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In the last three years the migrant labor hostels of South Africa, particularly those in the Transvaal, have gained international notoriety as theaters of violence. For many years they were hidden from public view and neglected by the white authorities. Now, it seems, hostel dwellers may have chosen physical violence to draw attention to the structural violence of their appalling conditions of life. Yet we should not lose sight of the fact that the majority of hostel dwellers are peace-loving people who have over the years developed creative strategies to cope with their impoverished and degrading environment.

In this challenging study, Dr. Mamphela Ramphele documents the life of the hostel dwellers of Cape Town, for whom a bed is literally a home for both themselves and their families. Elaborating the concept of space in its many dimensions—not just physical, but political, ideological, social, and economic as well—she emphasizes the constraints exerted on hostel dwellers by the limited spaces they inhabit. At the same time, she argues that within these constraints people have managed to find room for manoeuvre, and in her book explores the emancipatory possibilities of their environment.

The text is illustrated with a number of black-and-white photographs taken by Roger Meintjes in the townships and hostels.

Reissued for the 50th anniversary of the Soweto Uprising, A Burning Hunger reveals how one family’s courage ignited resistance and forever changed South Africa.

If the Mandelas were the generals in the fight for black liberation, the Mashininis were the foot soldiers. Theirs is a story of exile, imprisonment, torture, and loss, but also of dignity, courage, and strength in the face of appalling adversity. Originally published in Great Britain to critical acclaim, A Burning Hunger: One Family’s Struggle Against Apartheid tells a deeply moving human story and is one of the seminal books about the struggle against apartheid.

This family, Joseph and Nomkhitha Mashinini and their thirteen children, became immersed in almost every facet of the liberation struggle—from guerrilla warfare to urban insurrection. Although Joseph and Nomkhitha were peaceful citizens who had never been involved in politics, five of their sons became leaders in the antiapartheid movement. When the students of Soweto rose up in 1976 to protest a new rule making Afrikaans the language of instruction, they were led by charismatic young Tsietsi Mashinini. Scores of students were shot down and hundreds were injured. Tsietsi’s actions on that day set in motion a chain of events that would forever change South Africa, define his family, and transform their lives.

A Burning Hunger shows the human catastrophe that plagued generations of black Africans in the powerful story of one religious and law-abiding Soweto family. Basing her narrative on extensive research and interviews, Lynda Schuster richly portrays this remarkable family and in so doing reveals black South Africa during a time of momentous change.

A Place That Matters Yet unearths the little-known story of Johannesburg’s MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective.

 

Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philosophical notion of “three-dimensional thinking,” which aimed to transcend binaries and thus—quite explicitly—racism. Unfortunately, Gubbins died within weeks of the museum’s opening, and his hopes would go unrealized as the museum fell in line with emergent apartheid politics. Following the museum through this transformation and on to its 1994 reconfiguration as a post-apartheid institution, Byala showcases it as a rich—and problematic—archive of both material culture and the ideas that surround that culture, arguing for its continued importance in the establishment of a unified South Africa.

Africa South presents a history and description of southern Africa from the arrival of Europeans until the creation of the Republic of South Africa in 1961. Harm J. de Blij provides a portrait of the landscape and the internal policies and struggles within the region. The work serves as a historical travel guide and an introduction to the history of southern Africa. All the maps in Africa South were prepared by the author.

Has South Africa dealt effectively with the past, and is the country ready to face the future? What are the challenges facing both government and civil society in the years ahead? These and other questions are explored in this collection of essays by international and local commentators on the Truth and Reconciliation Commission.

A range of perspectives on whether the TRC met its objectives of truth and reconciliation is presented. The areas of particular contention-the payment of reparation, the granting of amnesty, and memorialization-are also examined.

Finally, the major challenges facing South Africa are identified, and ways of meeting these challenges and developing the assets of the nation are explored.

Contributors: Haribert Adam, Kanya Adam, Alex Boraine, Colin Bundy, Mary Burton, John de Gruchy, Richard Goldstone, Willem Heath, Wilmot James, Jeffrey Lever, Mahmood Mamdani, Gary Minkley, Njabulo Ndebele, Dumisa Ntsebeza, Kaizer Nyatsumba, Grace Naledi Pandor, Mamphela Ramphele, Ciraj Rassool, Albie Sachs, Patricia Valdez, Linda van de Vijver, Jan van Eck, Frederik Van Zyl Slabbert, Charles Villa-Vicencio, Francis Wilson, and Leslie Witz

After the Thrill Is Gone is a serious appraisal of what South African democracy has yielded and has failed to yield in the era following the heady expectations of liberation from apartheid’s multiple repressions. Since that time, South Africa has revealed itself as a turbulent, dynamic nation. After the release of black political prisoners in 1990 and the first national democratic election in 1994, its citizens have witnessed a massive increase in crime, unemployment, and poverty and an educational system in chaos.

In a range of politically inflected essays by philosophers, community activists, political scientists, sociologists, literary scholars, and cultural and postcolonial theorists—many of whom are diasporic or resident South Africans—this special issue of SAQ provides a critical look at the realities of black majority governance, at the African National Congress, and at the costs of ANC rule to the populace. One essay draws a condemning sketch of poverty and violence in the townships and the growing communities of squatters that continue despite the emergence of democracy. A philosophical piece contemplates the practice of human rights in a South African society grappling with the memory of apartheid abuses. The fiction and poetry in the collection explore sexual identity, including issues created by the AIDS epidemic, and offer critiques of government policies. Using comic strips, another contributor demonstrates the ability of South African popular culture to satirize the nation’s political status quo. Taken together, the essays in After the Thrill Is Gone open a sobering perspective on South Africa’s recent history, its present, and its future.

Contributors. Rita Barnard, Patrick Bond, Ashwin Desai, Emmanuel Chukwudi Eze, Grant Fared, Michiel Heyns, Shaun Irlam, Neil Lazarus, Michael MacDonald, Zine Magubane, Richard Pithouse, Lesego Rampolokeng, Adam Sitze

A fascinating study that shows how the intersection of technology and politics has shaped South African history since the 1960s. This book details the development of an interconnected technological system of a coal mine and of the Matimba and Medupi power stations in the Waterberg, a rural region of South Africa near the country’s border with Botswana. South Africa’s state steel manufacturing corporation, Iscor, which has since been privatized, developed a coal mine in the region in the 1970s. This set the stage for the national electricity provider, Eskom, to build coal-fueled power stations in the Waterberg. Faeeza Ballim follows the development of these technological systems from the late 1960s, a period of heightened repression as the apartheid government attempted to realize its vision of racial segregation, to the deeply fraught construction of the Medupi power station in postapartheid South Africa. The Medupi power station was planned toward the end of the first decade of the twenty-first century as a measure to alleviate the country’s electricity shortage, but the continued delay of its completion and the escalation of its costs meant that it failed to realize those ambitions while public frustration and electricity outages grew. By tracing this story, this book highlights the importance of technology to our understanding of South African history. This characterization challenges the idea that the technological state corporations were proxies for the apartheid government and highlights that their activities in the Waterberg did not necessarily accord with the government’s strategic purposes. While a part of the broader national modernization project under apartheid, they also set the stage for worker solidarity and trade union organization in the Waterberg and elsewhere in the country. This book also argues that the state corporations, their technology, and their engineers enjoyed ambivalent relationships with the governments of their time, relationships that can be characterized as both autonomous and immersive. In the era of democracy, while Eskom has been caught up in government corruption—a major scourge to the fortunes of South Africa—it has also retained a degree of organizational autonomy and offered a degree of resistance to those who sought to further corruption. The examination of the workings of these technological systems, and the state corporations responsible for them, complicates conventional understandings of the transition from the authoritarian rule of apartheid to democratic South Africa, which coincided with the transition from state-led development to neoliberalism. This book is an indispensable case study on the workings of industrial and political power in Africa and beyond.

Available Light tells the story of an activist, an artist, a uniquely South African individual, and his community and family across the second half of the twentieth century. Omar Badsha was born in Durban, on the country’s southeastern coast in 1945. His was the third generation of his Gujarati family to call South Africa home. Before he turned five, the country’s white electorate had voted to institute apartheid to strip the rights and privileges of citizenship from most of the population, including Badsha’s Indian community and especially the country’s Black majority. By the time he turned fifteen, nonviolent protest against apartheid had been quashed; by the time he turned twenty, so too had the armed struggle to dislodge white supremacy within the country. The ongoing, resilient, and oft-rebuffed struggle against apartheid was a definitive factor in Badsha’s life. Furthermore, Badsha was raised in a community where art—painting, carving, music, poetry, theater—was inseparable from other values, whether Islamic and conservative or radical and urgently committed. When Badsha struggled in school, he, like his father, turned to art to express what he otherwise had difficulty conveying. Art brought him into contact with people of disparate backgrounds from far beyond Durban. In time, his friendships with other artists helped him refine his voice, first in drawing and eventually in photography, and capture the political ethic by which he strove to live his life and which he shared with similarly committed artist-activists. Daniel Magaziner chronicles how art and politics became intertwined in South Africa and explains what it takes to maintain a critical aesthetic approach to political crises in the past and present. The book tracks the personal and social costs that commitment can incur, while also appreciating how Badsha and others like him have maintained their vision of an equitable, transformed society even today, when the ideals that once animated the South African struggle are on the back foot worldwide.