752 books match the query 'Illinois' and 63 start with a

cover of A Black Gambler’s World of Liquor, Vice, and Presidential Politics: William Thomas Scott of Illinois, 1839–1917

A Black Gambler’s World of Liquor, Vice, and Presidential Politics

William Thomas Scott of Illinois, 1839–1917

Bruce L. Mouser

University of Wisconsin Press, 2014

William Thomas Scott (1839–1917) was an entrepreneur and political activist from East Saint Louis and Cairo, Illinois, who in 1904 briefly became the first African American nominated by a national party for president of the United States before his scandalous past forced him to step aside. A free man before the Civil War, Scott was a charismatic hustler who built his fortune through both vice trades and legal businesses including hotels, saloons, and real estate. Publisher and editor of the Cairo Gazette and an outspoken advocate for equal rights, he believed in political patronage and frequently rebelled against political bosses who failed to deliver, whether they were white, black, Republican, or Democrat.

Scott helped build the National Negro Liberty Party to forward economic, political, and legal rights for his race. But the hustling that had brought him business success proved his undoing as a national political figure. He was the NNLP's initial presidential nominee, only to be replaced by a better-educated and more socially acceptable candidate, George Edwin Taylor.



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cover of A Carpetbagger in Reverse: Arthur W. Mitchell, America's First Black Democratic Congressman

A Carpetbagger in Reverse

Arthur W. Mitchell, America's First Black Democratic Congressman

John Morris Knapp

University of Alabama Press, 2025

From Alabama to Congress—Arthur W. Mitchell’s fight for justice rewrote the rules of Black political power.

A Carpetbagger in Reverse offers a landmark reassessment of the life, career, and accomplishments of groundbreaking Congressman Arthur W. Mitchell, the first Black Democrat elected to Congress and the only Black member of Congress during his four terms of service from 1935 to 1943.

Born to former enslaved people in Alabama in 1883, Mitchell studied with Booker T. Washington at Tuskegee Institute and later moved to Washington DC and became a lawyer. He continued his career in Chicago, where the Great Migration had helped transform the city’s South Side into a vibrant, multiracial enclave.

As a congressman, Mitchell helped to create an enduring alliance between Black Americans and the Democratic party. Seeing his primary role as representing the South’s disempowered Black population, his belief that solutions to the region’s racial problems should arise from a new cadre of locally trained leaders brought him into frequent, vituperative conflict with the NAACP, the Republican Party, and the Black press. The first Black lawyer to argue successfully before the Supreme Court, his unanimous victory in Mitchell v. United States would have long-term consequences for the Civil Rights Movement.

A Carpetbagger in Reverse is the first publication significantly based on Mitchell’s papers, an essential and often overlooked source of insights about the development of Black political and culture life in the 1930s and 1940s.

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cover of A Catalogue of the Pre-1500 Western Manuscript Books at the Newberry Library

A Catalogue of the Pre-1500 Western Manuscript Books at the Newberry Library

Paul Saenger

University of Chicago Press, 1989

The Newberry Library in Chicago possesses one of the most distinguished collections of medieval and Renaissance manuscript books in North America. Based on two major private collections of the late nineteenth century—those of Henry Probasco and Edward E. Ayer—and scrupulously added to in this century, the holdings include late medieval bibles and breviaries, books of hours and books of homilies, and seminal texts on astronomy.

Some of the books, such as those from the libraries of Philip the Good and Anne of Brittany, are beautifully illuminated. But the collection also includes an unusual array of "typical" medieval books, chosen not for their beauty but for their paleographical, codicological, and textual interest. Such codices include an eleventh-century Carthusian monk, and numerous books of hours adapted for feminine use. Paul Saenger has painstakingly identified the text, illumination, physical structure, and provenance for each of the more than 200 books in the collection to provide an exemplary guide to literate culture in the late Middle Ages.

This catalogue, carefully researched and handsomely illustrated, will be an invaluable resource for historians, art historians, paleographers, bibliographers, and collectors.
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cover of A City Called Heaven: Chicago and the Birth of Gospel Music

A City Called Heaven

Chicago and the Birth of Gospel Music

Robert Marovich

University of Illinois Press, 2015

In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation.

A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold.

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cover of A Contest without Winners: How Students Experience Competitive School Choice

A Contest without Winners

How Students Experience Competitive School Choice

Kate Phillippo

University of Minnesota Press, 2019

Seeing the consequences of competitive school choice policy through students’ eyes

While policymakers often justify school choice as a means to alleviate opportunity and achievement gaps, an unanticipated effect is increased competition over access to coveted, high-performing schools. In A Contest without Winners, Kate Phillippo follows a diverse group of Chicago students through the processes of researching, applying to, and enrolling in public high school. Throughout this journey, students prove themselves powerful policy actors who carry out and redefine competitive choice.

Phillippo’s work amplifies the voices of students—rather than the parents, educators, public intellectuals, and policymakers who so often inform school choice research—and investigates how students interact with and emerge from competitive choice academically, developmentally, and civically. Through students’ experiences, she shows how competitive choice legitimates and exacerbates existing social inequalities; collides with students’ developmental vulnerability to messages about their ability, merit, and potential; and encourages young people’s individualistic actions as they come to feel that they must earn their educational rights. From urban infrastructure to income inequality to racial segregation, Phillippo examines the factors that shape students’ policy enactment and interpretation, as policymakers and educators ask students to compete for access to public resources.

With competitive choice, even the winners—the lucky few admitted to their dream schools—don’t outright win. A Contest without Winners challenges meritocratic and market-driven notions of opportunity creation for young people and raises critical questions about the goals we have for public schooling.

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cover of A Court That Shaped America: Chicago's Federal District Court from Abe Lincoln to Abbie Hoffman

A Court That Shaped America

Chicago's Federal District Court from Abe Lincoln to Abbie Hoffman

Richard Cahan

Northwestern University Press, 2002

Big and small dramas play out every day in the United States District Court for the Northern District of Illinois. Headquartered in Chicago, the court has played a pivotal role in U.S. history. This is where Abraham Lincoln, as a young lawyer, changed the direction of westward expansion when he argued that trains-not steamships-were America's future. This is where Al Capone met his fall, at a trial that finished him as Public Enemy Number One. And this is where Abbie Hoffman, the nation's first Yippie, butted heads with Judge Julius J. Hoffman and the Establishment at the trial known as the Conspiracy Eight.

A Court That Shaped America traces the flesh-and-blood courtroom scenes from the district's first cases in the early nineteenth century through the turn of the millennium. Historical figures—including Mormon leader Joseph Smith, inventor Thomas Edison, and author Mark Twain—as well as contemporary superstars like Michael Jackson and Oprah Winfrey have all had their day in the Northern Illinois court. Some were victorious; some came out scathed. This book examines these great trials and the people behind them to offer a unique look at Chicago and U.S. history.
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cover of A Decisive Decade: An Insider's View of the Chicago Civil Rights Movement during the 1960s

A Decisive Decade

An Insider's View of the Chicago Civil Rights Movement during the 1960s

Robert B. McKersie, Foreword by James R. Ralph Jr.

Southern Illinois University Press, 2013

The deeply personal story of a historic time in Chicago, Robert B. McKersie’s A Decisive Decade follows the unfolding action of the Civil Rights Movement as it played out in the Windy City. McKersie’s participation as a white activist for black rights offers a unique, firsthand viewpoint on the debates, boycotts, marches, and negotiations that would forever change the face of race relations in Chicago and the United States at large.

Described within are McKersie’s intimate observations on events as they developed during his participation in such historic occasions as the impassioned marches for open housing in Chicago; the campaign to end school segregation under Chicago Schools Superintendent Benjamin Willis; Operation Breadbasket’s push to develop economic opportunities for black citizens; and dialogs with corporations to provide more jobs for blacks in Chicago. In addition, McKersie provides up close and personal descriptions of the iconic Civil Rights leaders who spearheaded some of the most formative battles of Chicago’s Civil Rights movement, including Dr. Martin Luther King, Jr., Reverend Jesse Jackson, Timuel Black Jr. and W. Alvin Pitcher. The author illumines the tensions experienced by two major institutions in responding to the demands of the civil rights movement: the university and the church. Packed with historical detail and personal anecdotes of these history-making years, A Decisive Decade offers a never-before-seen perspective on one of our nation’s most tumultuous eras. 

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cover of A Fatal Drifting Apart: Democratic Social Knowledge and Chicago Reform

A Fatal Drifting Apart

Democratic Social Knowledge and Chicago Reform

Laura M. Westhoff

The Ohio State University Press, 2007

The eyes of the country frequently turned to Chicago during the 1890s as the Windy City struggled with the promises and challenges of urban democracy. Americans of all classes feared the social dislocations and economic divisions of urbanization and industrialization, and the effects of political corruption and massive immigration on democratic politics. Yet many reformers were hopeful that new forms of social knowledge and urban reform could reinvigorate democracy. They saw the moment as one of great possibility. 

A Fatal Drifting Apart: Democratic Social Knowledge and Chicago Reform explores the efforts of diverse groups within Chicago during the Progressive Era. This backdrop of industrialization, emerging classes, and ethnic and racial pluralism frequently riven with class conflict set the stage on which Chicago reformers took up the seemingly impossible challenge of enacting democracy. Laura M. Westhoff examines historic events and well-known individuals of the period and brings them together in an unusual framework that offers a new perspective on the reorientation of knowledge, civic identity, and democratic culture at the dawn of the twentieth century, which she terms democratic social knowledge. The book raises important questions that continue to resonate: In a democracy, who has the power to define social problems and offer solutions, and whose experience and knowledge are seen as legitimate? 
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cover of A Flora of Southern Illinois

A Flora of Southern Illinois

Robert H. Mohlenbrock

Southern Illinois University Press, 1974

This book will be of particular interest to those inter­ested in applied fields of biology, such as conservation, forestry, and wild life. The southern twelve counties of Illinois, a total of 4,355square miles, comprise the area covered in this book. It is an area in which both northern and southern flora specimens abound. A wide variety of plant species grow in this area, and nearly 200 new plants not formerly identified with this area have been included in the listings.

Especially valuable to amateur botanists, the book is an important manual in identifying the plants that make up the native scenery of this region. Seventy-seven illustrations aid in identifying and understanding the plant communities.

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cover of A Guide to Chicago's Murals

A Guide to Chicago's Murals

Mary Lackritz Gray

University of Chicago Press, 2001

Chicago is a city known for its fabulous architecture and public sculpture by artists such as Picasso and Calder, but anyone who has seen the gorgeous lunettes in the Auditorium Theater or the South Side's Wall of Respect, which inaugurated the city's contemporary mural movement, knows that Chicago has an equally rich tradition of mural painting. Through these murals, the history of Chicago and the nation is writ in churches and lobbies, on viaducts and school walls. Mary Gray's A Guide to Chicago's Murals is the first definitive handbook to the treasures that can be found all over the city.

With full-color illustrations of nearly two hundred Chicago murals and accompanying entries that describe their history—who commissioned them and why, how artists collaborated with architects, the subjects of the murals and their contexts—A Guide to Chicago's Murals serves both a general and a specific audience. Divided into easy-to-read geographical sections with useful maps for walking tours, it is the perfect companion for tourists or Chicagoans interested in coming to know better this aspect of the city's history. Gray also provides crucial information on lesser-known artists and on murals that have been destroyed over the years, filling a gap in the visual record of the city's development.

Gray also includes biographies of more than 150 artists and a glossary of key terms, making A Guide to Chicago's Murals essential reading for mural viewing. From post offices to libraries, fieldhouses to banks, and private clubs to street corners, Mary Gray chronicles the amazing works of artists who have sought to make public declarations in this most social of art forms.

"A major lacuna in the history of art in Chicago has been filled, with the thoroughness of the research proportionate to the richness of the material revealed."—From the Foreword by Franz Schulze

"Gray's book . . . can function as a guidebook, as the murals are conveniently arranged according to the quadrants of the city. But the book is also beautiful to look at and indespensable as art history and Chicago history as well. . . . This book is a wonderful guide to Chicago's rich and unique mural tradition."—Elizabeth Alexander, Chicago Tribune Books

"If you love art and history, this is a book you'll truly enjoy."—Al Paulson, Utne Reader
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cover of A History of Bicycling in Illinois: 160 Years of Booms and Busts

A History of Bicycling in Illinois

160 Years of Booms and Busts

Christopher Sweet

University of Illinois Press, 2026

In the 1890s, the bicycle became a sensation that impacted the whole of society. People flocked to races while Progressive Era reformers boosted bicycle-related benefits that ranged from fitness to women’s rights. As American industry exported two-wheelers around the globe, Chicago and Illinois emerged as a center of bicycle manufacturing. Tracking the bicycle’s up-and-down popularity, Christopher Sweet shows how the bicycle’s varying fortunes affected the industry and the thousands of Illinoisians laboring for iconic brands like Schwinn and Western Wheel Works. He also details forgotten history such as the bicycle's many associations with the 1893 World's Columbian Exposition, national and international interest in Illinois bicycle races, and the role of the Illinois bicycle industry in the rise and fall of Midwest manufacturing. An engaging blend of social and business history, A History of Bicycling in Illinois rediscovers the people, companies, and events that made Chicago and Illinois synonymous with the bicycle.
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cover of A History of the Chicago Portage: The Crossroads That Made Chicago and Helped Make America

A History of the Chicago Portage

The Crossroads That Made Chicago and Helped Make America

Benjamin Sells

Northwestern University Press, 2021

Seven muddy miles transformed a region and a nation

This fascinating account explores the significance of the Chicago Portage, one of the most important—and neglected—sites in early US history. A seven-mile-long strip of marsh connecting the Chicago and Des Plaines Rivers, the portage was inhabited by the earliest indigenous people in the Midwest and served as a major trade route for Native American tribes. A link between the Mississippi River and the Atlantic Ocean, the Chicago Portage was a geopolitically significant resource that the French, British, and US governments jockeyed to control. Later, it became a template for some of the most significant waterways created in the nineteenth and twentieth centuries. The portage gave Chicago its name and spurred the city’s success—and is the reason why the metropolis is located in Illinois, not Wisconsin.
 
A History of the Chicago Portage: The Crossroads That Made Chicago and Helped Make America is the definitive story of a national landmark.
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cover of A History of the City of Cairo, Illinois

A History of the City of Cairo, Illinois

John M. Lansden. Foreword by Clyde C. Walton

Southern Illinois University Press, 1976

Long out of print and much sought after bycollectors, Lansden’s classic 1910 his­tory of Cairo remains valuable for the early history of the city. Its reprinting here, with a new Foreword by Clyde C. Walton, former Illinois State Historian, thus makes available again one of the finest examples of local history ever written, stressing as itdoes Cairo’s im­portant relations with its area and with the country—in Lansden’s words, “this part of the Valley of the Mississippi—this Illinois Country.”

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cover of A History of the Ninth Regiment: Illinois Volunteer Infantry, with the Regimental Roster

A History of the Ninth Regiment

Illinois Volunteer Infantry, with the Regimental Roster

Marion Morrison. Foreword by John Y. Simon

Southern Illinois University Press, 1997

When the Civil War erupted in April 1861, many German immigrants in Illinois rushed to enlist in the Union Army. Volunteers from Illinois towns in St. Clair County—Belleville, Millstadt, Mascoutah, Lebanon, and others—marched to Springfield under the command of August Mersy, a veteran of the failed 1848 revolt in Baden, Germany.

Marion Morrison notes that when the German immigrants reached Springfield, August Mersy was rejected as commander because of his limited facility with English. Replaced by Colonel Eleazer A. Paine, an Ohioan and West Point graduate, Lieutenant Colonel Mersy fell to second in command of the Ninth Illinois Infantry Volunteers. Within a few months, however, Paine received a promotion to general that left Mersy in charge of the "Bloody Ninth."

Once Grant began his Tennessee River campaign, the Ninth found itself in the thick of battle, bearing the brunt of the Confederate attempt at Fort Donelson to break Grant’s siege lines. Less than two months later, the Ninth shored up sagging Union lines after the surprise Confederate attack at Shiloh Church, retreating only when their ammunition was gone.

Morrison’s account of the "Bloody Ninth" is one of the few histories written during the war.

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cover of A Home of Another Kind: One Chicago Orphanage and the Tangle of Child Welfare

A Home of Another Kind

One Chicago Orphanage and the Tangle of Child Welfare

Kenneth Cmiel

University of Chicago Press, 1995

In the most comprehensive account ever written of an American orphanage, an institution about which even its many new advocates and experts know little, Kenneth Cmiel exposes America's changing attitudes toward child welfare.

The book begins with the fascinating history of the Chicago Nursery and Half-Orphan Asylum from 1860 through 1984, when it became a full-time research institute. Founded by a group of wealthy volunteers, the asylum was a Protestant institution for Protestant children—one of dozens around the country designed as places where single parents could leave their children if they were temporarily unable to care for them.

But the asylum, which later became known as Chapin Hall, changed dramatically over the years as it tried to respond to changing policies, priorities, regulations, and theories concerning child welfare. Cmiel offers a vivid portrait of how these changes affected the day-to-day realities of group living. How did the kind of care given to the children change? What did the staff and management hope to accomplish? How did they define "family"? Who were the children who lived in the asylum? What brought them there? What were their needs? How did outside forces change what went on inside Chapin Hall?

This is much more than a richly detailed account of one institution. Cmiel shatters a number of popular myths about orphanages. Few realize that almost all children living in nineteenth-century orphanages had at least one living parent. And the austere living conditions so characteristic of the orphanage were prompted as much by health concerns as by strict Victorian morals.
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cover of A House for the Struggle: The Black Press and the Built Environment in Chicago

A House for the Struggle

The Black Press and the Built Environment in Chicago

E. James West

University of Illinois Press, 2022

Multiple Award-Winner!
  • Winner of the 2023 Michael Nelson Prize of International Association for Media and History (IAMHIST)
  • Recipient of the 2022 Jane Jacobs Urban Communication Book Award
  • Winner of the 2023 American Journalism Historians Association Book of the Year
  • Winner of the 2023 ULCC’s (Union League Club of Chicago) Outstanding Book on the History of Chicago Award
  • Recipient of a 2023 Best of Illinois History Superior Achievement award from the Illinois State Historical Society
  • Winner of the 2023 BAAS Book Prize (British Association for American Studies)
  • Winner of a 2023 The Brinck Book Award and Lecture series (University of New Mexico School of Architecture + Planning)
  • Honorable Mention for the 2021-22 RSAP Book Prize (Research Society for American Periodicals)

Buildings once symbolized Chicago's place as the business capital of Black America and a thriving hub for Black media. In this groundbreaking work, E. James West examines the city's Black press through its relationship with the built environment. As a house for the struggle, the buildings of publications like Ebony and the Chicago Defender embodied narratives of racial uplift and community resistance. As political hubs, gallery spaces, and public squares, they served as key sites in the ongoing Black quest for self-respect, independence, and civic identity. At the same time, factors ranging from discriminatory business practices to editorial and corporate ideology prescribed their location, use, and appearance, positioning Black press buildings as sites of both Black possibility and racial constraint.

Engaging and innovative, A House for the Struggle reconsiders the Black press's place at the crossroads where aspiration collided with life in one of America's most segregated cities.

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cover of A Just Cause: The Impeachment and Removal of Governor Rod Blagojevich

A Just Cause

The Impeachment and Removal of Governor Rod Blagojevich

Bernard H. Sieracki. Foreword by Jim Edgar

Southern Illinois University Press, 2016

Illinois State Historical Society Certificate of Excellence 2016

During the predawn hours of December 9, 2008, an FBI team swarmed the home of Illinois governor Rod Blagojevich and took him away in handcuffs. The shocking arrest, based on allegations of corruption and extortion, launched a chain of political events never before seen in Illinois. In A Just Cause, Bernard H. Sieracki delivers a dynamic firsthand account of this eight-week political crisis, beginning with Blagojevich’s arrest, continuing through his impeachment and trial, and culminating in his conviction and removal from office. Drawing on his own eyewitness observations of the hearings and trial, the comments of interviewees, trial transcripts, and knowledge gained from decades of work with the Illinois legislature, Sieracki tells the compelling story of the first impeachment and removal from office of an Illinois governor, while providing a close look at the people involved.

A Just Cause depicts Blagojevich as a master of political gamesmanship, a circus ringmaster driven by personal ambition and obsessed with private gain. Sieracki examines in depth the governor’s unethical behavior while in office, detailing a litany of partisan and personal hostilities that spanned years. He thoroughly covers the events leading to Blagojevich’s downfall and the reactions of the governor’s cohorts. The author discusses the numerous allegations against Blagojevich, including attempts to “sell” appointments, jobs, and contracts in exchange for financial contributions. Sieracki then exhaustively recounts Blagojevich’s senate trial and the governor’s removal from office.

This engrossing volume is both a richly detailed case study of the American checks-and-balances system and an eyewitness account of unprecedented events. It will appeal to anyone interested in the stunning, true tale of a state upholding the maxim “The welfare of the people is the supreme law.” 
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cover of A Knight of Another Sort: Prohibition Days and Charlie Birger, Second Edition

A Knight of Another Sort

Prohibition Days and Charlie Birger, Second Edition

Gary DeNeal. Foreword by Jim Ballowe

Southern Illinois University Press, 1998

In 1913 Charlie Birger began his career as a bootlegger, supplying southern Illinois with whiskey and beer. He was charismatic, with an easygoing manner and a cavalier generosity that made him popular. The stuff of legend, he was part monster, part Robin Hood. In the early days, he would emerge from his restaurant/saloon in tiny Ledford in Saline County with a cigar box full of coins and throw handfuls in the air for the children. Echoing the consensus on Birger, an anonymous gang member called him "enigmatic," noting that "he had a wonderful quality, a heart of gold. There in Harrisburg sometimes he'd support twelve or fifteen families, buy coal, groceries. . . . [But] he had cold eyes, a killer's eyes. He would kill you for something somebody else would punch you in the nose for."

Drawing from the colorful cast of the living, the dead, and the soon-to-be-dead—a state shared by many associated with Birger and his enemies, the Shelton gang—DeNeal re-creates Prohibition-era southern Illinois. He depicts the fatal shootout between S. Glenn Young and Ora Thomas, the battle on the Herrin Masonic Temple lawn in which six were slain and the Ku Klux Klan crushed, and the wounding of Williamson County state's attorney Arlie O. Boswell. As the gang wars escalated and the roster of corpses lengthened, the gangsters embraced technology. The Sheltons bombed Birger's roadhouse, Shady Rest, from a single-engine airplane. Both Birger and the Sheltons used armored vehicles to intimidate their enemies, and the chatter of machine gun fire grew common.

The gang wars ended with massive arrests, trials, and convictions of gangsters who once had seemed invincible. Charlie Birger was convicted of the murder of West City mayor Joe Adams and sentenced to death. On April 19, 1928, he stood on the gallows looking down on the large crowd that had come to see him die. "It's a beautiful world," Birger said softly as he prepared to leave it.

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cover of A Natural History of the Chicago Region

A Natural History of the Chicago Region

Joel Greenberg

University of Chicago Press, 2002

In A Natural History of the Chicago Region, Joel Greenberg takes readers on a journey that begins in 1673 with Father Jacques Marquette and Louis Joliet—the first Europeans known to have visited the Chicago region—and that we're still on today. This is a fascinating story, told with humor and passion, of forests battling prairies for dominance; of grasslands plowed, wetlands drained, and species driven to extinction in the settlement of the Midwest; and of caring conservationists fighting to preserve and restore the native plants and animals. Intermingling historical anecdotes and episodes straight from the words of early settlers and naturalists with current scientific information, Greenberg places the natural history of the region in a human context, showing how it affects our everyday existence in even the most urbanized landscape of Chicago.
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cover of A New Conscience and an Ancient Evil

A New Conscience and an Ancient Evil

Jane Addams

University of Illinois Press, 2002

Published in 1912 on the heels of Twenty Years at Hull-House and at the height of Jane Addams's popularity, A New Conscience and an Ancient Evil assesses the vulnerability of the rural and immigrant working-class girls who moved to Chicago and fell prey to the sexual bartering of what was known as the white slave trade.
 
Addams offers lurid accounts–-drawn from the records of Chicago's Juvenile Protection Association–-of young women coerced into lives of prostitution by men who lurked outside hotels and sweatshops. Because they lacked funds for proper recreation, Addams argues, poor and socially marginalized women were susceptible to sexual slavery, and without radical social change they would perhaps be "almost as free" as young men. In addition to promoting higher wages and better living conditions, Addams suggests that a longer period of public education for young women would deter them from the dangers of city life.
 
Despite its appeal to middle–class readers eager for tales of sexual excess and the rape of innocence, the press and prominent intellectuals criticized A New Conscience and an Ancient Evil for being disproportionately hysterical to its philosophical weight. Katherine Joslin's introduction considers the controversial reactions to the book and the circumstances of its publication. Behind the sensationalism of the narratives, Joslin locates themes including the commodification of sex and the importance of marriage for young women.
 
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cover of A New Deal for Bronzeville: Housing, Employment, and Civil Rights in Black Chicago, 1935-1955

A New Deal for Bronzeville

Housing, Employment, and Civil Rights in Black Chicago, 1935-1955

Lionel Kimble Jr.

Southern Illinois University Press, 2015

Illinois State Historical Society Certificate of Excellence 2016

During the Great Migration of the 1920s and 1930s, southern African Americans flocked to the South Side Chicago community of Bronzeville, the cultural, political, social, and economic hub of African American life in the city, if not the Midwest. The area soon became the epicenter of community activism as working-class African Americans struggled for equality in housing and employment. In this study, Lionel Kimble Jr. demonstrates how these struggles led to much of the civil rights activism that occurred from 1935 to 1955 in Chicago and shows how this working-class activism and culture helped to ground the early civil rights movement. Despite the obstacles posed by the Depression, blue-collar African Americans worked with leftist organizations to counter job discrimination and made strong appeals to New Deal allies for access to public housing. Kimble details how growing federal intervention in local issues during World War II helped African Americans make significant inroads into Chicago’s war economy and how returning African American World War II veterans helped to continue the fight against discrimination in housing and employment after the war. The activism that appeared in Bronzeville was not simply motivated by the “class consciousness” rhetoric of the organized labor movement but instead grew out of everyday struggles for racial justice, citizenship rights, and improved economic and material conditions. With its focus on the role of working-class African Americans—as opposed to the middle-class leaders who have received the most attention from civil rights historians in the past—A New Deal for Bronzeville makes a significant contribution to the study of civil rights work in the Windy City and enriches our understanding of African American life in mid-twentieth-century Chicago. 

This publication is partially funded by a grant from Furthermore: a program of the J.M. Kaplan fund.
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cover of A Place on the Corner

A Place on the Corner

Elijah Anderson

University of Chicago Press, 1978

"Anderson's mix of the language of sociology and the more colorful street idiom makes a complex social phenomenon accessible to a broad audience. . . . An important work."—Gerald Lee Dillingham, Contemporary Sociology
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cover of A Place on the Corner, Second Edition

A Place on the Corner, Second Edition

Elijah Anderson

University of Chicago Press, 2004

This paperback edition of A Place on the Corner marks the twenty-fifth anniversary of Elijah Anderson's sociological classic, a study of street corner life at a local barroom/liquor store located in the ghetto on Chicago's South Side. Anderson returned night after night, month after month, to gain a deeper understanding of the people he met, vividly depicting how they created—and recreated—their local stratification system. In addition, Anderson introduces key sociological concepts, including "the extended primary group" and "being down." The new preface and appendix in this edition expand on Anderson's original work, telling the intriguing story of how he went about his field work among the men who frequented Jelly's corner.
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cover of A Portrait in Four Movements: The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti

A Portrait in Four Movements

The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti

Andrew Patner

University of Chicago Press, 2019

“Playing in an orchestra in an intelligent way is the best school for democracy.”—Daniel Barenboim
 
The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As a classical music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO’s changing repertories, all while cultivating a deep rapport with its four principal conductors.

This book assembles Patner’s reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner’s “driving survey” that playfully ranks the Maestri he knew on a scale of “total comfort” to “fright level five,” and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez’s and Haitink’s heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it—from the conductors’ varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner’s writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.
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cover of A Power Stronger Than Itself: The AACM and American Experimental Music

A Power Stronger Than Itself

The AACM and American Experimental Music

George E. Lewis

University of Chicago Press, 2008

Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images.

Moving from Chicago to New York to Paris, and from founding member Steve McCall’s kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art.

[more]
cover of A Southern Illinois Album: Farm Security Administration Photographs, 1936-1943

A Southern Illinois Album

Farm Security Administration Photographs, 1936-1943

Herbert K. Russell. Foreword by F. Jack Hurley

Southern Illinois University Press, 1990

Life on the road was anything but glamorous for Farm Security Administration photographers traveling through southern Illinois in the mid-1930s. Often their most promising subjects lived at the end of the worst roads, many of which lacked bridges, drainage ditches, or gravel. Outfitted with three government-issue cameras, flashbulbs, tripods, and film-processing chemicals, their job was to help "explain America to Americans" by seeking out and photographing the one-third of the nation FDR described as "ill-housed, ill-clad, and ill-nourished." Featured in this book are more than one hundred photographs from the collection of a quarter of a million taken by FSA photographers between 1935 and 1943. These pictures capture life during the Great Depression as viewed in the coal-mining towns of Herrin, West Frankfort, and Zeigler; the river communities of Shawneetown, Cairo, and Grayville; the farming regions near McLeansboro, Newton, and Harrisburg—more than two dozen southern Illinois county seats, hamlets, and landings. Together they comprise a photographic portrait of the determination, hard work, and capacity to find ways to celebrate life exemplified by the people of southern Illinois during one of the most difficult periods of American history. FSA photographers helped to invent and popularize the "documentary style," a type of photography in which pictures and their arrangement carry much of the information in a story. Intended to document the success of a government project, these pictures survived to preserve for later generations the story of the people of southern Illinois and how they endured the difficult times of the Great Depression.
[more]
cover of A Theater of Our Own: A History and a Memoir of 1,001 Nights in Chicago

A Theater of Our Own

A History and a Memoir of 1,001 Nights in Chicago

Richard Christiansen, with a foreword by Brian Dennehy

Northwestern University Press, 2004

Winner of the Illinois State Historical Society Book Award for Superior Achievement

A Theater of Our Own is a fascinating, fast-paced, and fact-filled chronicle of Chicago's legendary theater scene by the long-time chief critic for the Chicago Tribune. Who produced the first stage adaptation of "The Wizard of Oz" in 1902-nearly forty years before the movie classic? What entertainment juggernaut began in a converted Chinese laundry on Wells Street in 1959? Where did Louis (Studs) Terkel make his stage debut? When did the original production of "Grease" open at Kingston Mines Theater? Richard Christiansen, former chief critic for the Chicago Tribune, answers these and many more questions about the rich role of the theater in Chicago, from its earliest days in 1837 to its present state as a diverse community of artists with international stature.

In A Theater of Our Own, he draws upon his exclusive interviews, insights, and memories gathered over a period of more than forty years of reviewing the arts. This history and memoir traces the evolution of the Chicago theater scene from small theaters to major institutions such as the Steppenwolf Theatre Company, the Goodman Theater, and The Second City. Along the way, Richard Christiansen relates his behind-the-scenes conversations with some of Chicago's most acclaimed writers, directors, and actors--David Mamet, Frank Galati, Mary Zimmerman, John Malkovich, Laurie Metcalf, Harold Ramis, Gary Sinise, and Joe Mantegna--all a part of Chicago's theater renaissance from the 1970s onward. To this day, Chicago remains a city known for its imaginative, innovative, and influential theaters and artists. A Theater of Our Own, a valuable contribution to the history of theater, is a book written for anyone who enjoys the theater and its people as well as the story of Chicago.
[more]
cover of A Thousand and One Afternoons in Chicago

A Thousand and One Afternoons in Chicago

Ben Hecht

University of Chicago Press, 1992

In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

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cover of A Woman's Story of Pioneer Illinois

A Woman's Story of Pioneer Illinois

Christiana Holmes Tillson

Southern Illinois University Press, 1995

Christiana and John Tillson moved from Massachusetts to central Illinois in 1822. Upon arriving in Montgomery County near what would soon be Hillsboro, they set up a general store and real estate business and began to raise a family.

A half century later, Christiana Tillson wrote about her early days in Illinois in a memoir published by R. R. Donnelley in 1919. In it she describes her husband’s rise to wealth through the speculative land boom during the 1820s and 1830s and his loss of fortune when the land business went bust after the Specie Circular was issued in 1836.

The Tillsons lived quite ordinary lives in extraordinary times, notes Kay J. Carr, introducing this edition. Their views and sensibilities, Carr says, might seem strange to us, but they were entirely normal to people in the early nineteenth century. Thus Tillson’s memoir provides vignettes of ordinary nineteenth-century American life.

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cover of AFRICOBRA: Experimental Art toward a School of Thought

AFRICOBRA

Experimental Art toward a School of Thought

Wadsworth A. Jarrell

Duke University Press, 2020

Formed on the South Side of Chicago in 1968 at the height of the civil rights, Black power, and Black arts movements, the AFRICOBRA collective created a new artistic visual language rooted in the culture of Chicago's Black neighborhoods. The collective's aesthetics, especially the use of vibrant color, capture the rhythmic dynamism of Black culture and social life. In AFRICOBRA, painter, photographer, and collective cofounder Wadsworth A. Jarrell tells the definitive story of the group's creation, history, and artistic and political principles. From accounts of the painting of the groundbreaking Wall of Respect mural and conversations among group members to documentation of AFRICOBRA's exhibits in Chicago, New York, and Boston, Jarrell outlines how the collective challenged white conceptions of art by developing an artistic philosophy and approach wholly divested of Western practices. Featuring nearly one hundred color images of artworks, exhibition ephemera, and photographs, this book is at once a sourcebook history of AFRICOBRA and the story of visionary artists who rejected the white art establishment in order to create uplifting art for all Black people.
[more]
cover of AIA Guide to Chicago

AIA Guide to Chicago

American Institute of Architects Chicago; Edited by Alice Sinkevitch and Laurie McGovern Petersen; Preface by Geoffrey Baer; Introduction by Perry Duis

University of Illinois Press, 2014

An unparalleled architectural powerhouse, Chicago offers visitors and natives alike a panorama of styles and forms. The third edition of the AIA Guide to Chicago brings readers up to date on ten years of dynamic changes with new entries on smaller projects as well as showcases like the Aqua building, Trump Tower, and Millennium Park.
 
Four hundred photos and thirty-four specially commissioned maps make it easy to find each of the one thousand-plus featured buildings, while a comprehensive index organizes buildings by name and architect. This edition also features an introduction providing an indispensable overview of Chicago's architectural history.
[more]
cover of AIA Guide to Chicago

AIA Guide to Chicago

American Institute of Architects Chicago; Edited by Laurie McGovern Petersen

University of Illinois Press, 2022

Chicago’s architecture attracts visitors from around the globe. The fourth edition of the AIA Guide to Chicago is the best portable resource for exploring this most breathtaking and dynamic of cityscapes. The editors offer entries on new destinations like the Riverwalk, the St. Regis Chicago, and The 606 as well as updated descriptions of Willis Tower and other refreshed landmarks. Thirty-four maps and over 500 photos make it easy to find each of the almost 2000 featured sites. A special insert, new to this edition, showcases the variety of Chicago architecture with over 80 full-color images arranged chronologically. A comprehensive index organizes entries by name and architect.

Sumptuously detailed and user friendly, the AIA Guide to Chicago encourages travelers and residents alike to explore the many diverse neighborhoods of one of the world’s great architectural destinations.

[more]
cover of Alchemy of Bones: Chicago's Luetgert Murder Case of 1897

Alchemy of Bones

Chicago's Luetgert Murder Case of 1897

Robert Loerzel

University of Illinois Press, 2002

On May 1, 1897, Louise Luetgert disappeared. Although no body was found, Chicago police arrested her husband, Adolph, the owner of a large sausage factory, and charged him with murder. The eyes of the world were still on Chicago following the success of the World's Columbian Exposition, and the Luetgert case, with its missing victim, once-prosperous suspect, and all manner of gruesome theories regarding the disposal of the corpse, turned into one of the first media-fueled celebrity trials in American history.

Newspapers fought one another for scoops, people across the country claimed to have seen the missing woman alive, and each new clue led to fresh rounds of speculation about the crime. Meanwhile, sausage sales plummeted nationwide as rumors circulated that Luetgert had destroyed his wife's body in one of his factory's meat grinders.

Weaving in strange-but-true subplots involving hypnotists, palmreaders, English con artists, bullied witnesses, and insane-asylum bodysnatchers, Alchemy of Bones is more than just a true crime narrative; it is a grand, sprawling portrait of 1890s Chicago--and a nation--getting an early taste of the dark, chaotic twentieth century.

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cover of All Anybody Ever Wanted of Me Was to Work: The Memoirs of Edith Bradley Rendleman

All Anybody Ever Wanted of Me Was to Work

The Memoirs of Edith Bradley Rendleman

Edith Bradley Rendleman. Edited by Jane Adams

Southern Illinois University Press, 1996

From All Anybody Ever Wanted of Me Was to Work...

"Starting around 1950, people stopped raising chickens, milking cows, and raising hogs. They just buy it at the store, ready to eat. A lot buy a steer and have it processed in Dongola and put it in their freezer. What a difference! Girls have got it so easy now. They don't even know what it was like to start out. And I guess my mother's life, when she started out, was as hard again as mine, because they had to make everything by hand. I don't know if it could get any easier for these girls. But they don't know what it was like, and they never will. Everything is packaged. All you do is go to the store and buy you a package and cook it. Automatic washers and dryers. I'm glad they don't have to work like I did. Very glad."

Edith Bradley Rendleman's story of her life in southern Illinois is remarkable in many ways. Recalling the first half of the twentieth century in great detail, she vividly cites vignettes from her childhood as her family moved from farm to farm until settling in 1909 in the Mississippi bottoms of Wolf Lake. She recounts the lives and times of her family and neighbors during an era gone forever.

Remarkable for the vivid details that evoke the past, Rendleman's account is rare in another respect: memoirs of the time—usually written by people from elite or urban families—often reek of nostalgia. But Rendleman's memoir differs from the norm. Born poor in rural southern Illinois, she tells an unvarnished tale of what it was really like growing up on a tenant farm early this century.

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cover of All of Us Together: The Story of Inclusion at Kinzie School

All of Us Together

The Story of Inclusion at Kinzie School

Jeri Banks

Gallaudet University Press, 1994

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cover of Alliance, Illinois

Alliance, Illinois

Dave Etter

Northwestern University Press, 2005

In the tradition of Sherwood Anderson's Winesburg, Ohio, and Edgar Lee Masters' Spoon River Anthology, each of the 222 poems in this collection is narrated by a different resident of the fictional small town of Alliance, Illinois. Their voices, individual and yet familiar, describe the ordered simplicity of life in the American small town during the second half of the twentieth century. Dave Etter's themes and images come from the very lifeblood of prairie Illinois-rivers, trees, cornfields, wildlife, county fairs, railroads and, always, the people and the ever-changing seasons. Deceptively, invitingly simple on their surface, Etter's poems reveal upon careful examination a remarkable psychological insight and a careful craftsmanship. Alliance, Illinois is truly one of the great monuments of rural American literature.
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cover of Along the Streets of Bronzeville: Black Chicago's Literary Landscape

Along the Streets of Bronzeville

Black Chicago's Literary Landscape

Elizabeth Schroeder Schlabach

University of Illinois Press, 2017

Along the Streets of Bronzeville examines the flowering of African American creativity, activism, and scholarship in the South Side Chicago district known as Bronzeville during the period between the Harlem Renaissance in the 1920s and the Black Arts Movement of the 1960s. Poverty stricken, segregated, and bursting at the seams with migrants, Bronzeville was the community that provided inspiration, training, and work for an entire generation of diversely talented African American authors and artists who came of age during the years between the two world wars.

In this significant recovery project, Elizabeth Schroeder Schlabach investigates the institutions and streetscapes of Black Chicago that fueled an entire literary and artistic movement. She argues that African American authors and artists--such as Gwendolyn Brooks, Richard Wright, Langston Hughes, painter Archibald Motley, and many others--viewed and presented black reality from a specific geographic vantage point: the view along the streets of Bronzeville. Schlabach explores how the particular rhythms and scenes of daily life in Bronzeville locations, such as the State Street "Stroll" district or the bustling intersection of 47th Street and South Parkway, figured into the creative works and experiences of the artists and writers of the Black Chicago Renaissance. She also covers in detail the South Side Community Art Center and the South Side Writers' Group, two institutions of art and literature that engendered a unique aesthetic consciousness and political ideology for which the Black Chicago Renaissance would garner much fame.

Life in Bronzeville also involved economic hardship and social injustice, themes that resonated throughout the flourishing arts scene. Schlabach explores Bronzeville's harsh living conditions, exemplified in the cramped one-bedroom kitchenette apartments that housed many of the migrants drawn to the city's promises of opportunity and freedom. Many struggled with the precariousness of urban life, and Schlabach shows how the once vibrant neighborhood eventually succumbed to the pressures of segregation and economic disparity. Providing a virtual tour South Side African American urban life at street level, Along the Streets of Bronzeville charts the complex interplay and intersection of race, geography, and cultural criticism during the Black Chicago Renaissance's rise and fall.

[more]
cover of America's Deadliest Twister: The Tri-State Tornado of 1925

America's Deadliest Twister

The Tri-State Tornado of 1925

Geoff Partlow

Southern Illinois University Press, 2014

Winner, ISHS Certificate of Excellence, 2015

Disaster relief as we know it did not exist when the deadliest tornado in U.S. history gouged a path from southeast Missouri through southern Illinois and into southwestern Indiana. The tri-state tornado of 1925 hugged the ground for 219 miles, generated wind speeds in excess of 300 miles per hour, and killed 695 people. Drawing on survivor interviews, public records, and newspaper archives, America’s Deadliest Twister offers a detailed account of the storm, but more important, it describes life in the region at that time as well as the tornado’s lasting cultural impact, especially on southern Illinois.

Author Geoff Partlow follows the storm from town to town, introducing us to the people most affected by the tornado, including the African American population of southern Illinois. Their narratives, along with the stories of the heroes who led recovery efforts in the years following, add a hometown perspective to the account of the storm itself.

In the discussion of the aftermath of the tornado, Partlow examines the lasting social and economic scars in the area, but he also looks at some of the technological firsts associated with this devastating tragedy. Partlow shows how relief efforts in the region began to change the way people throughout the nation thought about disaster relief, which led to the unified responses we are familiar with today.
 

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cover of America's First Black Town: Brooklyn, Illinois, 1830-1915

America's First Black Town

Brooklyn, Illinois, 1830-1915

Sundiata Keita Cha-Jua

University of Illinois Press, 2000

"Founded by Chance, Sustained by Courage," Brooklyn, Illinois, was a magnet for African Americans from its founding by free and fugitive Blacks in the 1820s. Initially attractive to escaped slaves and others seeking to live in a Black-majority town, Brooklyn later drew Black migrants eager to commute to jobs in East St. Louis and other industrial centers as an alternative to eking out a living in agriculture. Ultimately, however, this very proximity to the industrializing city led to a destructive economic dependency that poisoned the ground for Brooklyn's self-determination.

Sundiata Keita Cha-Jua traces Brooklyn's transformation from a freedom village into a residential commuter satellite that supplied cheap labor to the city and the region. He examines why Brooklyn remained unindustrialized while factories and industrial complexes were built in nearly all the neighboring white-majority towns. As Brooklyn's population tilted more heavily toward single young men employed in the factories and as the city's cheaper retail businesses drew the town's consumer dollars, local businesses--except those catering to nightlife and vice--withered away.

Drawing on town records, regional and African American newspapers, census data, and other sources, Cha-Jua provides a detailed social and political history of America's first Black town. He places Brooklyn in the context of Black-town development and African American nationalism and documents the dedicated efforts of its Black citizens to achieve political control and build a thriving, autonomous, Black-majority community.

America's First Black Town challenges scholarly assumptions that Black political control necessarily leads to internal unity and economic growth. Outlining dynamics that presaged the post-1960s plight of Gary, Detroit, and other Black-dominated cities, Cha-Jua confirms that, despite Brooklyn's heroic struggle for autonomy, Black control was not enough to stem the corrosive tide of internal colonialism.

[more]
cover of American Allegory: Lindy Hop and the Racial Imagination

American Allegory

Lindy Hop and the Racial Imagination

Black Hawk Hancock

University of Chicago Press, 2013

“Perhaps,” wrote Ralph Ellison more than seventy years ago, “the zoot suit contains profound political meaning; perhaps the symmetrical frenzy of the Lindy-hop conceals clues to great potential power.” As Ellison noted then, many of our most mundane cultural forms are larger and more important than they appear, taking on great significance and an unexpected depth of meaning. What he saw in the power of the Lindy Hop—the dance that Life magazine once billed as “America’s True National Folk Dance”—would spread from black America to make a lasting impression on white America and offer us a truly compelling means of understanding our culture. But with what hidden implications?

In American Allegory, Black Hawk Hancock offers an embedded and embodied ethnography that situates dance within a larger Chicago landscape of segregated social practices. Delving into two Chicago dance worlds, the Lindy and Steppin’, Hancock uses a combination of participant-observation and interviews to bring to the surface the racial tension that surrounds white use of black cultural forms. Focusing on new forms of appropriation in an era of multiculturalism, Hancock underscores the institutionalization of racial disparities and offers wonderful insights into the intersection of race and culture in America.
[more]
cover of American Pogrom: The East St. Louis Race Riot and Black Politics

American Pogrom

The East St. Louis Race Riot and Black Politics

Charles L. Lumpkins

Ohio University Press, 2008

On July 2 and 3, 1917, race riots rocked the small industrial city of East St. Louis, Illinois. American Pogrom takes the reader beyond that pivotal time in the city’s history to explore black people’s activism from the antebellum era to the eve of the post–World War II civil rights movement.

Charles Lumpkins shows that black residents of East St. Louis had engaged in formal politics since the 1870s, exerting influence through the ballot and through patronage in a city dominated by powerful real estate interests even as many African Americans elsewhere experienced setbacks in exercising their political and economic rights.

While Lumpkins asserts that the race riots were a pogrom—an organized massacre of a particular ethnic group—orchestrated by certain businessmen intent on preventing black residents from attaining political power and on turning the city into a “sundown” town permanently cleared of African Americans, he also demonstrates how the African American community survived. He situates the activities of the black citizens of East St. Louis in the context of the larger story of the African American quest for freedom, citizenship, and equality.
[more]
cover of American School Reform: What Works, What Fails, and Why

American School Reform

What Works, What Fails, and Why

Joseph P. McDonald and the Cities and Schools Research Group

University of Chicago Press, 2014

Dissecting twenty years of educational politics in our nation’s largest cities, American School Reform offers one of the clearest assessments of school reform as it has played out in our recent history. Joseph P. McDonald and his colleagues evaluate the half-billion-dollar Annenberg Challenge—launched in 1994—alongside other large-scale reform efforts that have taken place in New York, Chicago, Philadelphia, and the San Francisco Bay Area. They look deeply at what school reform really is, how it works, how it fails, and what differences it can make nonetheless.
             
McDonald and his colleagues lay out several interrelated ideas in what they call a theory of action space. Frequently education policy gets so ambitious that implementing it becomes a near impossibility. Action space, however, is what takes shape when talented educators, leaders, and reformers guide the social capital of civic leaders and the financial capital of governments, foundations, corporations, and other backers toward true results. Exploring these extraordinary collaborations through their lifespans and their influences on future efforts, the authors provide political hope—that reform efforts can work, and that our schools can be made better.   
[more]
cover of American Warsaw: The Rise, Fall, and Rebirth of Polish Chicago

American Warsaw

The Rise, Fall, and Rebirth of Polish Chicago

Dominic A. Pacyga

University of Chicago Press, 2019

A comprehensive and engaging history of a century of Polish immigration and influence in Chicago.

Every May, a sea of 250,000 people decked out in red and white head to Chicago’s Loop to celebrate the Polish Constitution Day Parade. In the city, you can tune in to not one but four different Polish-language radio stations or jam out to the Polkaholics. You can have lunch at pierogi food trucks or pick up pączkis at the grocery store. And if you’re lucky, you get to take off work for Casimir Pulaski Day. For more than a century, Chicago has been home to one of the largest Polish populations outside of Poland, and the group has had an enormous influence on the city’s culture and politics. Yet, until now, there has not been a comprehensive history of the Chicago Polonia.

With American Warsaw, award-winning historian and Polish American Dominic A. Pacyga chronicles more than a century of immigration, and later emigration back to Poland, showing how the community has continually redefined what it means to be Polish in Chicago. He takes us from the Civil War era until today, focusing on how three major waves of immigrants, refugees, and fortune seekers shaped and then redefined the Polonia. Pacyga also traces the movement of Polish immigrants from the peasantry to the middle class and from urban working-class districts dominated by major industries to suburbia. He documents Polish Chicago’s alignments and divisions: with other Chicago ethnic groups; with the Catholic Church; with unions, politicians, and city hall; and even among its own members. And he explores the ever-shifting sense of Polskość, or “Polishness.”

Today Chicago is slowly being eclipsed by other Polish immigrant centers, but it remains a vibrant—and sometimes contentious—heart of the Polish American experience. American Warsaw is a sweeping story that expertly depicts a people who are deeply connected to their historical home and, at the same time, fiercely proud of their adopted city. As Pacyga writes, “While we were Americans, we also considered ourselves to be Poles. In that strange Chicago ethnic way, there was no real difference between the two.”
[more]
cover of An Atlas of Illinois Fishes: 150 Years of Change

An Atlas of Illinois Fishes

150 Years of Change

Brian A. Metzke, Brooks M. Burr, Leon C. Hinz Jr., Lawrence M. Page, and Christopher A. Taylor

University of Illinois Press, 2022

Lake Michigan, winding creeks, sprawling swamps, and one of the world’s great rivers--Illinois’s variety of aquatic habitats makes the Prairie State home to a diverse array of fishes. The first book of its kind in over forty years, An Atlas of Illinois Fishes is a combination of nature guide and natural history. It provides readers with an authoritative resource based on the extensive biological data collected by scientists since the mid-1850s. Each of the entries on Illinois’s 217 current and extirpated fish species offers one or more color photographs; maps depicting distributions at three time periods; descriptions of identifying features; notes on habitat preference; and comments on distribution. In addition, the authors provide a pictorial key for identifying Illinois fishes.

Scientifically up-to-date and illustrated with over 240 color photos, An Atlas of Illinois Fishes is a benchmark in the study of Illinois’s ever-changing fish communities and the habitats that support them.

[more]
cover of An Early Encounter with Tomorrow: Europeans, Chicago's Loop, and the World's Columbian Exposition

An Early Encounter with Tomorrow

Europeans, Chicago's Loop, and the World's Columbian Exposition

Arnold Lewis

University of Illinois Press, 1997

Winner of the Jacques Barzun Prize in Cultural History given by the Council of the American Philosophical Society
 
Extravagantly illustrated with over seventy photographs, drawings, paintings, and contemporary cartoons, An Early Encounter with Tomorrow documents the mixture of amazement and alarm with which European visitors greeted 1890s Chicago: as a futuristic city animated by a crass, frenetic mercantile class. This volume also contains an extensive bibliography, arranged by country, and profiles of the foreign observers who sought the implications for European culture in what Asa Briggs called the "shock city" of the western world.
 
 
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cover of An Illini Place: Building the University of Illinois Campus

An Illini Place

Building the University of Illinois Campus

Incoronata Inserra

University of Illinois Press, 2017

Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
[more]
cover of An Irish-American Odyssey: The Remarkable Rise of the O'Shaughnessy Brothers

An Irish-American Odyssey

The Remarkable Rise of the O'Shaughnessy Brothers

Colum Kenny

University of Missouri Press, 2014

The O’Shaughnessy brothers’ story takes place between 1860 and 1950 in Illinois, Missouri, New York, and Ireland. They were the children of an impoverished immigrant who fled the famine in Ireland and his Irish-American wife.An Irish-American Odysseyis the tale of this first-generation immigrant family’s struggle to assimilate into American society, highlighting their perseverance and determination to seize opportunities and surmount obstacles, all the while establishing a legacy for their own descendants in American art, advertising, journalism, and public service.
TIME magazine called James O’Shaughnessy “the best in the business” of advertising, and he became the first chief executive of the American Association of Advertising Agencies. Earlier, he was a “star” reporter at the Chicago Tribune, and James and Francis were centrally involved in founding and maintaining the Irish Fellowship Club. Francis was also the first graduate of the University of Notre Dame to be invited to deliver its annual commencement address, while Martin was the first captain of Notre Dame’s official basketball team. An attorney, John represented the alleged victim in a notorious “white slavery” case. Thomas (“Gus”) became the leading Gaelic Revival artist in America as well as a promoter of Italian-American heritage, campaigning successfully to have Columbus Day enacted a public holiday.
The remarkable rise of the O’Shaughnessy brothers proves the American dream is attainable.
[more]
cover of An Open Secret: The Family Story of Robert and John Gregg Allerton

An Open Secret

The Family Story of Robert and John Gregg Allerton

Nicholas L. Syrett

University of Chicago Press, 2021

In 1922 Robert Allerton—described by the Chicago Tribune as the “richest bachelor in Chicago”—met a twenty-two-year-old University of Illinois architecture student named John Gregg, who was twenty-six years his junior. Virtually inseparable from then on, they began publicly referring to one another as father and son within a couple years of meeting. In 1960, after nearly four decades together, and with Robert Allerton nearing ninety, they embarked on a daringly nonconformist move: Allerton legally adopted the sixty-year-old Gregg as his son, the first such adoption of an adult in Illinois history.

An Open Secret tells the striking story of these two iconoclasts, locating them among their queer contemporaries and exploring why becoming father and son made a surprising kind of sense for a twentieth-century couple who had every monetary advantage but one glaring problem: they wanted to be together publicly in a society that did not tolerate their love. Deftly exploring the nature of their design, domestic, and philanthropic projects, Nicholas L. Syrett illuminates how viewing the Allertons as both a same-sex couple and an adopted family is crucial to understanding their relationship’s profound queerness. By digging deep into the lives of two men who operated largely as ciphers in their own time, he opens up provocative new lanes to consider the diversity of kinship ties in modern US history.
[more]
cover of An Uncertain Tradition

An Uncertain Tradition

David Kenney and Robert E. Hartley

Southern Illinois University Press, 2003

This sweeping survey constitutes the first comprehensive treatment of the forty-seven individuals—forty-six white males and one African American female—who have been chosen to represent Illinois in the United States Senate from 1818 to 2003. David Kenney and Robert E. Hartley underscore nearly two centuries of Illinois history with these biographical and political portraits, compiling an incomparably rich resource for students, scholars, teachers, journalists, historians, politicians, and any Illinoisan interested in the state’s heritage.  

An Uncertain Tradition:U. S. Senators from Illinois, 1818–2003 is a fresh and careful study of the shifting set of political issues occurring over time and illuminated by the lives of participants in the politics of choice and service in the Senate. Kenney and Hartley plot the course of the state’s varied senatorial leadership, from the state’s founding and the appearance of political parties, through the Civil War and its aftermath, and into the diverse political climate of the twenty-first century. From the notorious to the heroic, the popular to the pioneering, the senatorial roster includes such luminaries as “The Little Giant” Stephen A. Douglas; Lyman Trumbull, who served three terms in the Civil War era; “Uncle Dick” and “Black Jack,” also known as Richard Oglesby and John A. Logan; the “Wizard of Ooze” Everett Dirksen; and modern leaders such as Adlai Stevenson III, Paul Simon, and Carol Moseley-Braun. 

Kenney and Hartley offer incisive commentary on the quality of senate service in each case, as well as timeline graphs relating to the succession of individuals in each of the two sequences of service, the geographical distribution of senators within the state, and the variations in party voting for senate candidates. Rigorously documented and supremely readable, this convenient reference volume is enhanced by portraits of many of the senators.

[more]
cover of An Unseen Unheard Minority: Asian American Students at the University of Illinois

An Unseen Unheard Minority

Asian American Students at the University of Illinois

Sharon S. Lee

Rutgers University Press, 2022

Higher education hails Asian American students as model minorities who face no educational barriers given their purported cultural values of hard work and political passivity. Described as “over-represented,” Asian Americans have been overlooked in discussions about diversity; however, racial hostility continues to affect Asian American students, and they have actively challenged their invisibility in minority student discussions. This study details the history of Asian American student activism at the University of Illinois Urbana-Champaign, as students rejected the university’s definition of minority student needs that relied on a model minority myth, measures of under-representation, and a Black-White racial model, concepts that made them an “unseen unheard minority.” This activism led to the creation on campus of one of the largest Asian American Studies programs and Asian American cultural centers in the Midwest. Their histories reveal the limitations of understanding minority student needs solely along measures of under-representation and the realities of race for Asian American college students.
[more]