1713 books match the query '21St Century' and 148 start with a

cover of A Bright Light of Hope: The Elizabeth Peratrovich Story

A Bright Light of Hope

The Elizabeth Peratrovich Story

Annie Boochever

University of Alaska Press, 2026

No one expected the girl from a small town in Alaska to make history, but Elizabeth Peratrovich saw discrimination and refused to stay silent. Fairness became the driving force of her life. She helped change Alaska so everyone, no matter what race, would be treated equally under the law. This is her story.

A Bright Light of Hope: The Elizabeth Peratrovich Story is the first picture biography for young people that tells the true story of the remarkable Alaska Native woman whose fight, alongside other Alaska leaders, guaranteed equal treatment under Alaska law, regardless of race. It was a right that took the rest of the country nearly twenty more years to realize with the US Civil Rights Act of 1964. Beautifully illustrated by Yup’ik artist Apay’uq Moore and adapted from Fighter in Velvet Gloves: Alaska Civil Rights Hero Elizabeth Peratrovich for grade school students, A Bright Light of Hope is just that—a light of hope. Published at a time when stories of Indigenous people are being actively suppressed by the federal government, the Elizabeth Peratrovich story brings hope to young people that they can make real change in their communities.

An accompanying study guide that features a scripted theatrical adaptation of the book intended for student performance as well as a variety of classroom activities is also available.

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cover of A Call for Heresy: Why Dissent Is Vital to Islam and America

A Call for Heresy

Why Dissent Is Vital to Islam and America

Anouar Majid

University of Minnesota Press, 2007

A Call for Heresy discovers unexpected common ground in one of the most inflammatory issues of the twenty-first century: the deepening conflict between the Islamic world and the United States. Moving beyond simplistic answers, Anouar Majid argues that the Islamic world and the United States are both in precipitous states of decline because, in each, religious, political, and economic orthodoxies have silenced the voices of their most creative thinkers—the visionary nonconformists, radicals, and revolutionaries who are often dismissed, or even punished, as heretics.

The United States and contemporary Islam share far more than partisans on either side admit, Majid provocatively argues, and this “clash of civilizations” is in reality a clash of competing fundamentalisms. Illustrating this point, he draws surprising parallels between the histories and cultures of Islam and the United States and their shortsighted suppression of heresy (zandaqa in Arabic), from Muslim poets and philosophers like Ibn Rushd (known in the West as Averroës) to the freethinker Thomas Paine, and from Abu Bakr Razi and Al-Farabi to Thomas Jefferson and Abraham Lincoln. He finds bitter irony in the fact that Islamic culture is now at war with a nation whose ideals are losing ground to the reactionary forces that have long condemned Islam to stagnation.

The solution, Majid concludes, is a long-overdue revival of dissent. Heresy is no longer a contrarian’s luxury, for only through encouraging an engaged and progressive intellectual tradition can the nations reverse their decline and finally work together for global justice and the common good of humanity.


Anouar Majid is founding chair and professor of English at the University of New England and the author of Freedom and Orthodoxy: Islam and Difference in the Post-Andalusian Age; Unveiling Traditions: Postcolonial Islam in a Polycentric World; and Si Yussef, a novel. He is also cofounder and editor of Tingis, a Moroccan-American magazine of ideas and culture.

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cover of A Century of Populist Demagogues: Eighteen European Portraits, 1918–2018

A Century of Populist Demagogues

Eighteen European Portraits, 1918–2018

Ivan T. Berend

Central European University Press, 2020

The renowned historian Ivan T. Berend discusses populist demagoguery through the presentation of eighteen politicians from twelve European countries spanning World War I to the present. Berend defines demagoguery, reflects on its connections with populism, and examines the common features and differences in the demagogues’ programs and language.

Mussolini and Hitler, the “model demagogues,” are only briefly discussed, as is the election of Donald Trump in the United States and its impact on Europe. The eighteen detailed portraits include two communists, two fascists, and several right-wing and anti-EU politicians, extending across the full range of demagoguery. The author covers Béla Kun, the leader of the Hungarian Soviet Republic in 1919, weaving through Codreanu and Gömbös from the 1930s, on to Stahremberg and Haider in Austria, and then more broadly throughout Europe from Ceaușescu, Milošević, Tuđjman, Izetbegović, Berlusconi, Wilders, to the two Le Pens, Farage, and Boris Johnson, Orbán and the two Kaczyńskis. Each case includes an analysis of the time and place and is illustrated with quotations from the demagogues’ speeches.

This book is a warning about the continuing threat of populist demagogues both for their subjects and for history itself. Berend insists on the crucial importance for Europe to understand the reality behind their promises and persuasive language as imperative to impeding their success.

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cover of A Chicago School for the 21st Century: How the University of Illinois Chicago Is Transforming Education to Advance Social Justice

A Chicago School for the 21st Century

How the University of Illinois Chicago Is Transforming Education to Advance Social Justice

Edited by Jennifer Brier and Memoona Hasnain with Lydia Hou

University of Illinois Press, 2027

Academic research across disciplines often treats communities as subjects rather than sources of knowledge. Jennifer Brier and Memoona Hasnain edit a collection that envisions a twenty-first century Chicago School grounded in interdisciplinary collaboration, reciprocity, and community-driven change.

Scholars, students, staff, healthcare professionals, and community partners draw on real-world examples to examine how the University of Illinois Chicago is pivoting to fulfill its public mission by focusing on social justice, health equity, and community collaboration. The essayists address issues ranging from historical inequities and curriculum reform to urban planning and the social determinants of health. As they show, universities and the wider public can team up to address structural racism, health disparities, and social inequities while fulfilling a vision of higher education that centers human dignity, shared knowledge, and collective action to build healthier and more just communities.

Multifaceted and innovative, A Chicago School for the 21st Century provides a blueprint for reshaping the university’s role in finding community-informed solutions to issues.

Contributors: Shauntice Allen, Ronahy Alzagha, Zachary Blair, Eric Sergio Boria, Dolores Castaneda, Yvette Castañeda, Stacey Chamberlain, Noel Chávez, Melissa Chrusfield, Brandon Collofello, Ryan Cooper, Lloyd Degrane, Lucero Diaz, Mayra Diaz, Ronisha Edwards-Elliott, Kamal Eldeirawi, Wesley Epplin, Jennifer K. Felner, Tiffany N. Ford, Linda Forst, Ana Genkova, Sylvia Gonzalez, Geraldine Gorman, Valerie Gruss, Jane Gubser, Anna Romina Guevarra, Memoona Hasnain, Jeni Hebert-Beirne, Sarah Gabriella Hernandez, Adlaide Holloway, Lydia Hou, Genevieve James, Ellen Kang, Noureen Kapadia, Justin Keller, Joan Kennelly, Ghulam Karim Khan, Naomi LeSure, Sarah Love, Jocelyn Mallard, Glenn Martínez, Dean Massey, Vinay Mikkilineni, Steve Hosik Moon, Pilar Ortega, Alex Ourth, Eunsong Park, Gayatri Reddy, Angela Rivers, Cindy San Miguel, Zoie Sheets, Joshua Smith, Melissa Socarras, Glenna K. Sullivan, Elizabeth Todd-Breland, Stella Udoetuk, Micah Varnado, Maria D. Velasquez, Amanda Weiler, Anna Yankelev, Moira Zellner, and the members of the Little Village Participatory Community Health Assessment and the Greater Lawndale Healthy Work Project
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cover of A Chicago School for the 21st Century: How the University of Illinois Chicago Is Transforming Education to Advance Social Justice

A Chicago School for the 21st Century

How the University of Illinois Chicago Is Transforming Education to Advance Social Justice

Edited by Jennifer Brier and Memoona Hasnain with Lydia Hou

University of Illinois Press, 2027

Academic research across disciplines often treats communities as subjects rather than sources of knowledge. Jennifer Brier and Memoona Hasnain edit a collection that envisions a twenty-first century Chicago School grounded in interdisciplinary collaboration, reciprocity, and community-driven change.

Scholars, students, staff, healthcare professionals, and community partners draw on real-world examples to examine how the University of Illinois Chicago is pivoting to fulfill its public mission by focusing on social justice, health equity, and community collaboration. The essayists address issues ranging from historical inequities and curriculum reform to urban planning and the social determinants of health. As they show, universities and the wider public can team up to address structural racism, health disparities, and social inequities while fulfilling a vision of higher education that centers human dignity, shared knowledge, and collective action to build healthier and more just communities.

Multifaceted and innovative, A Chicago School for the 21st Century provides a blueprint for reshaping the university’s role in finding community-informed solutions to issues.

Contributors: Shauntice Allen, Ronahy Alzagha, Zachary Blair, Eric Sergio Boria, Dolores Castaneda, Yvette Castañeda, Stacey Chamberlain, Noel Chávez, Melissa Chrusfield, Brandon Collofello, Ryan Cooper, Lloyd Degrane, Lucero Diaz, Mayra Diaz, Ronisha Edwards-Elliott, Kamal Eldeirawi, Wesley Epplin, Jennifer K. Felner, Tiffany N. Ford, Linda Forst, Ana Genkova, Sylvia Gonzalez, Geraldine Gorman, Valerie Gruss, Jane Gubser, Anna Romina Guevarra, Memoona Hasnain, Jeni Hebert-Beirne, Sarah Gabriella Hernandez, Adlaide Holloway, Lydia Hou, Genevieve James, Ellen Kang, Noureen Kapadia, Justin Keller, Joan Kennelly, Ghulam Karim Khan, Naomi LeSure, Sarah Love, Jocelyn Mallard, Glenn Martínez, Dean Massey, Vinay Mikkilineni, Steve Hosik Moon, Pilar Ortega, Alex Ourth, Eunsong Park, Gayatri Reddy, Angela Rivers, Cindy San Miguel, Zoie Sheets, Joshua Smith, Melissa Socarras, Glenna K. Sullivan, Elizabeth Todd-Breland, Stella Udoetuk, Micah Varnado, Maria D. Velasquez, Amanda Weiler, Anna Yankelev, Moira Zellner, and the members of the Little Village Participatory Community Health Assessment and the Greater Lawndale Healthy Work Project
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cover of A Common Law for Europe

A Common Law for Europe

Barbara Pasa

Central European University Press, 2005

An essential guide for lawmakers, scholars, and students of law, this work takes on the formidable task of providing a detailed overview of the harmonization of law in the European Union. Skillfully researched, the authors seek to approach this topic with an eye to the recent enlargement process. In highlighting the most recent actions of the European Court of Justice and the Court of First Instance, the book seeks to analyze the future strengths and pitfalls of EU Common Law. Court rulings are quoted at length, and work in conjunction with text inserts in providing a format that breaks down complex information. This open style of the book gives researchers the ability to quickly locate useful information and cite statements from EU institutions. In outlining the sources and institutions of Community Law, and the challenges in harmonizing national and supra-national law-books, 'A Common Law for Europe' has done a tremendous service for academics and future leaders of the European Union.
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cover of A Companion to the Works of Elizabeth Strout

A Companion to the Works of Elizabeth Strout

Katherine Montwieler

Ohio University Press, 2022

Including an exclusive interview with bestselling American novelist Elizabeth Strout, this groundbreaking study will engage literature scholars and general readers alike. Written in accessible language, this book is the first to offer a sustained analysis of Elizabeth Strout’s work. A recipient of the Pulitzer Prize and the O. Henry Award, among other accolades, Strout has achieved a vast popular following as well. Amy and Isabelle was made into a television movie; Olive Kitteridge, which sold more than one million copies, was adapted as a miniseries; The Burgess Boys has been optioned for HBO; and My Name Is Lucy Barton was reimagined for the stage in London and on Broadway. Oh William!, the sequel to My Name Is Lucy Barton, appeared in 2021, and Strout’s latest book, Lucy by the Sea, is slated for release in fall 2022. At the height of her literary powers as a chronicler of American life and particularly the lives of American women, Strout is currently enjoying both commercial and critical success. Her sales and perennial presence on book club lists indicate a tremendous impact on the popular realm and the growing attention to her in academia charts her importance in American letters. This book will satisfy readers looking for a serious, in-depth introduction to Strout’s work, as well as those interested in women’s writing, contemporary fiction, ethics, and literature. It includes a new interview with Strout in which she discusses these issues. Montwieler traces the evolution of Strout’s voice, themes, and characters, which uniquely address American twenty-first-century feminine perspectives and sensibilities. From classic domestic spats between a mother and daughter to hate crimes aimed at mosques, from sweeping forays into decades past to snapshots of contemporary life, Strout compassionately portrays humanity at its most brutal and its most intimate. Though her canvas is vast, her eye for detail is astute and her ear for nuance is keen. Looking across Strout’s work, Montwieler explores how she portrays the endurance of hope, the complexities of family, the effects of trauma on individuals and communities, the sustaining power of the natural world, and the effects of place on personal and collective character. Strout’s creations cultivate empathy in her readers, teaching them to be attuned to the suffering of others and to the human need for connection. Across her work and in the new interview included within this book, Strout shows her readers that they are not alone in this impersonal, often violent world. The connection that acknowledges our limitations, our woundedness, our capability to do harm, our remorse, and our recognition of beauty and humor distinguishes Strout’s unique contribution to contemporary American letters.
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cover of A Concise Field Guide to Post-Communist Regimes: Actors, Institutions, and Dynamics

A Concise Field Guide to Post-Communist Regimes

Actors, Institutions, and Dynamics

Bálint Madlovics

Central European University Press, 2022

While the literature of hybrid regimes has given up the presumption that post-communist countries must democratize, its language and concepts still mostly relate to Western democracies. Magyar and Madlovics strongly argue for a vocabulary and grammar tailored to the specifics of the region. In 120 theses they unfold a conceptual framework with (1) a typology of post-communist regimes and (2) a detailed presentation of ideal-type actors and the political, economic, and social phenomena in these regimes. The book is a more digestible companion to the 800-page The Anatomy of Post-Communist Regimes (CEU Press, 2020), which was a detailed theoretical study with plenty of empirical illustrations.

Each of the 120 theses contains a statement and its concise discussion supported by illustrative tables, figures, and QR-codes that connect the interested reader to the more detailed analysis in the Anatomy. In a condensed variety, this book has kept the holistic approach of the Anatomy and treats the spheres of political, market, and communal action as parts of a single, coherent whole. The endeavor to synthesize a vast range of ideas does not, however, result in a too complicated text. On the contrary, freed from the implicit presumptions of democracy theory, the new terminology yields a readily usable toolkit of unambiguous means of expression to speak about post-communism.

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cover of A Conditional Embrace: Black Queer Feminism in Performance

A Conditional Embrace

Black Queer Feminism in Performance

Kristyl D. Tift

The Ohio State University Press, 2026

Uses an intersectional and intertextual methodology to present a rigorous yet accessible study of Black queer women artists in theater and film.

In A Conditional Embrace, Kristyl D. Tift seeks to understand how Black queer women theater and film artists depict their own survival in heterosexist temporalities and spaces. Using the framework of lovin’ on—a theory inspired by Black feminist thought, performance theory, and queer theory—Tift closely reads the works of a selection of artists to investigate the “conditional embrace” of Black queer art in society. Her intersectional and intertextual methodology considers the text and body as part and parcel of performance work, allowing her to examine the multiple and complex intersections of identity at play in works meant to be read and performed. Tift puts the work of more visible artists such as Dee Rees, Sharon Bridgforth, and Staceyann Chin in direct conversation with lesser-known contributors to Black queer feminist performance such as Shirlene Holmes and Donnetta Lavinia Grays, analyzing not only their plays, installations, and poetry but also interviews, personal essays, performances, and more. Centering the works of artists situated, by birth or migration, in the Southern US and the Caribbean, A Conditional Embrace explores how artists at the margins of art and society represent Black queer women’s survival through processes of self-making, community-building, and homemaking.
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cover of A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life

A Decade of Negative Thinking

Essays on Art, Politics, and Daily Life

Mira Schor

Duke University Press, 2009

A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art.

In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.

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cover of A Foreigner Carrying in the Crook of His Arm a Tiny Bomb

A Foreigner Carrying in the Crook of His Arm a Tiny Bomb

Amitava Kumar

Duke University Press, 2010

Part reportage and part protest, A Foreigner Carrying in the Crook of His Arm a Tiny Bomb is an inquiry into the cultural logic and global repercussions of the war on terror. At its center are two men convicted in U.S. courts on terrorism-related charges: Hemant Lakhani, a seventy-year-old tried for attempting to sell a fake missile to an FBI informant, and Shahawar Matin Siraj, baited by the New York Police Department into a conspiracy to bomb a subway. Lakhani and Siraj were caught through questionable sting operations involving paid informants; both men received lengthy jail sentences. Their convictions were celebrated as major victories in the war on terror. In Amitava Kumar’s riveting account of their cases, Lakhani and Siraj emerge as epic bunglers, and the U.S. government as the creator of terror suspects to prosecute. Kumar analyzed the trial transcripts and media coverage, and he interviewed Lakhani, Siraj, their families, and their lawyers. Juxtaposing such stories of entrapment in the United States with narratives from India, another site of multiple terror attacks and state crackdowns, Kumar explores the harrowing experiences of ordinary people entangled in the war on terror. He also considers the fierce critiques of post-9/11 surveillance and security regimes by soldiers and torture victims, as well as artists and writers, including Coco Fusco, Paul Shambroom, and Arundhati Roy.
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cover of A Fragile Inheritance: Radical Stakes in Contemporary Indian Art

A Fragile Inheritance

Radical Stakes in Contemporary Indian Art

Saloni Mathur

Duke University Press, 2019

In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
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cover of A History of Fort Worth in Black & White: 165 Years of African-American Life

A History of Fort Worth in Black & White

165 Years of African-American Life

Richard F. Selcer

University of North Texas Press, 2015

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cover of A Horizon of (Im)possibilities: A Chronicle of Brazil’s Conservative Turn

A Horizon of (Im)possibilities

A Chronicle of Brazil’s Conservative Turn

Edited by Katerina Hatzikidi and Eduardo Dullo

University of London Press, 2021

The first volume in English to analyze the impact of recent political phenomena in Brazil, from the rise of Bolsonaro to the climate crisis.
 
Since the shocking 2018 presidential election in Brazil, a growing body of scholarship has attempted to understand the country’s so-called “conservative turn.” A gripping in-depth account of politics and society in Brazil today, this new volume brings together a myriad of different perspectives to help us better understand the political events that have shaken the country in recent years.

Combining ethnographic insights with political science, history, sociology, and anthropology, the interdisciplinary analyses included in A Horizon of (Im)possibilities offer a panoramic view on social and political change in Brazil, spanning temporal and spatial dimensions. Starting with the 2018 presidential election, the contributors discuss the country’s recent—and more distant—past in relation to the present. Pointing to the continuities and disruptions during those years, this volume is an invaluable guide to understanding the limits of political democracy.
 
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cover of A Life of Meaning: Embracing Reform Judaism's Sacred Path

A Life of Meaning

Embracing Reform Judaism's Sacred Path

Rabbi Dana Evan Kaplan, PHD

Central Conference of American Rabbis, 2018

Reform Judaism is constantly evolving as we continue to seek a faith that is in harmony with our beliefs and experiences. This volume offers readers a thought-provoking collection of essays by rabbis, cantors, and other scholars who differ, sometimes passionately, over religious practice, experience, and belief. Its goal is to situate Judaism in a contemporary context and it is uniquely suited for community discussion and study groups alike.
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cover of A Mexican State of Mind: New York City and the New Borderlands of Culture

A Mexican State of Mind

New York City and the New Borderlands of Culture

Melissa Castillo-Garsow

Rutgers University Press, 2020

A Mexican State of Mind: New York City and the New Borderlands of Culture explores the cultural and creative lives of the largely young undocumented Mexican population in New York City since September 11, 2001. Inspired by a dialogue between the landmark works of Paul Gilroy and Gloria Anzaldúa, it develops a new analytic framework, the Atlantic Borderlands, which bridges Mexican diasporic experiences in New York City and the black diaspora, not as a comparison but in recognition that colonialism, interracial and interethnic contact through trade, migration, and slavery are connected via capitalist economies and technological developments. This book is based on ten years of fieldwork in  New York City, with members of  a vibrant community of young Mexican migrants who coexist and interact with people from all over the world. It focuses on youth culture including hip hop, graffiti, muralism, labor activism, arts entrepreneurship and collective making.
 
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cover of A Monetary and Fiscal History of Latin America, 1960–2017

A Monetary and Fiscal History of Latin America, 1960–2017

Timothy J. Kehoe

University of Minnesota Press, 2021

A major, new, and comprehensive look at six decades of macroeconomic policies across the region

What went wrong with the economic development of Latin America over the past half-century?  Along with periods of poor economic performance, the region’s countries have been plagued by a wide variety of economic crises. This major new work brings together dozens of leading economists to explore the economic performance of the ten largest countries in South America and of Mexico. Together they advance the fundamental hypothesis that, despite different manifestations, these crises all have been the result of poorly designed or poorly implemented fiscal and monetary policies. 

Each country is treated in its own section of the book, with a lead chapter presenting a comprehensive database of the country’s fiscal, monetary, and economic data from 1960 to 2017. The chapters are drawn from one-day academic conferences—hosted in all but one case, in the focus country—with participants including noted economists and former leading policy makers. Cowritten with Nobel Prize winner Thomas J. Sargent, the editors’ introduction provides a conceptual framework for analyzing fiscal and monetary policy in countries around the world, particularly those less developed. A final chapter draws conclusions and suggests directions for further research.

A vital resource for advanced undergraduate and graduate students of economics and for economic researchers and policy makers, A Monetary and Fiscal History of Latin America, 1960–2017 goes further than any book in stressing both the singularities and the similarities of the economic histories of Latin America’s largest countries.

Contributors: Mark Aguiar, Princeton U; Fernando Alvarez, U of Chicago; Manuel Amador, U of Minnesota; Joao Ayres, Inter-American Development Bank; Saki Bigio, UCLA; Luigi Bocola, Stanford U; Francisco J. Buera, Washington U, St. Louis; Guillermo Calvo, Columbia U; Rodrigo Caputo, U of Santiago; Roberto Chang, Rutgers U; Carlos Javier Charotti, Central Bank of Paraguay; Simón Cueva, TNK Economics; Julián P. Díaz, Loyola U Chicago; Sebastian Edwards, UCLA; Carlos Esquivel, Rutgers U; Eduardo Fernández Arias, Peking U; Carlos Fernández Valdovinos (former Central Bank of Paraguay); Arturo José Galindo, Banco de la República, Colombia; Márcio Garcia, PUC-Rio; Felipe González Soley, U of Southampton; Diogo Guillen, PUC-Rio; Lars Peter Hansen, U of Chicago; Patrick Kehoe, Stanford U; Carlos Gustavo Machicado Salas, Bolivian Catholic U; Joaquín Marandino, U Torcuato Di Tella; Alberto Martin, U Pompeu Fabra; Cesar Martinelli, George Mason U; Felipe Meza, Instituto Tecnológico Autónomo de México; Pablo Andrés Neumeyer, U Torcuato Di Tella; Gabriel Oddone, U de la República; Daniel Osorio, Banco de la República; José Peres Cajías, U of Barcelona; David Perez-Reyna, U de los Andes; Fabrizio Perri, Minneapolis Fed; Andrew Powell, Inter-American Development Bank; Diego Restuccia, U of Toronto; Diego Saravia, U de los Andes; Thomas J. Sargent, New York U; José A. Scheinkman, Columbia U; Teresa Ter-Minassian (formerly IMF); Marco Vega, Pontificia U Católica del Perú; Carlos Végh, Johns Hopkins U; François R. Velde, Chicago Fed; Alejandro Werner, IMF.

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cover of A More Conservative Place: Intellectual Culture in the Bush Era

A More Conservative Place

Intellectual Culture in the Bush Era

Paul A. Bové

Dartmouth College Press, 2013

Identifying the historical antecedents of President George W. Bush’s imperial ambitions and the sources of the reactionary thought and politics that underlie them, Paul A. Bové shows how neoconservatism represents a singular danger to democracy. At the same time, he criticizes the equally disheartening inability of the academic Left to oppose neoconservatives and its tendency to mirror their views instead. Divorced from historical knowledge and intellectual rigor, the neocon mindset reflects a cultural and historical amnesia that feeds on ignorance and conformity. Exposing the threats to national survival inherent in the alliance of right-wing politics and academic tribalism, Bové emphasizes the need to reconnect with the powers of imagination and the complexity of human historical experience. With urgency and passion, Bové shows how the neocons have succeeded in cowing or coopting academic intellectuals and how language has been used and abused for the maintenance and extension of an undemocratic regime.
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cover of A Nation Fragmented: The Public Agenda in the Information Age

A Nation Fragmented

The Public Agenda in the Information Age

Jill Edy

Temple University Press, 2019

The transformation from an undifferentiated public to a surfeit of interest groups has become yet another distinguishing feature of the increasing polarization of American politics. Jill Edy and Patrick Meirick contend that the media has played a key role in this splintering. A Nation Fragmented reveals how the content and character of the public agenda has transformed as the media environment evolved from network television and daily newspapers in the late 1960s to today’s saturated social media world with 200 cable channels.

The authors seek to understand what happened as the public’s sense of shared priorities deteriorated. They consider to what extent our public agenda has “fallen apart” as attention to news has declined, and to what extent we have been “driven apart” by changes in the issue agendas of news. Edy and Meirick also show how public attention is limited and spread too thin except in cases where a highly consistent news agenda can provoke a more focused public agenda. 

A Nation Fragmented explores the media’s influence and political power and, ultimately, how contemporary democracy works.

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cover of A New Divan: A Lyrical Dialogue between East and West

A New Divan

A Lyrical Dialogue between East and West

Edited by Barbara Schwepcke and Bill Swainson

Gingko, 2019

Now reaching its 200th anniversary, Johann Wolfgang von Goethe’s sequence of poems, the West-Eastern Divan serves as the inspiration for this new collection poems by twenty-four international poets. Goethe’s original work shows the poet looking east from his homeland of Germany to build a collection of writing inspired by the poetic traditions of Persia. In twelve books, Goethe writes on a variety of great poetic themes, including love, humor, parables, and paradise. Over the years since its original publication in 1819, the Divan has served as inspiration for a variety of literary, theoretical, and musical responses. A New Divan revisits Goethe’s work in a lively celebration of cross-cultural exchange. Works by twelve poets from the East and twelve from the West respond to the themes laid out in Goethe’s Divan and build bridges between cultures, nationalities, and languages. The poets have been paired to write in response to each of the twelve books of the Divan, and here present their multi-lingual works in eleven different languages, each with a poetic interpretation written in English. Three pairs of essays complement and shed further light on the series of poetic exchanges. These writings mirror the original notes that Goethe included in his West-Eastern Divan.
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Reaching through time, language, and poetic history, A New Divan offers a lyrical conversation and opens paths of connection across cultures.
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cover of A Partisan Church

A Partisan Church

Todd Scribner

Catholic University of America Press, 2015

In the wake of Vatican II and the political and social upheavals of the 1960s, disruption and disagreement rent the Catholic Church in America. Since then a diversity of opinions on a variety of political and religious questions found expression in the church, leading to a fragmented understanding of Catholic identity. Liberal, conservative, neoconservative and traditionalist Catholics competed to define what constituted an authentic Catholic worldview, thus making it nearly impossible to pinpoint a unique "Catholic position" on any given topic. A Partisan Church examines these controversies during the Reagan era and explores the way in which one group of intellectuals - well-known neoconservative Catholics such as George Weigel, Michael Novak, and Richard John Neuhaus - sought to reestablish a coherent and unified Catholic identity.
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cover of A Party with Socialists in It: A History of the Labour Left

A Party with Socialists in It

A History of the Labour Left

Simon

Pluto Press, 2022

A smart and succinct history of the Labour left

*A Guardian Book of the Day*


The defeat of socialist firebrand Jeremy Corbyn as Labour Leader in 2019 confirmed Tony Benn's famous retort 'the Labour party has never been a socialist party, although there have always been socialists in it.'

For over a hundred years, the British Labour Party has been a bastion for working-class organization and struggle. However, has it ever truly been on the side of the workers? Where do its interests really lie? And can we rely on it to provide a barrier against right-wing forces?

Simon Hannah's smart and succinct history of the Labour left guides us through the twists and turns of the party, from the Bevanite movement and the celebrated government of Clement Attlee, through the emergence of a New Left in the 1970s and the Blairism of the 1990s, to Corbyn's defeat and his replacement by Keir Starmer.

This new edition is updated throughout, with a new final chapter and conclusion bringing the story up to date.

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cover of A People's History of Europe: From World War I to Today

A People's History of Europe

From World War I to Today

Raquel Varela

Pluto Press, 2020

This concise people's history of Europe tells the story of the last hundred years of a very old continent and the ordinary people that shaped the events that defined it from World War I to today.

From the Russian Revolution, through May '68 and the Prague Spring, to the present day, we hear from feminists, trade unionists, conscientious objectors and activists and learn of immigration struggles, anti-colonial conflicts and labour movements. Cutting against the grain of mainstream histories, this is a history of Europe told from below.

Containing new and fascinating insights, Raquel Varela paints a different picture of the European story; one where ordinary Europeans are active agents of their own history.
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cover of A Planet in Hospice: Environmental Justice in Existential Ecofiction

A Planet in Hospice

Environmental Justice in Existential Ecofiction

Lauren S. Cardon

The Ohio State University Press, 2026

Advances new theories of “existential ecofiction” and how its authors both confront death and foster hope in their visions of a path forward through the global climate crisis.

How do we continue to love and care for a planet it’s too late to save? In A Planet in Hospice, Lauren S. Cardon analyzes works of “existential ecofiction” that invite us to reflect on our mortality and the many ways that people are already affected by disaster, while also encouraging hope and connection. These texts from authors such as N. K. Jemisin, Paolo Bacigalupi, Darcie Little Badger, Rivers Solomon, Richard Powers, and Margaret Atwood are characterized by themes of ecological crisis, planetary demise, and human extinction, and they center environmental justice and human oppression. Cardon argues that, by invoking the end of the world, these writers directly engage with death anxiety and consequently intervene in current theories of existential psychology and intersectional ecocriticism. They highlight the inextricability of environmental care and social justice and offer visions of a path forward through the global climate crisis humans now face.
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cover of A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives

A Poetics of Plot for the Twenty-First Century

Theorizing Unruly Narratives

Brian Richardson

The Ohio State University Press, 2019

Returns to fundamental questions of narrative to expose how authors play with and clarify the boundaries of narrative theory, thus transforming and expanding the study of story and plot.

Story, in the largest sense of the term, is arguably the single most important aspect of narrative. But with the proliferation of antimimetic writing, traditional narrative theory has been inadequate for conceptualizing and theorizing a vast body of innovative narratives. In A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives, Brian Richardson proposes a new model for evaluating literature—returning to the basis of narrative theory to illuminate how authors play with and help clarify the boundaries of narrative theory. While he focuses on late modernist, postmodern, and contemporary narratives, the study also includes many earlier works, spanning from Aristophanes and Shakespeare through James Joyce and Virginia Woolf to Salman Rushdie and Angela Carter.

By exploring fundamental questions about narrative, Richardson provides a detailed, nuanced, and comprehensive theory that includes neglected categories of storytelling and significantly enhances our treatment of traditional areas of analysis. Ultimately, this book promises to transform and expand the study of story and plot.
[more]
cover of A Police State: Politics and Public Safety in Minneapolis, 1945–2020

A Police State

Politics and Public Safety in Minneapolis, 1945–2020

Michael J. Lansing

University of Chicago Press, 2027

How the police in Minneapolis used electoral politics to accrue power and avoid accountability.

The 2020 murder of George Floyd made Minneapolis synonymous with unjust policing and the pain and outrage left in its wake. The city became ground zero for police reform in the United States—even though liberal politicians in Minnesota had promised, and delivered, police reforms for decades. Centered on professionalization, these changes inadvertently exacerbated injustice. Better training and higher standards broadened the influence of the police, who then claimed expertise in public safety. They deployed it to bargain for governmental support, even when they treated residents unfairly. Though Black, Indigenous, and gay residents resisted, the political power amassed by the police rendered real change almost impossible.

In A Police State, historian and fourth-generation Minneapolis resident Michael J. Lansing chronicles how the police became a political force in one of the nation’s most liberal cities. Lansing shows how, in the years after World War II, public safety policies that appealed to voters in the overwhelmingly white city protected and expanded police discretion. As union members, administrators, and citizens, officers shaped these policies to shield themselves and their violent actions from scrutiny. They campaigned for better wages, secured legal safeguards, resisted race-neutral policing, and elected one of their own to the mayor’s office. Ultimately, they used democratic institutions to cultivate and sustain a police state that protected white people and harmed people of color. Lansing uncovers this dysfunctional relationship between a city and its cops while illuminating a larger American story about reform, resistance, and democracy.

A significant exploration of policing politics, this book helps us understand the history that led to George Floyd’s murder—and insists that the future of community safety depends on reenvisioning the role of police in our society.

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cover of A Revolution in Fragments: Traversing Scales of Justice, Ideology, and Practice in Bolivia

A Revolution in Fragments

Traversing Scales of Justice, Ideology, and Practice in Bolivia

Mark Goodale

Duke University Press, 2019

The years between 2006 and 2015, during which Evo Morales became Bolivia's first indigenous president, have been described as a time of democratic and cultural revolution, world renewal (Pachakuti), reconstituted neoliberalism, or simply “the process of change.” In A Revolution in Fragments Mark Goodale unpacks these various analytical and ideological frameworks to reveal the fragmentary and contested nature of Bolivia's radical experiments in pluralism, ethnic politics, and socioeconomic planning. Privileging the voices of social movement leaders, students, indigenous intellectuals, women's rights activists, and many others, Goodale uses contemporary Bolivia as an ideal case study with which to theorize the role that political agency, identity, and economic equality play within movements for justice and structural change.
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cover of A Supreme Court Unlike Any Other: The Deepening Divide Between the Justices and the People

A Supreme Court Unlike Any Other

The Deepening Divide Between the Justices and the People

Kevin J. McMahon

University of Chicago Press, 2024

A data-rich examination of the US Supreme Court's unprecedented detachment from the democratic processes that buttress its legitimacy.

Today’s Supreme Court is unlike any other in American history. This is not just because of its jurisprudence but also because the current Court has a tenuous relationship with the democratic processes that help establish its authority. Historically, this “democracy gap” was not nearly as severe as it is today. Simply put, past Supreme Courts were constructed in a fashion far more in line with the promise of democracy—that the people decide and the majority rules.

Drawing on historical and contemporary data alongside a deep knowledge of court battles during presidencies ranging from FDR to Donald Trump, Kevin J. McMahon charts the developments that brought us here. McMahon offers insight into the altered politics of nominating and confirming justices, the shifting pool of Supreme Court hopefuls, and the increased salience of the Court in elections. A Supreme Court Unlike Any Other is an eye-opening account of today’s Court within the context of US history and the broader structure of contemporary politics.

[more]
cover of A Task for Sisyphus: Why Europe’s Roma Policies Fail

A Task for Sisyphus

Why Europe’s Roma Policies Fail

Iulius Rostas

Central European University Press, 2020

Despite an increasing number of EU and government initiatives in their favor, the situation of Roma in Europe has only worsened. This book explores the many miscalculations, misconceptions, and blunders that have led to this failure. Looking at Hungary, the Czech Republic, and Romania, Rostas shows how policy makers in each country have mishandled already confused EU policy, from failing to define “Roma” to not having a way to evaluate their own progress. Rostas further argues that the alleged successes of these policies were actually the product of poor information and sometimes outright deception. Examining perennial topics among Roma like school segregation and political representation, the author shows how often the so-called success of Roma policies can be fallacious and simply pave the way for further problems. Rostas maintains that when the EU’s Framework for Roma program comes to an end in 2020, there must be a fundamental shift in policy for there to be any real improvement for Roma. Policy makers will have to address Roma issues not only in terms of poverty and social exclusion but also in terms of the particular nature of Romani ethnic identity. This shift requires reconceiving Roma as a “politically insular minority” and rearranging the power dynamics of local government to ensure that when the new era of Roma policy begins Roma themselves will have a voice in its formulation.
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cover of A Technomoral Politics: Good Governance, Transparency, and Corruption in India

A Technomoral Politics

Good Governance, Transparency, and Corruption in India

Aradhana Sharma

University of Minnesota Press, 2024

Examining anticorruption battles and transparency laws to ask: what makes for good governance, and can it limit liberal democratic politics as much as encourage it?
 

Good governance is meant to empower citizens, increase democratic participation, and make states transparent and accountable, yet this liberal democratic imperative can also promote populist authoritarian rule. Bringing together discourses on ethical goodness with the technicalities of governance as expressed in laws and policies, Aradhana Sharma develops the concept of “technomoral politics” to navigate this fraught topic. With a focus on the work of activists, citizens, and state officials, she offers an ethnographic account of the contradictions and dangers of good-governance politics in twenty-first-century India.

 

A Technomoral Politics follows the evolution of a group of activists in New Delhi led by Arvind Kejriwal from 2008 to 2014 as they morphed from a protransparency NGO to a mass movement against state corruption to a populist party that promised to change the political system through laws and policies. Sharma explores the technomoral framing of state opacity and corruption as well as the limits of the law in resolving these issues, probing such themes as the contradictory relationship between transparency and bureaucracy and the classed and gendered nature of democratic state institutions.

 

By examining scalar dimensions of good-governance politics, from the hyperlocal work of activists to global trends, A Technomoral Politics illuminates the paradoxes, limits, and risks of a system that is meant to spread liberal democratic principles but that also ends up promoting antidemocratic, populist-authoritarian forms of rule.

 

 

Retail e-book files for this title are screen-reader friendly.

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cover of A University for the 21st Century

A University for the 21st Century

James J. Duderstadt

University of Michigan Press, 2000

From the former president of one of America's leading universities comes a comprehensive analysis of the challenges and opportunities facing higher education in America as we enter the twenty-first century. In A University for the Twenty-first Century, James J. Duderstadt discusses the array of powerful economic, social, and technological forces that are driving the rapid and profound change in American social institutions and universities in particular.
Change has always characterized the university as it has sought to preserve and propagate the intellectual achievements, the cultures, and the values of our civilization. However, the capacity of the university to change, through a process characterized by reflection, reaction, and consensus, simply may not be sufficient to allow the university to control its own destiny. Not only will social and technical change be a challenge to the American university, Duderstadt says, it will be the watchword for the years ahead. And with change will come unprecedented opportunities for those universities with the vision, the wisdom, and the courage to lead in the twenty-first century. The real question raised by this book is not whether higher education will be transformed, but rather how . . . and by whom.
James J. Duderstadt is President Emeritus and University Professor of Science and Engineering, University of Michigan.
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cover of A User's Guide to the Crisis of Civilization: And How to Save It

A User's Guide to the Crisis of Civilization

And How to Save It

Nafeez Mosaddeq Ahmed

Pluto Press, 2010

It often seems that different crises are competing to devastate civilisation. This book argues that financial meltdown, dwindling oil reserves, terrorism and food shortages need to be considered as part of the same ailing system.

Most accounts of our contemporary global crises such as climate change, or the threat of terrorism, focus on one area, or another, to the exclusion of others. Nafeez Mosaddeq Ahmed argues that the unwillingness of experts to look outside their own fields explains why there is so much disagreement and misunderstanding about particular crises. This book attempts to investigate all of these crises, not as isolated events, but as trends and processes that belong to a single global system. We are therefore not dealing with a 'clash of civilisations', as Huntington argued. Rather, we are dealing with a fundamental crisis of civilisation itself.

This book provides a stark warning of the consequences of failing to take a broad view of the problems facing the world and shows how catastrophe can be avoided.

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cover of A Woman in the Crossfire: Diaries of the Syrian Revolution

A Woman in the Crossfire

Diaries of the Syrian Revolution

Samar Yazbek

Haus Publishing, 2012

A well-known novelist and journalist from the coastal city of Jableh, Samar Yazbek witnessed the beginning four months of the uprising first-hand and actively participated in a variety of public actions and budding social movements. Throughout this period she kept a diary of personal reflections on, and observations of, this historic time. Because of the outspoken views she published in print and online, Yazbek quickly attracted the attention and fury of the regime, vicious rumours started to spread about her disloyalty to the homeland and the Alawite community to which she belongs. The lyrical narrative describes her struggle to protect herself and her young daughter, even as her activism propels her into a horrifying labyrinth of insecurity after she is forced into living on the run and detained multiple times, excluded from the Alawite community and renounced by her family, her hometown and even her childhood friends. With rare empathy and journalistic prowess Samar Yazbek compiled oral testimonies from ordinary Syrians all over the country. Filled with snapshots of exhilarating hope and horrifying atrocities, she offers us a wholly unique perspective on the Syrian uprising. Hers is a modest yet powerful testament to the strength and commitment of countless unnamed Syrians who have united to fight for their freedom. These diaries will inspire all those who read them, and challenge the world to look anew at the trials and tribulations of the Syrian uprising.
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cover of A Year at the Supreme Court

A Year at the Supreme Court

Neal Devins and Davison M. Douglas, eds.

Duke University Press, 2004

The United States Supreme Court’s 2002–03 term confounded Court watchers. The same Rehnquist Court that many had seen as solidly conservative and unduly activist—the Court that helped decide the 2000 presidential election and struck down thirty-one federal statutes since 1995—issued a set of surprising, watershed rulings. In a term filled with important and unpredictable decisions, it upheld affirmative action, invalidated a same-sex sodomy statute, and reversed a death sentence due to ineffective assistance of counsel. With essays focused on individual Justices, Court practices, and some of last year’s most important rulings, this volume explores the meaning and significance of the Court’s 2002–03 term. Seasoned Supreme Court advocates and journalists from The New Republic, The Los Angeles Times, Newsweek, National Journal, Slate, and Legal Times grapple with questions about the Rehnquist Court’s identity and the Supreme Court’s role in the political life of the country.

Some essays consider the role of “swing” Justices Sandra Day O’Connor and Anthony Kennedy within a Court that divides 5–4 more than any other group of Justices in the nation’s history. Others examine the political reaction to and legal context of the Court’s Lawrence v. Texas decision declaring a Texas law criminalizing homosexual sodomy unconstitutional. Contributors analyze the Court’s rulings on affirmative action and reassess its commitment to states’ rights. Considering the Court’s practices, one advocate explores the use and utility of amicus curiae, or “friend of the court” briefs, while another reflects on indications of an increased openness by the Court to public scrutiny. Two advocates who argued cases before the Court—one related to hate speech and the other to a “three strikes and you’re out” criminal statute—offer vivid accounts of their experiences. Intended for general readers, A Year at the Supreme Court is for all those who want to understand the Rehnquist Court and its momentous 2002–03 term.

Contributors
Erwin Chemerinsky
Neal Devins
Davison M. Douglas
David J. Garrow
Dahlia Lithwick
Tony Mauro
Carter Phillips
Ramesh Ponnuru
Jeffrey Rosen
David G. Savage
Rodney A. Smolla
Stuart Taylor Jr.

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cover of AIDS Doesn't Show Its Face: Inequality, Morality, and Social Change in Nigeria

AIDS Doesn't Show Its Face

Inequality, Morality, and Social Change in Nigeria

Daniel Jordan Smith

University of Chicago Press, 2014

AIDS and Africa are indelibly linked in popular consciousness, but despite widespread awareness of the epidemic, much of the story remains hidden beneath a superficial focus on condoms, sex workers, and antiretrovirals. Africa gets lost in this equation, Daniel Jordan Smith argues, transformed into a mere vehicle to explain AIDS, and in AIDS Doesn’t Show Its Face, he offers a powerful reversal, using AIDS as a lens through which to view Africa.

Drawing on twenty years of fieldwork in Nigeria, Smith tells a story of dramatic social changes, ones implicated in the same inequalities that also factor into local perceptions about AIDS—inequalities of gender, generation, and social class. Nigerians, he shows, view both social inequality and the presence of AIDS in moral terms, as kinds of ethical failure. Mixing ethnographies that describe everyday life with pointed analyses of public health interventions, he demonstrates just how powerful these paired anxieties—medical and social—are, and how the world might better alleviate them through a more sensitive understanding of their relationship.
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cover of ALSC's Popular Picks for Young Readers

ALSC's Popular Picks for Young Readers

Diane Foote

American Library Association, 2014

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cover of Abacus of Loss: A Memoir in Verse

Abacus of Loss

A Memoir in Verse

Sholeh Wolpé

University of Arkansas Press, 2022

lbert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.” It is in this vein that Sholeh Wolpé’s mesmerizing memoir in verse unfolds. In this lyrical and candid work, her fifth collection of poems, Wolpé invokes the abacus as an instrument of remembering. Through different countries and cultures, she carries us bead by bead on a journey of loss and triumph, love and exile. In the end, the tally is insight, not numbers, and we arrive at a place where nothing is too small for gratitude.

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cover of Abysmal: A Critique of Cartographic Reason

Abysmal

A Critique of Cartographic Reason

Gunnar Olsson

University of Chicago Press, 2007

People rely on reason to think about and navigate the abstract world of human relations in much the same way they rely on maps to study and traverse the physical world. Starting from that simple observation, renowned geographer Gunnar Olsson offers in Abysmal an astonishingly erudite critique of the way human thought and action have become deeply immersed in the rhetoric of cartography and how this cartographic reasoning allows the powerful to map out other people’s lives.

A spectacular reading of Western philosophy, religion, and mythology that draws on early maps and atlases, Plato, Kant, and Wittgenstein, Thomas Pynchon, Gilgamesh, and Marcel Duchamp, Abysmal is itself a minimalist guide to the terrain of Western culture. Olsson roams widely but always returns to the problems inherent in reason, to question the outdated assumptions and fixed ideas that thinking cartographically entails. A work of ambition, scope, and sharp wit, Abysmal will appeal to an eclectic audience—to geographers and cartographers, but also to anyone interested in the history of ideas, culture, and art.

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cover of Acting Up and Getting Down: Plays by African American Texans

Acting Up and Getting Down

Plays by African American Texans

By Sandra M. Mayo and Elvin Holt

University of Texas Press, 2014

One of the few books of its kind, Acting Up and Getting Down brings together seven African American literary voices that all have a connection to the Lone Star state. Covering Texas themes and universal ones, this collection showcases often-overlooked literary talents to bring to life inspiring facets of black theatre history.

Capturing the intensity of racial violence in Texas, from the Battle of San Jacinto to a World War I–era riot at a Houston training ground, Celeste Bedford Walker’s Camp Logan and Ted Shine’s Ancestors provide fascinating narratives through the lens of history. Thomas Meloncon’s Johnny B. Goode and George Hawkins’s Br’er Rabbit explore the cultural legacies of blues music and folktales. Three unflinching dramas (Sterling Houston’s Driving Wheel, Eugene Lee’s Killingsworth, and Elizabeth Brown-Guillory’s When the Ancestors Call) examine homosexuality, a death in the family, and child abuse, bringing to light the private tensions of intersections between the individual and the community.

Supplemented by a chronology of black literary milestones as well as a playwrights’ canon, Acting Up and Getting Down puts the spotlight on creative achievements that have for too long been excluded from Texas letters. The resulting anthology not only provides new insight into a regional experience but also completes the American story as told onstage.

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cover of Acts of Dramaturgy: The Shakespeare Trilogy

Acts of Dramaturgy

The Shakespeare Trilogy

Michael Pinchbeck

Intellect Books, 2020

Acts of Dramaturgy is a critical frame for Michael Pinchbeck’s The Shakespeare Trilogy, a recent touring project comprising three performances—The Beginning, The Middle, and The End—that explored the role of the dramaturg. This book sets the playtexts in dialogue with reflexive essays and provocations on contemporary dramaturgy from a range of contributors. 

Weaving together different modes of writing, the volume reflects on the politics of dramaturgy, authorship, adaptation, performance, and the use of Shakespeare as a stimulus for making contemporary theater. The resulting work is as much a reflection on the entanglements of processes, lineages, and relations that have shaped the work and its reception as it is an exploration of ways of reflecting and being with practice now. A valuable new contribution to the study of contemporary dramaturgy, the book will be of interest to makers and scholars of theater and performance and anyone interested in practice research and creative critical writing.

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cover of Acts of Faith and Imagination: Theological Patterns in Catholic Fiction

Acts of Faith and Imagination

Theological Patterns in Catholic Fiction

Brent Little

Catholic University of America Press, 2023

Acts of Faith and Imagination wagers that fiction written by Catholic authors assists readers to reflect critically on the question: “what is faith?” To speak of a person’s “faith-life” is to speak of change and development. As a narrative form, literature can illustrate the dynamics of faith, which remains in flux over the course of one’s life. Because human beings must possess faith in something (whether religious or not), it inevitably has a narrative structure—faith ebbs and flows, flourishes and decays, develops and stagnates. Through an exploration of more than a dozen Catholic authors’ novels and short stories, Brent Little argues that Catholic fiction encourages the reader to reflect upon their faith holistically, that is, the way faith informs one’s affections, and how a person conceives and interacts with the world as embodied beings. Amidst the diverse stories of modern and contemporary fiction, a consistent pattern emerges: Catholic fiction portrays faith—at its most fundamental, often unconscious, level—as an act of the imagination. Faith is the way one imagines themselves, others, and creation. A person’s primary faith conditions how they live in the world, regardless of the level of conscious reflection, and regardless of whether this is a “religious” faith. Acts of Faith and Imagination investigates the creative depth and vitality of the Catholic literary imagination by bringing late modern Catholic authors into dialogue with more contemporary ones. Readers will then consider well-known works, such as those by Graham Greene, Flannery O’Connor, and Muriel Spark in the fresh light of contemporary stories by Toni Morrison, Alice McDermott, Uwem Akpan, and several others.
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cover of Acts of War: Iraq and Afghanistan in Seven Plays

Acts of War

Iraq and Afghanistan in Seven Plays

Karen Malpede

Northwestern University Press, 2011

As Karen Malpede points out in her introduction to Acts of War, tragedy "arose as a complement to, perhaps also as an antidote to, war." The greatest of the early playwrights wrote from experience—Aeschylus and Sophocles were generals in the Athenian army, and Euripides was a combat veteran. Electronic media reports war instantly, but the stage provides an unrivaled venue for facing the horror of armed conflict on a human scale.This timely anthology of plays by American and British writers bears witness to the realities of the wars in Iraq and Afghanistan for combatants and civilians alike and asks what it means to be a citizen in a democracy at war. From violence on the battlefield and in the cells of Guantanamo to the toll exacted on the homefront, the seven plays collected by Malpede, Messina, and Shuman explore in depth the costs of war. Sometimes with humor or erotic charge, always with compassion and surprising insight, these contemporary plays return to the theater a necessary social edge.Karen Malpede’s introduction sets the plays in the broader contexts of theater’s roots and recent history, while award-winning journalist and author Chris Hedges provides a foreword.
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cover of Advancing Immigrant Rights in Houston

Advancing Immigrant Rights in Houston

Els de Graauw and Shannon Gleeson

Temple University Press, 2024

Houston is one of the most diverse cities in the United States and has long been a prime destination for international migrants from Latin America, Asia, and more recently, Africa. However, the city is politically mixed, organizationally underserved, and situated in a relatively anti-immigrant state. This makes Houston a challenging context for immigrant rights despite its rapidly diversifying population.

In Advancing Immigrant Rights in Houston, Els de Graauw and Shannon Gleeson recount how local and multi-level contexts shape the creation, contestation, and implementation of immigrant rights policies and practices in the city. They examine the development of a city immigrant affairs office, interactions between local law enforcement and federal immigration enforcement officials, local public-private partnerships around federal immigration benefits, and collaborations between labor, immigrant rights, faith, and business leaders to combat wage theft.

The case study of Houston provides a bellwether for how other U.S. cities will deal with their growing immigrant populations and underscores the importance of public-private collaborations to advance immigrant rights.
[more]
cover of Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris

Aesthetic Citizenship

Immigration and Theater in Twenty-First-Century Paris

Emine Fisek

Northwestern University Press, 2017

Aesthetic Citizenship is an ethnographic study of the role of theatrical performance in questions regarding immigration, citizenship, and the formation of national identity. Focusing on Paris in the twenty-first century, Emine Fisek analyzes the use of theater by immigrant-rights organizations there and examines the relationship between aesthetic practices and the political personhoods they negotiate.

From neighborhood associations and humanitarian alliances to arts organizations both large and small, Fisek traces how theater has emerged as a practice with the perceived capacity to address questions regarding immigrant rights, integration, and experience. In Aesthetic Citizenship, she explores how the stage, one of France’s most evocative cultural spaces, has come to play a role in contemporary questions about immigration, citizenship and national identity. Yet Fişek’s insightful research also illuminates Paris’s broader historical, political, and cultural through-lines that continue to shape the relationship between theater and migration in France. 

By focusing on how French public discourses on immigration are not only rendered meaningful but also inhabited and modified in the context of activist and arts practice, Aesthetic Citizenship seeks to answer the fundamental question: is theater a representational act or can it also be a transformative one?
[more]
cover of Affective Crisis and the Possibility of Attachment: A Comparative Study of Contemporary Fiction in Neoliberal Ruins

Affective Crisis and the Possibility of Attachment

A Comparative Study of Contemporary Fiction in Neoliberal Ruins

Hans Demeyer and Sven Vitse

University College London, 2026

An in-depth study of contemporary novels through the lens of affect theory and ideology critique. 

Affective Crisis and the Possibility of Attachment offers a comparative critical study of contemporary fiction. It intervenes in discussions about contemporary fiction in its literary-historical relationship to postmodernism and in its socio-historical relationship to neoliberalism, arguing that contemporary literature is dominated by affective questions that are rooted in neoliberalism. Whereas previous research focused on either a literary-historical or a socio-historical approach, this study examines eighteen novels from various parts of the world in both their diachronic relation to postmodernism and in their synchronic relation to neoliberal society.

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cover of Africa Every Day: Fun, Leisure, and Expressive Culture on the Continent

Africa Every Day

Fun, Leisure, and Expressive Culture on the Continent

Oluwakemi M. Balogun

Ohio University Press, 2019

Africa Every Day presents an exuberant, thoughtful, and necessary counterpoint to the prevailing emphasis in introductory African studies classes on war, poverty, corruption, disease, and human rights violations on the continent. These challenges are real and deserve sustained attention, but this volume shows that adverse conditions do not prevent people from making music, falling in love, playing sports, participating in festivals, writing blogs, telling jokes, making videos, playing games, eating delicious food, and finding pleasure in their daily lives. Across seven sections—Celebrations and Rites of Passage; Socializing and Friendship; Love, Sex, and Marriage; Sports and Recreation; Performance, Language, and Creativity; Technology and Media; and Labor and Livelihoods—the accessible, multidisciplinary essays in Africa Every Day address these creative and dynamic elements of daily life, without romanticizing them. Ultimately, the book shows that forms of leisure and popular culture in Africa are best discussed in terms of indigenization, adaptation, and appropriation rather than the static binary of European/foreign/global and African. Most of all, it invites readers to reflect on the crucial similarities, rather than the differences, between their lives and those of their African counterparts. Contributors: Hadeer Aboelnagah, Issahaku Adam, Joseph Osuolale Ayodokun, Victoria Abiola Ayodokun, Omotoyosi Babalola, Martha Bannikov, Mokaya Bosire, Emily Callaci, Deborah Durham, Birgit Englert, Laura Fair, John Fenn, Lara Rosenoff Gauvin, Michael Gennaro, Lisa Gilman, Charlotte Grabli, Joshua Grace, Dorothy L. Hodgson, Akwasi Kumi-Kyereme, Prince F. M. Lamba, Cheikh Tidiane Lo, Bill McCoy, Nginjai Paul Moreto, Jacqueline-Bethel Tchouta Mougoué, James Nindi, Erin Nourse, Eric Debrah Otchere, Alex Perullo, Daniel Jordan Smith, Maya Smith, Steven Van Wolputte, and Scott M. Youngstedt.
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cover of Africa as a Living Laboratory: Empire, Development, and the Problem of Scientific Knowledge, 1870-1950

Africa as a Living Laboratory

Empire, Development, and the Problem of Scientific Knowledge, 1870-1950

Helen Tilley

University of Chicago Press, 2011

Tropical Africa was one of the last regions of the world to experience formal European colonialism, a process that coincided with the advent of a range of new scientific specialties and research methods. Africa as a Living Laboratory is a far-reaching study of the thorny relationship between imperialism and the role of scientific expertise—environmental, medical, racial, and anthropological—in the colonization of British Africa.

A key source for Helen Tilley’s analysis is the African Research Survey, a project undertaken in the 1930s to explore how modern science was being applied to African problems. This project both embraced and recommended an interdisciplinary approach to research on Africa that, Tilley argues, underscored the heterogeneity of African environments and the interrelations among the problems being studied. While the aim of British colonialists was unquestionably to transform and modernize Africa, their efforts, Tilley contends, were often unexpectedly subverted by scientific concerns with the local and vernacular. Meticulously researched and gracefully argued, Africa as a Living Laboratory transforms our understanding of imperial history, colonial development, and the role science played in both.

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cover of African American Arts: Activism, Aesthetics, and Futurity

African American Arts

Activism, Aesthetics, and Futurity

weems, carrie mae

Bucknell University Press, 2020

Signaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society?

Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 
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cover of African Exodus: Migration and the Future of Europe

African Exodus

Migration and the Future of Europe

Asfa-Wossen Asserate

Haus Publishing, 2018

In 2015, an unprecedented number of people from Africa and the Near East took flight and sought refuge in Europe. By the end of that year, some 1.8 million migrants had arrived in the EU, the vast majority having come across the Mediterranean. Since then, despite measures to host some of the people fleeing the Syrian war in Turkey and concurrent attempts to physically seal off some borders in Eastern Europe, the numbers of refugees traveling to Europe has continued to top half a million annually.  A mass migration on a scale not witnessed in modern times is underway, and it has presented Europe with its greatest challenge of the twenty-first century.

Asfa-Wossen Asserate argues here that building higher fences or finding more effective methods of integration will only, in the long term, perpetuate rather than solve the problems associated with these large numbers of displaced refugees. We need to realize that we are only treating the symptoms of an oncoming catastrophe and that, if we are to respond to mass migration, we will ultimately have to understand its causes. African Exodus places its emphasis firmly on the causes of the refugee crisis, which are to be found not least in Europe itself, and charts ways in which we might deal with it effectively in the long term.

In the course of this analysis, Asserate asks why our view of Africa—a troubled continent, but rich in so many ways—is so distorted. How can we combat the corrupt, authoritarian regimes that stymie progress and development? Why are millions fleeing to Europe? How is the EU complicit in the migration crisis? And finally, in practical terms: what can be done, and what prospects does the future hold?
 
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