front cover of The Invention of Culture
The Invention of Culture
Roy Wagner
University of Chicago Press, 2016
In anthropology, a field that is known for its critical edge and intellectual agility, few books manage to maintain both historical value and contemporary relevance. Roy Wagner's The Invention of Culture, originally published in 1975, is one.
 
Wagner breaks new ground by arguing that culture arises from the dialectic between the individual and the social world. Rooting his analysis in the relationships between invention and convention, innovation and control, and meaning and context, he builds a theory that insists on the importance of creativity, placing people-as-inventors at the heart of the process that creates culture. In an elegant twist, he shows that this very process ultimately produces the discipline of anthropology itself.
 
Tim Ingold’s foreword to the new edition captures the exhilaration of Wagner’s book while showing how the reader can journey through it and arrive safely—though transformed—on the other side.
 
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front cover of The Invention of Culture
The Invention of Culture
Roy Wagner
University of Chicago Press, 1981
The Invention of Culture, one of the most important works in symbolic anthropology in recent years, argues that culture is not a given that shapes the lives of the people who share it. Rather, it is people who shape their culture by constantly manipulating conventional symbols taken from a variety of everchanging codes to create new meanings. Wagner sees culture arising from the dialectic between the individual and the social world; his analysis is situated in the relation between invention and convention, innovation and control, meaning and context. Finally, the author points out that the symbolization processes that generate the construction of meaning in culture are the same as those that anthropologists use to "invent" the cultures they study.
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The Jaguar and the Priest
An Ethnography of Tzeltal Souls
By Pedro Pitarch
University of Texas Press, 2010

In contrast to western notions of the soul as the essence or most native part of a human being, the Tzeltal-speaking Indians of Chiapas, Mexico, regard the soul first and foremost as an Other. Made up of beings that personify the antithesis of their native selves—animals such as hummingbirds or jaguars, atmospheric phenomena like lightning bolts or rainbows, or spirits of European appearance such as Catholic priests or evangelical musicians—Tzeltal souls represent the maximum expression of that which is alien. And because their souls enfold that which is outside and Other, the Tzeltal contain within themselves the history of their relationship with Europeans from the beginning of the Spanish conquest to the present time. Thus, to understand the Indian self opens a window into the Tzeltal conception of culture and community, their notions of identity and alterity, and their interpretation of interethnic relations and types of historical memory.

In this pathfinding ethnography, which was originally published in Spanish in 1996 as Ch'ulel: una etnografía de las almas tzeltales and is now extensively rewritten and amplified in English, Pedro Pitarch offers a new understanding of indigenous concepts of the soul, personhood, and historical memory in highland Chiapas. Exploring numerous aspects of indigenous culture and history—medicine and shamanism, geography and cosmology, and politics and kinship among them—he engages in a radical rethinking of classic issues in Mesoamerican anthropology, such as ethnicity and alterity, community and tradition, and change and permanence.

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The Logic of Invention
Roy Wagner
HAU, 2018
In this long-awaited sequel to The Invention of Culture, Roy Wagner tackles the logic and motives that underlie cultural invention. Could there be a single, logical factor that makes the invention of the distinction between self and other possible, much as specific human genes allow for language?
 
Wagner explores what he calls “the reciprocity of perspectives” through a journey between Euro-American bodies of knowledge and his in-depth knowledge of Melanesian modes of thought. This logic grounds variants of the subject/object transformation, as Wagner works through examples such as the figure-ground reversal in Gestalt psychology, Lacan’s theory of the mirror-stage formation of the Ego, and even the self-recursive structure of the aphorism and the joke. Juxtaposing Wittgenstein’s and Leibniz’s philosophy with Melanesian social logic, Wagner explores the cosmological dimensions of the ways in which different societies develop models of self and the subject/object distinction. The result is a philosophical tour de force by one of anthropology’s greatest mavericks.
 
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The Relative Native
Essays on Indigenous Conceptual Worlds
Eduardo Viveiros de Castro
HAU, 2015

This volume is the first to collect the most influential essays and lectures of Eduardo Viveiros de Castro. Published in a wide variety of venues, and often difficult to find, the pieces are brought together here for the first time in a one major volume, which includes his momentous 1998 Cambridge University Lectures, “Cosmological Perspectivism in Amazonia and Elsewhere.”

Rounded out with new English translations of a number of previously unpublished works, the resulting book is a wide-ranging portrait of one of the towering figures of contemporary thought—philosopher, anthropologist, ethnographer, ethnologist, and more. With a new afterword by Roy Wagner elucidating Viveiros de Castro’s work, influence, and legacy, The Relative Native will be required reading, further cementing Viveiros de Castro’s position at the center of contemporary anthropological inquiry.

 

 


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front cover of Symbols that Stand for Themselves
Symbols that Stand for Themselves
Roy Wagner
University of Chicago Press, 1986
This important new work by Roy Wagner is about the autonomy of symbols and their role in creating culture. Its argument, anticipated in the author's previous book, The Invention of Culture, is at once symbolic, philosophical, and evolutionary: meaning is a form of perception to which human beings are physically and mentally adapted. Using examples from his many years of research among the Daribi people of New Guinea as well as from Western culture, Wagner approaches the question of the creation of meaning by examining the nonreferential qualities of symbols—such as their aesthetic and formal properties—that enable symbols to stand for themselves.
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