8642 books match the query '20th Century' and 836 start with a

cover of A Contagious Cause: The American Hunt for Cancer Viruses and the Rise of Molecular Medicine

A Contagious Cause

The American Hunt for Cancer Viruses and the Rise of Molecular Medicine

Robin Wolfe Scheffler

University of Chicago Press, 2019

Is cancer a contagious disease? In the late nineteenth century this idea, and attending efforts to identify a cancer “germ,” inspired fear and ignited controversy. Yet speculation that cancer might be contagious also contained a kernel of hope that the strategies used against infectious diseases, especially vaccination, might be able to subdue this dread disease. Today, nearly one in six cancers are thought to have an infectious cause, but the path to that understanding was twisting and turbulent.
​
A Contagious Cause is the first book to trace the century-long hunt for a human cancer virus in America, an effort whose scale exceeded that of the Human Genome Project. The government’s campaign merged the worlds of molecular biology, public health, and military planning in the name of translating laboratory discoveries into useful medical therapies. However, its expansion into biomedical research sparked fierce conflict. Many biologists dismissed the suggestion that research should be planned and the idea of curing cancer by a vaccine or any other means as unrealistic, if not dangerous. Although the American hunt was ultimately fruitless, this effort nonetheless profoundly shaped our understanding of life at its most fundamental levels. A Contagious Cause links laboratory and legislature as has rarely been done before, creating a new chapter in the histories of science and American politics.
[more]
cover of A Contemporary Archaeology of London's Mega Events: From the Great Exhibition to London 2012

A Contemporary Archaeology of London's Mega Events

From the Great Exhibition to London 2012

Jonathan Gardner

University College London, 2022

The contemporary archaeology of urban mega-events.

This book explores the traces of London’s most significant modern “mega events”: the Great Exhibition of 1851, the 1951 Festival of Britain’s South Bank Exhibition, and the 2012 Olympic and Paralympic Games. Though only open for a few weeks or months, mega events permanently and disruptively reshape their host cities and societies: they demolish and rebuild whole districts, they draw in materials and participants from around the globe, and their organizers self-consciously seek to leave a “legacy” that will endure for decades or more. The book argues that these spectacles must thus be seen as long-lived and persistent, rather than simply transient or short-term phenomena. It explores the long-term history of each event through contemporary archaeology, examining the contents and building materials of the Great Exhibition’s Crystal Palace and their extraordinary afterlife at Sydenham, South London; how the Festival of Britain’s South Bank Exhibition employed displays of ancient history to construct a new postwar British identity; and how London 2012 dealt with competing visions of the past as archaeology, waste, and heritage in creating a vision of the future.
[more]
cover of A Contest of Ideas: Capital, Politics and Labor

A Contest of Ideas

Capital, Politics and Labor

Nelson Lictenstein

University of Illinois Press, 2013

For more than thirty years Nelson Lichtenstein has deployed his scholarship--on labor, politics, and social thought--to chart the history and prospects of a progressive America. A Contest of Ideas collects and updates many of Lichtenstein's most provocative and controversial essays and reviews.

These incisive writings link the fate of the labor movement to the transformations in the shape of world capitalism, to the rise of the civil rights movement, and to the activists and intellectuals who have played such important roles. Tracing broad patterns of political thought, Lichtenstein offers important perspectives on the relationship of labor and the state, the tensions that sometimes exist between a culture of rights and the idea of solidarity, and the rise of conservatism in politics, law, and intellectual life. The volume closes with portraits of five activist intellectuals whose work has been vital to the conflicts that engage the labor movement, public policy, and political culture.

[more]
cover of A Contested Borderland: Competing Russian and Romanian Visions of Bessarabia in the Second Half of the 19th and Early 20th Century

A Contested Borderland

Competing Russian and Romanian Visions of Bessarabia in the Second Half of the 19th and Early 20th Century

Andrei Cusco

Central European University Press, 2017

Bessarabia¿mostly occupied by modern-day republic of Moldova¿was the only territory representing an object of rivalry and symbolic competition between the Russian Empire and a fully crystallized nation-state: the Kingdom of Romania. This book is an intellectual prehistory of the Bessarabian problem, focusing on the antagonism of the national and imperial visions of this contested periphery. Through a critical reassessment and revision of the traditional historical narratives, the study argues that Bessarabia was claimed not just by two opposing projects of ‘symbolic inclusion,’ but also by two alternative and theoretically antagonistic models of political legitimacy. By transcending the national lens of Bessarabian / Moldovan history and viewing it in the broader Eurasian comparative context, the book responds to the growing tendency in recent historiography to focus on the peripheries in order to better understand the functioning of national and imperial states in the modern era.
[more]
cover of A Contextualistic Worldview: Essays by Lewis E. Hahn

A Contextualistic Worldview

Essays by Lewis E. Hahn

Lewis E. Hahn

Southern Illinois University Press, 2001

This selection of articles by Lewis E. Hahn addresses the philosophical school of contextualism and four contemporary American philosophers: John Dewey, Henry Nelson Wieman, Stephen C. Pepper, and Brand Blanshard.

            

Stressing the relatively recent contextualistic worldview, which he considers one of the best world hypotheses, Hahn seeks to achieve a broad perspective within which all things may be given their due place. After providing a brief outline, Hahn explains contextualism in relation to other philosophies. In his opening chapter, as in later chapters, he expresses contextualism as a form of pragmatic naturalism. In spite of Hahn’s high regard for contextualism, however, he does not think it would be good if we were limited to a single worldview. “The more different views we have and the more different sources of possible light we have, the better our chances that some of these cosmic maps will shed light on our world and our place in it.”

[more]
cover of A County of Culture: Twentieth-Century China Seen from the Village Schools of Zouping, Shandong

A County of Culture

Twentieth-Century China Seen from the Village Schools of Zouping, Shandong

Stig Thogersen

University of Michigan Press, 2002

A County of Culture provides a detailed analysis of education reforms in twentieth-century rural China, and of how these reforms relate to larger processes of social, political, and economic transformation. Based on documents and life histories collected in Zouping, the book focuses on education as an indicator of the changing relations between state and rural society; as a crucial feature in local economic life; and as a decisive factor in individual careers and destinies.
A County of Culture demonstrates how changes in educational policies have exerted considerable influence on social life in Zouping, from the macro level of nation building and state formation to the micro level of individual careers. It also shows that the rural population has been far from being a passive object of reform, and that it has been extremely difficult for educational reformers to achieve their goals as a result of the social, economic, and mental realities of China's villages. The fate of educational reforms has thus been decided in the tension between two poles: the visions of educational planners and reformers on the one hand, and the expectations of the rural population on the other.
Not only pertinent to specialists of Chinese education, this book will also be useful to anyone interested in state-society relations in modern China and to students of comparative education and rural development.
Stig Thøgersen is Associate Professor of Chinese Language and Society, University of Aarhus.
[more]
cover of A Critical Bibliography of the Published Writings of Romain Rolland

A Critical Bibliography of the Published Writings of Romain Rolland

William Thomas Starr

Northwestern University Press, 1950

Late nineteenth-and early twentieth-century French writer Romain Rolland remains best known for his epic coming-of-age tale, Jean Christoph. In A Critical Bibliography of the Published Writings of Romain Rolland William Thomas Starr Starr painstakingly collects the information on all writings by and about this prolific author through 1949. Organized into two parts, the bibliography lists the writings of Rolland first, and a devotes second section to studies, comments, reviews, attacks, and homages.
[more]
cover of A Critical History of the New American Studies, 1970–1990

A Critical History of the New American Studies, 1970–1990

Günter H. Lenz

Dartmouth College Press, 2016

Starting in 2005, Günter H. Lenz began preparing a book-length exploration of the transformation of the field of American Studies in the crucial years between 1970 and 1990. As a commentator on, contributor to, and participant in the intellectual and institutional changes in his field, Lenz was well situated to offer a comprehensive and balanced interpretation of that seminal era. Building on essays he wrote while these changes were ongoing, he shows how the revolution in theory, the emergence of postmodern socioeconomic conditions, the increasing globalization of everyday life, and postcolonial responses to continuing and new forms of colonial domination had transformed American Studies as a discipline focused on the distinctive qualities of the United States to a field encompassing the many different “Americas” in the Western Hemisphere as well as how this complex region influenced and was interpreted by the rest of the world. In tracking the shift of American Studies from its exceptionalist bias to its unmanageable global responsibilities, Lenz shows the crucial roles played by the 1930s’ Left in the U.S., the Frankfurt School in Germany and elsewhere between 1930 and 1960, Continental post-structuralism, neo-Marxism, and post-colonialism. Lenz’s friends and colleagues, now his editors, present here his final backward glance at a critical period in American Studies and the birth of the Transnational.
[more]
cover of A Cubism Reader: Documents and Criticism, 1906-1914

A Cubism Reader

Documents and Criticism, 1906-1914

Mark Antliff and Patricia Leighten

University of Chicago Press, 2008

With radical formal innovations that scandalized the European art world, cubism revolutionized modern art and opened the path toward pure abstraction. Documenting the first heady years of this profoundly influential movement, A Cubism Reader presents the most comprehensive collection of cubist primary sources ever compiled for English-language publication.
            This definitive anthology covers the historical genesis of cubism from 1906 to 1914, with documents that range from manifestos and poetry to exhibition prefaces and reviews to articles that address the cultural, political, and philosophical issues related to the movement. Most of the texts Mark Antliff and Patricia Leighten have selected are from French sources, but their inclusion of carefully culled German, English, Czech, Italian, and Spanish documents speaks to the international reach of cubist art and ideas. Equally wide-ranging are the writers represented—a group that includes Guillaume Apollinaire, Gertrude Stein, Jean Metzinger, Albert Gleizes, Fernand Léger, Francis Picabia, André Salmon, Raymond Duchamp-Villon, Henri Le Fauconnier, and many others.
            These diverse selections—unabridged and freshly translated—represent a departure from the traditional view of cubism as shaped almost exclusively by Picasso and Braque. Augmented by Antliff and Leighten’s insightful commentary on each entry, as well as many of the articles’ original illustrations, A Cubism Reader ultimately broadens the established history of the movement by examining its monumental contributions from a variety of contemporary perspectives.
[more]
cover of A Cultural Arsenal for Democracy: The World War II Work of US Museums

A Cultural Arsenal for Democracy

The World War II Work of US Museums

Clarissa J. Ceglio

University of Massachusetts Press, 2022

"Does it seem strange to think of a museum as a weapon in national defense?" asked John Hay Whitney, president of the Museum of Modern Art, in June 1941. As the United States entered the Second World War in the months to follow, this idea seemed far from strange to museums. Working to strike the right balance between education and patriotism, and hoping to attain greater relevance, many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument.

Unsurprisingly, exhibitions served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Clarissa J. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling.
[more]
cover of A Czech Dreambook

A Czech Dreambook

Ludvík Vaculík

Karolinum Press, 2018

It’s 1979 in Communist Czechoslovakia, ten years into the crushing period known as normalization, and Ludvík Vaculík has writer’s block. It has been nearly a decade since he wrote his powerful novel, The Guinea Pigs, and it was in 1968 that he wrote his anti-regime manifesto, Two Thousand Words, which the Soviet Union used as a pretext for invading Czechoslovakia. On the advice of his friend, the poet and surrealist painter Jiří Kolář, Vaculík begins to keep a diary, “a book about things, people, and events.” This marks the beginning of A Czech Dreambook.

Fifty-four weeks later, what Vaculík turns out to have written is a unique mixture of diary, dream journal, and outright fiction—an inverted roman à clef in which the author, his family, his mistresses, and the real leaders of the Czech underground play major roles. Undisputedly the most debated novel among the Prague dissident community of the 1980s, it is a work that Vaculík himself described as an amalgam of “hard-boiled documentary” and “magic fiction,” while Václav Havel called it “a truly profound and perceptive account. . . . A great novel about modern life and the crisis of contemporary humanity.”

A Czech Dreambook has been hailed as the most important work of Czech literature in the past forty years. And yet it has never before been available in English. Flawlessly translated by Gerald Turner, Vaculík’s masterpiece is a brilliant exercise in style, dry humor, and irony—an important portrait of the lives and longings of the dissidents and post-Communist elites.
[more]
cover of A Dance to the Music of Time: First Movement

A Dance to the Music of Time

First Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London.

Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and carries through the 1950s, with all the changes of society, characters, and relationships that those shifting eras bring.

Four very different young men on the threshold of manhood dominate this opening volume of A Dance to the Music of Time. The narrator, Jenkins—a budding writer—shares a room with Templer, already a passionate womanizer, and Stringham, aristocratic and reckless. Widmerpool, as hopelessly awkward as he is intensely ambitious, lurks on the periphery of their world. Amid the fever of the 1920s and the first chill of the 1930s, these four gain their initiations into sex, society, business, and art. A masterpiece of modern fiction, Powell's epic creates a rich portrait of life in England between the wars.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give this first volume a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life.

Includes these novels:
A Question of Upbringing
A Buyer's Market
The Acceptance World
 
[more]
cover of A Dance to the Music of Time: Fourth Movement

A Dance to the Music of Time

Fourth Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and carries through the 1950s, with all the changes to society, character, and relationships those shifting eras bring.

In this final volume of A Dance to the Music of Time, Nick Jenkins describes a world of ambition, intrigue, and dissolution. England has won the war, but its costs, physical and moral, were vast. Widmerpool's wife sets a snare for the young writer X. Trapnel, while her husband suffers private agony and public humiliation. Set against a background of politics, business, high society, and the counterculture in England and Europe, this magnificent work of art sounds an unforgettable requiem for an age.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give this first volume a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life.

Includes these novels:
Books Do Furnish a Room
Temporary Kings
Hearing Secret Harmonies
 
[more]
cover of A Dance to the Music of Time: Second Movement

A Dance to the Music of Time

Second Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and continues through the 1950s.

In the background of this second volume of A Dance to the Music of Time, the rumble of distant events in Germany and Spain presages the storm of World War II. In England, even as the whirl of marriages and adulteries, fashions and frivolities, personal triumphs and failures gathers speed, men and women find themselves on the brink of fateful choices.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give this first volume a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life




Includes these novels:
At Lady Molly's
Casanova's Chinese Restaurant
The Kindly Ones
[more]
cover of A Dance to the Music of Time: Third Movement

A Dance to the Music of Time

Third Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and continues through the 1950s and all the changes to life, society, and relationships those shifting eras bring. 

In this third volume of A Dance to the Music of Time, we again meet Widmerpool, doggedly rising in rank; Jenkins, shifted from one dismal army post to another; Stringham, heroically emerging from alcoholism; Templer, still on his eternal sexual quest. Here, too, we are introduced to Pamela Flitton, one of the most beautiful and dangerous women in modern fiction. Wickedly barbed in its wit, uncanny in its seismographic recording of human emotions and social currents, this saga stands as an unsurpassed rendering of England's finest yet most costly hour.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give Dance a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life.

Includes these novels:
The Valley of Bones
The Soldier's Art
The Military Philosophers
[more]
cover of A Date Which Will Live: Pearl Harbor in American Memory

A Date Which Will Live

Pearl Harbor in American Memory

Emily S. Rosenberg

Duke University Press, 2005

December 7, 1941—the date of Japan’s surprise attack on the U.S. fleet at Pearl Harbor—is "a date which will live" in American history and memory, but the stories that will live and the meanings attributed to them are hardly settled. In movies, books, and magazines, at memorial sites and public ceremonies, and on television and the internet, Pearl Harbor lives in a thousand guises and symbolizes dozens of different historical lessons. In A Date Which Will Live, historian Emily S. Rosenberg examines the contested meanings of Pearl Harbor in American culture.

Rosenberg considers the emergence of Pearl Harbor’s symbolic role within multiple contexts: as a day of infamy that highlighted the need for future U.S. military preparedness, as an attack that opened a "back door" to U.S. involvement in World War II, as an event of national commemoration, and as a central metaphor in American-Japanese relations. She explores the cultural background that contributed to Pearl Harbor’s resurgence in American memory after the fiftieth anniversary of the attack in 1991. In doing so, she discusses the recent “memory boom” in American culture; the movement to exonerate the military commanders at Pearl Harbor, Admiral Husband Kimmel and General Walter Short; the political mobilization of various groups during the culture and history "wars" of the 1990s, and the spectacle surrounding the movie Pearl Harbor. Rosenberg concludes with a look at the uses of Pearl Harbor as a historical frame for understanding the events of September 11, 2001.
[more]
cover of A David Montgomery Reader: Essays on Capitalism and Worker Resistance

A David Montgomery Reader

Essays on Capitalism and Worker Resistance

David Montgomery. Edited by Shelton Stromquist and James R. Barrett

University of Illinois Press, 2024

A foundational figure in modern labor history, David Montgomery both redefined and reoriented the field. This collection of Montgomery’s most important published and unpublished articles and essays draws from the historian’s entire five-decade career.

Taken together, the writings trace the development of Montgomery’s distinct voice and approach while providing a crucial window into an era that changed the ways scholars and the public understood working people’s place in American history. Three overarching themes and methods emerge from these essays: that class provided a rich reservoir of ideas and strategies for workers to build movements aimed at claiming their democratic rights; that capital endured with the power to manage the contours of economic life and the capacities of the state but that workers repeatedly and creatively mounted challenges to the terms of life and work dictated by capital; and that Montgomery’s method grounded his gritty empiricism and the conceptual richness of his analysis in the intimate social relations of production and of community, neighborhood, and family life.

[more]
cover of A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti

A Day for the Hunter, a Day for the Prey

Popular Music and Power in Haiti

Gage Averill

University of Chicago Press, 1997

The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused.

Averill explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum.

With firsthand accounts by musicians, photos, song texts, and ethnographic descriptions, this book explores the profound manifestations of power and song in the day-to-day efforts of ordinary Haitians to rise above political repression.
[more]
cover of A Deadly Wind: The 1962 Columbus Day Storm

A Deadly Wind

The 1962 Columbus Day Storm

John Dod

Oregon State University Press, 2018

The Columbus Day Storm of 1962 was a freak of nature, a weather outlier with deadly winds topping one hundred miles per hour. The storm killed dozens, injured hundreds, damaged more than fifty thousand homes, and leveled enough timber to build one million homes. To find an equally ferocious storm of its kind, fast-forward fifty years and cross the continent to Superstorm Sandy’s 2012 attack on the East Coast. While Superstorm Sandy was predicted days in advance, the Columbus Day Storm caught ill-equipped weather forecasters by surprise.

This unrivalled West Coast windstorm fueled the Asian log export market, helped give birth to the Oregon wine industry, and influenced the 1962 World Series. It remains a cautionary tale and the Pacific Northwest benchmark for severe windstorms in this era of climate change and weather uncertainty. From its genesis in the Marshall Islands to its final hours on Vancouver Island, British Columbia, the storm plowed an unparalleled path of destruction.

In A Deadly Wind, veteran journalist John Dodge tells a compelling story spiced with human drama, Cold War tension, and Pacific Northwest history. This is a must-read for the tens of thousands of storm survivors, for history buffs, and for anyone interested in the intersection of severe weather events and climate change.

[more]
cover of A Decisive Decade: An Insider's View of the Chicago Civil Rights Movement during the 1960s

A Decisive Decade

An Insider's View of the Chicago Civil Rights Movement during the 1960s

Robert B. McKersie, Foreword by James R. Ralph Jr.

Southern Illinois University Press, 2013

The deeply personal story of a historic time in Chicago, Robert B. McKersie’s A Decisive Decade follows the unfolding action of the Civil Rights Movement as it played out in the Windy City. McKersie’s participation as a white activist for black rights offers a unique, firsthand viewpoint on the debates, boycotts, marches, and negotiations that would forever change the face of race relations in Chicago and the United States at large.

Described within are McKersie’s intimate observations on events as they developed during his participation in such historic occasions as the impassioned marches for open housing in Chicago; the campaign to end school segregation under Chicago Schools Superintendent Benjamin Willis; Operation Breadbasket’s push to develop economic opportunities for black citizens; and dialogs with corporations to provide more jobs for blacks in Chicago. In addition, McKersie provides up close and personal descriptions of the iconic Civil Rights leaders who spearheaded some of the most formative battles of Chicago’s Civil Rights movement, including Dr. Martin Luther King, Jr., Reverend Jesse Jackson, Timuel Black Jr. and W. Alvin Pitcher. The author illumines the tensions experienced by two major institutions in responding to the demands of the civil rights movement: the university and the church. Packed with historical detail and personal anecdotes of these history-making years, A Decisive Decade offers a never-before-seen perspective on one of our nation’s most tumultuous eras. 

[more]
cover of A Desire for Women: Relational Psychoanalysis, Writing, and Relationships between Women

A Desire for Women

Relational Psychoanalysis, Writing, and Relationships between Women

Juhasz, Suzanne

Rutgers University Press, 2003

This book explores women's desire for women as it is located in examples of twentieth-century British and American women's writing, including fiction, memoir, and poetry by such writers as Virginia Woolf, Vivian Gornick, Dorothy Allison, Mary Gordon, Toni Morrison, Marilyn Hacker, and Audre Lorde. Suzanne Juhasz discusses how literary writing functions to enact and negotiate a series of relationships between women: daughter-mother, mother-daughter, lesbian lover-lesbian lover, writer-reader, and reader-writer. She shows how writing is a component of interpersonal relationships and how relationships are central to the construction of personal and social identity.

Uniquely weaving together psychoanalytic, feminist, queer, and literary theory as well as memoir to examine the value and meaning of relationships between women, Juhasz explores the writings of adult daughters, mothers, and lovers to consider how language both traces and shapes the contours of experience. She emphasizes the initial bond between mother and infant as the bedrock of identity formation, a process involving love, recognition, desire, and language, and shows how that relationship serves as source and model for all future loves.

Juhasz's lucid prose unravels the meaningful yet overlooked intricacies of the relationships that inflect much of women's writing in the twentieth century.
[more]
cover of A Different Order of Difficulty: Literature after Wittgenstein

A Different Order of Difficulty

Literature after Wittgenstein

Karen Zumhagen-Yekplé

University of Chicago Press, 2020

Is the point of philosophy to transmit beliefs about the world, or can it sometimes have higher ambitions? In this bold study, Karen Zumhagen-Yekplé makes a critical contribution to the “resolute” program of Wittgenstein scholarship, revealing his Tractatus Logico-Philosophicus as a complex, mock-theoretical puzzle designed to engage readers in the therapeutic self-clarification Wittgenstein saw as the true work of philosophy. Seen in this light, Wittgenstein resembles his modernist contemporaries more than might first appear. Like the literary innovators of his time, Wittgenstein believed in the productive power of difficulty, in varieties of spiritual experience, in the importance of age-old questions about life’s meaning, and in the possibility of transfigurative shifts toward the right way of seeing the world. In a series of absorbing chapters, Zumhagen-Yekplé shows how Kafka, Woolf, Joyce, and Coetzee set their readers on a path toward a new way of being. Offering a new perspective on Wittgenstein as philosophical modernist, and on the lives and afterlives of his indirect teaching, A Different Order of Difficulty is a compelling addition to studies in both literature and philosophy.
[more]
cover of A Diminished Roar: Winnipeg in the 1920s

A Diminished Roar

Winnipeg in the 1920s

Jim Blanchard

University of Manitoba Press, 2019

[more]
cover of A Divided World: Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948

A Divided World

Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948

Nick Smedley

Intellect Books, 2011

The New Deal introduced sweeping social, political, and cultural change across the United States, which Hollywood embraced enthusiastically. Then, when the heady idealism of the 1930s was replaced by the paranoia of the postwar years, Hollywood became an easy target for the anticommunists. A Divided World examines some of the important programs of the New Deal and the subsequent response of the film community—especially in relation to social welfare, women’s rights, and international affairs. The book also provides an analysis of the major works of three European directors—Billy Wilder, Ernst Lubitsch, and Fritz Lang—compared and contrasted with the products of mainstream Hollywood. This is a new interpretation of an influential period in American film history and it is sure to generate further debate and scholarship.

[more]
cover of A Doctor in Galilee: The Life and Struggle of a Palestinian in Israel

A Doctor in Galilee

The Life and Struggle of a Palestinian in Israel

Hatim Kanaaneh

Pluto Press, 2008

Hatim Kanaaneh is a Palestinian doctor who has struggled for over 35 years to bring medical care to Palestinians in Galilee, against a culture of anti-Arab discrimination. This is the story of how he fought for the human rights of his patients and overcame the Israeli authorities' cruel indifference to their suffering.

Kanaaneh is a native of Galilee, born before the creation of Israel. He left to study medicine at Harvard, before returning to work as a public health physician with the intention of helping his own people. He discovered a shocking level of disease and malnutrition in his community and a shameful lack of support from the Israeli authorities. After doing all he could for his patients by working from inside the system, Kanaaneh set up The Galilee Society, an NGO working for equitable health, environmental and socio-economic conditions for Palestinian Arabs in Israel.

This is a brilliant memoir that shows how grass roots organisations can loosen the Zionist grip upon Palestinian lives.

[more]
cover of A Dream of Arcadia: Anti-Industrialism in Spanish LIterature, 1895–1905

A Dream of Arcadia

Anti-Industrialism in Spanish LIterature, 1895–1905

By Lily Litvak

University of Texas Press, 1975

The dream of “progress” that animated many nineteenth-century artistic and political movements gave way at the turn of the century to a dissatisfaction with the Industrial Civilization and a recurrent pessimism about a future dominated by mechanization. Art Nouveau, which was both a style and a movement, embodied this dissatisfaction, marking the turn-of-the-century period with an aesthetic that consciously set out to revolutionize literature, the arts, and society within the framework of a brutalizing, wildly burgeoning Industrial Civilization. Generally associated with northern European culture, Art Nouveau also had a great impact in the south, particularly in Spain.

A Dream of Arcadia is the first work to explore Spain’s fertile and imaginative Art Nouveau. Through the eyes of four major Spanish writers, Lily Litvak views several different aspects of the turn-of-the-century struggle against the advances of industrialism in Spain. Her interpretation of the early works of Ramón del Valle Inclán, Miguel de Unamuno, José Martínez Ruiz (Azorín), and Pío Baroja exposes a longing for a preindustrial arcadia based on a return to nature, the revival of handicrafts and medieval art, an attraction to rural primitive societies, and a revulsion against the modern city. Set against the European literary and artistic background of the period, her observations place the Spanish manifestations of Art Nouveau within the context of the better-known northern phenomena. Of particular interest is her discussion of the influences of John Ruskin, William Morris, and the Pre-Raphaelites, which demonstrates how the general European mood was articulated in Spain.

Litvak concludes that Valle Inclán, Unamuno, Azorín, and Baroja must be considered as more than simply fin de siècle writers, for they became part of a general movement, generated by Art Nouveau, that spans an entire century. A Dream of Arcadia demonstrates that Art Nouveau was more than a flash on Europe's artistic horizon; it is a philosophy with ramifications that have led to communes, handcrafted articles, and nomadic adolescents in search of truth.

[more]
cover of A Drop of Treason: Philip Agee and His Exposure of the CIA

A Drop of Treason

Philip Agee and His Exposure of the CIA

Jonathan Stevenson

University of Chicago Press, 2021

Philip Agee’s story is the stuff of a John le Carré novel—perilous and thrilling adventures around the globe. He joined the CIA as a young idealist, becoming an operations officer in hopes of seeing the world and safeguarding his country. He was the consummate intelligence insider, thoroughly entrenched in the shadow world. But in 1975, he became the first such person to publicly betray the CIA—a pariah whose like was not seen again until Edward Snowden. For almost forty years in exile, he was a thorn in the side of his country.
 
The first biography of this contentious, legendary man, Jonathan Stevenson’s A Drop of Treason is a thorough portrait of Agee and his place in the history of American foreign policy and the intelligence community during the Cold War and beyond. Unlike mere whistleblowers, Agee exposed American spies by publicly blowing their covers. And he didn’t stop there—his was a lifelong political struggle that firmly allied him with the social movements of the global left and against the American project itself from the early 1970s on. Stevenson examines Agee’s decision to turn, how he sustained it, and how his actions intersected with world events.
 
Having made profound betrayals and questionable decisions, Agee lived a rollicking, existentially fraught life filled with risk. He traveled the world, enlisted Gabriel García Márquez in his cause, married a ballerina, and fought for what he believed was right. Raised a conservative Jesuit in Tampa, he died a socialist expat in Havana. In A Drop of Treason, Stevenson reveals what made Agee tick—and what made him run.
[more]
cover of A Final Reckoning: A Hannover Family's Life and Death in the Shoah

A Final Reckoning

A Hannover Family's Life and Death in the Shoah

Ruth Gutmann, Foreword by Kenneth Waltzer

University of Alabama Press, 2013

A work of both childhood memory and adult reflection undergirded with scholarly research

Ruth Herskovits Gutmann’s powerful memoir recounts her life not only as a concentration camp inmate and survivor, but also as a sister and daughter. Born in 1928, Gutmann and her twin sister, Eva, escaped the growing Nazi threat in Germany on a Kindertransport to Holland in 1939.

Gutmann’s compelling story captures many facets of the Jewish experience in Nazi Germany. She describes her early life in Hannover as the daughter of a prominent and patriotic member of the Jewish community. Her flight on the Kindertransport offers a vivid, firsthand account of that effort to save the children of Jewish families. Her memories of the camps include coming to the attention of Josef Mengele, who often used twins in human experiments. Gutmann writes with moving clarity and nuance about the complex feelings of survivorship.

A Final Reckoning provides not only insights into Gutmann’s own experience as a child in the midst of the atrocities of the Holocaust, but also a window into the lives of those, like her father, who were forced to carry on and comply with the regime that would ultimately bring about their demise.

[more]
cover of A Fire You Can't Put Out: The Civil Rights Life of Birmingham's Reverend Fred Shuttlesworth

A Fire You Can't Put Out

The Civil Rights Life of Birmingham's Reverend Fred Shuttlesworth

Andrew M. Manis

University of Alabama Press, 2001

WINNER, LILLIAN SMITH AWARD

WINNER, JAMES F. SULZBY, JR. AWARD

The fire of freedom that changed Birmingham—and America.

When Fred Shuttlesworth suffered only a bump on the head in the 1956 bombing of his home, members of his church called it a miracle. Shuttlesworth took it as a sign that God would protect him on the mission that had made him a target that night. Standing in front of his demolished home, Shuttlesworth vigorously renewed his commitment to integrate Birmingham's buses, lunch counters, police force, and parks. The incident transformed him, in the eyes of Birmingham's blacks, from an up-and-coming young minister to a virtual folk hero and, in the view of white Birmingham, from obscurity to rabble-rouser extraordinaire.

From his 1956 founding of the Alabama Christian Movement for Human Rights through the historic demonstrations of 1963, driven by a sense of divine mission, Shuttlesworth pressured Jim Crow restrictions in Birmingham with radically confrontational acts of courage. His intensive campaign pitted him against the staunchly segregationist police commissioner Eugene "Bull" Connor and ultimately brought him to the side of Martin Luther King Jr. and to the inner chambers of the Kennedy White House.

First published in 1999, Andrew Manis's award-winning biography of "one of the nation's most courageous freedom fighters" demonstrates compellingly that Shuttleworth's brand of fiery, outspoken confrontation derived from his prophetic understanding of the pastoral role. Civil rights activism was tantamount to salvation in his understanding of the role of Christian minister.


 

[more]
cover of A Fly in the Soup: Memoirs

A Fly in the Soup

Memoirs

Charles Simic

University of Michigan Press, 2003

In this evocative memoir by one of America's most revered contemporary poets, Charles Simic recounts his journey from a childhood in war-torn Yugoslavia to his coming-of-age experiences as a young bohemian in New York City, then as a reluctant draftee in the United States Army. Simic’s early years in Belgrade, a city bombed first by the Nazis in 1941 and then by the Allies in 1944, recall memories of bombs, broken glass, and visits from the Gestapo. His family is jailed for trying to flee the newly Communist Yugoslavia and finally manages to emigrate in 1953. Their first stop is Paris, where the teenaged Simic, craving the forbidden, slips out for his first taste of French nightlife and nudie shows. In New York and Chicago, Simic attends high school and his intense interests in art, poetry, jazz, film — and women — ripen into fully formed passions. The memoir continues with recollections of Simic’s induction into the Army, the publication of his first poem, and family dinners with his highly opinionated but much beloved Uncle Boris. A Fly in the Soup is both the story of a young man whose travel agents were Hitler and Stalin, and an autobiography of the childhood and coming of age of one of the most respected contemporary American poets.
[more]
cover of A Force for Change: African American Art and the Julius Rosenwald Fund

A Force for Change

African American Art and the Julius Rosenwald Fund

Daniel Schulman

Northwestern University Press, 2009

The Julius Rosenwald Fund has been largely ignored in the literature of both art history and African American studies, despite its unique focus, intensity, and commitment. Spertus Museum in Chicago has organized an exhibition, guest curated by Daniel Schulman, that presents and explores the work of funded artists as well as the history of the Fund. Through it, and this accompanying collection of essays, illustrations, and color plates, we see the Fund’s groundbreaking initiative to address issues relating to the unequal treatment of blacks in American life. The book constitutes a veritable Who’s Who of African American artists and intellectuals of the first half of the twentieth century, as well as a roll call of modern contributors who represent the leading scholars in their fields, including Peter M. Ascoli, grandson and biographer of Julius Rosenwald, and Kinshasha Holman Conwill, deputy director of the National Museum of African American Art and Culture. With far-reaching influence even today, the Julius Rosenwald Fund stands alongside the Rockefeller and Carnegie funds as a major force in American cultural history.
[more]
cover of A Force for Change: Beatrice Morrow Cannady and the Struggle for Civil Rights in Oregon, 1912-1936

A Force for Change

Beatrice Morrow Cannady and the Struggle for Civil Rights in Oregon, 1912-1936

Kimberley Mangun

Oregon State University Press, 2010

A Force for Change is the first full-length study of the life and work of one of Oregon’s most dynamic civil rights activists, African American journalist Beatrice Morrow Cannady. Between 1912 and 1936, Cannady tirelessly promoted interracial goodwill and fought segregation and discrimination.

She gave hundreds of lectures to high school and college students and shared her message with radio listeners across the Pacific Northwest. She was assistant editor, and later publisher, of The Advocate, Oregon’s largest African American newspaper. Cannady was the first black woman to graduate from law school in Oregon, and the first to run for state representative. She held interracial teas in her home in Northeast Portland and protested repeated showings of the racist film The Birth of a Nation. And when the Ku Klux Klan swept into Oregon, she urged the governor to act quickly to protect black Oregonians’ right to live and work without fear. Despite these accomplishments—and many more during her twenty-five-year career—Beatrice Cannady fell into obscurity when she left Oregon in about 1938.

A Force for Change illuminates Cannady’s important role in advocating for better race relations in Oregon in the early decades of the twentieth century. It describes her encounters with the period’s leading black artists, editors, politicians, and intellectuals, including W.E.B. Du Bois, Langston Hughes, A. Philip Randolph, Oscar De Priest, Roland Hayes, and James Weldon Johnson. It dispels the myth that African Americans played little part in Oregon’s history and enriches our understanding of the black experience in Oregon.

A Force for Change is an invaluable resource for students and scholars of women’s history, gender studies, African American history, journalism history, and Pacific Northwest history. It belongs on the shelf of any reader interested in a richer understanding of the civil rights movement in Oregon and across the country.

[more]
cover of A Fragile Inheritance: Radical Stakes in Contemporary Indian Art

A Fragile Inheritance

Radical Stakes in Contemporary Indian Art

Saloni Mathur

Duke University Press, 2019

In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
[more]
cover of A Frieze of Girls: Memoirs as Fiction

A Frieze of Girls

Memoirs as Fiction

Allan Seager

University of Michigan Press, 2004

A Frieze of Girls speaks with a fresh voice from an American era long past. This is more than Allan Seager's story of what happened; it is also about how "the feel of truth is very like the feel of fiction, especially when either is at all strange."

Seager gives us his coming-of-age story, from a high-school summer as a sometime cowboy in the Big Horn mountains to a first job at seventeen managing an antiquated factory in Memphis to a hard-drinking scholarship year in Oxford, cut short by tuberculosis. At once funny with an undercurrent of pain, the stories in A Frieze of Girls remind us of the realities we create to face the world and the past, and in turn of the realities of the world we must inevitably also confront. "Time makes fiction out of our memories," writes Seager. "We all have to have a self we can live with and the operation of memory is artistic---selecting, suppressing, bending, touching up, turning our actions inside out so that we can have not necessarily a likable, merely a plausible identity." A Frieze of Girls is Allan Seager at the top of his form, and a reminder that great writing always transcends mere fashion.

Allan Seager was Professor of English at the University of Michigan and author of many highly praised short stories and novels, including Amos Berry. He died in Tecumseh, Michigan, in 1968. Novelist Charles Baxter is the author of Saul and Patsy.

[more]
cover of A Generation of Writers and Bulgarian Cultural Politics: From Independence to Communism

A Generation of Writers and Bulgarian Cultural Politics

From Independence to Communism

Irina Gigova

Central European University Press, 2026

In the aftermath of Bulgaria’s liberation from Ottoman rule, a cohort of young men and women found a home in the European arts. This book follows the lives and works of the post-1878 generation of cultural producers who defined Bulgarian identity. A sweeping narrative of social and political change and personal adaptation, the book explores the country’s evolving literary and artistic scene from the 1890s to the 1950s. It traces the impact of wars and coups, ideological shifts and state policies. The book highlights the contributions of key figures and professional associations, their struggles for artistic autonomy, and their efforts to bridge the gaps between high culture and mass entertainment, national and universal art. A portrait of a generation that transformed Bulgarian culture as it navigated the tumult of the early twentieth century, this book offers insights into the broader patterns of transformation, disruption, and cultural negotiation in modern Europe.
[more]
cover of A Godly Humanism: Clarifying the Hope That Lies Within

A Godly Humanism

Clarifying the Hope That Lies Within

Francis E. George

Catholic University of America Press, 2015

For Francis Cardinal George, the Catholic Church is not a movement, built around ideas, but a communion, built around relationships. In A Godly Humanism, he shares his understanding of the Church in lively, compelling prose, presenting a way to understand and appreciate the relationships of God to human beings and of human beings to one another. These loving relationships are continually made present to us in and through the Church, from the time of Jesus' first disciples down to our own day. We are introduced to how the spiritual and intellectual life of Christians, aided in every generation by the Holy Spirit working through the Apostles and their successors, resist the danger of splitting apart from one another. Though they take different outward forms at different times, both wisdom and holiness are made possible for every Christian of every station of life. Sign-posting his conversation by the milestones of his own spiritual and intellectual journey, Cardinal George invites us to view the Church and her history in ways that go beyond the categories of politics - through which we find merely human initiative, contrivance, and adjustment - and rather to see the initiative as God's first and foremost. God is the non-stop giver, we are non-stop recipients of his gifts, and the recent popes, no less than the Father of the Church, have made every effort to make us aware of the graces - that is, of the unearned benefits - that God confers on us as Catholics, as Christians, as believers, and simply as human persons. Pope Francis, he reminds us, contrasts human planning with God's providence, and this book is at once an exposition of that providence and a personal response of gratitude for the way it has operated in one man's life.
[more]
cover of A Good Deal: Selected Stories from "The Massachusetts Review"

A Good Deal

Selected Stories from "The Massachusetts Review"

Mary Heath

University of Massachusetts Press, 1988

For twenty-seven years The Massachusetts Review has offered its readers a lively and eclectic mix of essays, stories, poetry, and art. Now the editors have gathered together twenty of the best stories from past issues of the journal, by writers known and unknown.
[more]
cover of A Good Place to Do Business: The Politics of Downtown Renewal since 1945

A Good Place to Do Business

The Politics of Downtown Renewal since 1945

Roger Biles and Mark H. Rose

Temple University Press, 2022

The “Pittsburgh Renaissance,” an urban renewal effort launched in the late 1940s, transformed the smoky rust belt city’s downtown. Working-class residents and people of color saw their neighborhoods cleared and replaced with upscale, white residents and with large corporations housed in massive skyscrapers. Pittsburgh’s Renaissance’s apparent success quickly became a model for several struggling industrial cities, including St. Louis, Cleveland, Detroit, Chicago, and Philadelphia. 

In A Good Place to Do Business, Roger Biles and Mark Rose chronicle these urban “makeovers” which promised increased tourism and fashionable shopping as well as the development of sports stadiums, convention centers, downtown parks, and more. They examine the politics of these government-funded redevelopment programs and show how city politics (and policymakers) often dictated the level of success. 

As city officials and business elites determined to reorganize their downtowns, a deeply racialized politics sacrificed neighborhoods and the livelihoods of those pushed out. Yet, as A Good Place to Do Business demonstrates, more often than not, costly efforts to bring about the hoped-for improvements failed to revitalize those cities, or even their downtowns.

[more]
cover of A Guide to Chicago's Murals

A Guide to Chicago's Murals

Mary Lackritz Gray

University of Chicago Press, 2001

Chicago is a city known for its fabulous architecture and public sculpture by artists such as Picasso and Calder, but anyone who has seen the gorgeous lunettes in the Auditorium Theater or the South Side's Wall of Respect, which inaugurated the city's contemporary mural movement, knows that Chicago has an equally rich tradition of mural painting. Through these murals, the history of Chicago and the nation is writ in churches and lobbies, on viaducts and school walls. Mary Gray's A Guide to Chicago's Murals is the first definitive handbook to the treasures that can be found all over the city.

With full-color illustrations of nearly two hundred Chicago murals and accompanying entries that describe their history—who commissioned them and why, how artists collaborated with architects, the subjects of the murals and their contexts—A Guide to Chicago's Murals serves both a general and a specific audience. Divided into easy-to-read geographical sections with useful maps for walking tours, it is the perfect companion for tourists or Chicagoans interested in coming to know better this aspect of the city's history. Gray also provides crucial information on lesser-known artists and on murals that have been destroyed over the years, filling a gap in the visual record of the city's development.

Gray also includes biographies of more than 150 artists and a glossary of key terms, making A Guide to Chicago's Murals essential reading for mural viewing. From post offices to libraries, fieldhouses to banks, and private clubs to street corners, Mary Gray chronicles the amazing works of artists who have sought to make public declarations in this most social of art forms.

"A major lacuna in the history of art in Chicago has been filled, with the thoroughness of the research proportionate to the richness of the material revealed."—From the Foreword by Franz Schulze

"Gray's book . . . can function as a guidebook, as the murals are conveniently arranged according to the quadrants of the city. But the book is also beautiful to look at and indespensable as art history and Chicago history as well. . . . This book is a wonderful guide to Chicago's rich and unique mural tradition."—Elizabeth Alexander, Chicago Tribune Books

"If you love art and history, this is a book you'll truly enjoy."—Al Paulson, Utne Reader
[more]
cover of A Guide to Eric Voegelin's Political Reality

A Guide to Eric Voegelin's Political Reality

Montgomery Erfourth

St. Augustine's Press, 2014

[more]
cover of A Hanging in Nacogdoches: Murder, Race, Politics, and Polemics in Texas's Oldest Town, 1870-1916

A Hanging in Nacogdoches

Murder, Race, Politics, and Polemics in Texas's Oldest Town, 1870-1916

By Gary B. Borders

University of Texas Press, 2006

On October 17, 1902, in Nacogdoches, Texas, a black man named James Buchanan was tried without representation, condemned, and executed for the murder of a white family—all in the course of three hours. Two white men played pivotal roles in these events: Bill Haltom, a leading local Democrat and the editor of the Nacogdoches Sentinel, who condemned lynching but defended lynch mobs, and A. J. Spradley, a Populist sheriff who, with the aid of hundreds of state militiamen, barely managed to keep the mob from burning Buchanan alive, only to escort him to the gallows following his abbreviated trial. Each man's story serves to illuminate a part of the path that led to the terrible parody of justice which lies at the heart of A Hanging in Nacogdoches.

The turn of the twentieth century was a time of dramatic change for the people of East Texas. Frightened by the Populist Party's attempts to unite poor blacks and whites in a struggle for economic justice, white Democrats defended their power base by exploiting racial tensions in a battle that ultimately resulted in the complete disenfranchisement of the black population of East Texas. In telling the story of a single lynching, Gary Borders dramatically illustrates the way politics and race combined to bring horrific violence to small southern towns like Nacogdoches.

[more]
cover of A Heart Beating Hard

A Heart Beating Hard

Lauren Foss Goodman

University of Michigan Press, 2014

A Heart Beating Hard is about looking long and deep into the invisible life of a person we too often pass by. It is the story of Marjorie, who works in the Store and does her best to go on with the days; of Margie, growing up in Apartment #2 with the sounds of Ma and Gram and Him all around; and of Marge, who should never have been, who should have been helped. In A Heart Beating Hard, we see how Marjorie manages to go on with the days, how even in the bright lights and grabbing hands of the outside world, inside, Marjorie knows how to take care of her self and her secrets. It is a story about the passed-along People, about how we are the same and how we are different, about how we become who we are and how we protect our most private places from the cold glare of all that we cannot control.
[more]
cover of A Heaven of Words: Last Journals, 1956–1984

A Heaven of Words

Last Journals, 1956–1984

Glenway Wescott; Edited and with an introduction by Jerry Rosco

University of Wisconsin Press, 2013

Charm, wit, compassion, wisdom, literature, nature, sex, humor, politics, sorrow, love: these themes fill the late journal pages of enigmatic American writer Glenway Wescott. From humble beginnings on a poor Wisconsin farm, Wescott went on to study at the University of Chicago, narrowly survive the Spanish flu pandemic, and eventually emerge as an influential poet and novelist. A major figure in the American literary expatriate community in Paris during the 1920s and a prominent American novelist in the years leading up to World War II, he spent a decade living abroad before relocating permanently to New York and New Jersey with his partner, Museum of Modern Art publications director and curator Monroe Wheeler.
            Together they mixed with such intellectual and creative greats as Jean Cocteau, Colette, George Platt Lynes, Paul Cadmus, Somerset Maugham, Christopher Isherwood, Marianne Moore, W. H. Auden, Truman Capote, Joseph Campbell, and scores of other luminaries. During the second half of his life, Wescott wrote nonfiction essays and worked for the Academy Institute of Arts and Letters, all the while keeping journals in which he recorded the experiences that fostered his love of life, literature, the arts, and humanity. A Heaven of Words looks back on Wescott's entire fascinating life and reveals the riveting narrative of his last decades.

Winner, Gay Memoir/Biography, Lambda Literary Awards
[more]
cover of A Hero on Mount St. Helens: The Life and Legacy of David A. Johnston

A Hero on Mount St. Helens

The Life and Legacy of David A. Johnston

Melanie Holmes. Foreword by Jeff Renner

University of Illinois Press, 2019

Serendipity placed David Johnston on Mount St. Helens when the volcano rumbled to life in March 1980. Throughout that ominous spring, Johnston was part of a team conducting scientific research that underpinned warnings about the mountain. Those warnings saved thousands of lives when the most devastating volcanic eruption in U.S. history blew apart Mount St. Helens but killed Johnston on the ridge that now bears his name.

Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through his encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called “the most unjaded person I ever met,” an imperfect but kind and intelligent young scientist passionately in love with his life and work and determined to make a difference.

[more]
cover of A Hero on Mount St. Helens: The Life and Legacy of David A. Johnston

A Hero on Mount St. Helens

The Life and Legacy of David A. Johnston

Melanie Holmes. Narrated by Jeff Renner. Foreword by Jeff Renner

University of Illinois Press, 2024

Serendipity placed David Johnston on Mount St. Helens when the volcano rumbled to life in March 1980. Throughout that ominous spring, Johnston was part of a team conducting scientific research that underpinned warnings about the mountain. Those warnings saved thousands of lives when the most devastating volcanic eruption in U.S. history blew apart Mount St. Helens but killed Johnston on the ridge that now bears his name.

Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through his encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called “the most unjaded person I ever met,” an imperfect but kind and intelligent young scientist passionately in love with his life and work and determined to make a difference.

[more]
cover of A Historian and His World: A Life of Christopher Dawson, 1889-1970

A Historian and His World

A Life of Christopher Dawson, 1889-1970

Christina Scott

Catholic University of America Press, 2023

The English historian of culture Christopher Dawson (1889-1970) was an independent scholar and the author of more than twenty books. He served as assistant lecturer in the History of Culture, University College, Exeter (1925), Forwood Lecturer in the Philosophy of Religion, University of Liverpool (1934), Gifford Lecturer at the University of Edinburgh (1947-1949), and as Professor of Catholic Studies at Harvard University (1958-1962). He was elected Fellow of the British Academy in 1943 and edited the Dublin Review during the Second World War. This biography by Christina Scott, Dawson’s daughter, is a sensitive portrait of a complex and fascinating scholar. Unlike other English Christian converts of the twentieth century who excelled in literature, like G. K. Chesterton or C. S. Lewis, Dawson turned to the social sciences. He drew from the new idea of culture as a common way of life emerging from anthropology at the time of the Great War to shape a new approach to history. His study of the intimate relationship between religion and culture throughout world history shaped his trenchant criticisms of his own times. He wrote in 1955 that, “the first step in the transformation of culture is a change in the pattern of culture within the mind, for this is the seed out of which there spring new forms of life which ultimately change the social way of life and thus create a new culture.” Dawson’s engagement with anthropology and the idea of culture marked an important moment of development in the Catholic intellectual tradition. Christina Scott shows that Dawson is best understood as he himself interpreted his historical subjects—in the context of “the spiritual world in which he lived, the ideas that moved him, and the faith that inspired his action.” Dawson was not a historian of ideas for their own sake; he had a passionate belief in their liberating power. A Historian and His World will be of interest to intellectual historians, historians of religion and culture, and students of modern Catholic thought. The Introduction is written by Dawson scholar Joseph T. Stuart and the book is graced by a postscript by Christopher Dawson reflecting upon the meaning of his work.
[more]
cover of A History of Fort Worth in Black & White: 165 Years of African-American Life

A History of Fort Worth in Black & White

165 Years of African-American Life

Richard F. Selcer

University of North Texas Press, 2015

[more]
cover of A History of Italian Fascist Culture, 1922–1943

A History of Italian Fascist Culture, 1922–1943

Alessandra Tarquini, Translated by Marissa Gemma

University of Wisconsin Press, 2022

Alessandra Tarquini’s A History of Italian Fascist Culture, 1922–1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini’s compact, clear prose to readers previously unable to read it in the original Italian.
 
Tarquini sketches the universe of Italian fascism in three broad directions: the regime’s cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural policies shaped the country and how intellectuals and artists contributed to those decisions. The result is a view of fascist ideology as a system of visions, ideals, and, above all, myths capable of orienting political action and promoting a precise worldview.
 
Building on George L. Mosse’s foundational research, Tarquini provides the best single-volume work available to fully understand a complex and challenging subject. It reveals how the fascists used culture—art, cinema, music, theater, and literature—to build a conservative revolution that purported to protect the traditional social fabric while presenting itself as maximally oriented toward the future.
[more]
cover of A History of Modern Singapore, 1819-2005

A History of Modern Singapore, 1819-2005

Constance Turnbull

National University of Singapore Press, 2020

First published in 1977, C. M. Turnbull’s one-volume history of Singapore has been an essential resource for more than forty years. Turnbull’s History provides a solid foundation for understanding of the two-hundred-year trajectory of Singapore from colonial outpost to world city. While many modern studies focus on current affairs or very recent events, emphasizing Singapore’s successful transition from the developing to the developed world, Turnbull connects this story to Singapore’s colonial experience under the East India Company and the British Crown. This new edition, building on two earlier thorough-going revisions, presents the standard history in a new and more affordable format for students, teachers, and anyone fascinated by the many stories of changing Singapore.
 
[more]
cover of A History of Scandinavian Literature, 1870-1980

A History of Scandinavian Literature, 1870-1980

Sven Rossel

University of Minnesota Press, 1982

A History of Scandinavian Literature, 1870-1980 was first published in 1982. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The decade of the 1870s marked a breakthrough in the literature of Denmark and Norway and, in the next decade, of Sweden, Finland, and Iceland. Until that time, these countries had to a large extent received literary and cultural impulses from abroad, but with the development of new realistic and naturalistic literary modes in the 1870s, they became a creative cultural area, one of the centers of world literature.Sven Rossel begins his literary history at this turning point. Instead of providing a complete survey, with its risks of superficiality, he focuses on a number of outstanding writers who are considered representative of literary periods, stylistic trends, or social groups. Among the authors whose work he considers are the Danish essayist Georg Brandes and novelist Isak Dinesen, Norwegians Henrik Ibsen, Knut Hamsun, and Ole E. Rølvaag, Swedes August Strindberg, Selma Lagerlöf, and Vilhelm Moberg, Minna Canth and Christer Kijlman of Finland, and the Icelandic novelist and poet, Halldór Kiljan Laxness. He does not, however, confine himself to authors well established in the non-Scandinavian world but gives attention also to talented writers who have – undeservedly – remained unrecognized even in their native lands.Rossel provides a social, cultural, and political context for his literary study and emphasizes the interrelationship among the five countries. In addition, he stresses reciprocal influences in world literature, devoting special attention to Anglo-American cross-currents. This book is for scholars, students, and general readers interested in the literary and cultural life of the Nordic countries or in comparative literature.
[more]