Results by title
275 books match the query 'Letters' and 4 start with a non-letter
"Ich Kuss Die Hand"
The Letters of H. L. Mencken To Gretchen HoodH. L. Mencken
University of Alabama Press, 1986
“Ich Kuss Die Hand”: The Letters of H. L. Mencken to Gretchen Hood relates an episode in Mencken's life that has received only passing mention from his biographers. Gretchen Hood's acquaintance with the journalistic life of Washington formed a bond with Mencken, who thought of himself, first and foremost, as an inveterate newspaperman (they playfully entertained the idea of starting their own Washington newspaper), and she had a ready appreciation for his performances as a connoisseur of the Washington political spectacle. Mencken, the amateur musician and music buff, respected her talent and professional background.
His letters indicate that he found in her an intelligent, witty, and charming respondent to his characteristic traits of personality and style. She both flattered his ego and challenged him to exhibit his celebrated manner at its best. On her part, Hood was not simply awestruck by Mencken's attentions but met them with her independent verve. “Nothing scared me,” she later said of her attitude; “ready to take on all comers.” Mencken liked to refer to her as “a licensed outlaw,” a designation that captures his impression of her and describes as well the fashionable unconventionality, which fueled the Mencken vogue.
Mencken wrote Hood over two hundred letters, and she must have written him about the same number. For much of the time they corresponded, they exchanged several letters every month, sometimes as many as four or five a week. As their communications blossomed into a four-year friendship, personal meetings soon supplemented the flow of letters.
"Smoked Yankees" and the Struggle for Empire
Letters from Negro Soldiers, 1898–1902Willard Gatewood
University of Arkansas Press, 1987
Called upon for the first time to render military service outside the States, Negro soldiers (called Smoked Yankees by the Spaniards) were eager to improve their status at home by fighting for the white man in the Spanish-American War. Their story is told through countless letters sent to black U.S. newspapers that lacked resources to field their own reporters. The collection constitutes a remarkably complete and otherwise undisclosed amount of the black man’s role in—and attitude toward—America’s struggle for empire.
In first-hand reports of battles in the Philippine Islands and Cuba, Negro soldiers wrote from the perspective of dispossessed citizens struggling to obtain a larger share of the rights and privileges of Americans.
These letters provide a fuller understanding of the exploits of black troops through their reports of military activities and accounts of foreign peoples and its cultures.
491 Days
Prisoner Number 1323/69Winnie Madikizela-Mandela
Ohio University Press, 2014
On a freezing winter’s night, a few hours before dawn on May 12, 1969, South African security police stormed the Soweto home of Winnie Madikizela-Mandela, activist and wife of the imprisoned Nelson Mandela, and arrested her in the presence of her two young daughters, then aged nine and ten.
Rounded up in a group of other antiapartheid activists under Section 6 of the Terrorism Act, designed for the security police to hold and interrogate people for as long as they wanted, she was taken away. She had no idea where they were taking her or what would happen to her children. For Winnie Mandela, this was the start of 491 days of detention and two trials.
Forty-one years after Winnie Mandela’s release on September 14, 1970, Greta Soggot, the widow of one of the defense attorneys from the 1969–70 trials, handed her a stack of papers that included a journal and notes she had written while in detention, most of the time in solitary confinement. Their reappearance brought back to Winnie vivid and horrifying memories and uncovered for the rest of us a unique and personal slice of South Africa’s history.
491 Days: Prisoner Number 1323/69 shares with the world Winnie Mandela’s moving and compelling journal along with some of the letters written between several affected parties at the time, including Winnie and Nelson Mandela, himself then a prisoner on Robben Island for nearly seven years.
Readers will gain insight into the brutality she experienced and her depths of despair, as well as her resilience and defiance under extreme pressure. This young wife and mother emerged after 491 days in detention unbowed and determined to continue the struggle for freedom.
‘We Didn’t Do Very Well’
The CorrespondenceIngeborg Bachmann and Max Frisch
Seagull Books, 2026
The fraught and generative relationship between two postwar literary giants—revealed through a series of letters published for the first time in English.
Ingeborg Bachmann (1926–1973) stands among the most vital voices of postwar German literature—an acclaimed poet and prose writer who also reshaped radio drama and opera. In 1958, a letter of admiration from the Swiss novelist Max Frisch (1911–1991), written after hearing Bachmann’s radio play The Good God of Manhattan, led to a meeting in Paris and the beginning of an intense, volatile love affair that would forever leave a mark on both their lives and work. Presented here for the first time in English, 299 letters written between 1958 and 1973 trace the arc of that relationship: long separations, the strain of two writers attempting to share a life, creative rivalry, sexual jealousy, and gendered tensions sharpened by a fifteen-year age gap. The correspondence ranges from everyday logistics to raw psychological insight, from passion and longing to bitterness, silence, and regret. The later letters, written as Bachmann’s health declined, expand to include friends, relatives, and key literary figures. First published in German in 2022, this correspondence overturned long-held myths about the two writers, revealing mutual influence, negotiated freedom, and a struggle to reconcile incompatible needs. Intimate and revelatory, these letters illuminate the fragile intersection of love, power, and creativity.