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Key insights into women’s multi-dimensional roles as wives, widows, and mothers during the seventeenth century.

Lady Mary Carey (c. 1609–c. 1680) was a noblewoman who examined her life and expressed her views in a handwritten manuscript that she intended for self-reflection and for sharing with restricted audiences of family and friends, rather than for print publication. Her poetry and prose, composed and revised between 1650 and 1658, were important enough to her inner circle, however, that her autograph manuscript was carefully copied by another hand in 1681. In addition to providing us with key insights into women’s multidimensional roles as wives, widows, and mothers during the seventeenth century in England, Carey’s work teaches us a great deal about a woman’s deepest emotional and spiritual states while confronting the hardships of life—from the fears of childbearing to the sorrows over child loss to the terrors of war.
 

Poems that offer an honest portrayal of the complex realities of motherhood, including the devastating effects of postpartum depression.

Maternal mental illness is an ongoing health crisis and deserves awareness, not only in the medical world but in the poetry world, too. Bridget Bell’s All that We Ask of You Is to Always Be Happy offers support to current mothers, mothers-to-be, family members of people suffering from perinatal mental illnesses, OB-GYNs, nurses, and any other healthcare providers. Bell uses various poetic forms to shed light on the challenges that come with motherhood, including the physical and emotional challenges of childbirth while celebrating the beauty of women’s strength and resilience. Written with deep care and fearlessness, Bell’s debut collection is both an educational tool and a powerful component of recovery in that shares others’ similar stories.
 

On April 22, 2015, the sorority sisters at Ohio’s Muskingum University’s Delta house encountered a horrific scene: pools of blood and gore in the first-floor bathroom. No one knew exactly what had happened, but the sisters suspected it had something to do with Emile Weaver. Studious, athletic, and well-liked, Emile had recently started wearing bulky sweatsuits and hiding her midsection, as if she was covering up a sudden weight gain. Could Emile be pregnant?
 
Emboldened by fear, the sorority sisters investigated. In the driveway next to the kitchen door, they found Emile’s newborn baby girl dead inside a garbage bag. Emile’s crime seemed senseless and left her family and friends with an aching question: what happened?
 
American Infanticide situates Emile's tragic act in a long intellectual, social, and legal history, uncovering disturbing missing chapters in our national history that undercut myths that have shaped public reactions to so-called monster moms and dumpster babies since the colonial era. Ultimately, the book uncovers how bias and inconsistency dictate how women accused of infant homicide are perceived and punished and sheds new light on how and why our legal responses to infanticide are so deeply misguided.

In Archive of Tongues Moon Charania explores feminine dispossession and the brown diaspora through a reflection on the life of her mother. Drawing on her mother’s memories and stories of migration, violence, sexuality, queerness, domesticity, and the intimate economies of everyday life, Charania conceptualizes her mother’s tongue as an object of theory and an archive of brown intimate life. By presenting a mode of storytelling that is sensual and melancholic, piercing and sharp, Charania recovers otherwise silenced modes of brown mothers’ survival, disobedience, and meaning making that are often only lived out in invisible, intimate spaces, and too often disappear into them. In narrating her mother’s tongue as both metaphor for and material reservoir of other ways of knowing, Charania gestures to the afflictions, limits, and failures of feminist, queer, and postcolonial scholarly interrogations and the consequences of closing the archive of the brown mother.