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The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be?

Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.

First published in 1624, Edward Winslow's Good News from New England chronicles the early experience of the Plimoth colonists, or Pilgrims, in the New World. For several years Winslow acted as the Pilgrims' primary negotiator with New England Algonquians, including the Wampanoag, Massachusett, and Narragansett Indians. During this period he was credited with having cured the Wampanoag sachem Massasoit, one of the colonists' most valuable allies, of an apparently life-threatening illness, and he also served as the Pilgrims' chief agent in England.

It was in the context of all of these roles that Winslow wrote Good News in an attempt to convince supporters in England that the colonists had established friendly relations with Native groups and, as a result, gained access to trade goods. Although clearly a work of diplomacy, masking as it did incidents of brutal violence against Indians as well as evidence of mutual mistrust, the work nevertheless offers, according to Kelly Wisecup, a more complicated and nuanced representation of the Pilgrims' first years in New England and of their relationship with Native Americans than other primary documents of the period.

In this scholarly edition, Wisecup supplements Good News with an introduction, additional primary texts, and annotations to bring to light multiple perspectives, including those of the first European travelers to the area, Native captives who traveled to London and shaped Algonquian responses to colonists, the survivors of epidemics that struck New England between 1616 and 1619, and the witnesses of the colonists' attack on the Massachusetts.

This is the first complete modern edition of The Female Marine, a fictional cross-dressing trilogy originally published between 1815 and 1818. Enormously popular among New England readers, the tale in various versions appeared in no fewer than nineteen editions over that brief four-year span. This new edition appends three other contemporary accounts of cross-dressing and urban vice which, together with The Female Marine, provide a unique portrayal of prostitution and interracial city life in early-nineteenth-century America.

The alternately racy and moralistic narrative recounts the adventures of a young woman from rural Massachusetts who is seduced by a false-hearted lover, flees to Boston, and is entrapped in a brothel. She eventually escapes by disguising herself as a man and serves with distinction on board the U.S. frigate Constitution during the War of 1812. After subsequent onshore adventures in and out of male dress, she is happily married to a wealthy New York gentleman.

In his introduction, Daniel A. Cohen situates the story in both its literary and historical contexts. He explains how the tale draws upon a number of popular Anglo-American literary genres, including the female warrior narrative, the sentimental novel, and the urban exposé. He then explores how The Female Marine reflects early-nineteenth-century anxieties concerning changing gender norms, the expansion of urban prostitution, the growth of Boston's African American community, and feelings of guilt aroused by New England's notoriously unpatriotic activities during the War of 1812.

A shrewd observer of 19th-century America, Harriet Hanson Robinson’s participation in important events and her salty comments, preserved and recorded in the poetry and books she wrote during her lifetime, offer a dramatic account of how one strong-minded woman, who first worked as a textile worker in the industrial town of Lowell, MA, turned to writing and politics to sustain her family after her husband’s early death. Harriet’s personal papers shed light on such topics as labor history, state politics, and the mechanics of writing and publication. Her best-known publications, Loom and Spindle, which deals with early factory life, and Massachusetts in the Woman Suffrage Movement, are often quoted today.