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Arijana Lekić-Fridrih: All Art is a Political Statement introduces audiences to the work of Croatian artist Arijana Lekić-Fridrih and, in particular, to her Silent Mass, a performance resisting the “Be Manly” movement, a series of mass prayer events held in Croatian public squares by a battalion of men who pray for the abolition of women’s rights, for women’s “chastity,” and for men’s “masculine authority.” All Art is a Political Statement links the erosion of women’s rights across intercontinental boundaries and offers Lekić-Fridrih’s multimedia art as a guide for activism against retrograde restrictions on the freedom of women.

Arijana Lekić-Fridrih: Svaka umjetnost je politička izjava upoznaje publiku s radom hrvatske umjetnice Arijane Lekić-Fridrih, a posebno s njezinom Tihom misom, performansom otpora pokretu “Budi muško”, nizu masovnih molitvenih događanja koje na hrvatskim javnim trgovima održava bataljun muškaraca moleći za ukidanje ženskih prava, za žensku “čednost”, a za muškarce “muški autoritet”. Svaka umjetnost je politička izjava spaja eroziju ženskih prava preko interkontinentalnih granica i nudi multimedijsku umjetnost Lekić-Fridrih kao vodič za aktivizam protiv nazadnih ograničenja slobode žena.

Drawing on a remarkable combination of early twentieth-century field notes, archaeological evidence, historical accounts, and the voices of Arikara collaborators, Arikara Agriculture: Mother Corn’s Gift to the Sahnish People offers a richly layered account of one of the Plains’ most accomplished agricultural societies. 

Living along the Missouri River in present-day North and South Dakota, the Sahnish (Arikara) people cultivated expansive fields of corn, beans, squash, sunflowers, and other crops, sustaining vibrant communities and extensive trade networks. At the heart of this remarkable book are the invaluable records of ethnobotanist Melvin Gilmore, who documented the knowledge of Arikara elders between 1916 and 1924, capturing a lifeway on the cusp of profound change.

More than a historical study, this volume foregrounds the cultural, spiritual, and ecological significance of agriculture in Sahnish life. The contributors discuss how corn was the center of the Arikaras’ world and how it, and other agricultural crops, were important not just as food but also for the culture. The book illuminates traditional horticultural methods, food preparation techniques, and the enduring relevance of these practices today. 

Both a vital contribution to ethnobiology and a community-centered preservation of knowledge, this work speaks to ongoing conversations about Indigenous foodways, resilience, and the revitalization of traditional ecological knowledge.

Today, democracy is seen as the best or even the only legitimate form of govern­ment. With this book, Delba Winthrop punctures this complacency and takes up the chal­lenge of justifying democracy through Aristotle’s political science. In Aristotle’s time and in ours, democrats want inclu­siveness; they want above all to include everyone as a part of a whole. But what makes a whole? This is a question for both politics and philosophy, and Winthrop shows that Aristotle pursues the answer in the Politics. She uncovers in his political science the insights philoso­phy brings to politics and, especially, the insights politics brings to philosophy. Through her appreciation of this dual purpose and her skilled execution of her argument, Winthrop makes profound discoveries. Central to politics, she main­tains, is the quality of assertiveness—the kind of speech that demands to be heard. Aristotle, she shows for the first time, carries assertive speech into philosophy, where human reason claims its due as a contribution to the universe. Political science has the high role of teaching ordinary folk about democracy and what sustains it.

This posthumous publication is more than an honor to Delba Winthrop’s memory. It is a gift to partisans of democ­racy, advocates of justice, and students of Aristotle.

In Arizona’s Quest for Reform, David R. Berman traces the rise and fall of a dynamic coalition of socialists, labor activists, and progressive Democrats led by the influential Governor George Hunt as they pursued sweeping reforms in a rapidly changing state. From the fight for workers’ rights and women’s suffrage to the use of the initiative process and the role of radical newspapers, Berman brings to life the people and movements that shaped Arizona’s early political identity.

Drawing on extensive primary sources and organized in a clear chronological structure, Berman’s study reveals the tensions, alliances, and dramatic events that defined Arizona’s reform efforts between 1900 and 1920. The book explores the impact of powerful mining interests, railroad companies, and labor unions, while also examining the racialization of Mexican miners and their evolving role in the labor movement. Through vivid storytelling and rigorous scholarship, Berman uncovers the complexities of political change in a state straddling the transition from territory to statehood.

This landmark work will appeal to scholars of western history, labor studies, and political science, as well as general readers interested in Arizona’s unique place in the national Progressive movement. Arizona’s Quest for Reform not only deepens our understanding of the past but also offers timely insights into the enduring challenges of coalition building, grassroots activism, and political reform. It is a vital contribution to the study of Arizona and the American West.

When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public.

In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain’s leading, and less well known, painters and sculptors of the postwar period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre’s Tate Gallery installation of 120 bricks, Rick Gibson’s foetus earrings, Anthony-Noel Kelly’s cast body-parts sculptures and Marcus Harvey’s portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson’s bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of postwar British art and attitudes.

Sanchez argues that the seemingly hopeless cycle of violence experienced by Mexico in the 20th century, as reflected in its "crime genre," reveals a broader intrinsic cultural and political failure that suggests grave implications for the current state of crisis. Tracing the development of a national Mexican identity from the 1910 Mexican Revolution onward, Sanchez focuses on the indelible presence of violence and crime underlying the major works that contributed to a larger communal narrative.

Artful Assassins ultimately offers a panoramic overview of the evolution of Mexican arts and letters, as well as nationalism, by claiming murder and assassination as literary and cinematic motifs. The collapse of post-revolutionary political unity was presaged all along in Mexican culture, Sanchez argues. It need only to have been sought in the art of the nation.

Social media provides ethno-racial immigrant groups—especially those who cannot vote due to factors such as lack of citizenship and limited English proficiency—the ability to mobilize and connect around collective issues. Online spaces and discussion forums have encouraged many Asian Americans to participate in public policy debates and take action on social justice issues. This form of digital group activism serves as an adaptive political empowerment strategy for the fastest-growing and largest foreign-born population in America. Asian American Connective Action in the Age of Social Media illuminates how associating online can facilitate and amplify traditional forms of political action.  

James Lai provides diverse case studies on contentious topics ranging from affirmative action debates to textbook controversies to emphasize the complexities, limitations, and challenges of connective action that is relevant to all racial groups. Using a detailed multi-methods approach that includes national survey data and Twitter hashtag analysis, he shows how traditional immigrants, older participants, and younger generations create online consensus and mobilize offline to foment political change. In doing so, Lai provides a nuanced glimpse into the multiple ways connective action takes shape within the Asian American community.

How the United Nations headquarters became the architectural instrument and broadcast medium of global diplomacy

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior.

Assembly by Design shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances.

Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance.

Tom Juravich combines oral history with social and economic analysis to provide a vivid account of the multiple challenges presented in today's workplaces. 

Based on extensive interviews with workers in four different industries, this book takes us behind the statistics of the economic collapse and into the lives of Americans who are struggling to make ends meet and support their families.

At a Verizon call center in Andover, Massachusetts, customer service reps find themselves overwhelmed by the pace of work and the constant monitoring. They describe a daily routine marked by regimentation, intense pressure to sell, and unrelenting stress. In New Bedford, undocumented Guatemalans in the fish-processing industry are fired if they don't work fast enough, cheated out of wages, and mistreated by supervisors. Juravich describes a brutal immigration raid by U.S. Immigration and Customs Enforcement that divided families and forced workers further underground. 

Juravich then takes us inside the operating rooms at the Boston Medical Center, where hospital consolidation has brought a new “bottom line” philosophy that has fundamentally altered the way patient care is delivered. Surgery takes place almost non-stop, driving some nurses from their chosen profession and leaving those who remain exhausted. 

The final case study looks at the shuttering of the Jones Beloit plant, an internationally known manufacturer of machinery for the paper industry. Despite the best efforts of highly skilled and productive workers to save their plant, it was abruptly closed and they were abandoned after their CEO recklessly became involved in a shaky foreign investment. 

Juravich argues that workers face a series of paradoxes in the contemporary American workplace. They can no longer assume that large established firms create good jobs. The new working conditions often resemble what was traditionally associated with marginal and low-wage employers. He concludes that we must bring a discussion about the quality of jobs back into the public discourse and that a “good jobs” strategy is a fundamental building block to economic recovery. 

Workers' voices are front and center in this highly readable book. It includes striking photographs by Paul Shoul and a CD that presents a series of audio documentaries with excerpts from the interviews, as well as four original songs written and performed by Juravich.

Industrial agriculture has transformed vast stretches of the Earth, but few places reveal its contradictions more clearly than the Pampas of Argentina. 

In At the Edge of the Pampas, anthropologist Rachel Cypher traces the explosive rise of genetically modified soybeans across one of the world’s great agricultural heartlands. Drawing on immersive long-term fieldwork, the book moves from soybean fields and cattle feedlots to dryland forests to show that industrial agriculture takes many forms. Soy—one of the world’s most standardized commodities—must first pass through local ecologies, informal economies, inherited obligations, and intimate relations of trust before it can circulate as a global asset.

Urgent and deeply original, At the Edge of the Pampas offers a major rethinking of how value is gathered within industrial capitalism and how unruly social and ecological life persists inside even the most engineered landscapes.