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Not long ago, Marxist philosophy flourished. Yet in recent years theorists have turned away from Marxism. This book aims to revive Marxist theory, and show how it offers a rich foundation for radical socialist thinking in the forseeable future.

To do this, Andrew Levine examines two recent departures in Marxist thought -- Althusserian and Analytical Marxism. The former is currently defunct; the latter, very nearly so. He assesses the shortcomings of each, while emphasising their considerable, and still timely, merits. The discussion is framed against an analysis of socialism's place in the political life of the past two centuries. Levine assesses the apparent historical defeat of the Left generally since the consolidation of the Reagan-Thatcher era and speculates on current signs of renewal.

He argues that both Althusserian and analytical Marxism represent new and deeply important philosophical departures within the Marxist tradition as they force a rethinking of Marxism's scientific and political project. For all their differences in style and substance, these strains of Marxist thought share important thematic and sociological features and Levine concludes that both traditions provide a legacy upon which a revived Left can build.

A Herzen Reader presents in English for the first time one hundred essays and editorials by the radical Russian thinker Alexander Herzen (1812–1870). Herzen wrote most of these pieces for The Bell, a revolutionary newspaper he launched with the poet Nikolai Ogaryov in London in 1857. Smugglers secretly carried copies of The Bell into Russia, where it influenced debates over the emancipation of the serfs and other reforms. With his characteristic irony, Herzen addressed such issues as freedom of speech, a nonviolent path to socialism, and corruption and paranoia at the highest levels of government. He discussed what he saw as the inability of even a liberator like Czar Alexander II to commit to change. A Herzen Reader stands on its own for its fascinating glimpse into Russian intellectual life of the 1850s and 1860s. It also provides invaluable context for understanding Herzen’s contemporaries, including Fyodor Dostoevsky and Ivan Turgenev.

 

A new ontology for a globalized world

Rich with analyses of concepts from deconstruction, systems theory, and post-Marxism, with critiques of fundamentalist thought and the war on terror, this volume argues for developing a philosophy of being in order to overcome the quandary of postmodern relativism. Undergirding the contributions are the premises that ontology is a vital concept for philosophy today, that an acceptable leftist ontology must avoid the kind of identity politics that has dominated recent cultural studies, and that a new ontology must be situated within global capitalism.

A Leftist Ontology offers a timely intervention in political philosophy, featuring some of the leading voices of our time.Contributors: Bruno Bosteels, Cornell U; Christopher Breu, Illinois State U; Nicholas Brown, U of Illinois at Chicago; Sorin Radu Cucu, Manhattan College; George Edmondson, Dartmouth College; Eva Geulen, U of Bonn; Philip Goldstein, U of Delaware; Klaus Mladek, Dartmouth College; Alberto Moreiras, U of Aberdeen; Jeffrey T. Nealon, Pennsylvania State U; William Rasch, Indiana U; Ben Robinson, Indiana U; Imre Szeman, McMaster U; Roland Vegso, U of Tennessee, Knoxville.

Alternatives to Democracy in Twentieth-Century Europe examines the historical examples of Soviet Communism, Italian Fascism, German Nazism, and Spanish Anarchism, suggesting that, in spite of their differences, they had some key features in common, in particular their shared hostility to individualism, representative government, laissez faire capitalism, and the decadence they associated with modern culture. But rather than seeking to return to earlier ways of working these movements and regimes sought to design a new future – an alternative future – that would restore the nation to spiritual and political health. The Fascists, for their part, specifically promoted palingenesis, which is to say the spiritual rebirth of the nation. 

"A meticulously researched, highly informed, carefully argued, and very accessible account of American socialism, socialists, and socialistic thinking, from the late nineteenth century through the 1960s . . . challenges the intellectual and political legacy of Werner Sombart's Why Is There No Socialism in the United States?, whose spirit still hovers over animated discussions about the 'failures' of socialism in the United States."
---James A. Miller, George Washington University

"A valuable rethinking and reframing of the traditions of leftist literary scholarship in the U.S."
---Sylvia Cook, University of Missouri, St. Louis

American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois explores the contributions of three writers to the development of American socialism over a fifty--year period and asserts the vitality of socialism in modern American literature and culture.

Drawing upon a wide range of texts including archival sources, Mark W. Van Wienen demonstrates the influence of reform-oriented, democratic socialism both in the careers of these writers and in U.S. politics between 1890 and 1940. While offering unprecedented in-depth analysis of modern American socialist literature, this book charts the path by which the supposedly impossible, dangerous ideals of a cooperative commonwealth were realized, in part, by the New Deal.

American Socialist Triptych provides in-depth, innovative readings of the featured writers and their engagement with socialist thought and action. Upton Sinclair represents the movement's most visible manifestation, the Socialist Party of America, founded in 1901; Charlotte Perkins Gilman reflects the socialist elements in both feminism and 1890s reform movements, and W. E. B. Du Bois illuminates social democratic aspirations within the NAACP. Van Wienen's book seeks to re-energize studies of Sinclair by treating him as a serious cultural figure whose career peaked not in the early success of The Jungle but in his nearly successful 1934 run for the California governorship. It also demonstrates as never before the centrality of socialism throughout Gilman's and Du Bois's literary and political careers.

More broadly, American Socialist Triptych challenges previous scholarship on American radical literature, which has focused almost exclusively on the 1930s and Communist writers. Van Wienen argues that radical democracy was not the phenomenon of a decade or of a single group but a sustained tradition dispersed within the culture, providing a useful genealogical explanation for how socialist ideas were actually implemented through the New Deal.

American Socialist Triptych also revises modern American literary history, arguing for the endurance of realist and utopian literary modes at the height of modernist literary experimentation and showing the importance of socialism not only to the three featured writers but also to their peers, including Edward Bellamy, Hamlin Garland, Jack London, Edna St. Vincent Millay, and Claude McKay. Further, by demonstrating the importance of social democratic thought to feminist and African American campaigns for equality, the book dialogues with recent theories of radical egalitarianism. Readers interested in American literature, U.S. history, political theory, and race, gender, and class studies will all find in American Socialist Triptych a valuable and provocative resource.