226 books match the query 'Anthologies (multiple authors)' and 3 start with a non-letter

cover of "And there will be singing": An Anthology of International Writing

"And there will be singing"

An Anthology of International Writing

Jim Hicks

University of Massachusetts Press, 2019

In celebration of its landmark sixtieth anniversary, the Massachusetts Review presents a collection of the best contemporary and emerging international writers and writers in translation, from MR's last decade. At a time when English-only readers too often know little about the rest of the world, this volume is a classroom in itself. This timely and essential anthology features fiction, essays, and poetry by Mia Couto, Tabish Khair, Menekşe Toprak, and  Kim Tae-Young, among others.
[more]
cover of "Words for the Hour": A New Anthology of American Civil War Poetry

"Words for the Hour"

A New Anthology of American Civil War Poetry

Faith Barrett

University of Massachusetts Press, 2005

“Words for the Hour” presents a readable and illuminating account of the Civil War, told through the words of poets North and South. From bathos to profound philosophical meditation and sorrow, the range of these poems illuminates the complexity of their era while also revealing the continuing power of this turning point in American history to speak to readers in the present day.

The volume is divided into three parts, each offering a different perspective on the poetry generated by the war. Part I samples the extraordinary range of poems written immediately preceding and during the war and published in popular periodicals, providing a kind of poetic newspaper account as one might have read it then—from the early days of optimistically heralded victory on both sides, through the mounting casualties and brutal deaths of the long middle years, to the war's conclusion and President Lincoln's assassination. Viewing the struggle from many different vantage points gives the reader access to the ways that people from various backgrounds experienced the trajectory of the war. Civilians and soldiers, free blacks and proponents of slavery, women and men from Massachusetts and Virginia and from recently admitted states and barely developed territories, writers with their eyes on the national political stage and those focused on personal domestic issues: these are the multiple voices of America responding to the war.

Part II includes substantial selections of poems by writers who published extensively in response to the conflict, providing more complex and comprehensive perceptions of the war. These poets include not just well-known figures such as Walt Whitman, Herman Melville, and John Greenleaf Whittier, but also African American poets George Moses Horton and Frances Ellen Watkins Harper and Southern poets Henry Timrod and Sarah Piatt.

Part III offers poems by two poets who did not publish during their lifetimes, but had strong imaginative responses to the conflict, thus giving a sense of the long reach of the war as a defining national experience. One of these two poets (Emily Dickinson) is now renowned while the other (Obadiah Ethelbert Baker) is first published in this volume.

“Words for the Hour” is indeed “new” among anthologies of Civil War poetry not only in its wide range of poems by popular, anonymous, and now canonical poets but also in its informational apparatus. A historical timeline listing major battles and events of the war begins the volume, and historical photographs or lithographs introduce each section of poems. The book also includes a substantial introduction, a glossary of important names and terminology relevant to understanding the poems, and biographical sketches for all the poets whose work is included.

[more]
cover of 99 Poets/1999: An International Poetics Symposium, Volume 26

99 Poets/1999

An International Poetics Symposium, Volume 26

Charles Bernstein

Duke University Press, 0

99 Poets/1999 presents the work of ninety-nine poets in dialogue with one another across the divides of language, culture, and temperament. With contributions from the Americas, Eastern and Western Europe, the Middle East, Australia, New Zealand, and China, the volume features responses to questions posed by the guest editor Charles Bernstein—responses that range from historical to imaginary and from philosophical to poetic.

Each poet was asked to ponder a series of questions: Is identity an important issue for your work, and, if so, in what sense? What do you see as the most urgent, yet insufficiently addressed or considered, issue or issues for poetry and poetics at this moment? Do you see your work in the context of a national state, or in the context of international capital, or in some other context?

After years of exchange between the artists—through translations, readings, and visits—the result is a collection of unique and significant literary works, one that is richly suggestive for the future not only of poetry but of literary and cultural studies as well.

[more]