3258 books match the query 'Art' and 19 start with a non-letter
Jessie Swigger
University of Massachusetts Press, 2014
In 1916 a clearly agitated Henry Ford famously proclaimed that “history is more or less bunk.” Thirteen years later, however, he opened the outdoor history museum Greenfield Village in Dearborn, Michigan. It was written history's focus on politicians and military heroes that was bunk, he explained. Greenfield Village would correct this error by celebrating farmers and inventors.
The village eventually included a replica of Thomas Edison's Menlo Park, New Jersey, laboratory, the Wright brothers' cycle shop and home from Dayton, Ohio, and Ford's own Michigan birthplace. But not all of the structures were associated with famous men. Craft and artisan shops, a Cotswold cottage from England, and two brick slave cabins also populated the village landscape. Ford mixed replicas, preserved buildings, and whole-cloth constructions that together celebrated his personal worldview.
Greenfield Village was immediately popular. But that only ensured that the history it portrayed would be interpreted not only by Ford but also by throngs of visitors and the guides and publicity materials they encountered. After Ford's death in 1947, administrators altered the village in response to shifts in the museum profession at large, demographic changes in the Detroit metropolitan area, and the demands of their customers.
Jessie Swigger analyzes the dialogue between museum administrators and their audiences by considering the many contexts that have shaped Greenfield Village. The result is a book that simultaneously provides the most complete extant history of the site and an intimate look at how the past is assembled and constructed at history museums.
Marialaura Ghidini & Rebekah Modrak
Michigan Publishing Services, 2017

Paul Gladston
Intellect Books, 2013
Shuqin Cui, special issue editor
Duke University Press, 0

Edited by Karen Barbour, Vicky Hunter, and Melanie Kloetzel
Intellect Books, 2019

Edited by Duncan Wheeler and Fernando Canet
Intellect Books, 2014
Kevin L. Cope
Bucknell University Press, 2020
About the annual journal 1650-1850
1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors.
First published in 1994, 1650-1850 is currently in its 25th volume.
ISSN 1065-3112.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Kevin L. Cope
Bucknell University Press, 2022
Kevin L. Cope
Bucknell University Press, 2025
Kevin L. Cope
Bucknell University Press, 2026
Exploratory, investigative, and energetically analytical, 1650–1850 covers the full expanse of long-eighteenth-century thought, writing, and art while delivering abundant revelatory detail. Essays on well-known cultural figures combine with studies of emerging topics to unveil a vivid rendering of a dynamic period, simultaneously committed to singular genius and universal improvement. Welcoming research on all nations and language traditions, 1650–1850 invites readers into a truly global Enlightenment.
The contributors to volume 31 join with Enlightenment thinkers in charting the outposts of long eighteenth-century culture while discovering new features in seemingly familiar terrain. Essays explore outlandish but often observed activities such as medical quackery, Rosicrucian hermeticism, and the oral antics associated with the twisted “Malaprop” tradition. In happy contrast, the volume offers the second half of a sparkling special feature on the most familiar of all substances, water. Contributors lead us through an astounding assortment of aqueous topics, from the heritage of The Compleat Angler to the sanctified sprinklings of holy water. As always, 1650–1850 culminates in a bevy of full-length book reviews that robustly address the latest scholarship on long-established specialties, unusual subjects, and broad reevaluations of the period.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
ISSN: 1065-3112
Kevin L. Cope
Bucknell University Press, 2019
First published in 1994, 1650-1850 is currently in its 24th volume.
ISSN 1065-3112.
Darby English
University of Chicago Press, 2016

Christine Kirker
American Library Association, 2018
Dave Hickey
University of Chicago Press, 2015
Edited by Charlotte Gauthier
Paul Holberton Publishing, 2022
The most comprehensive, updated history of St. Bartholomew the Great, the oldest parish church in London, as it celebrates its nine-hundred-year anniversary.
At the heart of the Smithfield area, with its pubs, restaurants, and market, is a church built when Henry I was King of England. Overlooking the fields where kings confronted rebellions, knights jousted, and heretics were burnt, St. Bartholomew’s Priory and Hospital played a central role in the history of medieval London.
The tale of St. Bartholomew’s is one of survival and renewal. Not only has the priory hosted many of London’s most famous (such as a young Benjamin Franklin), but it has also miraculously survived the tumults of the Reformation, the Civil War, the Great Fire of 1666, and the bomb raids of World Wars I and II.
Richly illustrated, 900 Years of St Bartholomew’s surveys the art, architecture, and deep historical significance of this enduring landmark.
Diana Taylor
Duke University Press, 2020
Marlen Schneider
Diaphanes, 2020
Sophie Goetzmann
Diaphanes, 2021
Antonin Artaud
Diaphanes, 2021