front cover of The Rag-Picker's Guide to Poetry
The Rag-Picker's Guide to Poetry
Poems, Poets, Process
Eleanor Wilner and Maurice Manning, editors
University of Michigan Press, 2013

The venture of this inviting collection is to look, from the many vantages that the 35 poets in this eclectic anthology chose to look, at what it was—knowing that a poem can’t be conceived in advance of its creation—that helped their poems to emerge or connected them over time. The Rag-Picker's Guide to Poetry permits an inside view of how poets outwit internal censors and habits of thought, showing how the meticulous and the spontaneous come together in the process of discovery. Within are contained the work and thoughts of:

  • Betty Adcock
  • Joan Aleshire
  • Debra Allbery
  • Elizabeth Arnold
  • David Baker
  • Rick Barot
  • Marianne Boruch
  • Karen Brennan
  • Gabrielle Calvocoressi
  • Michael Collier
  • Carl Dennis
  • Stuart Dischell
  • Roger Fanning
  • Chris Forhan
  • Reginald Gibbons
  • Linda Gregerson
  • Jennifer Grotz
  • Brooks Haxton
  • Tony Hoagland
  • Mark Jarman
  • A. Van Jordan
  • Laura Kasischke
  • Mary Leader
  • Dana Levin
  • James Longenbach
  • Thomas Lux
  • Maurice Manning
  • Heather McHugh
  • Martha Rhodes
  • Alan Shapiro
  • Daniel Tobin
  • Ellen Bryant Voigt
  • Alan Williamson
  • Eleanor Wilner
  • C. Dale Young
[more]

front cover of You Haven't Asked About My Wedding or What I Wore
You Haven't Asked About My Wedding or What I Wore
Poems of Courtship on the American Frontier
Jana Harris
University of Alaska Press, 2014
“Nowhere / on these parchment leaves do I find / myself, my likeness, my name, / not a whisper—Cynthia—not one / breath of me.”

For thirty years poet Jana Harris researched the diaries and letters of North American pioneer women. While the names and experiences of the authors varied, Harris found one story often connected them: their most powerful memories were of courtships and weddings. They dreamed of having a fine wedding while they spent their lives hauling water, scrubbing floors, and hoping for admirers. Many married men they hardly knew.

Based on primary research of nineteenth-century frontier women, Harris uses her compelling poetry to resurrect a forgotten history. She captures the hope, anxiety, anger, and despair of these women through a variety of characters and poetic strategies, while archival photographs give faces to the names and details to the settings. Harris’s meticulous research and stirring words give these pioneer women a renewed voice that proves the timelessness of the hopes and fears of love and marriage.
[more]


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