145 books match the query 'American Studies' and 13 start with a

cover of A Rainbow of Gangs: Street Cultures in the Mega-City

A Rainbow of Gangs

Street Cultures in the Mega-City

By James Diego Vigil

University of Texas Press, 2002

Winner, Best Book on Ethnic and Racial Politics in a Local or Urban Setting , Organized Section on Race, Ethnicity, and Politics of the American Political Science Association, 2002

This cross-cultural study of Los Angeles gangs identifies the social and economic factors that lead to gang membership and underscores their commonality across four ethnic groups--Chicano, African American, Vietnamese, and Salvadorian.

With nearly 1,000 gangs and 200,000 gang members, Los Angeles holds the dubious distinction of being the youth gang capital of the United States. The process of street socialization that leads to gang membership now cuts across all ethnic groups, as evidenced by the growing numbers of gangs among recent immigrants from Asia and Latin America.

This cross-cultural study of Los Angeles gangs identifies the social and economic factors that lead to gang membership and underscores their commonality across four ethnic groups—Chicano, African American, Vietnamese, and Salvadorian. James Diego Vigil begins at the community level, examining how destabilizing forces and marginalizing changes have disrupted the normal structures of parenting, schooling, and policing, thereby compelling many youths to grow up on the streets. He then turns to gang members' life stories to show how societal forces play out in individual lives. His findings provide a wealth of comparative data for scholars, policymakers, and law enforcement personnel seeking to respond to the complex problems associated with gangs.

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cover of A Rainbow of Gangs: Street Cultures in the Mega-City

A Rainbow of Gangs

Street Cultures in the Mega-City

By James Diego Vigil

University of Texas Press, 2002

Winner, Best Book on Ethnic and Racial Politics in a Local or Urban Setting , Organized Section on Race, Ethnicity, and Politics of the American Political Science Association, 2002

This cross-cultural study of Los Angeles gangs identifies the social and economic factors that lead to gang membership and underscores their commonality across four ethnic groups--Chicano, African American, Vietnamese, and Salvadorian.

With nearly 1,000 gangs and 200,000 gang members, Los Angeles holds the dubious distinction of being the youth gang capital of the United States. The process of street socialization that leads to gang membership now cuts across all ethnic groups, as evidenced by the growing numbers of gangs among recent immigrants from Asia and Latin America.

This cross-cultural study of Los Angeles gangs identifies the social and economic factors that lead to gang membership and underscores their commonality across four ethnic groups—Chicano, African American, Vietnamese, and Salvadorian. James Diego Vigil begins at the community level, examining how destabilizing forces and marginalizing changes have disrupted the normal structures of parenting, schooling, and policing, thereby compelling many youths to grow up on the streets. He then turns to gang members' life stories to show how societal forces play out in individual lives. His findings provide a wealth of comparative data for scholars, policymakers, and law enforcement personnel seeking to respond to the complex problems associated with gangs.

[more]
cover of A Thousand Paper Cuts: US Empire and the Bureaucratic Life of War

A Thousand Paper Cuts

US Empire and the Bureaucratic Life of War

Anjali Nath

Duke University Press, 2025

In A Thousand Paper Cuts, Anjali Nath considers the paper worlds made and destroyed by US imperialism. From the slogans of anti-Communist Cold Warriors against a spectral “Paper Curtain” to the scuttled efforts of activists who sought to document America’s surveillance regime amidst the US war on Vietnam, Nath offers a pre-history of the redacted visions of the Homeland Security age. Nath shows how declassified documents tell the story of American counterinsurgency at home and abroad, revealing the imperial grammar beneath the abundant redactions of contemporary visual culture. Tracing the liberal political rhetoric that inspired the Freedom of Information Act in the 1960s, through to the Bush-era’s exuberant secrecy to the contemporary artists who subversively repurpose redacted documents in collage and critique, Nath maps the formation of the security state, its bureaucratic regimes of surveillance, and the racial logic of transparency.
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cover of Abject Animals: Discomfort in Human–Animal Companionship

Abject Animals

Discomfort in Human–Animal Companionship

Julien Dugnoille

Michigan State University Press, 2027

Abject Animals: Discomfort in Human–Animal Companionship explores the emotional contradictions and ethical tensions at the heart of human–animal relationships through a cross-cultural, multispecies ethnography of cats and dogs in the UK, France, and South Korea. Framing cats and dogs as “abject animals,” Julien Dugnoille examines how the treatment of animals can generate discomfort—emotional, moral, and bodily—through their commodification in cafés, markets, shelters, and homes. Drawing on Kristeva’s theory of abjection alongside the ideas of Bataille, Blanchot, and Weil, the book interrogates the commodified intimacy of contemporary human–animal companionship, revealing how labor, cuteness, and care mask underlying hierarchies and exploitation. Through richly detailed fieldwork and autoethnographic reflection, it critiques normative ideas of “healthy” companionship, arguing instead for forms of interspecies attunement that embrace discomfort and resist instrumentalization. Abject Animals is both a theoretical intervention and a call for more ethical, ego-disrupting relationships with the nonhuman.

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cover of Ambient Television: Visual Culture and Public Space

Ambient Television

Visual Culture and Public Space

Anna McCarthy

Duke University Press, 2001

Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explores the significance of this pervasive phenomenon, tracing the forms of conflict, commerce, and community that television generates outside the home.

Discussing the roles television has played in different institutions from 1945 to the present day, McCarthy draws on a wide array of sources. These include retail merchandising literature, TV industry trade journals, and journalistic discussions of public viewing, as well as the work of cultural geographers, architectural theorists, media scholars, and anthropologists. She also uses photography as a research tool, documenting the uses and meanings of television sets in the built environment, and focuses on such locations as the tavern and the department store to show how television is used to support very different ideas about gender, class, and consumption. Turning to contemporary examples, McCarthy discusses practices such as Turner Private Networks’ efforts to transform waiting room populations into advertising audiences and the use of point-of-sale video that influences brand visibility and consumer behavior. Finally, she inquires into the activist potential of out-of-home television through a discussion of the video practices of two contemporary artists in everyday public settings.

Scholars and students of cultural, visual, urban, American, film, and television studies will be interested in this thought-provoking, interdisciplinary book.
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cover of American Blockbuster: Movies, Technology, and Wonder

American Blockbuster

Movies, Technology, and Wonder

Charles R. Acland

Duke University Press, 2020

Ben-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.
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cover of American Cosmos: Globes and the Global Imagination in Early America

American Cosmos

Globes and the Global Imagination in Early America

Tamara Plakins Thornton

University of Chicago Press, 2027

The first book to explore the forgotten terrestrial and celestial globes of early America—and the global imagination they shaped. 

Ranging from early modern Europe to the modern United States, American Cosmos introduces the objects, people, practices, and ideas that constituted the long-forgotten world of globes. As Tamara Plakins Thornton shows, paired terrestrial and celestial globes were important components of early American social, cultural, and intellectual life. They served as markers of learnedness and social status, provided a material vision of a human-centered cosmos, and as 3-D problem-solving devices, offered distinctive imaginative perspectives on global connections and human difference. Only some had access to these globes—including genteel families, men of science, navigators, and students in colleges, academies, and missionary schools—but in the nineteenth century, many more encountered mass-produced, stripped-down globes in common school classrooms and parlors. Yet with new cultural concerns taking root, these modern globes assumed a much-diminished role in American life and thought, and an older world of globes, rich with meaning and possibility, disappeared.

As we increasingly encounter global-scale experience—climate change, pandemics, human migrations, the economy—and as American historians strive to look beyond national borders, we can learn about the origins of American global thinking by looking at globes themselves and the people who used them.

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cover of American Studies

American Studies

Tremaine McDowell

University of Minnesota Press, 1948

American Studies was first published in 1948. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Although the immediate subject of this book is American Studies, its ultimate concern is with the broad pattern of higher education in the United States. The program of American Studies uses the materials of the American scene to advance a contemporary movement in education, and to modify a tendency of mankind to live predominantly in one of the three tenses: past, present, or future. The movement in education is an attempt to supplement, but not replace, extreme academic specialization with a synthesis of knowledge.

Mr. McDowell, who has made firsthand observation of procedures in more than thirty colleges and universities in all parts of the United States, discusses curriculums and courses in American civilization throughout the country and the American Studies program at the University of Minnesota, which is the most extensive and inclusive existing today. In summing up, he analyzes the relationship of American Studies to regional culture, national loyalty, and world society.

The book is addressed to all who are concerned with American civilization or American education, but most particularly to those concerned with both. The discussion, though dealing chiefly with the liberal arts college and the graduate school, also has relevance for the general public and for high school teachers and administrators in higher education, for college teachers of the social sciences and humanities, and for graduate students and mature undergraduates about to choose a major field or already engaged in a study of American culture.

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cover of American Studies as Transnational Practice: Turning toward the Transpacific

American Studies as Transnational Practice

Turning toward the Transpacific

Edited by Yuan Shu and Donald E. Pease

Dartmouth College Press, 2016

This wide-ranging collection brings together an eclectic group of scholars to reflect upon the transnational configurations of the field of American studies and how these have affected its localizations, epistemological perspectives, ecological imaginaries, and politics of translation. The volume elaborates on the causes of the transnational paradigm shift in American studies and describes the material changes that this new paradigm has effected during the past two decades. The contributors hail from a variety of postcolonial, transoceanic, hemispheric, and post-national positions and sensibilities, enabling them to theorize a “crossroads of cultures” explanation of transnational American studies that moves beyond the multicultural studies model. Offering a rich and rewarding mix of essays and case studies, this collection will satisfy a broad range of students and scholars.
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cover of American Studies in Dialogue: Radical Reconstructions between Curriculum and Cultural Critique

American Studies in Dialogue

Radical Reconstructions between Curriculum and Cultural Critique

Matthias Oppermann

Campus Verlag, 2010

American studies has changed drastically over the past few decades, as a new wave of scholars—armed with groundbreaking ideas and more extensive methods of research—flocked to the relatively young field. This focus on scholarship, though necessary to the advancement of the discipline, has left pedagogy largely ignored. In American Studies in Dialogue, Matthias Oppermann consciously resists the traditional academic split between scholarship and classroom practice. His study calls for a radical reconstruction of American studies grounded in an understanding of cultural analysis and critique as genuinely dialogic processes of research and pedagogy. Drawing on case studies ranging from courses in early American civilization to recent multimedia projects, American Studies in Dialogue will be required reading for American studies scholars and teachers.

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cover of American Studies in a Moment of Danger

American Studies in a Moment of Danger

George Lipsitz

University of Minnesota Press, 2001

A forthright look at the future of the discipline in the wake of immense social changes.

What becomes of "national knowledge" in our age of globalization? If dramatic changes in technology, commerce, and social relations are undermining familiar connections between culture and place, what happens to legacies of learning that put the nation at the center of the study of history, culture, language, politics, and geography? In short, what remains of American Studies? At a critical moment, this book offers a richly textured historical perspective on where our notions of national knowledge-and our sense of American Studies-have come from and where they may lead in a future of new ideas about culture and community.

The America that seems to be disappearing before our very eyes is, George Lipsitz argues, actually the cumulative creation of yesterday’s struggles over identity, culture, and power. With examples from statistics and history, poster designs and music lyrics, Lipsitz shows how American Studies has been shaped by the social movements of the 1930s, 1960s, and 1980s. His analysis reveals the sedimented history of social movement contestation contained in contemporary popular music, visual art, and cinema.Finally, Lipsitz identifies the ways in which the globalization of commerce and culture are producing radically new understandings of politics, performance, consumption, knowledge, and nostalgia; the changing realities present not so much a danger as a clear challenge to a still-evolving American Studies-a challenge that this book helps us to confront wisely, flexibly, and effectively. Critical American Studies SeriesAnnouncing a new seriesCritical American Studies George Lipsitz, series editorThis series examines recent trends in American Studies that address fundamental questions about history, culture, social structure, race, gender, sexuality, and citizenship. It examines the forces-including mass migration, global economy, the seeming weaknesses of the nation-state, and ongoing ethnic antagonisms-that compel the field to reexamine the role of culture in producing individual and collective identities.
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cover of Amusement, Inc.: Disneyland’s Corporate Apparatus and the Making of the Theme Park

Amusement, Inc.

Disneyland’s Corporate Apparatus and the Making of the Theme Park

Roland Betancourt

Duke University Press, 2027

In Amusement, Inc., Roland Betancourt tells the deep history of Disneyland from its conception to its construction and reveals how it set the precedents that created the modern theme park. To transform an animation studio into a theme park company, Betancourt shows that Disney took its most significant lessons not from other amusement parks of the time but from corporations like General Motors, marshaling funds to systematize the constellation of principles, practices, and structures that defined American Big Business during the 1950s and 1960s. By using these principles to construct a heroic image of the large-scale corporation, Disneyland acclimated Americans to the rhythms and values of corporate capitalism, rendering the corporation's apparatus synonymous with “the good life” in postwar America. Drawing on extensive archival research, Amusement, Inc. reframes the invention of the theme park, offering a new history of how corporate practices shaped the spaces of leisure and entertainment that have defined contemporary American culture.
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cover of Around Quitting Time: Work and Middle-Class Fantasy in American Fiction

Around Quitting Time

Work and Middle-Class Fantasy in American Fiction

Robert Seguin

Duke University Press, 2001

Virtually since its inception, the United States has nurtured a dreamlike and often delirious image of itself as an essentially classless society. Given the stark levels of social inequality that have actually existed and that continue today, what sustains this atonce hopelessly ideological and breathlessly utopian mirage? In Around Quitting Time Robert Seguin investigates this question, focusing on a series of modern writers who were acutely sensitive to the American web of ideology and utopic vision in order to argue that a pervasive middle-class imaginary is the key to the enigma of class in America.

Tracing connections between the reconstruction of the labor process and the aesthetic dilemmas of modernism, between the emergence of the modern state and the structure of narrative, Seguin analyzes the work of Nathanael West, Ernest Hemingway, Willa Cather, John Barth, and others. These fictional narratives serve to demonstrate for Seguin the pattern of social sites and cultural phenomenon that have emerged where work and leisure, production and consumption, and activity and passivity coincide. He reveals how, by creating pathways between these seemingly opposed domains, the middle-class imaginary at once captures and suspends the dynamics of social class and opens out onto a political and cultural terrain where class is both omnipresent and invisible.

Around Quitting Time will interest critics and historians of modern U.S. culture, literary scholars, and those who explore the interaction between economic and cultural forms.
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