front cover of Becoming Mikhail Lermontov
Becoming Mikhail Lermontov
The Ironies of Romantic Individualism in Nicholas I's Russia
David Powelstock
Northwestern University Press, 2011
Mikhail Lermontov (1814-1841) is one of Russia's most prominent poets--and one of its most puzzling. In this radically new interpretation, David Powelstock reveals how the seeming contradictions in Lermontov's life and works can be understood as manifestations of a coherent worldview.

By bringing to light Lermontov's operative version of Romantic individualism, Powelstock is able to make sense of the poet's relationship to "romantic irony," his highly modern concept of the reader (both real, and implied in the text), and his vexed passion for his predecessor Alexander Pushkin--a relationship that is almost always treated sentimentally, but is here given its true competitive edge. Furthermore, Powelstock offers the most persuasive account ever given of Lermontov's exceptionally odd treatment of, and success with, women--both in real life and in fiction--and of his cruel overlapping of these two planes.

Clarifying what has remained perplexing for so long, and correcting what has been misinterpreted, Powelstock's work illuminates Lermontov's views of dignity, death, love, nature, society, and ethics--and, finally, gives us an intellectual biography that is deeper and more subtle than any written before.
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front cover of Cleavage
Cleavage
Technology, Controversy, and the Ironies of the Man-Made Breast
Jacobson, Nora
Rutgers University Press, 1999
Women's breasts have been idealized as symbols of femininity and motherhood. They have held great social and psychological significance as objects drawing intrusive gazes, and as images of self worth to be measured against an idealized form. It is no wonder, then, that a technology emerged to alter and "enhance" their appearance. Nora Jacobson traces the hundred-year history of one such technology: breast implants.

Organized both chronologically and thematically, this book examines the history of breast implant technology from 1895 to 1990, including the controversies that erupted in the early 1990s over the safety of the devices and the Food and Drug Administration's regulation of their use. Jacobson examines such topics as politics and bias in medical practice and the role of bureaucracies, corporations, and governments in establishing policy and regulating implant technology.
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front cover of The Ironies of Affirmative Action
The Ironies of Affirmative Action
Politics, Culture, and Justice in America
John David Skrentny
University of Chicago Press, 1996
Affirmative action has been fiercely debated for more than a quarter of a century, producing much partisan literature, but little serious scholarship and almost nothing on its cultural and political origins. The Ironies of Affirmative Action is the first book-length, comprehensive, historical account of the development of affirmative action.

Analyzing both the resistance from the Right and the support from the Left, Skrentny brings to light the unique moral culture that has shaped the affirmative action debate, allowing for starkly different policies for different citizens. He also shows, through an analysis of historical documents and court rulings, the complex and intriguing political circumstances which gave rise to these controversial policies.

By exploring the mystery of how it took less than five years for a color-blind policy to give way to one that explicitly took race into account, Skrentny uncovers and explains surprising ironies: that affirmative action was largely created by white males and initially championed during the Nixon administration; that many civil rights leaders at first avoided advocacy of racial preferences; and that though originally a political taboo, almost no one resisted affirmative action.

With its focus on the historical and cultural context of policy elites, The Ironies of Affirmative Action challenges dominant views of policymaking and politics.
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