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Blending history and theory, Chinese Modernism in the Era of Reforms offers both a historical narrative and a critical analysis of the cultural visions and experiences of China’s post-Mao era. In this volume, Xudong Zhang rethinks Chinese modernism as a historical genre that arose in response to the historical experience of Chinese modernity rather than as an autonomous aesthetic movement. He identifies the ideologies of literary and cultural styles in the New Era (1979–1989) through a critical reading of the various “new waves” of Chinese literature, film, and intellectual discourse.
In examining the aesthetic and philosophical formulations of the New Era’s intellectual elites, Zhang first analyzes the intense cultural and intellectual debates, known as the “Great Cultural Discussion” or “Cultural Fever” that took place in Chinese urban centers in the mid- and late 1980s. Chinese literary modernism is then explored, specifically in relation to Deng Xiaoping’s sweeping reforms and with a focus on the changing literary sensibility and avant-garde writers such as Yu Hua, Ge Fei, and Su Tong. Lastly, Zhang looks at the the making of New Chinese Cinema and films such as Yellow Earth, Horse Thief, and King of the Children—films through which Fifth Generation filmmakers first developed a style independent from socialist realism. By tracing the origins and contemporary elaboration of the idea of Chinese modernism, Zhang identifies the discourse of modernism as one of the decisive formal articulations of the social dynamism and cultural possibilities of post-Mao China.
Capturing the historical experience and the cultural vision of China during a crucial decade in its emergence as a world power, Chinese Modernism in the Era of Reforms will interest students and scholars of modernism, Chinese literature and history, film studies, and cultural studies.

As China continues to be heralded as a rising economic power, the need for an understanding of its institutional effects--such as investment-related policies, regulations, and laws--on foreign direct investment increases as well. Institutions and Investments employs interdisciplinary perspectives from economics, business, law, and political science to shed light on the interaction between institutional changes and investment patterns and to form a clear picture of investment behavior as China's legal and regulatory infrastructure has developed over the reform years.

Organized into three main parts, the book first discusses the evolution and nature of China's FDI regulatory framework. Part 2 examines the various modes and variant patterns of FDI in China in the reform years. Part 3's central task is to demonstrate a systematic link between institutional changes in China's FDI regulatory framework and the changing patterns of FDI. In conclusion, Jun Fu finds that China has made substantial progress from a command economy to a market system, but that it still has a long way to go before it truly attains a transparent and rule-based system.

This book adds new dimensions to the scholarship on China as a growing economic power and will be of particular interest to international economists, political scientists, and business scholars studying China.

Jun Fu is Associate Professor in the School of Economics and Management, Tsinghua University.