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Painted vases are the richest and most complex images that remain from ancient Greece. Over the past decades, a great deal has been written on ancient art that portrays myths and rituals. Less has been written on scenes of daily life, and what has been written has been tucked away in hard-to-find books and journals. A Guide to Scenes of Daily Life on Athenian Vases synthesizes this material and expands it: it is the first comprehensive volume to present visual representations of everything from pets and children's games to drunken revelry and funerary rituals.
John H. Oakley's clear, accessible writing provides sound information with just the right amount of detail. Specialists of Greek art will welcome this book for its text and illustrations. This guide is an essential and much-needed reference for scholars and an ideal sourcebook for classics and art history.

Antisthenes of Athens (c. 445-365 BCE) was a famous ancient disciple of Socrates, senior to Plato by fifteen years and inspirational to Xenophon. He is relevant to two of the greatest turning points in ancient intellectual history, from pre-Socraticism to Socraticism, and from classical Athens to the Hellenistic period. A better understanding of Antisthenes leads to a better understanding of the intellectual culture of Athens that shaped Plato and laid the foundations for Hellenistic philosophy and literature as well. Antisthenes wrote prolifically, but little of this text remains today. Susan Prince has collected all the surviving passages that pertain most closely to Antisthenes’ ancient reputation and literary production, translates them into English for the first time, and sets out the parameters for their interpretation, with close attention to the role Antisthenes likely played in the literary agenda of each ancient author who cited him.

This is the first translation of Antisthenes’ remains into English. Chapters present the ancient source, the original Greek passage, and necessary critical apparatus. The author then adds the modern English translation and notes on the context of the preservation, the significance of the testimonium, and on the Greek. Several new readings are proposed.

Antisthenes of Athens will be of interest to anyone seeking to understand Antisthenes and his intellectual context, as well as his contributions to ancient literary criticism, views on discourse, and ethics.

Foregrounding critical questions about the tension between the study of drama as literature versus the study of performance, Melinda Powers investigates the methodological problems that arise in some of the latest research on ancient Greek theatre. She examines key issues and debates about the fifth-century theatrical space, audience, chorus, performance style, costuming, properties, gesture, and mask, but instead of presenting a new argument on these topics, Powers aims to understand her subject better by exploring the shared historical problems that all scholars confront as they interpret and explain Athenian tragedy.

A case study of Euripides’s Bacchae, which provides more information about performance than any other extant tragedy, demonstrates possible methods for reconstructing the play’s historical performance and also the inevitable challenges inherent in that task, from the limited sources and the difficulty of interpreting visual material, to the risks of conflating actor with character and extrapolating backward from contemporary theatrical experience.

As an inquiry into the study of theatre and performance, an introduction to historical writing, a reference for further reading, and a clarification of several general misconceptions about Athenian tragedy and its performance, this historiographical analysis will be useful to specialists, practitioners, and students alike.

For more than two thousand years, philosophers and theologians have wrestled with the irreconcilable opposition between Greek rationality (Athens) and biblical revelation (Jerusalem). In Athens and Jersusalem, Lev Shestov—an inspiration for the French existentialists and the foremost interlocutor of Edmund Husserl, Martin Heidegger, and Martin Buber during the interwar years—makes the gripping confrontation between these symbolic poles of ancient wisdom his philosophical testament, an argumentative and stylistic tour de force.

Although the Russian-born Shestov is little known in the Anglophone world today, his writings influenced many twentieth-century European thinkers, such as Albert Camus, D. H. Lawrence, Thomas Mann, Czesław Miłosz, and Joseph Brodsky. Athens and Jerusalem is Shestov’s final, groundbreaking work on the philosophy of religion from an existential perspective. This new, annotated edition of Bernard Martin’s classic translation adds references to the cited works as well as glosses of passages from the original Greek, Latin, German, and French. Athens and Jerusalem is Shestov at his most profound and most eloquent and is the clearest expression of his thought that shaped the evolution of continental philosophy and European literature in the twentieth century.

A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts.

Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.

Two hundred years ago, Rufus Putnam, leader of the Ohio Company, sent eleven men west into the Ohio Country to found what is now the City of Athens. As one of the oldest communities in Ohio, Athens has a heritage rich in history and lore. Now, as Athens looks ahead to its third century, historian and raconteur Robert L. Daniel provides a timely assessment of the community’s past.

Drawing on reminiscences by Athens residents over the past two centuries, and on newspaper accounts, institutional archives, census records, and a host of historic photographs and drawings, Daniel illustrates how the Athens community grew, how it changed over the years, and what it was like to have lived in Athens in the past, from the times before white settlement to 1920. He identifies the problems the community faced and how it went about resolving them—its efforts to provide local government, the changing ways its people earned a living, the ways they worshipped, their efforts to establish Ohio University, how they coped during times of war, and what they did to amuse themselves.

In a lively style peppered with firsthand accounts by the people who made Athens, Daniel narrates his tale with wry humor and a sharp eye for detail. Always focusing on the people who lived there, he brings Athens to life during its village years.

Two hundred years ago, Rufus Putnam, leader of the Ohio Company, sent eleven men west into the Ohio Country to found what is now the City of Athens. As one of the oldest communities in Ohio, Athens has a heritage rich in history and lore. Now, as Athens looks ahead to its third century, historian and raconteur Robert L. Daniel provides a timely assessment of the community’s past.

Drawing on reminiscences by Athens residents over the past two centuries, and on newspaper accounts, institutional archives, census records, and a host of historic photographs and drawings, Daniel illustrates how the Athens community grew, how it changed over the years, and what it was like to have lived in Athens in the past, from the times before white settlement to 1920. He identifies the problems the community faced and how it went about resolving them—its efforts to provide local government, the changing ways its people earned a living, the ways they worshipped, their efforts to establish Ohio University, how they coped during times of war, and what they did to amuse themselves.

In a lively style peppered with firsthand accounts by the people who made Athens, Daniel narrates his tale with wry humor and a sharp eye for detail. Always focusing on the people who lived there, he brings Athens to life during its village years.