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Museum Culture: Histories, Discourses, Spectacles

by Daniel Sherman
contributions by Irit Rogoff
University of Minnesota Press, 1994
Paper: 978-0-8166-1953-5
Library of Congress Classification N430.M78 1994
Dewey Decimal Classification 708

TOC

  • Contents 
    • Acknowledgments
    • Introduction: Frameworks for Critical Analysis
      • Sherman, Daniel J.
      • Rogoff, Irit
    • Part I 
    • Histories
      • 1. 
      • The German Art Museum and the History of the Nation
        • Hoffmann, Detlef
      • 2. 
      • The Whitechapel Picture Exhibitions and the Politics of Seeing
        • Koven, Seth
      • 3. 
      • “An Elite Experience for Everyone”: Art Museums, the Public, and Cultural Literacy
        • Zolberg, Vera L.
      • 4. 
      • Identity as Self-Discovery: The Ecomuseum in France
        • Poulot, Dominique
      • 5. 
      • With Open Doors: Museums and Historical Narratives in Israel's Public Space
        • Azoulay, Ariella
    • Part II 
    • Discourses
      • 6. 
      • The Museum as Metaphor in Nineteenth-Century France
        • Georgel, Chantal
      • 7. 
      • Quatremère/Benjamin/Marx: Art Museums, Aura, and Commodity Fetishism
        • Sherman, Daniel J.
      • 8. 
      • The Struggle against the Museum; or, The Display of Art in Totalitarian Space
        • Groys, Boris
      • 9. 
      • “Degenerate Art” and Documenta I: Modernism Ostracized and Disarmed
        • Grasskamp, Walter
    • Part III 
    • Spectacles
      • 10. 
      • The Times and Spaces of History: Representation, Assyria, and the British Museum
        • Bohrer, Frederick N.
      • 11. 
      • From Ruins to Debris: The Feminization of Fascism in German-History Museums
        • Rogoff, Irit
      • 12. 
      • A New Center: The National Museum of Women in the Arts
        • Higonnet, Anne
      • 13. 
      • Selling Nations: International Exhibitions and Cultural Diplomacy
        • Wallisw, Brian
    • Contributors
    • Index
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