8642 books match the query '20th Century' and 836 start with a

cover of At the President's Side: The Vice Presidency in the Twentieth Century

At the President's Side

The Vice Presidency in the Twentieth Century

Edited by Timothy Walch

University of Missouri Press, 1997

The nation's first vice president, John Adams, called his job "the most insignificant office ever the invention of man contrived or his imagination conceived." And many of the forty-four men who succeeded him in the office have said much worse. Perhaps the biggest problem is that the job has a fancy title, but few responsibilities. Other than presiding over the Senate, the vice president of the United States has no constitutional duties. In fact, it is not even clear that the founders of the republic ever intended that the vice president would succeed to the presidency upon the death of an incumbent.

Yet, despite the relative obscurity of the position, few politicians turn down the opportunity to serve as vice president of the United States. Being elected vice president is often a stepping-stone to the presidency. Since World War II, five vice presidents—Harry Truman, Richard Nixon, Lyndon Johnson, Gerald Ford, and George Bush—have gone on to become president. While it may not be glamorous, the vice presidency is an important training ground for national leadership.

The essays in this book trace the evolution of the vice presidency in the twentieth century from Theodore Roosevelt to Dan Quayle. The first five chapters tell the stories of a colorful collection of the men chosen because of their native states or their political acumen, but not their leadership abilities. The next four chapters form a mosaic of tragedy. Richard Nixon rose from the vice presidency to the presidency only to be forced from office. Lyndon Johnson's tenure ended unhappily because of the prolonged fighting in Vietnam. Hubert Humphrey was humiliated as vice president by a man who should have known better. And Spiro Agnew was rousted from the office by petty greed.

The following four chapters tell the story of a new vice presidency. Nelson Rockefeller, Walter Mondale, George Bush, and Dan Quayle redefined the job that not many people wanted but that few could refuse. In a particularly valuable essay, Quayle reflects on the checkered past of his predecessors, gives credit to Walter Mondale for rehabilitating the vice presidency, and tells of his working relationship with George Bushþoffering a unique glimpse of an office that is quickly becoming the second most powerful in the nation.

Addressing the future of the office, Richard E. Neustadt provides a detailed analysis of the nucleus of vice presidential powerþproximity to the president. To whit, we have Neustadt's maxim: "The power and influence of a vice president is inversely proportional to the political distance between that vice president and his president. The greater the distance the less the power."

At the President's Side includes anecdotal and informative essays by presidential scholars John Milton Cooper Jr., Robert H. Ferrell, Elliot A. Rosen, Richard S. Kirkendall, Richard Norton Smith, Robert Dallek, Joel K. Goldstein, John Robert Greene, and Steven M. Gillon. Also included are incisive commentaries by such Washington insiders as Hugh Sidey, R. W. Apple Jr., James Cannon, and Chase Untermeyer. This book will inform and entertain general readers and also challenge scholars interested in the presidency and the vice presidency.

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cover of At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz

At the Vanguard of Vinyl

A Cultural History of the Long-Playing Record in Jazz

Darren Mueller

Duke University Press, 2024

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.
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cover of Atavistic Tendencies: The Culture of Science in American Modernity

Atavistic Tendencies

The Culture of Science in American Modernity

Dana Seitler

University of Minnesota Press, 2008

A provocative exploration of the impact of the human sciences on literature, politics, and culture

The post-Darwinian theory of atavism forecasted obstacles to human progress in the reappearance of throwback physical or cultural traits after several generations of absence. In this original and stimulating work, Dana Seitler explores the ways in which modernity itself is an atavism, shaping a historical and theoretical account of its dramatic rise and impact on Western culture and imagination.

Examining late nineteenth- and early twentieth-century science, fiction, and photography, Seitler discovers how modern thought oriented itself around this paradigm of obsolescence and return—one that served to sustain ideologies of gender, sexuality, and race. She argues that atavism was not only a discourse of violence—mapping racial and sexual divisions onto the boundary between human and animal—but was also an illustration of how modern science understood human being as a temporal category. On one hand, atavism positioned some humans as more advanced than others on an evolutionary scale. On the other, it undermined such progressivism by suggesting that because all humans had evolved from animals they were therefore not purely human. Atavism thus reveals how scientific theories of a recurrent past were a significant feature of modernity.At the beginning of the twentieth century, atavistic theory had widespread social and economic effects on the taxonomies of medicine, the logic of the welfare state, conceptions of the modern family, and images of the abnormal. Investigating the cultural logic of science in conjunction with naturalist, feminist, and popular narratives, Seitler exposes the influence of atavism: a fundamental shift in ways of knowing—and telling stories about—the modern human.
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cover of Atlantic Isles: Travel and Identity in the British and Irish West, 1880–1940

Atlantic Isles

Travel and Identity in the British and Irish West, 1880–1940

Gareth Roddy

University of London Press, 2025

From remote islands to sunken lands, Gareth Roddy traces how travel writing and tourism shaped the cultural and political imagination of the British and Irish West between 1880 and 1940.

The west has long gripped the imagination. In Atlantic Isles, Gareth Roddy examines the cultural and political prominence of the "westward gaze," which flourished in late-nineteenth century Britain and Ireland. From Cornish cliffs and Welsh mountains to Hebridean islands and the Connemara highlands, the west was an imagined geography that transcended the national territories of these isles. In the west, geologists uncovered ancient layers of rock, ethnologists described older racial "types," philologists looked for the survival of Celtic languages, and antiquarians and archaeologists marveled at megalithic monuments at the Atlantic coastline.

This book draws on wide-ranging contemporary sources, including works of geology, philology, ethnology, history, geography, archaeology, folklore, literature, sociology, and an extensive collection of travel writing that popularized western landscapes among readers and tourists who explored the increasingly accessible west by road, rail, and steamer. Atlantic Isles reveals that western landscapes were especially powerful spaces of modern enchantment, where stories of sunken lands and mythical islands produced a sense of mystery and wonder in a supposedly disenchanted world. The significance of western landscapes for national identities is well known, but this book demonstrates that the west was also central to debates about Britishness and to the bold attempt to construct a narrative of multinational union that claimed deep historical roots at a time when the subject of Home Rule periodically dominated political debate.
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cover of Atomic Bombshells: How Plastics Shaped Postwar Bodies

Atomic Bombshells

How Plastics Shaped Postwar Bodies

Isabelle Held

Duke University Press, 2026

Bullet bras, bazookas, bombshells, bikinis. In Atomic Bombshells, Isabelle Held challenges the usual narratives of how war technologies enter domestic use by following plastics on their journey into women’s bodies. Held explores the effects of military-industrial science and the emergence of nylon, silicone, and plastic foams on embodied and expressive configurations of gender, sexuality, and race. She focuses on the United States between the late 1930s with the launch of nylon—whose potential was widely celebrated as the world’s first fully synthetic fiber and the ideal replacement for silk stockings—and the late 1970s, when policies began addressing the dangerous health consequences of implantable plastics. Held untangles the complex relationships between chemical companies, the US military, the Federal Drug Administration, plastic surgeons, advertising agencies, the Hollywood star system, go-go dancers, drag queens, and fashion and industrial designers. Using feminist, queer, and trans lenses, she shows that there was never just one bombshell identity. In so doing, Held complicates typical understandings of the shaping and reshaping of gender.
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cover of Atomic Comics: Cartoonists Confront the Nuclear World

Atomic Comics

Cartoonists Confront the Nuclear World

Ferenc Morton Szasz

University of Nevada Press, 2013

The advent of the Atomic Age challenged purveyors of popular culture to explain to the general public the complex scientific and social issues of atomic power. Atomic Comics examines how comic books, comic strips, and other cartoon media represented the Atomic Age from the early 1920s to the present. Through the exploits of superhero figures such as Atomic Man and Spiderman, as well as an array of nuclear adversaries and atomic-themed adventures, the public acquired a new scientific vocabulary and discovered the major controversies surrounding nuclear science. Ferenc Morton Szasz’s thoughtful analysis of the themes, content, and imagery of scores of comics that appeared largely in the United States and Japan offers a fascinating perspective on the way popular culture shaped American comprehension of the fissioned atom for more than three generations.

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cover of Atomic Culture: How We Learned to Stop Worrying and Love the Bomb

Atomic Culture

How We Learned to Stop Worrying and Love the Bomb

Michael A. Amundson

University Press of Colorado, 2004

In Atomic Culture, eight scholars examine the range of cultural expressions of atomic energy from the 1940s to the early twenty-first century, including comic books, nuclear landscapes, mushroom-cloud postcards, the Los Alamos suburbs, uranium-themed board games, future atomic waste facilities, and atomic-themed films such as Dr. Strangelove and The Atomic Kid.

Despite the growing interest in atomic culture and history, the body of relevant scholarship is relatively sparse. Atomic Culture opens new doors into the field by providing a substantive, engaging, and historically based consideration of the topic that will appeal to students and scholars of the Atomic Age as well as general readers.

Contributors include Michael A. Amundson, Mick Broderick, Peter Goin, John Hunner, Ferenc M. Szasz, A. Costandina Titus, Peter C. van Wyck, and Scott C. Zeman.

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cover of Atomic Environments: Nuclear Technologies, the Natural World, and Policymaking, 1945–1960

Atomic Environments

Nuclear Technologies, the Natural World, and Policymaking, 1945–1960

Neil S. Oatsvall

University of Alabama Press, 2023

Demonstrates how policymakers influenced environmental science during the early nuclear age

In Atomic Environments: Nuclear Technologies, the Natural World, and Policymaking, 1945–1960, Neil S. Oatsvall examines how top officials in the Truman and Eisenhower administrations used environmental science to develop nuclear strategy at the beginning of the Cold War. While many people were involved in research and analysis during the period in question, it was at highest levels of executive decision-making where environmental science and nuclear science most clearly combined to shape the nation’s policies.

Oatsvall clearly demonstrates how the natural world and the scientific disciplines that study it became integral parts of nuclear science rather than adversarial fields of knowledge. But while nuclear technologies heavily depended on environmental science to develop, those same technologies frequently caused great harm to the natural world. Moreover, while some individuals expressed real anxieties about the damage wrought by nuclear technologies, policymakers as a class consistently made choices that privileged nuclear boosterism and secrecy, prioritizing institutional values over the lives and living systems that they were ostensibly charged to protect.

By scrutinizing institutional policymaking practices and agendas at the birth of the nuclear age, a constant set of values becomes clear. Oatsvall reveals an emerging technocratic class that routinely valued knowledge about the environment to help create and maintain a nuclear arsenal, despite its existential threat to life on earth and the negative effects many nuclear technologies had on ecosystems and the American people alike. Although policymakers took their charge to protect and advance the welfare of the United States and its people seriously, Atomic Environments demonstrates how they often failed to do so because their allegiance to the US nuclear hierarchy blinded them to the real risks and dangers of the nuclear age.
 

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cover of Atrocities of the Mind: Essays on Violence and Politics in the American Century

Atrocities of the Mind

Essays on Violence and Politics in the American Century

Dwight Macdonald

University of Chicago Press, 2026

An essential collection of Dwight Macdonald’s prophetic essays on politics, art, and violence in twentieth-century America.

What does extreme violence do to human values? Does the concept of collective guilt make sense in assessing responsibility for genocide? Has modern mechanized society forever destroyed the possibility of peaceful resistance through art and civil disobedience? Atrocities of the Mind presents anew Dwight Macdonald, one of America’s foremost literary journalists and political activists, grappling with the hard questions of his time—and ours.  
 
In this collection, Macdonald writes about major events—the Holocaust, the atomic bombing of Hiroshima, Gandhi’s assassination, the Vietnam War, and social phenomena such as mass shootings, campus protests, and police brutality—with clear-sighted and buoyant prose. He writes incisively about the cinema of Alfred Hitchcock and Roman Polanski, praises Dorothy Day’s pacifism, and reports circulating an antiwar petition in the White House Rose Garden. And not without effect: his essay “Our Invisible Poor” is said to have spurred the Johnson administration’s War on Poverty. 
 
Norman Mailer memorably called Macdonald “a man with whom one might seldom agree but could never disrespect because he always told the truth as he saw the truth—a man therefore of the most incorruptible integrity.” In our America, reeling from political violence, Macdonald’s truth-telling reminds us how we got here and who we might still become.

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cover of Attorney for the Damned: Clarence Darrow in the Courtroom

Attorney for the Damned

Clarence Darrow in the Courtroom

Clarence Darrow

University of Chicago Press, 2012

A famous defender of the underdog, the oppressed, and the powerless, Clarence Darrow (1857–1938) is one of the true legends of the American legal system. His cases were many and various, but all were marked by his unequivocal sense of justice, as well as his penchant for representing infamous and unpopular clients, such as the Chicago thrill killers Leopold and Loeb; Ossian Sweet, the African American doctor charged with murder after fighting off a violent, white mob in Detroit; and John T. Scopes, the teacher on trial in the famous Scopes Monkey Trial.
Published for the first time in 1957, Attorney for the Damned collects Darrow’s most influential summations and supplements them with scene-setting explanations and comprehensive notes by Arthur Weinberg. Darrow confronts issues that remain relevant over half a century after his death: First Amendment rights, capital punishment, and the separation of church and state. With an insightful forward by Justice William O. Douglas, this volume serves as a powerful reminder of Darrow’s relevance today.

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cover of Au Te Waate / We Remember It: Hiaki Survival Through a Bitter War

Au Te Waate / We Remember It

Hiaki Survival Through a Bitter War

Maria Fernanda Leyva; Edited by Heidi Harley

University of Arizona Press, 2025

This compelling work delves into the personal narratives of Hiaki (Yaqui) individuals who endured the tumultuous period from 1900 to 1930, when they faced systematic attacks, conscription, deportation, and enslavement under Mexican government policies. Presented in both the original Hiaki language and English translation, these accounts offer an unparalleled glimpse into the lives of those who resisted and survived the era’s harsh realities. The narratives describe military engagements, the struggles of refugee life, forced labor, and the resilience of families under extreme duress. This work provides a unique and unvarnished account of the impacts of Mexican colonialism and aggression on individuals and families, completely from the Hiaki perspective.

Au Te Waate / We Remember It is not just a historical account but a linguistic treasure, preserving the naturally produced speech of five Hiaki speakers from a previous era. Transcriptions of interviews recorded by author Maria Fernanda Leyva with family members and friends provide invaluable insights into the Hiaki language. The interviews document and preserve the narrative styles, vocabulary, and grammatical constructions of the time.

This work also serves as a crucial resource for scholars of linguistics and history alike, capturing dialect variation and illustrating the linguistic evolution of the Hiaki community. Additionally, for Hiaki people studying their own language, this book stands as a rich repository of cultural and linguistic heritage, meticulously maintained through side-by-side translations and contextual historical introductions.

The narratives in this book are anchored by the experiences of five Hiaki speakers, whose stories of displacement, survival, and resistance provide a deeply personal perspective on the broader historical events of the Porfirio Díaz dictatorship and the early years of the Mexican Revolution. Au Te Waate / We Remember It stands as an important record, preserving these critical voices for future generations and offering profound insights into the resilience of the Hiaki people.


 
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cover of Audre Lorde’s Transnational Legacies

Audre Lorde’s Transnational Legacies

Stella Bolaki

University of Massachusetts Press, 2015

Among the most influential and insightful thinkers of her generation, Audre Lorde (1934–1992) inspired readers and activists through her poetry, autobiography, essays, and her political action. Most scholars have situated her work within the context of the women's, gay and lesbian, and black civil rights movements within the United States. However, Lorde forged coalitions with women in Europe, the Caribbean, Canada, Australia, New Zealand, and Africa, and twenty years after her passing, these alliances remain largely undocumented and unexplored.

Audre Lorde's Transnational Legacies is the first book to systematically document and thoroughly investigate Lorde's influence beyond the United States. Arranged in three thematically interrelated sections—Archives, Connections, and Work—the volume brings together scholarly essays, interviews, Lorde's unpublished speech about Europe, and personal reflections and testimonials from key figures throughout the world. Using a range of interdisciplinary approaches, contributors assess the reception, translation, and circulation of Lorde's writing and activism within different communities, audiences, and circles. They also shed new light on the work Lorde inspired across disciplinary borders.

In addition the volume editors, contributors include Sarah Cefai, Cassandra Ellerbe-Dueck, Paul M. Farber, Tiffany N. Florvil, Katharina Gerund, Alexis Pauline Gumbs, Gloria Joseph, Jackie Kay, Marion Kraft, Christiana Lambrinidis, Zeedah Meierhofer-Mangeli, Rina Nissim, Chantal Oakes, Lester C. Olson, Pratibha Parmar, Peggy Piesche, Dagmar Schultz, Tamara Lea Spira, and Gloria Wekker.
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cover of Aunt Sammy's Radio Recipes: The Original 1927 Cookbook and Housekeeper's Chat

Aunt Sammy's Radio Recipes

The Original 1927 Cookbook and Housekeeper's Chat

Justin Nordstrom

University of Arkansas Press, 2018

From the 1920s through the 1940s, American kitchens had a welcome guest in “Aunt Sammy,” a creation of the US Department of Agriculture and its Bureau of Home Economics. Through the radio program Housekeeper’s Chat, Aunt Sammy gave lively advice on food preparation, household chores, parenting and children, and gender dynamics as she encouraged women to embrace the radio and a host of modern consumer household products. The recipes she shared were gathered, in 1927, into a cookbook that became a valuable household manual for tens of thousands of Americans.

Aunt Sammy’s Radio Recipes revives the famous cookbook and joins it with extensive excerpts from the accompanying radio broadcasts, providing a fascinating study of how a witty and charming fictionalized personae became one of the early celebrity chefs of the radio age.

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cover of Auschwitz, Poland, and the Politics of Commemoration, 1945–1979

Auschwitz, Poland, and the Politics of Commemoration, 1945–1979

Jonathan Huener

Ohio University Press, 2003

Few places in the world carry as heavy a burden of history as Auschwitz. Recognized and remembered as the most prominent site of Nazi crimes, Auschwitz has had tremendous symbolic weight in the postwar world.

Auschwitz, Poland, and the Politics of Commemoration is a history of the Auschwitz memorial site in the years of the Polish People’s Republic. Since 1945, Auschwitz has functioned as a memorial and museum. Its monuments, exhibitions, and public spaces have attracted politicians, pilgrims, and countless participants in public demonstrations and commemorative events.

Jonathan Huener’s study begins with the liberation of the camp and traces the history of the State Museum at Auschwitz from its origins immediately after the war until the 1980s, analyzing the landscape, exhibitions, and public events at the site.

Based on extensive research and illustrated with archival photographs, Auschwitz, Poland, and the Politics of Commemoration accounts for the development and durability of a Polish commemorative idiom at Auschwitz. Emphasis on Polish national “martyrdom” at Auschwitz, neglect of the Shoah as the most prominent element of the camp’s history, political instrumentalization of the grounds and exhibitions—these were some of the more controversial aspects of the camp’s postwar landscape.

Professor Huener locates these and other public manifestations of memory at Auschwitz in the broad scope of Polish history, in the specific context of postwar Polish politics and culture, and against the background of Polish-Jewish relations. Auschwitz, Poland, and the Politics of Commemoration will be of interest to scholars, students, and general readers of the history of modern Poland and the Holocaust.

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cover of Austerities and Aspirations: A Comparative History of Growth, Consumption, and Quality of Life in East Central Europe since 1945

Austerities and Aspirations

A Comparative History of Growth, Consumption, and Quality of Life in East Central Europe since 1945

Béla Tomka

Central European University Press, 2020

This monograph provides an analysis of the economic performance and living standard in Czechoslovakia and its successor states, Hungary, and Poland since 1945. The novelty of the book lies in its broad comparative perspective: it places East Central Europe in a wider European framework that underlines the themes of regional disparities and European commonalities. Going beyond the traditional growth paradigm, the author systematically studies the historical patterns of consumption, leisure, and quality of life—aspects that Tomka argues can best be considered in relation to one other. By adopting this “triple approach,” he undertakes a truly interdisciplinary research drawing from history, economics, sociology, and demography.

As a result of Tomka’s three-pillar comparative analysis, the book makes a major contribution to the debates on the dynamics of economic growth in communist and postcommunist East Central Europe, on the socialist consumer culture along with its transformation after 1990, and on how the accounts on East Central Europe can be integrated into the emerging field of historical quality of life research.

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cover of Austin, Cleared for Takeoff: Aviators, Businessmen, and the Growth of an American City

Austin, Cleared for Takeoff

Aviators, Businessmen, and the Growth of an American City

By Kenneth B. Ragsdale

University of Texas Press, 2004

Austin, Texas, entered the aviation age on October 29, 1911, when Calbraith Perry Rodgers landed his Wright EX Flyer in a vacant field near the present-day intersection of Duval and 45th Streets. Some 3,000 excited people rushed out to see the pilot and his plane, much like the hundreds of thousands who mobbed Charles A. Lindbergh and The Spirit of St. Louis in Paris sixteen years later. Though no one that day in Austin could foresee all the changes that would result from manned flight, people here—as in cities and towns across the United States—realized that a new era was opening, and they greeted it with all-out enthusiasm.

This popularly written history tells the story of aviation in Austin from 1911 to the opening of Austin-Bergstrom International Airport in 1999. Kenneth Ragsdale covers all the significant developments, beginning with military aviation activities during World War I and continuing through the barnstorming era of the 1920s, the inauguration of airmail service in 1928 and airline service in 1929, and the dedication of the first municipal airport in 1930. He also looks at the University of Texas's role in training pilots during World War II, the growth of commercial and military aviation in the postwar period, and the struggle over airport expansion that occupied the last decades of the twentieth century. Throughout, he shows how aviation and the city grew together and supported each other, which makes the Austin aviation experience a case study of the impact of aviation on urban communities nationwide.

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cover of Australia, New Zealand, and the Pacific Islands since the First World War

Australia, New Zealand, and the Pacific Islands since the First World War

Edited by William S. Livingston and Wm. Roger Louis

University of Texas Press, 1979

Three forces—dwindling British power, rising American influence, and nationalism in a variety of forms—have transformed Australia, New Zealand, and the adjacent islands since 1919. In this volume, some of the most distinguished scholars of the Pacific region assess these significant historical changes.

These essays deal with international relations, politics, changing social structures, and literature since World War I. The themes of the volume as a whole are social and humanistic; they concern the evolution of both a regional identity and separate national identities in the Southwest Pacific. The unique areal and thematic concentration of this book makes it essential reading for all those interested in the history, politics, and culture of the Pacific.

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cover of Australian Voices: Writers and Their Work

Australian Voices

Writers and Their Work

By Ray Willbanks

University of Texas Press, 1991

Contemporary Australian fiction is attracting a world audience, particularly in the United States, where a growing readership eagerly awaits new works. In Australian Voices, Ray Willbanks goes beyond the books to their authors, using sixteen interviews to reveal the state of fiction writing in Australia—what nags from the past, what engages the imagination for the future.

Willbanks engages the writers in lively discussions of their own work, as well as topics of collective interest such as the past, including convict times; the nature of the land; the treatment of Aborigines; national identity and national flaws; Australian-British antipathy; sexuality and feminism; drama and film; writing, publishing, and criticism in Australia; and the continuous and pervasive influence of the United States on Australia.

The interviews in Australian Voices are gossipy, often funny, and always informative, as Willbanks builds a structured conversation that reveals biography, personality, and significant insight into the works of each writer. They will be important for both scholars and the reading public.

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cover of Authentic Blackness: The Folk in the New Negro Renaissance

Authentic Blackness

The Folk in the New Negro Renaissance

J. Martin Favor

Duke University Press, 1999

What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.


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cover of Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre

Authorizing Superhero Comics

On the Evolution of a Popular Serial Genre

Daniel Stein

The Ohio State University Press, 2021

Authorizing Superhero Comics examines the comic book superhero as a lasting phenomenon of US popular serial storytelling. Moving beyond linear- or creator-centered models of genre development, Daniel Stein identifies authorization conflicts that have driven the genre’s evolution from the late 1930s to the present. These conflicts include paratextually mediated exchanges between officially authorized comic book producers and, alternatively, authorized fans that trouble the distinction between production and its reception; storyworld-building processes that subsume producers and fans into a collective rooted in a common style; parodies that ensure the genre’s longevity by deflating criticism through self-reflexive humor; and collecting and archiving as forms of memory management that align the genre’s past with the demands of the present. Taking seriously the serial agencies of the superhero comic book as a material artifact with a particular mediality, the study analyzes letter columns, editorial commentary, fanzines, encyclopedias, and other forms of comic book communication as critical frameworks for understanding the evolution of the genre—assessing rarely covered archival sources alongside some of the most treasured figures from the superhero’s multi-decade history, from Batman and Spider-Man to Wonder Woman and Captain America.
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cover of Autobiography and Decolonization: Modernity, Masculinity, and the Nation-State

Autobiography and Decolonization

Modernity, Masculinity, and the Nation-State

Philip Holden

University of Wisconsin Press, 2008

Philip Holden reveals deeply gendered connections between the writing of individual lives and of the narratives of nations emerging from colonialism. Autobiography and Decolonization is the first book to give serious academic attention to autobiographies of nationalist leaders in the process of decolonization, attending to them not simply as partial historical documents, but as texts involved in remaking the world views of their readers.
            Holden examines Mohandas K. Gandhi’s An Autobiography: The Story of My Experiments with Truth, Marcus Garvey’s fragmentary Autobiography,Joseph Ephraim Casely Hayford’s Ethiopia Unbound, Lee Kuan Yew’s The Singapore Story, Nelson Mandela’s Long Walk to Freedom, Jawaharlal Nehru’s An Autobiography, and Kwame Nkrumah’s Ghana:The Autobiography of Kwame Nkrumah.
            Holden argues that these examples of life writing have had significant influence on the formation of new, and often profoundly gendered, national identities. These narratives constitute the nation less as an imagined community than as an imagined individual. Moving from the past to the promise of the future, they mediate relationships between public and private, and between individual and collective stories. Ultimately, they show how the construction of modern selfhood is inextricably linked to the construction of a postcolonial polity.
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cover of Autobiography and Postmodernism

Autobiography and Postmodernism

Kathleen Ashley

University of Massachusetts Press, 1994

Exploring the connections between autobiography and postmodernism, this book addresses self-representation in a variety of literature—Native American, British, Chicana, immigrant, and lesbian, among others—in genres as diverse as poetry, naming, and confession, photography, and the manifesto. The essays examine how different writers respond to the culturally specific pressures of genre, how these constraints are negotiated, and what self-representation reveals about the politics of identity.

In contrast to those critics of postmodernism who fear the dissolution of the active subject, the contributors here demonstrate that autobiography gives postmodernism a discourse through which to theorize human agency. The autobiographical subject that emerges is not the decentered human agent of so many versions of postmodernism but the producer of texts that call attention to the contradictions in dominant modes of self-representation and demonstrate the possibilities of writing from from other locations.

Contributors are Betty Bergland, Andrei Codrescu, Michael M. J. Fischer, Leigh Gilmore, David P. Haney, Paul Jay, Shirley Neuman, Christopher Ortiz, Sidonie Smith, Kirsten Wasson, and Hertha D. Wong.
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cover of Autobiography of My Hungers

Autobiography of My Hungers

Rigoberto González

University of Wisconsin Press, 2019

Rigoberto González, author of the critically acclaimed memoir Butterfly Boy: Memories of a Chicano Mariposa, takes a second piercing look at his past through a startling new lens: hunger.
            The need for sustenance originating in childhood poverty, the adolescent emotional need for solace and comfort, the adult desire for a larger world, another lover, a different body—all are explored by González in a series of heartbreaking and poetic vignettes.
            Each vignette is a defining moment of self-awareness, every moment an important step in a lifelong journey toward clarity, knowledge, and the nourishment that comes in various forms—even "the smallest biggest joys" help piece together a complex portrait of a gay man of color who at last defines himself by what he learns, not by what he yearns for.

Bill Whitehead Award for Lifetime Literary Achievement, Publishing Triangle

“Told in a series of revealing vignettes and poems, González’s Autobiography of my Hungers turns moments of need and want into revelations of truth and self-awareness, creating the portrait of an artist that is complex if not entirely complete.”—El Paso Times

“Through his provocative vignettes, González communicates a lifetime of struggle for affirmation and self-acceptance.”—Make/Shift 
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cover of Autobiography of an Androgyne

Autobiography of an Androgyne

Ralph Werther and Edited by Scott Herring

Rutgers University Press, 2008

First printed in 1918, Ralph Werther's Autobiography of an Androgyne charts his emerging self-understanding as a member of the "third sex" and documents his explorations of queer underworlds in turn-of-the-century New York City. Werther presents a sensational life narrative that begins with a privileged upper-class birth and a youthful realization of his difference from other boys. He concludes with a decision to undergo castration. Along the way, he recounts intimate stories of adolescent sexual encounters with adult men and women, escapades as a reckless "fairie" who trolled Brooklyn and the Bowery in search of working-class Irish and Italian immigrants, and an immersion into the subculture of male "inverts." This new edition also includes a critical introduction by Scott Herring that situates the text within the scientific, historical, literary, and social contexts of urban American life in the late-nineteenth and early-twentieth centuries. Tracing how this pioneering autobiography engages with conversations on immigration, gender, economics, metropolitan working-class culture, and the invention of homosexuality across class lines, this edition is ideal for courses on topics ranging from Victorian literature to modern American sexuality.
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cover of Automatic Architecture: Motivating Form after Modernism

Automatic Architecture

Motivating Form after Modernism

Sean Keller

University of Chicago Press, 2017

In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. Though various new approaches gained favor, they had one thing in common: they advocated moving away from the traditional reliance on an individual architect’s knowledge and instincts and toward the use of external tools and processes that were considered objective, logical, or natural. Automatic architecture was born.
 
The quixotic attempts to formulate such design processes extended modernist principles  and tried to draw architecture closer to mathematics and the sciences. By focusing on design methods, and by examining evidence at a range of scales—from institutions to individual buildings—Automatic Architecture offers an alternative to narratives of this period that have presented postmodernism as a question of style, as the methods and techniques traced here have been more deeply consequential than the many stylistic shifts of the past half century. Sean Keller closes the book with an analysis of the contemporary condition, suggesting future paths for architectural practice that work through, but also beyond, the merely automatic.
 
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cover of Autophobia: Love and Hate in the Automotive Age

Autophobia

Love and Hate in the Automotive Age

Brian Ladd

University of Chicago Press, 2008

Cars are the scourge of civilization, responsible for everything from suburban sprawl and urban decay to environmental devastation and rampant climate change—not to mention our slavish dependence on foreign oil from dubious sources abroad. Add the astonishing price in human lives that we pay for our automobility—some thirty million people were killed in car accidents during the twentieth century—plus the countless number of hours we waste in gridlock traffic commuting to work, running errands, picking up our kids, and searching for parking, and one can’t help but ask: Haven’t we had enough already? After a century behind the wheel, could we be reaching the end of the automotive age?
 
From the Model T to the SUV, Autophobia reveals that our vexed relationship with the automobile is nothing new—in fact, debates over whether cars are forces of good or evil in our world have raged for over a century now, ever since the automobile was invented. According to Brian Ladd, this love and hate relationship we share with our cars is the defining quality of the automotive age. And everyone has an opinion about them, from the industry shills, oil barons, and radical libertarians who offer cars blithe paeans and deny their ill effects, to the technophobes, treehuggers, and killjoys who curse cars, ignoring the very real freedoms and benefits they provide us. Focusing in particular on our world’s cities, and spanning settings as varied as belle epoque Paris, Nazi Germany, postwar London, Los Angeles, New York, and the smoggy Shanghai of today, Ladd explores this love and hate relationship throughout, acknowledging adherents and detractors of the automobile alike.
 
Eisenhower, Hitler, Jan and Dean, J. G. Ballard, Ralph Nader, OPEC, and, of course, cars, all come into play in this wide-ranging but remarkably wry and pithy book. A dazzling display of erudition, Autophobia is cultural commentary at its most compelling, history at its most searching—and a surprising page-turner.
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cover of Ava Helen Pauling: Partner, Activist, Visionary

Ava Helen Pauling

Partner, Activist, Visionary

Mina Carson

Oregon State University Press, 2013

The story of Ava Helen Pauling—her rich career as an activist first for civil rights and liberties, then against nuclear testing, and finally for peace, feminism, and environmental stewardship—is best told in the context of her enduring partnership with her famous husband, Linus Pauling. In this long-awaited first biography of Ava Helen Pauling, Mina Carson reveals the complex and fascinating history behind one of the great love stories of the twentieth century.

Though she began her public career in the shadow of her spouse, Ava Helen soon found herself tugged between her ardor to support Linus in his career and her desire that he embrace the social and political causes she felt passionate about. She believed it was her destiny to accept duties as a mother and homemaker, but neither of those roles was fully satisfying. Her more complete identity emerged over decades, as she evolved as an influential activist.

Ava Helen Pauling’s story is significant because so many aspects of it were shared with countless American women of her generation and the generations surrounding her. They had new educational opportunities but were expected to conform to the same limited social roles dictated by the gender ideology of the nineteenth century. When second wave feminism erupted in the 1960s, its force did not come solely from the young women rebelling against their elders’ rules and limitations, but also from the frustrated dreams of those elders themselves.

Ava Helen did not experience overt oppression by her husband or community; she even asserted some very non-feminist positions as a young woman. This, combined with a structural lack of opportunity, contributed to the strength and persistence of role expectations in her life. At the same time, she was feisty and willful. Her personality both created her marital loyalty and eventually took her down an openly feminist path.

Ava Helen Pauling: Partner, Activist, Visionary is an important complement to writings about Linus Pauling and a welcome addition to the literature on women’s and family history. It will also appeal to students and scholars of peace and reform movements and the social history of science.
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cover of Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909–1939

Avant-Garde Fascism

The Mobilization of Myth, Art, and Culture in France, 1909–1939

Mark Antliff

Duke University Press, 2007

Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the “New Vision” photographer Germaine Krull, and the fauve Maurice Vlaminck.

Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l’Ordre (“Return to Order”), and, in one instance, even defined the “dynamism” of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein’s theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist “new man.”

In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel’s theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé.

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cover of Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement

Avant-Garde Performance and the Limits of Criticism

Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement

Mike Sell

University of Michigan Press, 2005

Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. It develops three case studies: the Living Theatre's influential production of Jack Gelber's The Connection, which subverted the historical and political assumptions of the War on Drugs, utilized cutting-edge jazz both formally and thematically, and inspired a generation of artists and activists to rethink the nature of community and communication; the earliest American performance art, namely the Happenings and Fluxus events, which responded in astounding ways to the avaricious movements of Cold War capitalism; and the Black Arts Movement, which brought about practical and theoretical innovations that effectively evade the conceptual categories of Euro-American philosophy and historiography.

Mike Sell's study is groundbreaking in its consideration of the avant-garde in relationship to a crucial but rarely considered agent: the scholar and critic. The book examines the role of the scholar and critic in the cultural struggles of radical artists and activists and reveals how avant-garde performance identifies the very limits of critical consideration. The book also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and eventually finds its way onto the syllabi of college and university courses. Avant-Garde Performance and the Limits of Criticism is a timely and significant book that will become a standard reference for scholars in the fields of avant-garde literary criticism, theater history, critical theory, and performance studies.

"A provocative exploration of relations between the historical avant-garde and Cold War vanguard art and theatre. Sell's compelling historical and cultural narrative shows how the connections between the two exist at a very deep level of radical politics and aesthetics--an amazing concoction of rigorous scholarship, interdisciplinary learning, and progressive theorizing."
--Michael Vanden Heuvel, University of Wisconsin, Madison

"One of the most sophisticated, engaged, and engaging studies of the avant-garde in the United States that I've read-an important study that will raise the bar not only on scholarship of the Black Arts Movement, but on U.S. avant-gardism generally."
--James Smethurst, University of Massachusetts

A volume in the series Theater: Theory/Text/Performance. A list of recent titles in the series appears at the front of this volume.

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cover of Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties

Avant-Garde, Internationalism, and Politics

Argentine Art in the Sixties

Andrea Giunta

Duke University Press, 2007

The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts.

The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.

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cover of Avenues of Faith: Shaping the Urban Religious Culture of Richmond, Virginia, 1900–1929

Avenues of Faith

Shaping the Urban Religious Culture of Richmond, Virginia, 1900–1929

Samuel C. Shepherd Jr

University of Alabama Press, 2001

Avenues of Faith documents how religion flourished in southern cities after the turn of the century and how a cadre of clergy and laity created a notably progressive religious culture in Richmond, Virginia. Famous as the former capital of the Confederacy, in Avenues of Faith Richmond emerges as a dynamic and growing industrial city invigorated by the social activism of its Protestants.
 
By examining six mainline white denominations—Episcopalians, Methodists, Presbyterians, Baptists, Disciples of Christ, and Lutherans—Samuel C. Shepherd Jr. emphasizes the extent to which the city fostered religious diversity, even as “blind spots” remained regarding Catholics, African Americans, Mormons, and Jews. Shepherd explores such topics as evangelism, interdenominational cooperation, the temperance campaign, the Sunday school movement, the international peace initiatives, and the expanding role of lay people of both sexes. He also notes the community’s widespread rejection of fundamentalism, a religious phenomenon almost automatically associated with the South, and shows how it nurtured social reform to combat a host of urban problems associated with public health, education, housing, women’s suffrage, prohibition, children, and prisons.
 
In lucid prose and with excellent use of primary sources, Shepherd delivers a fresh portrait of Richmond Protestants who embraced change and transformed their community, making it an active, progressive religious center of the New South.
 
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cover of Avery Hopwood: His Life and Plays

Avery Hopwood

His Life and Plays

Jack F. Sharrar

University of Michigan Press, 1998

In 1920 Avery Hopwood was America's most successful playwright, achieving the distinction of having four concurrent hits on the Broadway stage.
Jack F. Sharrar's critical biography makes use of a rich array of primary sources--including Hopwood's unpublished novel and his letters to such friends as Gertrude Stein, Carl Van Vechten, and Mary Roberts Rinehart--to chronicle Hopwood's life and career. The book provides fresh insights on the playwright, his plays and the personalities who produced and performed in them, by surveying the commercial theater of the period. Until recently out of print, the new edition includes a foreword by Nicholas Delbanco, director of the University of Michigan's Hopwood Awards in Creative Writing Program; an afterword by Sharrar that sheds new light on the passionate, tumultuous relationship between Hopwood and John Floyd; and many rare illustrations from American theater history.
"The definitive biography of this fascinating, somewhat tragic man, who so often made theatergoers forget their woes but who sometimes couldn't forget his own . . . . [A] wonderful book, as deep as it is entertaining." --TheaterWeek
Jack F. Sharrar, Ph.D., is Director of Academic Affiars, American Conservatory Theater. Nicholas Delbanco is Professor of English and Director of the University of Michigan's Hopwood Awards Program. His most recent novel is Old Scores (Warner Books, 1997).
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cover of Awakening to Equality: A Young White Pastor at the Dawn of Civil Rights

Awakening to Equality

A Young White Pastor at the Dawn of Civil Rights

Karl E. Lutze

University of Missouri Press, 2006

When Karl Lutze arrived in Oklahoma in 1945, he stepped into another world. A newly ordained clergyman born in Wisconsin, he was a young white man assigned to minister among Muskogee’s African American community. He soon found that in the South, crosses were as likely to be burned as revered. His recollections of postwar Oklahoma provide a compelling testament to the era’s racial conflict and some steps taken toward its resolution.
Awakening to Equality offers a unique perspective on an often-violent era that witnessed the gradual dismantling of segregation. Serving congregations in Muskogee and Tulsa, Lutze encountered a cross section of both communities—from the white and black power brokers to the most disempowered black and biracial families—and a stratified society buttressed by intimidation, cross burnings, and bombs. His activism in the Urban League and other local civil rights organizations gave him firsthand experience with forces moving toward change, as well as with the more entrenched forces resisting it.
Blending personal anecdotes and recollections of key players in this unfolding drama, Lutze puts a human face on historical and journalistic accounts of social change during the crucial early years of the civil rights movement. He takes readers back to small-town and urban Oklahoma in a time when African Americans were beginning to challenge segregation in Muskogee’s public transportation and a handful of liberal whites were trying to move their communities toward desegregation. Throughout this rich memoir, we meet actual people creating a future—one that involved the very redefinition of America.
More than a view of an earnest young clergyman trying to grow beyond the racial and social limitations of the church of his day, Awakening to Equality also depicts the struggles of Lutze’s own denomination to overcome its earlier accommodation of racism. Lutze’s success in his ministries made his achievements a model for mission work among African Americans and led to his appointment in 1959 first as field secretary and then shortly thereafter as executive director of the Lutheran Human Relations Association, a pioneering civil rights organization. Simultaneously, he taught classes as Associate Professor of Theology at Valparaiso University.
Lutze not only witnessed important events but also participated in them and found that his entire career was shaped by the experience. Awakening to Equality is a moving story that captures the real-life education of a prominent clergyman during a critical period in American life.
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cover of Axiomatics: Mathematical Thought and High Modernism

Axiomatics

Mathematical Thought and High Modernism

Alma Steingart

University of Chicago Press, 2023

The first history of postwar mathematics, offering a new interpretation of the rise of abstraction and axiomatics in the twentieth century.

Why did abstraction dominate American art, social science, and natural science in the mid-twentieth century? Why, despite opposition, did abstraction and theoretical knowledge flourish across a diverse set of intellectual pursuits during the Cold War? In recovering the centrality of abstraction across a range of modernist projects in the United States, Alma Steingart brings mathematics back into the conversation about midcentury American intellectual thought. The expansion of mathematics in the aftermath of World War II, she demonstrates, was characterized by two opposing tendencies: research in pure mathematics became increasingly abstract and rarified, while research in applied mathematics and mathematical applications grew in prominence as new fields like operations research and game theory brought mathematical knowledge to bear on more domains of knowledge. Both were predicated on the same abstractionist conception of mathematics and were rooted in the same approach: modern axiomatics. 

For American mathematicians, the humanities and the sciences did not compete with one another, but instead were two complementary sides of the same epistemological commitment. Steingart further reveals how this mathematical epistemology influenced the sciences and humanities, particularly the postwar social sciences. As mathematics changed, so did the meaning of mathematization. 

Axiomatics focuses on American mathematicians during a transformative time, following a series of controversies among mathematicians about the nature of mathematics as a field of study and as a body of knowledge. The ensuing debates offer a window onto the postwar development of mathematics band Cold War epistemology writ large. As Steingart’s history ably demonstrates, mathematics is the social activity in which styles of truth—here, abstraction—become synonymous with ways of knowing. 
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cover of Aztlán Arizona: Mexican American Educational Empowerment, 1968–1978

Aztlán Arizona

Mexican American Educational Empowerment, 1968–1978

Darius V. Echeverría

University of Arizona Press, 2014

Aztlán Arizona is a history of the Chicano Movement in Arizona in the 1960s and 1970s. Focusing on community and student activism in Phoenix and Tucson, Darius V. Echeverría ties the Arizona events to the larger Chicano and civil rights movements against the backdrop of broad societal shifts that occurred throughout the country. Arizona’s unique role in the movement came from its (public) schools, which were the primary source of Chicano activism against the inequities in the judicial, social, economic, medical, political, and educational arenas.

The word Aztlán, originally meaning the legendary ancestral home of the Nahua peoples of Mesoamerica, was adopted as a symbol of independence by Chicano/a activists during the movement of the 1960s and 1970s.  In an era when poverty, prejudice, and considerable oppositional forces blighted the lives of roughly one-fifth of Arizonans, the author argues that understanding those societal realities is essential to defining the rise and power of the Chicano Movement.

The book illustrates how Mexican American communities fostered a togetherness that ultimately modified larger Arizona society by revamping the educational history of the region. The concluding chapter outlines key Mexican American individuals and organizations that became politically active in order to address Chicano educational concerns. This Chicano unity, reflected in student, parent, and community leadership organizations, helped break barriers, dispel the Mexican American inferiority concept, and create educational change that benefited all Arizonans.

No other scholar has examined the emergence of Chicano Movement politics and its related school reform efforts in Arizona. Echeverría’s thorough research, rich in scope and interpretation, is coupled with detailed and exact endnotes. The book helps readers understand the issues surrounding the Chicano Movement educational reform and ethnic identity. Equally important, the author shows how residual effects of these dynamics are still pertinent today in places such as Tucson.
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cover of an other: a black feminist consideration of animal life

an other

a black feminist consideration of animal life

Sharon Patricia Holland

Duke University Press, 2023

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.
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