5159 books match the query 'Biography' and 25 start with a non-letter

cover of "A Son of the Forest" and Other Writings

"A Son of the Forest" and Other Writings

William Apess

University of Massachusetts Press, 1997

Designed especially for classroom use, this book brings together the best-known works of the nineteenth-century Indian writer William Apess, including the first extended autobiography by a Native American. The text is drawn from On Our Own Ground, which was named a Choice Outstanding Academic Book. Barry O'Connell has written a new introduction for this abbreviated edition.
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cover of "Almost a Man of Genius": Clémence Royer, Feminism, and Nineteenth-Century Science

"Almost a Man of Genius"

Clémence Royer, Feminism, and Nineteenth-Century Science

Harvey, Joy

Rutgers University Press, 1997

Clemence Royer was a 19th-century Frenchwoman probably best known for producing the first French translation of Charles Darwin. However, her efforts went much further, encompassing anthropology, physics, philosophy, cosmology, and chemistry. In this full-scale biography, Harvey, a science historian and former associate editor of Cambridge University's Darwin Correspondence Project, traces Royer's remarkable life.

A feminist who made lifelong enemies almost as readily as she made friends, Royer was never able to undertake formal, advanced education and was a product of her own self-study efforts. Only in her last few years was she formally recognized by several professional societies and awarded the French Legion of Honor. Harvey includes an overview of earlier biographical treatments, the text of an 1874 communication on "Women, Science, and the Birth Rate," and extensive notes.
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cover of "Chaotic Freedom" in Civil War Louisiana: The Origins of an Iconic Image

"Chaotic Freedom" in Civil War Louisiana

The Origins of an Iconic Image

Bruce Laurie

University of Massachusetts Press, 2021

The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be?

Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.
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cover of "Fame Is Not Just for the Fellas": Female Renown and the Childhood of Famous Americans Series

"Fame Is Not Just for the Fellas"

Female Renown and the Childhood of Famous Americans Series

Gregory M. Pfitzer

University of Massachusetts Press, 2022

Finalist of the 2023 SHARP History of the Book Prize

Between 1932 and 1958, thousands of children read volumes in the book series Childhood of Famous Americans. With colorful cover art and compelling—and often highly fictionalized—narrative storylines, these biographies celebrated the national virtues and achievements of famous women like Betsy Ross, Louisa May Alcott, and Amelia Earhart. Employing deep archival research, Gregory M. Pfitzer examines the editorial and production choices of the publisher and considers the influence of the series on readers and American culture more broadly.

In telling the story of how female subjects were chosen and what went into writing these histories for young female readers of the time, Pfitzer illustrates how these books shaped children’s thinking and historical imaginations around girlhood using tales from the past. Utilizing documented conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill, “Fame Is Not Just for the Fellas” places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public—charged debates that continue to this day.

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cover of "Lincoln's Humor" and Other Essays

"Lincoln's Humor" and Other Essays

Benjamin P. Thomas. Edited by Michael Burlingame

University of Illinois Press, 2006

This volume gathers the best previously unpublished and uncollected writings on Abraham Lincoln and Lincoln scholarship by one of his great biographers, Benjamin P. Thomas.

A skilled historian and a masterful storyteller himself, Thomas was widely regarded as the greatest Lincoln historian of his generation. With these essays, he combines historical depth with narrative grace in delineating Lincoln's qualities as a humorist, lawyer, and politician. From colorful tall tales to clever barbs aimed at political opponents, Lincoln clothed a shrewd wit in a homespun, backwoods vernacular. He used humor to defuse tension, illuminate a point, put others at ease--and sometimes for sheer fun. From an early reliance on broad humor and ridicule in speeches and on the stump, Lincoln's style shifted in 1854 to a more serious vein in which humor came primarily to elucidate an argument. "If I did not laugh occasionally I should die," he is said to have told his cabinet, "and you need this medicine as much as I do." Thomas brings his deep knowledge of Lincoln to essays on the great man's tumultuous career in Congress, his work as a lawyer, his experiences in the Courts, and his opinions of the South. A gracious survey of Lincoln's early biographers, particularly Ida Tarbell, stands alongside an appreciation of Harry Edward Pratt, a key figure in the early days of the Abraham Lincoln Association. Thomas also assesses Lincoln's use of language and the ongoing significance of the Gettysburg Address.

This diverse collection is enhanced by an introduction by Michael Burlingame, himself a leading biographer of Lincoln. Burlingame provides a balanced portrait of Thomas and his circuitous path toward writing history.

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cover of "Other Sheep I Have"  The Autobiography of Father Paul M. Washington

"Other Sheep I Have" The Autobiography of Father Paul M. Washington

Paul Washington

Temple University Press, 1994

Father Paul M. Washington rose to local and nation prominence as an unflagging supporter of civil and women's rights. One of a handful of black priests in a traditionally white church, he fought for understanding among all people, eventually serving twenty-five years as the Rector of the Episcopal Church of the Advocate in an inner-city Philadelphia neighborhood. Though his ideas about equality often went against the views of the Episcopal church leadership, he rejected threats of withdrawn funding or retaliation to follow his heart and his theology.

Father Washington's story is a window of insight into the struggles for justice and dignity in the latter half of the twentieth century. In the tumultuous 1960s he supported the Black Power movement, the Black Panther Party, and many other groups working for peace and justice, providing meeting places and guidance. He often found himself in the midst of racial disturbances—the riots on Susquehanna Avenue in 1963 and on Columbia Avenue in 1964, in front of the Board of Education where high school students protested the Eurocentric curriculum, and outside the walls of Girard College where citizens and civic leaders demonstrated against the school's exclusion of black children. In the 1980s, he helped Philadelphia city officials negotiate with MOVE members and was a vocal supporter of Ramona Africa, fighting for her release from prison. It was in his church on the corner of 18th and Diamond Streets that women were first ordained a priests in the Episcopal church. And it was one of his congregation, Barbara Harris, who became the first female Episcopal bishop.

In his evocative voice, Father Washington describes the pivotal events of his life and how each impacted upon his evolving ideas of the relationship between religion and justice. Spanning seven decades, his account is at once an insightful and unique historical account of political action, of the reformation of the church, of the changing urban landscape, and of a life graced by leadership and spiritual enlightenment.

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cover of "Our Aim Was Man": Andrew's Sharpshooters in the American Civil War

"Our Aim Was Man"

Andrew's Sharpshooters in the American Civil War

Roberta Senechal de la Roche

University of Massachusetts Press, 2016

One was a father who worried about his fellow soldiers' swearing. Another hoped to enter Harvard College. The third was a farmer whose letters home depict the later stages of the war. The fourth had turned to boot making when he did not inherit land. Based on the letters, diaries, and memoirs of four members of the First Company Massachusetts Sharpshooters, known as Andrew's Sharpshooters, this book provides a rare glimpse into the experiences of Union Army snipers. The company was one of the first units in American military history to be equipped with telescope-sighted rifles to enable long-distance targeting. Despite complaints that snipers violated codes of honorable combat, the members of Andrew's Sharpshooters generally expressed quiet pride in being an elite unit of highly skilled soldiers—"cool blooded sharpshooters," as one of them said.

Introduced and edited by Roberta Senechal de la Roche, these primary accounts include new details about the equipment, training, and deployment of snipers in the Army of the Potomac. They also reveal the challenges of covert warfare and include rich detail on the everyday problems of Civil War soldiers, including bad food, disease, punishing marches, and homesickness. The collected documents also convey the trials of those left on the home front.

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cover of "The Most Dangerous Communist in the United States": A Biography of Herbert Aptheker

"The Most Dangerous Communist in the United States"

A Biography of Herbert Aptheker

Murrell Gary

University of Massachusetts Press, 2015

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cover of "The Skeleton in Grandpa's Barn": And Other Stories of Growing Up in Utah

"The Skeleton in Grandpa's Barn"

And Other Stories of Growing Up in Utah

Stanford J. Layton

Signature Books, 2008

 The loft of Grandpa’s barn in Salt Lake City was “off limits,” the trap door padlocked. For boys like Zack Lund, Grandpa might as well have hung out a large “welcome” sign inviting them to break in and see what was hidden there. In Parowan, young Nevada Driggs decided to discover for himself whether Captain Fremont had really slept in his grandma’s bed. Fae Decker Dix tells of how her father refused to accept the church’s newly censored version of a nineteenth-century hymn. To her embarrassment, he sang the original hellfire lyrics to O Ye Mountains High as loudly as he could above the rest of the congregation. All told, this new anthology features sixteen priceless stories: quirky and fun, informative and serious, but all engaging—nostalgic for when Utah was little more than a wide spot in the road, or as Robert Mikkelsen remembers, when both sides of the tracks were the “wrong side.”
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cover of "The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century

"The Voice of Egypt"

Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century

Virginia Danielson

University of Chicago Press, 1997

Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career.

Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her.

This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time.

"She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif
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cover of "Therefore, Choose Life...": An Autobiography

"Therefore, Choose Life..."

An Autobiography

Moisey Wolf

Oregon State University Press, 2014

An annotated translation of the extraordinary autobiography of Dr. Moisey Wolf (1922-2007), “Therefore, Choose Life...” is an important addition to the literature of Jewish experience and deepens our understanding of the human condition in the twentieth century.

Wolf describes his Jewish childhood and youth in pre-war Poland, his escape from the Holocaust and subsequent medical service in the Soviet Army during World War II and the following decade, his distinguished career in psychiatry in post-Stalinist Soviet Russia, and his final years in Portland, Oregon, after his departure from the Soviet Union in 1992.

Wolf’s narrative skill and evocative personal insights, combined with Judson Rosengrant’s judicious editing and annotation and elegant translation, provide the reader with direct access to a world that has seemingly ceased to exist, yet continues to resonate and inform our own lives in powerful ways.

“Therefore, Choose Life…” will appeal to readers interested in the history of the East-European twentieth century, pre-Holocaust Jewish family life in Poland, and in the survival of a man of deep religious faith and cultivation in the face of the catastrophes and vicissitudes of his time and place.
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cover of "This World Is Not My Home": A Critical Biography of African American Writer Charles Wright

"This World Is Not My Home"

A Critical Biography of African American Writer Charles Wright

W. Lawrence Hogue

University of Massachusetts Press, 2023

One of Book Authority's 8 New African-American and Black Biography Books Shaping 2025 

In the 1960s, Charles Wright’s (1932–2008) star was on the rise. After dropping out of high school and serving in the Korean War, the young Black writer landed in New York, where he was mentored by Norman Mailer, signed a book deal with a leading publisher, and was celebrated by the likes of Langston Hughes and James Baldwin.

Over the decades to follow, Wright would lead a peripatetic and at times precarious life, moving between Tangier, Veracruz, Paris, and New York, penning a regular column for the Village Voice, living off the goodwill of his friends, and battling addiction and, later, mental health issues. As W. Lawrence Hogue shows, Wright’s innovative fiction stands apart, offering a different vision of outcast Black Americans in the postwar era and using satire to bring agency and humanity to working-class characters. This critical biography—the first devoted to Wright’s significant but largely forgotten story—brings new attention to the writer’s impressive body of work, in the context of a wild, but troubled, life.

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cover of "Too Good a Town": William Allen White, Community, and the Emerging Rhetoric of Middle America

"Too Good a Town"

William Allen White, Community, and the Emerging Rhetoric of Middle America

Edward G. Agran

University of Arkansas Press, 1999

For fifty years, William Allen White, first as a reporter and later as the long-time editor of the Emporia Gazette, wrote of his small town and its Mid-American values. By tailoring his writing to the emerging urban middle class of the early twentieth century, he won his “gospel of Emporia” a nationwide audience and left a lasting impact on he way America defines itself.

Investigating White’s life and his extensive writings, Edward Gale Agran explores the dynamic thought of one of America’s best-read and most-respected social commentators. Agran shows clearly how White honed his style and transformed the myth of conquering the western frontier into what became the twentieth-century ideal of community building.

Once a confidante of and advisor to Theodore Roosevelt, White addressed, and reflected in his work, all the great social and political oscillations of his time—urbanization and industrialism, populism, and progressivism, isolationism internationalism, Prohibition, and New Deal reform. Again and again, he asked the question “What’s the matter?” about his times and townspeople, then found the middle ground. With great care and discernment, Agran gathers the man strains of White’s messages, demonstrating one writer’s pivotal contribution to our idea of what it means to be an American.

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cover of "Venus in Boston" and Other Tales of Nineteenth-Century City Life

"Venus in Boston" and Other Tales of Nineteenth-Century City Life

George Thompson

University of Massachusetts Press, 2002

This book reprints for the first time since the 1850s three short works by George Thompson (1823–c. 1873), one of antebellum America's most successful and prolific authors of sensational fiction. Beginning in the 1840s, he wrote stories for sporting papers like Life in Boston and New York, edited the humorous New York weekly The Broadway Belle, and contributed regularly to the sexually explicit Venus' Miscellany. He also published dozens of novels, most of which were set in Northeastern cities. His writing blends entertainment and social protest, combining commentary on such issues as urbanization, poverty, race, and class with some of the era's most shocking depictions of sex and violence.

The three works in this volume offer a rich representative sample of Thompson's writing. The two novels—Venus in Boston and City Crimes—depict the American city as a place of dark mystery, bawdy humor, and near-universal corruption peopled with con artists and criminals of all kinds. In each novel, a complex narrative structure interweaves multiple stories of exploited labor, abuse of power, seduction, intrigue, and crime. Thompson's autobiography, My Life, presents the author's life in terms nearly as lively as his fiction.

Thompson's zestful, unconventional writings fly in the face of the stereotypical view of Victorian America as straitlaced and sentimental. Ideal for use as a classroom text, this new edition includes a scholarly introduction and an extensive bibliography.
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cover of "We Met in Paris": Grace Frick and Her Life with Marguerite Yourcenar

"We Met in Paris"

Grace Frick and Her Life with Marguerite Yourcenar

Joan E. Howard

University of Missouri Press, 2020

Grace Frick introduced English-language readers all over the world to the distinguished French author Marguerite Yourcenar with her award-winning translation of Yourcenar’s novel Memoirs of Hadrian in 1954. European biographies of Yourcenar have often disparaged Frick and her relationship with Yourcenar, however. This work shows Frick as a person of substance in her own right, and paints a portrait of both women that is at once intimate and scrupulously documented. It contains a great deal of new information that will disrupt long-held beliefs about Yourcenar and may even shock some of her scholars and fans.
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cover of "Work Hard, Study . . . and Keep Out of Politics!"

"Work Hard, Study . . . and Keep Out of Politics!"

James A. Baker III with Steve Fiffer

Northwestern University Press, 2008

White House chief of staff twice over, former secretary of state, past secretary of the treasury, and campaign leader for three different candidates in five successful campaigns—few people have lived and breathed politics as deeply or for as long as James Baker. Now, with candor, down-home Texas storytelling, and more than a few surprises, Baker opens up about his thirty-five years behind the scenes.

Beginning in 1975 with the Ford administration, in a job procured for him by friend and tennis partner George H. W. Bush, Baker was in the thick of American politics. He recounts the inside story of Ford’s rejection of Reagan as a running mate in 1976 with the same insight he has into Reagan’s rejection of Ford four years later. When the White House was plunged into turmoil after the Reagan assassination attempt, he was there, and his stories take readers deeper into those chaotic days. Baker was on hand for the George H. W. Bush campaign’s battle over running mate Dan Quayle and, more recently, he was again on the front row as George W. Bush fought it out in Florida. Spellbinding and frank, his stories are the ones between the lines of our history books.

In this new edition, Baker also responds for the first time in print to the George W. Bush administration’s reaction to the Iraq Study Group Report, written with his input.  Baker is very qualified to comment on the political operation of the current administration, and his new writing for this paperback brings the full weight of his experience to bear.
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cover of "Write Nothing about Politics": A Portrait of Hans Bernd von Haeften

"Write Nothing about Politics"

A Portrait of Hans Bernd von Haeften

Barbara von Haeften

Michigan State University Press, 2018

 Barbara von Haeften’s memoir provides us with a moving account of the life of her husband Hans Bernd von Haeften, a lawyer, diplomat, and member of the Kreisau Circle resistance group in Nazi Germany. The Kreisau Circle participated in the assassination attempt of Hitler on July 20, 1944, carried out by Claus von Stauffenberg and Werner von Haeften, Hans’s brother. The Circle had also developed extensive plans for a new government to be put into place after the removal of Hitler. Drawing on personal letters and clear memories, this biography describes the life and political activity of an extraordinary man who was executed in the struggle to save Germany from the disastrous consequences of Hitler’s regime, and it sheds light on Barbara von Haeften’s knowledge of and participation in the resistance movement.
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cover of ... And Heaven Shed No Tears

... And Heaven Shed No Tears

Henry Armin Herzog

University of Wisconsin Press, 2005

Henry Herzog survived the liquidation of the Rzeszow ghetto in Poland and endured terrible hardships in forced labor camps. He documents the increasing severity of Nazi rule in Rzeszow and the complicity of the Jewish council (the Judenrat) and Jewish police in the round-ups for deportation to the Belzec concentration camp. One of these deportations took his parents to their deaths. His brothers were caught, tortured, and killed by the Gestapo. Herzog and his sister escaped to Hungary where—although she found refuge—he was betrayed, arrested, and finally put on a train to the concentration camps. Escaping by jumping off the train and fleeing into the Tatra Mountains, he joined a group of Russian partisans to fight the Nazis.

1995 paperback, Saga Publishers / Folio Private
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cover of 1001 Beds: Performances, Essays, and Travels

1001 Beds

Performances, Essays, and Travels

Tim Miller; Edited by Glen Johnson

University of Wisconsin Press, 2006

    For a quarter century, Tim Miller has worked at the intersection of performance, politics, and identity, using his personal experiences to create entertaining but pointed explorations of life as a gay American man—from the perils and joys of sex and relationships to the struggles of political disenfranchisement and artistic censorship. This intimate autobiographical collage of Miller's professional and personal life reveals one of the celebrated creators of a crucial contemporary art form and a tireless advocate for the American dream of political equality for all citizens.
    Here we have the most complete Miller yet—a raucous collection of his performance scripts, essays, interviews, journal entries, and photographs, as well as his most recent stage piece Us. This volume brings together the personal, communal, and national political strands that interweave through his work from its beginnings and ultimately define Miller's place as a contemporary artist, activist, and gay man.
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cover of 12 Rounds in Lo's Gym: Boxing and Manhood in Appalachia

12 Rounds in Lo's Gym

Boxing and Manhood in Appalachia

Todd D. Snyder

West Virginia University Press, 2018

Questions of class and gender in Appalachia have, in the wake of the 2016 presidential election and the runaway success of Hillbilly Elegy, moved to the forefront of national conversations about politics and culture. From Todd Snyder, a first generation college student turned college professor, comes a passionate commentary on these themes in a family memoir set in West Virginia coal country.
 
12 Rounds in Lo’s Gym is the story of the author’s father, Mike “Lo” Snyder, a fifth generation West Virginia coal miner who opened a series of makeshift boxing gyms with the goal of providing local at-risk youth with the opportunities that eluded his adolescence. Taking these hardscrabble stories as his starting point, Snyder interweaves a history of the region, offering a smart analysis of the costs—both financial and cultural—of an economy built around extractive industries.

Part love letter to Appalachia, part rigorous social critique, readers may find 12 Rounds in Lo’s Gym—and its narrative of individual and community strength in the face of globalism’s headwinds—a welcome corrective to popular narratives that blame those in the region for their troubles. 
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cover of 23 Woodcock in 22 Years: Reflections on Hunting, the Night Sky, and Our Place in the Universe

23 Woodcock in 22 Years

Reflections on Hunting, the Night Sky, and Our Place in the Universe

Jeff Wilkerson

University of Iowa Press, 2024

In 23 Woodcock in 22 Years, Jeff Wilkerson interweaves his twin passions of astrophysics and game hunting. Stories of how we understand the universe mesh with stories of time in the field, and in doing so capture the uncanny phenomenon of the passage of time: everything evolves around us while we expect our world to remain unchanged.
         As Wilkerson’s thoughts soar to the stars that produced the chemical elements that form us and all the land and its creatures, simple reflections on going afield to harvest a woodcock for a special holiday meal ground him. What emerges is a love story about a bird, the land, and all of creation from atomic nuclei to the farthest reaches of the universe, and a reminder to acknowledge the gentle flow of time while cherishing the everyday existence around us.
 
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cover of 491 Days: Prisoner Number 1323/69

491 Days

Prisoner Number 1323/69

Winnie Madikizela-Mandela

Ohio University Press, 2014

On a freezing winter’s night, a few hours before dawn on May 12, 1969, South African security police stormed the Soweto home of Winnie Madikizela-Mandela, activist and wife of the imprisoned Nelson Mandela, and arrested her in the presence of her two young daughters, then aged nine and ten.

Rounded up in a group of other antiapartheid activists under Section 6 of the Terrorism Act, designed for the security police to hold and interrogate people for as long as they wanted, she was taken away. She had no idea where they were taking her or what would happen to her children. For Winnie Mandela, this was the start of 491 days of detention and two trials.

Forty-one years after Winnie Mandela’s release on September 14, 1970, Greta Soggot, the widow of one of the defense attorneys from the 1969–70 trials, handed her a stack of papers that included a journal and notes she had written while in detention, most of the time in solitary confinement. Their reappearance brought back to Winnie vivid and horrifying memories and uncovered for the rest of us a unique and personal slice of South Africa’s history.

491 Days: Prisoner Number 1323/69 shares with the world Winnie Mandela’s moving and compelling journal along with some of the letters written between several affected parties at the time, including Winnie and Nelson Mandela, himself then a prisoner on Robben Island for nearly seven years.

Readers will gain insight into the brutality she experienced and her depths of despair, as well as her resilience and defiance under extreme pressure. This young wife and mother emerged after 491 days in detention unbowed and determined to continue the struggle for freedom.

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cover of Águila: The Vision, Life, Death, and Rebirth of a Two-Spirit Shaman in the Ozark Mountains

Águila

The Vision, Life, Death, and Rebirth of a Two-Spirit Shaman in the Ozark Mountains

María Cristina Moroles

University of Arkansas Press, 2024

In Águila: The Vision, Life, Death, and Rebirth of a Two-Spirit Shaman in the Ozark Mountains, María Cristina Moroles traces the path of her extraordinary life from the streets of Dallas to the wilderness of the Arkansas Ozarks, where she has resided for fifty years. Hailing from a large Indigenous and Mexican American family in Texas, Moroles apprentices herself to healers and shamans across the Americas as she follows the spiritual vision that leads her to establish a mountaintop sanctuary for women and children of color in a notoriously insular location in the Ozark Mountains. This is a survivor’s tale, and a back-to-the-lander’s tale, unlike any other. From early traumas to countercultural rebellion and profound spiritual awakening, Moroles recounts milestones that earn her the ceremonial names SunHawk and Águila, as she builds a sustainable community off the grid, atop a mountain otherwise uninhabited by human life. Águila tells the truth of one woman’s search for freedom and all women’s quest for dignity as it celebrates the healing powers of nature.
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cover of “A Good Poor Man’s Wife”: Being a Chronicle of Harriet Hanson Robinson and Her Family in Nineteenth-Century New England

“A Good Poor Man’s Wife”

Being a Chronicle of Harriet Hanson Robinson and Her Family in Nineteenth-Century New England

Claudia L. Bushman

University Press of New England, 1998

A shrewd observer of 19th-century America, Harriet Hanson Robinson’s participation in important events and her salty comments, preserved and recorded in the poetry and books she wrote during her lifetime, offer a dramatic account of how one strong-minded woman, who first worked as a textile worker in the industrial town of Lowell, MA, turned to writing and politics to sustain her family after her husband’s early death. Harriet’s personal papers shed light on such topics as labor history, state politics, and the mechanics of writing and publication. Her best-known publications, Loom and Spindle, which deals with early factory life, and Massachusetts in the Woman Suffrage Movement, are often quoted today.
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cover of “The Most Dangerous Communist in the United States”: A Biography of Herbert Aptheker

“The Most Dangerous Communist in the United States”

A Biography of Herbert Aptheker

Gary Murrell

University of Massachusetts Press, 2015

When J. Edgar Hoover declared Herbert Aptheker “the most dangerous Communist in the United States,” the notorious FBI director misconstrued his true significance. In this first book-length biography of Aptheker (1915–2003), Gary Murrell provides a balanced yet unflinching assessment of the controversial figure who was at once a leading historian of African America, radical political activist, literary executor of W. E. B. Du Bois, and lifelong member of the American Communist Party. Although blacklisted at U.S. universities, Aptheker published dozens of books, including the groundbreaking American Negro Slave Revolts (1943) and the monumental seven-volume Documentary History of the Negro People (1951–1994). He also edited four volumes of the correspondence and unpublished writings of Du Bois, an achievement that Eric Foner, writing in the New York Times Book Review, called “a milestone in the coming of age of Afro-American history.”

As Murrell shows, Aptheker the historian was inseparable from Aptheker the leading Communist Party intellectual, polemicist, and agitator. During the 1960s, his ability to rouse and inspire both black and white student radicals made him one of the few Old Leftists accepted by the New Left. Aptheker had joined the CPUSA during its heyday in the 1930s, convinced that only through the party's leadership could fascism be defeated and true liberation be achieved: he ended his affiliation five decades later in 1991 after the collapse of socialism in the Soviet Union and Eastern Europe.

In an afterword, Bettina Aptheker adds to Murrell's narrative by illuminating her mother Fay's vital contributions to her father's work and by affirming the particularly devastating challenges of life in a family dedicated to radical political and social change.

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