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In this novel, written by the esteemed novelist in 1901, a provincial composer and organist from Croatia struggles to find his way along the perilous frontier between the worlds of artistic vocation and humdrum family life. The local kapellmeister—-a Czech, in good Habsburg tradition, and a confidant of Gaj and Palacky, influential politicians of the time—-recognizes young Amadej Zlatanic as a prodigy and persuades the stingy mayor and stubborn parish priest to pack the teenager off to the conservatory in Prague. After several years of sordid student purgatory, Amadej returns to Croatia—-ready for love and ready to make great art.The world of Central Europe in the 1860s flows past, and Amadej tries to keep abreast of political change. At the same time he ducks and dodges predatory relatives and townspeople in his native district, to which he has returned for the sake of employment. Despite his marriage to the impressionable and vulnerable local beauty, Adelka, and his devotion to their daughter Veruska, Amadej is sorely troubled by the political corruption and isolation of Croatia. His wife takes ill and his family is poor. Yet ultimately it is the vulgar, populist notion of Croatian "identity"—-symbolized by the worship of the tamburica, a local musical instrument—-that crushes Amadej's career. As it does so, he contemplates the two worlds of national greatness, amidst the Croatian national awakening, and international fame. Finally, frustrated beyond relief by unsuccessful affairs both amorous and professional, and tortured by the philistinism surrounding him, Amadej leaves the world of sanity for a mind-blowing descent into the maniacal and inescapable world of hallucination, paganism, and paranoia.

Set against the backdrop of escalating environmental collapse, this novel is a timely exploration of the terrifying consequences of climate change—particularly wildfires.

A feverish and unsettling meditation on climate collapse, Arson is told through the fragmented perspectives of two individuals struggling to make sense of a world consumed by fire. An unnamed narrator, a writer plagued by anxiety and writer’s block, watches as the planet, her relationships, and even her ability to dream are ravaged by environmental disaster. Meanwhile, an insomniac scientist, obsessed with tracking wildfires, clings to data as his last grip on control, meticulously recording every flame that devours the forests.

Their narratives unfold in a disorienting rhythm—one slipping between lyrical introspection and panic, the other drowning in statistics and methodical observation. As fires rage across the planet, both search for meaning and survival: the narrator wanders the charred countryside in search of life amid destruction, while the scientist compulsively documents landscapes that should never be burning. Echoing Ingeborg Bachmann’s famous words, “With my burned hand I write about the nature of fire,” Laura Freudenthaler crafts a haunting, kaleidoscopic portrait of a world on the brink. Arson is not just a novel about climate change—it is an urgent, dreamlike reckoning with our fascination and horror at the beauty and devastation wrought by fire.