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Genre-bending stories of the cosmos and the worlds within our own skin

Blending fairy tale and science fiction with the otherworldliness of adolescence, A Preponderance of Starry Beings is a collection for anyone preoccupied with looking skyward. These stories probe the experience of coming of age on the outskirts of the universe, whether that be a small Midwestern town or a distant galaxy, and of weighing earthly obligations against the vast promises of space.

In a sleepy Ohio neighborhood, two girls seek refuge from their homophobic schoolmates in an antiques shop filled with Star Trek memorabilia. On a generation spaceship, children revolt against their parents’ plans to colonize a distant world. Deep in the Florida Everglades, seven sisters must protect their otherworldly mythology when two men arrive to fix the family automobile.

A Preponderance of Starry Beings invites us into a mundane and whimsical world of night islands, small towns, and faith lost and found, where a safe landing matters less than taking the leap.

Modern science fiction writers have long inhabited a dimension far removed from the comfortable realms of filmic space opera franchises and Dr. Who. Too often lurking along the margins of literature are some of the most intelligent, imaginative, and outrageous writing talents of our day. These interviews by legendary critic and SF proponent Larry McCaffery journeys into the minds and psyches of ten iconic writers whose works influenced the evolution of science fiction. Authors like Octavia Butler, William Gibson, Thomas Disch, Ursula Le Guin, and Bruce Sterling discuss New Wave, hard versus soft SF, and the viability of the genre as a means of suggesting political, radical, and sexual agendas. As these writers speak candidly about their works, backgrounds, and aesthetic impulses, it becomes clear that the issues on their minds and in their fiction are central to contemporary life and art.

In After Capitalism, Jo Lindsay Walton uses speculative fiction to tackle some of the largest, most urgent, and strangest political questions of our time. Is climate science itself a speculative practice, even as it conveys some of the hardest facts we know? Does the end of capitalism require the end of money, or might money mutate into something new—a currency based on time, labor or reputation? As AI threatens to take over more aspects of social life, might we think of money itself as a kind of AI, one that could be reprogrammed? Why do ecological forms of calculation—from real world carbon credits to speculative energy currencies—fail to protect the planet that sustains us?

Drawing on the works of Edward Bellamy, Octavia Butler, Samuel R. Delany, Cory Doctorow, Ursula K. Le Guin, Yoon Ha Lee, Karen Lord, Malka Older, Nnedi Okorafor, Marge Piercy, Adam Roberts, Joanna Russ, Wole Talabi, and more, Walton explores whether science fiction can create space for fugitive dreams to thrive, or whether it serves merely as a laboratory for capitalism’s own reinvention.Weaving together literary criticism, critical political economy, and perspectives from the environmental humanities, After Capitalism argues that the worlds beyond capitalism are neither unimaginable nor entirely elsewhere. 

Though set in other worlds populated by alien beings, science fiction is a site where humans can critique and re-imagine the paradigms that shape this world, from fundamentals such as the sex and gender of the body to global power relations among sexes, races, and nations. Feminist thinkers and writers are increasingly recognizing science fiction's potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist theories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series.

Patricia Melzer analyzes how these authors and films represent debates and concepts in three areas of feminist thought: identity and difference, feminist critiques of science and technology, and the relationship among gender identity, body, and desire, including the new gender politics of queer desires, transgender, and intersexed bodies and identities. She demonstrates that key political elements shape these debates, including global capitalism and exploitative class relations within a growing international system; the impact of computer, industrial, and medical technologies on women's lives and reproductive rights; and posthuman embodiment as expressed through biotechnologies, the body/machine interface, and the commodification of desire. Melzer's investigation makes it clear that feminist writings and readings of science fiction are part of a feminist critique of existing power relations—and that the alien constructions (cyborgs, clones, androids, aliens, and hybrids) that populate postmodern science fiction are as potentially empowering as they are threatening.

"The Artificial Paradise shows how science fiction is a powerful purveyor of cultural myths rooted in the history of the West, myths that shape American attitudes toward nature, technology, and the pursuit of happiness. Sharona Ben-Tov posits the theory that science fiction is an American "national mode of thinking" which seeks to replace nature with technological worlds- paradoxically, in hope of regaining a mythic, magical American Eden. Science fiction imagery- from fifties sci-fi through women's sci-fi and cyberpunk- keeps alive the desires of and anxieties born during the Scientific Revolution, when the Western view of nature changed radically. Ben-Tov discusses sci-fi classics like Dune, The Dispossessed, Neuromancer, Vonnegut's fiction, and the Aliens movie in relation to ancient and modern myths of nature, to scientific projects like the atom bomb, Strategic Defense Initiative, robotics, virtual reality, and to cultural psychology. The book will appeal to those interested in popular culture, literature, and feminist studies. It will also enchant general readers who are interested in science fiction, especially readers who want to understand more about the relationship between technology and society. "The Artificial Paradise sets out to map the cultural anxieties that have beset Western thinking since the Scientific Revolution, and to investigate the ills that flow from the split in Western thinking between nature and culture and subject and object, and how the split is expressed and reinforced in popular culture and particularly in written science fiction. . . . [A] thought-provoking, wide-ranging book written in an admirably lucid style."--Sarah Lefanu, author of Feminism and Science Fiction "The examination of America's uneasy relationship with nature is an illuminating approach which draws together science fiction studies and American studies. The witty and readable style should attract a wide readership."--Brian Attebery, Idaho State University "The Artificial Paradise is at once intellectually provocative, knowledgeable, and literate. As our lives become increasingly determined by technology, we will need to turn to such thinkers as Dr. Ben- Tov to guide us through its dangers and pleasures."--Alan Lightman, Massachusetts Institute of Technology Sharona Ben-Tov is Assistant Professor of Creative Writing and English, Bowling Green State University. She is author of During Ceasefire (Harper-Collins), a book of poems.

A visually stunning narrative of three eras in humankind’s vexed relationship with nature.

Ascension is a novel about the end of nature, or rather, the end of three “natures”: the time just before Darwin changed the natural world; the 1980s, just as the digital and genetic revolutions begin to replace “nature” with “environment”; and today, a time when we have the ability to manipulate nature at both the scale of the planet and at the genome. The narrative follows three different biologists on the brink of each of these cultural extinctions to explore how nature occupies our imaginations and how our imaginations bring the natural world, and our place in it, into existence.

Ascension is a story of how we continually remake the world and are in turn remade by the new nature we’ve created. It is the story of humans yearning to understand their families, themselves, and the world they live in as it comes to a close, leaving them to anticipate what will follow. Rich in visual depictions of the natural world—from nineteenth century engraving and paintings to twentieth century photography and twenty-first century databases—Ascension uses the materials of three eras to drive home our inability to escape nature, and the ways our fates are irrevocably bound together even as our actions usher in an end-time.