3 books match the query 'Hold'
Tim Lawrence
Duke University Press, 2009
Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.
Fabienne Kanor
University of Chicago Press, 0
An essential reflection on the haunting legacy of the transatlantic slave trade from award-winning French filmmaker and writer Fabienne Kanor.
A century and a half after the passage of the last known slave ship, the hold—in which captives were imprisoned together under inhuman conditions—still haunts collective memory, particularly that of Afro-descendant artists, thinkers, and writers. With The Poetics of the Hold, scholar, writer, and filmmaker Fabienne Kanor offers a series of meditations on the transatlantic slave trade and on how the experience of the Middle Passage has been represented in modern culture of the United States, Francophone Africa, and the French West Indies.
In this important book, Kanor draws from a multitude of sources—history, literature, art, philosophy, the Négritude tradition, and Caribbean thinkers—to take readers on a journey from colonial archives to public spaces, museums, and other places of commemoration. Throughout, the image of the hold serves as a spectral monument, the traumatic reverberations of which can be felt in both the texts Kanor examines and in her own writing. While archives, logbooks, and sea reports provide information about slave ships, the stories of the slaves themselves too often remain shrouded in silence. This powerful and poetic book seeks to rectify that amnesia and to wrestle with these neglected histories and their afterlives.
Jessica Weiss
University of Chicago Press, 2000