Since 2010, Greece’s social and economic conditions have been irreversibly transformed due to austerity measures imposed by the European troika and successive Greek governments. These stringent restructuring programs were intended to make it possible for Greece to avoid default and improve its debt position, and to reconfigure its economy to escape forever the burden of past structural deficiencies. But things have not gone according to plan. Eight years later, none of these targets have been met. If the programs were doomed to fail from the start, as many claim, what were the real objectives of such devastating austerity?

In this latest installment in Reaktion's Field Notes series, published in association with the Brooklyn Rail, Pavlos Roufos answers this key question in an insightful, critical analysis of the origins and management of the 2010 Greek economic crisis. Setting the crisis in its historical context, Roufos explores the creation of the Eurozone, its “glorious” years, and today’s political threats to its existence. By interweaving stories of individual people’s lived experiences and describing in detail the politicians, policies, personalities, and events at the heart of the collapse, he situates its development both in terms of the particularities of the Greek economy and society and the overall architecture of Europe’s monetary union. This broad examination also illuminates the social movements that emerged in Greece in response to the crisis, unpacking what both the crisis managers and many of their critics presented as a given: that a happy future is a thing of the past.

Performing the Greek Crisis explores the impact of the Greek financial crisis (2009–19) on the performing arts sector in Greece, and especially on contemporary concert dance. When Greece became the first European Union member to be threatened with default, the resulting budget cuts pushed dance to develop in unprecedented directions. The book examines the repercussions that the crisis had on artists’ daily lives and experiences, weaving the personal with the political to humanize a phenomenon that, to date, had been examined chiefly through economic and statistical lenses. Informed by the author’s experience of growing up in Greece and including interviews and rich descriptions of performances,  the book offers a glimpse into a pivotal moment in Greek history. 

In Greece, dance (and, by extension, the body) has historically held a central role in the process of national identity construction. When the crisis broke out, artists had to navigate through a precariously fluctuating landscape, with their bodies as their only stable referent. In Greece, dance has held a historical role in national identity construction of Greece as the cradle of Western civilization. As the financial crisis coincided with the European Refugee Crisis, dancing bodies became agents to advocate for human rights. By centering the analysis of the Greek crisis on the dancing bodies, Performing the Greek Crisis is able to examine the various ways that artists reconceptualized their history and reframed ideas of national belonging, race, citizenship, and immigration.

The crisis in Greece has elicited the full spectrum of responses - from optimism for a left parliamentary politics inspired by Syriza's electoral victory, to pessimism about the intransigence of the EU and calls for the reinstatement of full national sovereignty in Europe. In Surplus Citizens, Dimitra Kotouza questions the terms of the debate by demonstrating how the national framing of social contestation posed obstacles to transformative collective action, but also how this framing has been challenged. Analysing the increasing superfluousness of subordinate classes in Greece as part of a global phenomenon with racialised and gendered dimensions, the book interrogates the strengths, contradictions and limits of collective action and identity in the crisis, from the movement of the squares and neighbourhood assemblies, to new forms of labour activism, environmental struggles, immigrant protests, anti-fascism and pro-refugee activism. Arguing against the strategic fixation on unified identities and pointing instead to the transformative potential of internal dispute within movements, Surplus Citizens highlights the relevance of a discussion of Greece to collective action beyond it, as we continue to traverse a global financial crisis that has provoked conflicts over nationalism, immigration and the rise of neo-fascism.