264 books match the query 'Chicago (Ill.)' and 24 start with a

cover of A Carpetbagger in Reverse: Arthur W. Mitchell, America's First Black Democratic Congressman

A Carpetbagger in Reverse

Arthur W. Mitchell, America's First Black Democratic Congressman

John Morris Knapp

University of Alabama Press, 2025

From Alabama to Congress—Arthur W. Mitchell’s fight for justice rewrote the rules of Black political power.

A Carpetbagger in Reverse offers a landmark reassessment of the life, career, and accomplishments of groundbreaking Congressman Arthur W. Mitchell, the first Black Democrat elected to Congress and the only Black member of Congress during his four terms of service from 1935 to 1943.

Born to former enslaved people in Alabama in 1883, Mitchell studied with Booker T. Washington at Tuskegee Institute and later moved to Washington DC and became a lawyer. He continued his career in Chicago, where the Great Migration had helped transform the city’s South Side into a vibrant, multiracial enclave.

As a congressman, Mitchell helped to create an enduring alliance between Black Americans and the Democratic party. Seeing his primary role as representing the South’s disempowered Black population, his belief that solutions to the region’s racial problems should arise from a new cadre of locally trained leaders brought him into frequent, vituperative conflict with the NAACP, the Republican Party, and the Black press. The first Black lawyer to argue successfully before the Supreme Court, his unanimous victory in Mitchell v. United States would have long-term consequences for the Civil Rights Movement.

A Carpetbagger in Reverse is the first publication significantly based on Mitchell’s papers, an essential and often overlooked source of insights about the development of Black political and culture life in the 1930s and 1940s.

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cover of A Decisive Decade: An Insider's View of the Chicago Civil Rights Movement during the 1960s

A Decisive Decade

An Insider's View of the Chicago Civil Rights Movement during the 1960s

Robert B. McKersie, Foreword by James R. Ralph Jr.

Southern Illinois University Press, 2013

The deeply personal story of a historic time in Chicago, Robert B. McKersie’s A Decisive Decade follows the unfolding action of the Civil Rights Movement as it played out in the Windy City. McKersie’s participation as a white activist for black rights offers a unique, firsthand viewpoint on the debates, boycotts, marches, and negotiations that would forever change the face of race relations in Chicago and the United States at large.

Described within are McKersie’s intimate observations on events as they developed during his participation in such historic occasions as the impassioned marches for open housing in Chicago; the campaign to end school segregation under Chicago Schools Superintendent Benjamin Willis; Operation Breadbasket’s push to develop economic opportunities for black citizens; and dialogs with corporations to provide more jobs for blacks in Chicago. In addition, McKersie provides up close and personal descriptions of the iconic Civil Rights leaders who spearheaded some of the most formative battles of Chicago’s Civil Rights movement, including Dr. Martin Luther King, Jr., Reverend Jesse Jackson, Timuel Black Jr. and W. Alvin Pitcher. The author illumines the tensions experienced by two major institutions in responding to the demands of the civil rights movement: the university and the church. Packed with historical detail and personal anecdotes of these history-making years, A Decisive Decade offers a never-before-seen perspective on one of our nation’s most tumultuous eras. 

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cover of A Fatal Drifting Apart: Democratic Social Knowledge and Chicago Reform

A Fatal Drifting Apart

Democratic Social Knowledge and Chicago Reform

Laura M. Westhoff

The Ohio State University Press, 2007

The eyes of the country frequently turned to Chicago during the 1890s as the Windy City struggled with the promises and challenges of urban democracy. Americans of all classes feared the social dislocations and economic divisions of urbanization and industrialization, and the effects of political corruption and massive immigration on democratic politics. Yet many reformers were hopeful that new forms of social knowledge and urban reform could reinvigorate democracy. They saw the moment as one of great possibility. 

A Fatal Drifting Apart: Democratic Social Knowledge and Chicago Reform explores the efforts of diverse groups within Chicago during the Progressive Era. This backdrop of industrialization, emerging classes, and ethnic and racial pluralism frequently riven with class conflict set the stage on which Chicago reformers took up the seemingly impossible challenge of enacting democracy. Laura M. Westhoff examines historic events and well-known individuals of the period and brings them together in an unusual framework that offers a new perspective on the reorientation of knowledge, civic identity, and democratic culture at the dawn of the twentieth century, which she terms democratic social knowledge. The book raises important questions that continue to resonate: In a democracy, who has the power to define social problems and offer solutions, and whose experience and knowledge are seen as legitimate? 
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cover of A Guide to Chicago's Murals

A Guide to Chicago's Murals

Mary Lackritz Gray

University of Chicago Press, 2001

Chicago is a city known for its fabulous architecture and public sculpture by artists such as Picasso and Calder, but anyone who has seen the gorgeous lunettes in the Auditorium Theater or the South Side's Wall of Respect, which inaugurated the city's contemporary mural movement, knows that Chicago has an equally rich tradition of mural painting. Through these murals, the history of Chicago and the nation is writ in churches and lobbies, on viaducts and school walls. Mary Gray's A Guide to Chicago's Murals is the first definitive handbook to the treasures that can be found all over the city.

With full-color illustrations of nearly two hundred Chicago murals and accompanying entries that describe their history—who commissioned them and why, how artists collaborated with architects, the subjects of the murals and their contexts—A Guide to Chicago's Murals serves both a general and a specific audience. Divided into easy-to-read geographical sections with useful maps for walking tours, it is the perfect companion for tourists or Chicagoans interested in coming to know better this aspect of the city's history. Gray also provides crucial information on lesser-known artists and on murals that have been destroyed over the years, filling a gap in the visual record of the city's development.

Gray also includes biographies of more than 150 artists and a glossary of key terms, making A Guide to Chicago's Murals essential reading for mural viewing. From post offices to libraries, fieldhouses to banks, and private clubs to street corners, Mary Gray chronicles the amazing works of artists who have sought to make public declarations in this most social of art forms.

"A major lacuna in the history of art in Chicago has been filled, with the thoroughness of the research proportionate to the richness of the material revealed."—From the Foreword by Franz Schulze

"Gray's book . . . can function as a guidebook, as the murals are conveniently arranged according to the quadrants of the city. But the book is also beautiful to look at and indespensable as art history and Chicago history as well. . . . This book is a wonderful guide to Chicago's rich and unique mural tradition."—Elizabeth Alexander, Chicago Tribune Books

"If you love art and history, this is a book you'll truly enjoy."—Al Paulson, Utne Reader
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cover of A History of Chicago, Volume I: The Beginning of a City 1673-1848

A History of Chicago, Volume I

The Beginning of a City 1673-1848

Bessie Louise Pierce

University of Chicago Press, 1937

The first major history of Chicago ever written, A History of Chicago covers the city’s great history over two centuries, from 1673 to 1893.

Originally conceived as a centennial history of Chicago, the project became, under the guidance of renowned historian Bessie Louise Pierce, a definitive, three-volume set describing the city’s growth—from its humble frontier beginnings to the horrors of the Great Fire, the construction of some of the world’s first skyscrapers, and the opulence of the 1893 World’s Fair. Pierce and her assistants spent over forty years transforming historical records into an inspiring human story of growth and survival.

Rich with anecdotal evidence and interviews with the men and women who made Chicago great, all three volumes will now be available for the first time in years. A History of Chicago will be essential reading for anyone who wants to know this great city and its place in America.

“With this rescue of its history from the bright, impressionable newspapermen and from the subscription-volumes, Chicago builds another impressive memorial to its coming of age, the closing of its first ‘century of progress.’”—E. D. Branch, New York Times (1937)

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cover of A History of Chicago, Volume III: The Rise of a Modern City, 1871-1893

A History of Chicago, Volume III

The Rise of a Modern City, 1871-1893

Bessie Louise Pierce

University of Chicago Press, 1957

The first major history of Chicago ever written, A History of Chicago covers the city’s great history over two centuries, from 1673 to 1893.

Originally conceived as a centennial history of Chicago, the project became, under the guidance of renowned historian Bessie Louise Pierce, a definitive, three-volume set describing the city’s growth—from its humble frontier beginnings to the horrors of the Great Fire, the construction of some of the world’s first skyscrapers, and the opulence of the 1893 World’s Fair. Pierce and her assistants spent over forty years transforming historical records into an inspiring human story of growth and survival.

Rich with anecdotal evidence and interviews with the men and women who made Chicago great, all three volumes will now be available for the first time in years. A History of Chicago will be essential reading for anyone who wants to know this great city and its place in America.

“With this rescue of its history from the bright, impressionable newspapermen and from the subscription-volumes, Chicago builds another impressive memorial to its coming of age, the closing of its first ‘century of progress.’”—E. D. Branch, New York Times (1937)

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cover of A History of the Chicago Portage: The Crossroads That Made Chicago and Helped Make America

A History of the Chicago Portage

The Crossroads That Made Chicago and Helped Make America

Benjamin Sells

Northwestern University Press, 2021

Seven muddy miles transformed a region and a nation

This fascinating account explores the significance of the Chicago Portage, one of the most important—and neglected—sites in early US history. A seven-mile-long strip of marsh connecting the Chicago and Des Plaines Rivers, the portage was inhabited by the earliest indigenous people in the Midwest and served as a major trade route for Native American tribes. A link between the Mississippi River and the Atlantic Ocean, the Chicago Portage was a geopolitically significant resource that the French, British, and US governments jockeyed to control. Later, it became a template for some of the most significant waterways created in the nineteenth and twentieth centuries. The portage gave Chicago its name and spurred the city’s success—and is the reason why the metropolis is located in Illinois, not Wisconsin.
 
A History of the Chicago Portage: The Crossroads That Made Chicago and Helped Make America is the definitive story of a national landmark.
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cover of A House for the Struggle: The Black Press and the Built Environment in Chicago

A House for the Struggle

The Black Press and the Built Environment in Chicago

E. James West

University of Illinois Press, 2022

Multiple Award-Winner!
  • Winner of the 2023 Michael Nelson Prize of International Association for Media and History (IAMHIST)
  • Recipient of the 2022 Jane Jacobs Urban Communication Book Award
  • Winner of the 2023 American Journalism Historians Association Book of the Year
  • Winner of the 2023 ULCC’s (Union League Club of Chicago) Outstanding Book on the History of Chicago Award
  • Recipient of a 2023 Best of Illinois History Superior Achievement award from the Illinois State Historical Society
  • Winner of the 2023 BAAS Book Prize (British Association for American Studies)
  • Winner of a 2023 The Brinck Book Award and Lecture series (University of New Mexico School of Architecture + Planning)
  • Honorable Mention for the 2021-22 RSAP Book Prize (Research Society for American Periodicals)

Buildings once symbolized Chicago's place as the business capital of Black America and a thriving hub for Black media. In this groundbreaking work, E. James West examines the city's Black press through its relationship with the built environment. As a house for the struggle, the buildings of publications like Ebony and the Chicago Defender embodied narratives of racial uplift and community resistance. As political hubs, gallery spaces, and public squares, they served as key sites in the ongoing Black quest for self-respect, independence, and civic identity. At the same time, factors ranging from discriminatory business practices to editorial and corporate ideology prescribed their location, use, and appearance, positioning Black press buildings as sites of both Black possibility and racial constraint.

Engaging and innovative, A House for the Struggle reconsiders the Black press's place at the crossroads where aspiration collided with life in one of America's most segregated cities.

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cover of A New Deal for Bronzeville: Housing, Employment, and Civil Rights in Black Chicago, 1935-1955

A New Deal for Bronzeville

Housing, Employment, and Civil Rights in Black Chicago, 1935-1955

Lionel Kimble Jr.

Southern Illinois University Press, 2015

Illinois State Historical Society Certificate of Excellence 2016

During the Great Migration of the 1920s and 1930s, southern African Americans flocked to the South Side Chicago community of Bronzeville, the cultural, political, social, and economic hub of African American life in the city, if not the Midwest. The area soon became the epicenter of community activism as working-class African Americans struggled for equality in housing and employment. In this study, Lionel Kimble Jr. demonstrates how these struggles led to much of the civil rights activism that occurred from 1935 to 1955 in Chicago and shows how this working-class activism and culture helped to ground the early civil rights movement. Despite the obstacles posed by the Depression, blue-collar African Americans worked with leftist organizations to counter job discrimination and made strong appeals to New Deal allies for access to public housing. Kimble details how growing federal intervention in local issues during World War II helped African Americans make significant inroads into Chicago’s war economy and how returning African American World War II veterans helped to continue the fight against discrimination in housing and employment after the war. The activism that appeared in Bronzeville was not simply motivated by the “class consciousness” rhetoric of the organized labor movement but instead grew out of everyday struggles for racial justice, citizenship rights, and improved economic and material conditions. With its focus on the role of working-class African Americans—as opposed to the middle-class leaders who have received the most attention from civil rights historians in the past—A New Deal for Bronzeville makes a significant contribution to the study of civil rights work in the Windy City and enriches our understanding of African American life in mid-twentieth-century Chicago. 

This publication is partially funded by a grant from Furthermore: a program of the J.M. Kaplan fund.
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cover of A Place on the Corner

A Place on the Corner

Elijah Anderson

University of Chicago Press, 1978

"Anderson's mix of the language of sociology and the more colorful street idiom makes a complex social phenomenon accessible to a broad audience. . . . An important work."—Gerald Lee Dillingham, Contemporary Sociology
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cover of A Place on the Corner, Second Edition

A Place on the Corner, Second Edition

Elijah Anderson

University of Chicago Press, 2004

This paperback edition of A Place on the Corner marks the twenty-fifth anniversary of Elijah Anderson's sociological classic, a study of street corner life at a local barroom/liquor store located in the ghetto on Chicago's South Side. Anderson returned night after night, month after month, to gain a deeper understanding of the people he met, vividly depicting how they created—and recreated—their local stratification system. In addition, Anderson introduces key sociological concepts, including "the extended primary group" and "being down." The new preface and appendix in this edition expand on Anderson's original work, telling the intriguing story of how he went about his field work among the men who frequented Jelly's corner.
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cover of A Thousand and One Afternoons in Chicago

A Thousand and One Afternoons in Chicago

Ben Hecht

University of Chicago Press, 1992

In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

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cover of A Thousand and One Afternoons in Chicago

A Thousand and One Afternoons in Chicago

Ben Hecht

University of Chicago Press, 2009

In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

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cover of AIA Guide to Chicago

AIA Guide to Chicago

American Institute of Architects Chicago; Edited by Alice Sinkevitch and Laurie McGovern Petersen; Preface by Geoffrey Baer; Introduction by Perry Duis

University of Illinois Press, 2014

An unparalleled architectural powerhouse, Chicago offers visitors and natives alike a panorama of styles and forms. The third edition of the AIA Guide to Chicago brings readers up to date on ten years of dynamic changes with new entries on smaller projects as well as showcases like the Aqua building, Trump Tower, and Millennium Park.
 
Four hundred photos and thirty-four specially commissioned maps make it easy to find each of the one thousand-plus featured buildings, while a comprehensive index organizes buildings by name and architect. This edition also features an introduction providing an indispensable overview of Chicago's architectural history.
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cover of AIA Guide to Chicago

AIA Guide to Chicago

American Institute of Architects Chicago; Edited by Laurie McGovern Petersen

University of Illinois Press, 2022

Chicago’s architecture attracts visitors from around the globe. The fourth edition of the AIA Guide to Chicago is the best portable resource for exploring this most breathtaking and dynamic of cityscapes. The editors offer entries on new destinations like the Riverwalk, the St. Regis Chicago, and The 606 as well as updated descriptions of Willis Tower and other refreshed landmarks. Thirty-four maps and over 500 photos make it easy to find each of the almost 2000 featured sites. A special insert, new to this edition, showcases the variety of Chicago architecture with over 80 full-color images arranged chronologically. A comprehensive index organizes entries by name and architect.

Sumptuously detailed and user friendly, the AIA Guide to Chicago encourages travelers and residents alike to explore the many diverse neighborhoods of one of the world’s great architectural destinations.

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cover of Along the Streets of Bronzeville: Black Chicago's Literary Landscape

Along the Streets of Bronzeville

Black Chicago's Literary Landscape

Elizabeth Schroeder Schlabach

University of Illinois Press, 2017

Along the Streets of Bronzeville examines the flowering of African American creativity, activism, and scholarship in the South Side Chicago district known as Bronzeville during the period between the Harlem Renaissance in the 1920s and the Black Arts Movement of the 1960s. Poverty stricken, segregated, and bursting at the seams with migrants, Bronzeville was the community that provided inspiration, training, and work for an entire generation of diversely talented African American authors and artists who came of age during the years between the two world wars.

In this significant recovery project, Elizabeth Schroeder Schlabach investigates the institutions and streetscapes of Black Chicago that fueled an entire literary and artistic movement. She argues that African American authors and artists--such as Gwendolyn Brooks, Richard Wright, Langston Hughes, painter Archibald Motley, and many others--viewed and presented black reality from a specific geographic vantage point: the view along the streets of Bronzeville. Schlabach explores how the particular rhythms and scenes of daily life in Bronzeville locations, such as the State Street "Stroll" district or the bustling intersection of 47th Street and South Parkway, figured into the creative works and experiences of the artists and writers of the Black Chicago Renaissance. She also covers in detail the South Side Community Art Center and the South Side Writers' Group, two institutions of art and literature that engendered a unique aesthetic consciousness and political ideology for which the Black Chicago Renaissance would garner much fame.

Life in Bronzeville also involved economic hardship and social injustice, themes that resonated throughout the flourishing arts scene. Schlabach explores Bronzeville's harsh living conditions, exemplified in the cramped one-bedroom kitchenette apartments that housed many of the migrants drawn to the city's promises of opportunity and freedom. Many struggled with the precariousness of urban life, and Schlabach shows how the once vibrant neighborhood eventually succumbed to the pressures of segregation and economic disparity. Providing a virtual tour South Side African American urban life at street level, Along the Streets of Bronzeville charts the complex interplay and intersection of race, geography, and cultural criticism during the Black Chicago Renaissance's rise and fall.

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cover of American Allegory: Lindy Hop and the Racial Imagination

American Allegory

Lindy Hop and the Racial Imagination

Black Hawk Hancock

University of Chicago Press, 2013

“Perhaps,” wrote Ralph Ellison more than seventy years ago, “the zoot suit contains profound political meaning; perhaps the symmetrical frenzy of the Lindy-hop conceals clues to great potential power.” As Ellison noted then, many of our most mundane cultural forms are larger and more important than they appear, taking on great significance and an unexpected depth of meaning. What he saw in the power of the Lindy Hop—the dance that Life magazine once billed as “America’s True National Folk Dance”—would spread from black America to make a lasting impression on white America and offer us a truly compelling means of understanding our culture. But with what hidden implications?

In American Allegory, Black Hawk Hancock offers an embedded and embodied ethnography that situates dance within a larger Chicago landscape of segregated social practices. Delving into two Chicago dance worlds, the Lindy and Steppin’, Hancock uses a combination of participant-observation and interviews to bring to the surface the racial tension that surrounds white use of black cultural forms. Focusing on new forms of appropriation in an era of multiculturalism, Hancock underscores the institutionalization of racial disparities and offers wonderful insights into the intersection of race and culture in America.
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cover of American Warsaw: The Rise, Fall, and Rebirth of Polish Chicago

American Warsaw

The Rise, Fall, and Rebirth of Polish Chicago

Dominic A. Pacyga

University of Chicago Press, 2019

A comprehensive and engaging history of a century of Polish immigration and influence in Chicago.

Every May, a sea of 250,000 people decked out in red and white head to Chicago’s Loop to celebrate the Polish Constitution Day Parade. In the city, you can tune in to not one but four different Polish-language radio stations or jam out to the Polkaholics. You can have lunch at pierogi food trucks or pick up pączkis at the grocery store. And if you’re lucky, you get to take off work for Casimir Pulaski Day. For more than a century, Chicago has been home to one of the largest Polish populations outside of Poland, and the group has had an enormous influence on the city’s culture and politics. Yet, until now, there has not been a comprehensive history of the Chicago Polonia.

With American Warsaw, award-winning historian and Polish American Dominic A. Pacyga chronicles more than a century of immigration, and later emigration back to Poland, showing how the community has continually redefined what it means to be Polish in Chicago. He takes us from the Civil War era until today, focusing on how three major waves of immigrants, refugees, and fortune seekers shaped and then redefined the Polonia. Pacyga also traces the movement of Polish immigrants from the peasantry to the middle class and from urban working-class districts dominated by major industries to suburbia. He documents Polish Chicago’s alignments and divisions: with other Chicago ethnic groups; with the Catholic Church; with unions, politicians, and city hall; and even among its own members. And he explores the ever-shifting sense of Polskość, or “Polishness.”

Today Chicago is slowly being eclipsed by other Polish immigrant centers, but it remains a vibrant—and sometimes contentious—heart of the Polish American experience. American Warsaw is a sweeping story that expertly depicts a people who are deeply connected to their historical home and, at the same time, fiercely proud of their adopted city. As Pacyga writes, “While we were Americans, we also considered ourselves to be Poles. In that strange Chicago ethnic way, there was no real difference between the two.”
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cover of An Early Encounter with Tomorrow: Europeans, Chicago's Loop, and the World's Columbian Exposition

An Early Encounter with Tomorrow

Europeans, Chicago's Loop, and the World's Columbian Exposition

Arnold Lewis

University of Illinois Press, 1997

Winner of the Jacques Barzun Prize in Cultural History given by the Council of the American Philosophical Society
 
Extravagantly illustrated with over seventy photographs, drawings, paintings, and contemporary cartoons, An Early Encounter with Tomorrow documents the mixture of amazement and alarm with which European visitors greeted 1890s Chicago: as a futuristic city animated by a crass, frenetic mercantile class. This volume also contains an extensive bibliography, arranged by country, and profiles of the foreign observers who sought the implications for European culture in what Asa Briggs called the "shock city" of the western world.
 
 
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cover of An Unsentimental Education: Writers and Chicago

An Unsentimental Education

Writers and Chicago

Molly McQuade

University of Chicago Press, 1995

"Writers are both born and made, and their teachers share in the making of them, but in what ways?" Molly McQuade asks in An Unsentimental Education, a collection of candid interviews with twenty-one of our leading novelists and poets. Presented as first-person essays, the interviews are with contemporary writers who have studied, taught at, or cultivated other ties with the University of Chicago. The book provides an occasion for the writers to reflect on their Chicago experiences and on ideas about education in general. What education does a writer need? How can formal learning impel the writing life? What school stories or tales told out of school do Philip Roth, Hayden Carruth, Marguerite Young, George Steiner, Charles Simic, Susan Sontag, and Saul Bellow have in store and want to share.

Interviews with:Saul Bellow, Paul Carroll, Hayden Carruth, Robert Coover, Leon Forrest, June Jordan, Janet Kauffman, Morris Philipson, M. L. Rosenthal, Philip Roth, Susan Fromberg Shaeffer, Charles Simic, Susan Sontag, George Starbuck, George Steiner, Richard Stern, Nathaniel Tarn, Douglas Unger, Kurt Vonnegut, and Marguerite Young.
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cover of Another Way Home: The Tangled Roots of Race in One Chicago Family

Another Way Home

The Tangled Roots of Race in One Chicago Family

Ronne Hartfield

University of Chicago Press, 2004

In her prologue to Another Way Home, Ronne Hartfield notes the dearth of stories about African Americans who have occupied the area of mixed race with ease and harmony for generations. Her moving family history is filled with such stories, told in beautifully crafted and unsentimental prose. Spanning most of the twentieth century, Hartfield's book celebrates the special occasion of being born and reared in a household where miscegenation was the rule rather than the exception—where being a woman of mixed race could be a fundamental source of strength, vitality, and courage.

Hartfield begins with the early life of her mother, Day Shepherd. Born to a wealthy British plantation owner and the mixed-race daughter of a former slave, Day negotiates the complicated circumstances of plantation life in the border country of Louisiana and Mississippi and, as she enters womanhood, the quadroon and octoroon societies of New Orleans. Equally a tale of the Great Migration, Another Way Home traces Day's journey to Bronzeville, the epicenter of black Chicago during the first half of the twentieth century. Here, through the eyes of Day and, ultimately, her daughter, we witness the bustling city streets and vibrant middle-class culture of this iconic black neighborhood. We also relive crucial moments in African American history as they are experienced by the author's family and others in Chicago's South Side black community, from the race riots of 1919 and the Great Depression to the murder of Emmett Till and the dawn of the civil rights movement.

Throughout her book, Hartfield portrays mixed-race Americans navigating the challenges of their lives with resilience and grace, making Another Way Home an intimate and compelling encounter with one family's response to our racially charged culture.
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cover of Apocalypse, Darling

Apocalypse, Darling

Barrie Jean Borich

The Ohio State University Press, 2018


From award-winning author Barrie Jean Borich comes Apocalypse, Darling, a narrative, lyric exploration of the clash between old and new. Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich’s return to a decimated landscape for a misbegotten wedding in which her spouse’s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities, but also one of the most toxic environmental sites in the world.
 
 
As concise as a poem and as sweeping as an epic novel, Apocalypse, Darling explores the intersection of American traditional and self-invented social identities and the destruction and re-greening of industrial cityscapes. Borich asks: can toxic landscapes actually be remediated and can patriarchal fathers ever really be forgiven? In a political climate where Borich is forced to daily re-enter the toxic wastelands she thought she’d long left behind, Apocalypse, Darling is an urgent collision of broken spaces, dysfunctional affections, and the reach toward familial and environmental repair. 
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cover of Art for People's Sake: Artists and Community in Black Chicago, 1965-1975

Art for People's Sake

Artists and Community in Black Chicago, 1965-1975

Rebecca Zorach

Duke University Press, 2019

In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
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cover of As Others See Chicago: Impressions of Visitors, 1673-1933

As Others See Chicago

Impressions of Visitors, 1673-1933

Bessie Louise Pierce

University of Chicago Press, 2004

Sometimes it takes an outsider to capture the essence of an individual place. The impressions of travelers in particular have a special allure—unanticipated and serendipitous, their views get to the heart of a particular region because nothing to them is routine or expected.

First published in 1933 by the University of Chicago Press to mark the occasion of the Century of Progress Exhibition, As Others See Chicago consists of writings culled from over a thousand men and women who visited the city and commented on the best and worst it had to offer, from the skyscrapers to the stockyards. Originally compiled by Bessie Louise Pierce, the first major historian of Chicago, and featuring her own incisive commentary, the volume brings together the impressions of visitors to Chicago over two and a half centuries, from the early years of Westward Expansion to the height of the Great Depression. In addition to writings from better known personalities such as Rudyard Kipling and Waldo Frank, the book collects the opinions of missionaries, aristocrats, journalists, and politicians—observers who were perfectly placed to comment on the development of the city, its inhabitants, and well known events that would one day define Chicago history, such as the Great Fire of 1871 and the 1893 World's Fair.

Taking us back to a time when Chicago was "more astonishing than the wildest visions of the most vagrant imaginations," As Others See Chicago offers an enthralling portrait of an enduring American metropolis.
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