57 books match the query 'Readings' and 4 start with a

cover of American Archival Studies: Readings in Theory and Practice

American Archival Studies

Readings in Theory and Practice

Randall C. Jimerson

Society of American Archivists, 2000

Twenty-eight essays represent significant recent American writings on archives and the role of archivists in modern society. These articles provide important perspectives both on basic elements of archival practice and on fundamental principles in archival theory and methodology.
[more]
cover of American Popular Music: Readings From the Popular Press Volume 2: The Age of Rock

American Popular Music

Readings From the Popular Press Volume 2: The Age of Rock

Timothy E. Scheurer

University of Wisconsin Press, 1989

Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.
[more]
cover of American Popular Music: Readings From the Popular Press Volume I: The Nineteenth-Century Tin Pan Alley

American Popular Music

Readings From the Popular Press Volume I: The Nineteenth-Century Tin Pan Alley

Timothy E. Scheurer

University of Wisconsin Press, 1989

Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.
[more]
cover of An Introduction to Ancient Iranian Religion: Readings from the Avesta and the Achaemenid Inscriptions

An Introduction to Ancient Iranian Religion

Readings from the Avesta and the Achaemenid Inscriptions

William W. Malandra, EditorTranslated by William W. Malandra

University of Minnesota Press, 1983

An Introduction to Ancient Iranian Religion was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

When Persia fell to Islam in the mid-seventh century, the ancient Iranian religion of Zoroastrianism all but disappeared (although it is still practiced by small groups in India and Iran). As one of the dominant religions of antiquity, it influenced the Judeo- Christian tradition as well as some forms of gnosticism. Despite its age and venerable place in the history of world religions, Zoroastrianism remains little known outside of a few philologists and historians of religion. Because of the difficulty of translation, there is little primary textual material available for nonspecialists; the few translations that do exist are quite old.

In An Introduction to Ancient Iranian Religion, William Malandra provides not only modern English translations of the sacred texts but also a comprehensive introduction to the subject of Zoroastrianism itself. In an introductory essay Malandra outlines the main features of Zoroastrianism in its historical, cultural, and spiritual setting. His new translations of readings from the Avesta, the sacred book of Zoroastrianism, and selections from the Achaemenid inscriptions of the great kings Darius and Xerxes are accompanied by interpretive notes that allow students to make their way through this difficult material. This book is, therefore, not just a collection of texts but a selfcontained introduction to Zoroastrianism that can be used by the nonspecialist without recourse to additional interpretive works.
[more]