244 books match the query 'Crime' and 11 start with a

cover of A Crime of Self-Defense: Bernhard Goetz and the Law on Trial

A Crime of Self-Defense

Bernhard Goetz and the Law on Trial

George P. Fletcher

University of Chicago Press, 1990

The popular press dubbed him "the subway vigilante": Bernhard Goetz, who on December 22, 1984, shot four black youths on a New York subway train when one of them asked for five dollars. Goetz claimed to have fired in self-defense, out of fear that the young men were about to rob him.
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cover of A Law for the Lion: A Tale of Crime and Injustice in the Borderlands

A Law for the Lion

A Tale of Crime and Injustice in the Borderlands

By Beatriz de la Garza

University of Texas Press, 2003

"Esto no es cosa de armas" (this is not a matter for weapons). These were the last words of Don Francisco Gutiérrez before Alonzo W. Allee shot and killed him and his son, Manuel Gutiérrez. What began as a simple dispute over Allee's unauthorized tenancy on a Gutiérrez family ranch near Laredo, Texas, led not only to the slaying of these two prominent Mexican landowners but also to a blatant miscarriage of justice.

In this engrossing account of the 1912 crime and the subsequent trial of Allee, Beatriz de la Garza delves into the political, ethnic, and cultural worlds of the Texas-Mexico border to expose the tensions between the Anglo minority and the Mexican majority that propelled the killings and their aftermath. Drawing on original sources, she uncovers how influential Anglos financed a first-class legal team for Allee's defense and also discusses how Anglo-owned newspapers helped shape public opinion in Allee's favor. In telling the story of this long-ago crime and its tragic results, de la Garza sheds new light on the interethnic struggles that defined life on the border a century ago, on the mystique of the Texas Rangers (Allee was said to be a Ranger), and on the legal framework that once institutionalized violence and lawlessness in Texas.

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cover of A Naked Singularity: A Novel

A Naked Singularity

A Novel

Sergio De La Pava

University of Chicago Press, 2012

*ONE OF THE WALL STREET JOURNAL'S TEN BEST BOOKS OF THE YEAR*

The mind-bending, brilliant, often hilarious PEN Award-winning classic novel of justice, the law, and the brutal gap between the two.


A Naked Singularity tells the story of Casi, a child of Colombian immigrants who lives in Brooklyn and works in Manhattan as a public defender--one who, tellingly has never lost a trial. Never. In the book, we watch what happens when his sense of justice and even his sense of self begin to crack--and how his world then slowly devolves. It’s a huge, ambitious novel clearly in the vein of DeLillo, Foster Wallace, Pynchon, and even Melville, and it's told in a distinct, frequently hilarious voice, with a striking human empathy at its center. Its panoramic reach takes readers through crime and courts, immigrant families and urban blight, media savagery and media satire, scatology and boxing, and even a breathless heist worthy of any crime novel. If InfiniteJest stuck a pin in the map of mid-90s culture and drew our trajectory from there, A Naked Singularity does the same for the feeling of surfeit, brokenness, and exhaustion that permeates our civic and cultural life today. In the opening sentence of William Gaddis’s A Frolic of His Own, a character sneers, "Justice? You get justice in the next world. In this world, you get the law." A Naked Singularity reveals the extent of that gap, and lands firmly on the side of those who are forever getting the law.
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cover of A Rogue's Paradise: Crime and Punishment in Antebellum Florida, 1821-1861

A Rogue's Paradise

Crime and Punishment in Antebellum Florida, 1821-1861

James M. Denham

University of Alabama Press, 1997

A history of frontier justice and legal systems in early Florida.

The pervasive influence of the frontier is fundamental to an understanding of antebellum Florida. James M. Denham traces the growth and social development of this sparsely settled region through its experience with crime and punishment. He examines such issues as Florida's criminal code, its judicial and law enforcement officers, the accommodation of criminals in jails and courts, outlaw gangs, patterns of punishment, and the attitude of the public toward lawbreakers.

Using court records, government documents, newspapers, and personal papers, Denham explores how crime affected ordinary Floridians—whites and blacks, perpetrators, victims, and enforcers. He contends that although the frontier determined the enforcement and administration of the law, the ethic of honor dominated human relationships.

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cover of AIDS Alibis: Sex, Drugs, and Crime in the Americas

AIDS Alibis

Sex, Drugs, and Crime in the Americas

Stephanie Kane

Temple University Press, 1998

AIDS Alibis tackles the cultural landscape upon which AIDS, often accompanied by poverty, drug addiction, and crime, proliferates on a global scale. Stephanie Kane layers stories of individuals and events -- from Chicago to Belize City, to cyberspace -- to illustrate the paths of HIV infection and the effects of environment, government intervention, and social mores. Linking ordinary yet kindred lives in communities around the globe, Kane challenges the assumptions underlying the use of police and courts to solve health problems.

The stories reveal the dynamics that determine how the policy decisions of white-collar health care professionals actually play out in real life. By focusing on life-changing social problems, the narratives highlight the contradictions between public health and criminal law. Look at how HIV has transformed our social consciousness, from intimate touch to institutional outreach. But, Kane argues, these changes are dwarfed by the United States's refusal to stop the war on drugs, in effect misdirecting resources and awareness.

AIDS Alibis combines empirical and interpretive methods in a path-breaking attempt to recognize the extent to which coercive institutional practices are implicated in HIV transmission patterns. Kane shows how th e virus feeds on the politics of inequality and indifference, even as it exploits the human need for intimacy and release.
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cover of Acts of Theft

Acts of Theft

Arthur A. Cohen

University of Chicago Press, 1987

A gripping, world-spanning drama of crime, art, and our shared cultural heritage

This unforgettable novel tells the story of an Austrian nobleman who as a young man at the end of World War I, finds himself irresistibly drawn to thievery. Forty years later, living in Mexico, he has made stealing his trade, pillaging Mayan tombs to illicitly secure pre-Columbian art, which he sells on the black market. At the same time, he creates his own sculptures, which the market refuses to reward. Eventually, his activities catch the eye of a dedicated, solitary Mexican police detective, and a reckoning--one that has its roots in the long history of European plunder of the riches of the New World--is set in violent motion.

Praised on publication by Cynthia Ozick, the Washington Post, and more, this unforgettable novel harks back to the great nineteenth-century social novels while still being fully of its late-twentieth-century time.
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cover of African Underclass: Urbanization, Crime & Colonial Order in Dar es Salaam 1919-61

African Underclass

Urbanization, Crime & Colonial Order in Dar es Salaam 1919-61

Andrew Burton

Ohio University Press, 2005

African Underclass examines the social, political, and administrative repercussions of rapid urbanization in colonial Dar es Salaam, and the evolution of official policy that viewed urbanization as inextricably linked with social disorder. This policy marginalized numbers of young Africans entering the town---and thus, paradoxically, the policy itself subverted the colonial order. "Well researched and sharply written---one of the best and most stimulating accounts of urbanization in Eastern Africa to have been produced in recent years."---John McCracken, emeritus professor of history, University of StirlingAndrew Burton is assistant director of the British Institute in Eastern Africa.
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cover of Alan Rudolph's Trouble in Mind: Tampering with Myths

Alan Rudolph's Trouble in Mind

Tampering with Myths

Caryl Flinn

University of Michigan Press, 2023

Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman’s protégé. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation. 

Exploring Trouble in Mind’s influence on indie filmmaking, Rudolph’s dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph’s work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film’s relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight.
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cover of An Organ of Murder: Crime, Violence, and Phrenology in Nineteenth-Century America

An Organ of Murder

Crime, Violence, and Phrenology in Nineteenth-Century America

Courtney E. Thompson

Rutgers University Press, 2021

Finalist for the 2022 Cheiron Book Prize​

An Organ of Murder explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.
         
 
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cover of Aquinas on Crime

Aquinas on Crime

Charles P. Nemeth

St. Augustine's Press, 2008

Not much escapes the intellect and imagination of the Angelic Doctor, St. Thomas Aquinas. Whether it be love, children, education, moral reasoning, happiness or the proper dispositions for human existence, St. Thomas seems an expert in all of it. Crime and criminal conduct are no exceptions to this general tendency with him. Not only does he have much to say about it, what he relates is perpetually fresh and surely the bedrock of what is now taken for granted. In this short treatise, the focus targets St. Thomas’s criminal codification – his law of crimes.

Indeed the magnanimity of his crimes code is a subject matter not yet treated in any detail in the scholarly literature. While parts and pieces are covered in many quarters, the literature has yet to develop a systematic, codified examination of Thomistic criminal law. The essence of the endeavor is threefold: first, how does St. Thomas factor the nature of the human person into the concept of criminal culpability and personal responsibility; second, what types of criminal conduct does St. Thomas specifically delineate and define; and lastly, what is Thomas’s view of mitigation and defense, as well as the corresponding punishment meted out for criminal conduct? This short commentary zeroes in on Thomistic Criminal Law – a project which will illuminate the root, the heritage and the foundation of modern criminal codification.

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cover of Ask the Parrot: A Parker Novel

Ask the Parrot

A Parker Novel

Richard Stark

University of Chicago Press, 2017

Parker is on the run, on his own, and stripped of suppies and support in this action-packed entry in the classic hard-boiled crime series

Richard Stark's Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win. 

The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, George Pelecanos, Colson Whitehead, Lucy Sante, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There's nothing else like them.

In Ask the Parrot, Parker’s back on the run, dodging dogs, cops, and even a helicopter. His escape brings him to rural Massachusetts, where he meets a small-town recluse who Forced to work with a small-town recluse nursing a grudge against the racetrack that fired him. Even on the run, Parker manages to get up to no good. It'll be a deadly day at the races.
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