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4 books match the query 'Interpreter'

cover of Becoming an Interpreter

Becoming an Interpreter

Rachel E. Herring

Gallaudet University Press, 2026

How does one become an interpreter, and what knowledge and skills are developed along the way? What does developing an identity as an interpreter involve? Becoming an Interpreter bridges the gap between theory and practice, weaving together personal narratives and research insights to explore questions like these.

Becoming an Interpreter is structured around five dimensions of becoming that connect foundational concepts to lived experience: community, social aspects, acquisition of interpreting skills, ethical reasoning and decision-making, and coping with emotion and stress. Together, these varied perspectives and experiences show that there is no one single breakthrough moment for becoming an interpreter; there are many. At the end of each chapter, there are interactive prompts that invite readers to pause and reflect. 

Designed for students, developing interpreters, and individuals considering interpreting as a career, Becoming an Interpreter is an introduction to the field and an essential resource for professional reflection and growth.

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cover of Harriet Bosse: Strindberg's Muse and Interpreter

Harriet Bosse

Strindberg's Muse and Interpreter

Carla Waal

Southern Illinois University Press, 1990

Harriet Bosse, a delicate beauty with rich theatrical talent, wasan inspiration for the prominent and controversial playwright August Strindberg. After their three-year marriage collapsed, she became his interpreter to the world, guardian of the Strindberg legend. This first biography of Harriet Bosse in English explores her own important career as an actress on the Swedish stage, as well as her influence on Strindberg’s work. Waal has separated Harriet Bosse from her romanticized image in the shadow of August Strindberg and has shown her as a person, fascinating and self-sufficient. Her daughter-in-law Randi Wingård said: "Harriet was a great personality, and even if she was tiny, one could nothelp noticing her in any gathering. She attracted everyone’s attention." While tracing the development of Bosse’s career, her triumphs and disappointments, Waal chronicles the beginnings of Swedish filmmaking in early silent films as well as four decades of major developments in Swedish theatre. But Bosse’s marriage to Strindberg and her relationship to his writing are an integral part of her story, and Waal also details the couple’s stormy marriage, from 1901 to 1903, the reasons for its failure, and the personal and career influences they continued to exert on each other. As Strindberg’s inspiration for many literary works, Bosse was alternately vilified and idealized. Much of what Strindberg wrote after meeting Bosse reflects his adoration of her and his despair over the problems of their relationship. She inspired two of his major works of poetry, "The Golden Eagle" and "The Dutchman," in addition to the character of the virgin princess in Swan White. On stage she played eight minor and six major Strindberg roles, including Indra’s Daughter in A Dream Play and Christina in Queen Christina.
Much information for this book is drawn from previously inaccessible sources, including unpublished materials in libraries, archives, and private collections, mostly in Scandinavia. Waal interviewed Strindberg and Bosse’s daughter Anne Marie Wyller Hagelin (to whom the book is dedicated) as well as other members of Bosse’s family and a wide range of actors, critics, directors, and scholars. Forty-one photographs are included in the text.
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cover of The Interpreter

The Interpreter

Alice Kaplan

University of Chicago Press, 2007

No story of World War II is more triumphant than the liberation of France, made famous in countless photos of Parisians waving American flags and kissing GIs as columns of troops paraded down the Champs Élysées. But one of the least-known stories from that era is also one of the ugliest chapters in the history of Jim Crow. In The Interpreter, celebrated author Alice Kaplan recovers this story both as eyewitnesses first saw it, and as it still haunts us today.

The American Army executed 70 of its own soldiers between 1943 and 1946—almost all of them black, in an army that was overwhelmingly white. Through the French interpreter Louis Guilloux’s eyes, Kaplan narrates two different trials: one of a white officer, one of a black soldier, both accused of murder. Both were court-martialed in the same room, yet the outcomes could not have been more different.

Kaplan’s insight into character and setting creates an indelible portrait of war, race relations, and the dangers of capital punishment. 

“A nuanced historical account that resonates with today’s controversies over race and capital punishment.” Publishers Weekly

“American racism could become deadly for black soldiers on the front. The Interpreter reminds us of this sad component of a heroic chapter in American military history.” Los Angeles Times

“With elegance and lucidity, Kaplan revisits these two trials and reveals an appallingly separate and unequal wartime U.S. military justice system.” Minneapolis Star Tribune

“Kaplan has produced a compelling look at the racial disparities as they were played out…She explores both cases in considerable and vivid detail.” Sacramento Bee

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cover of The Narrative Secret of Flannery O'Connor: The Trickster as Interpreter

The Narrative Secret of Flannery O'Connor

The Trickster as Interpreter

Ruthann Knechel Johansen

University of Alabama Press, 2009

O’Connor’s endeavor to write engaging narratives,at the same time open up to the divine in the everyday world
 
“The ‘narrative secret’ of Johansen’s title refers to the strategies that she sees O’Connor using in her effort to communicate a spiritual message to a doubting audience. O’Connor knew from the beginning of her career that writing about the thing that mattered most to her—a person’s relationship in faith with Jesus—and being taken seriously as a writer meant [choosing] a dramatic and difficult way to get her vision across: to write stories that work first and foremost as engaging narratives and at the same time open up to the divine in the everyday world.
 
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