck, all of whom were drawn to Ricketts's Monterey Bay laboratory, a haven of intellectual discourse and Bohemian culture in the 1930s and 1940s.

The 125 previously unpublished letters of this collection, housed at the Stanford University Library, document the broad range of Ricketts's interests and accomplishments during the last 12 and most productive years of his life. His handbook on Pacific marine life, Between Pacific Tides, is still in print, now in its fifth edition. The biologist's devotion to ecological conservation and his evolving philosophy of science as a cross-disciplinary, holistic pursuit led to the publication of The Sea of Cortez. Many of Ricketts's letters discuss his studies of the Pacific littoral and his theories of “phalanx” and transcendence. Epistles to family members, often tender and humorous, add dimension and depth to Steinbeck's mythologized depictions of Ricketts. Katharine A. Rodger has enriched the correspondence with an introductory biographical essay and a list of works cited.

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