702 books match the query 'America' and 63 start with a

cover of Ancient Households of the Americas: Conceptualizing What Households Do

Ancient Households of the Americas

Conceptualizing What Households Do

John G. Douglass

University Press of Colorado, 2012

In Ancient Households of the Americas archaeologists investigate the fundamental role of household production in ancient, colonial, and contemporary households.

Several different cultures-Iroquois, Coosa, Anasazi, Hohokam, San Agustín, Wankarani, Formative Gulf Coast Mexico, and Formative, Classic, Colonial, and contemporary Maya-are analyzed through the lens of household archaeology in concrete, data-driven case studies. The text is divided into three sections: Section I examines the spatial and social organization and context of household production; Section II looks at the role and results of households as primary producers; and Section III investigates the role of, and interplay among, households in their greater political and socioeconomic communities.

In the past few decades, household archaeology has made substantial contributions to our understanding and explanation of the past through the documentation of the household as a social unit-whether small or large, rural or urban, commoner or elite. These case studies from a broad swath of the Americas make Ancient Households of the Americas extremely valuable for continuing the comparative interdisciplinary study of households.

[more]
cover of Ancient Ocean Crossings: Reconsidering the Case for Contacts with the Pre-Columbian Americas

Ancient Ocean Crossings

Reconsidering the Case for Contacts with the Pre-Columbian Americas

Stephen C. Jett

University of Alabama Press, 2017

Paints a compelling picture of impressive pre-Columbian cultures and Old World civilizations that, contrary to many prevailing notions, were not isolated from one another
 
In Ancient Ocean Crossings: Reconsidering the Case for Contacts with the Pre-Columbian Americas, Stephen Jett encourages readers to reevaluate the common belief that there was no significant interchange between the chiefdoms and civilizations of Eurasia and Africa and peoples who occupied the alleged terra incognita beyond the great oceans.
 
More than a hundred centuries separate the time that Ice Age hunters are conventionally thought to have crossed a land bridge from Asia into North America and the arrival of Columbus in the Bahamas in 1492. Traditional belief has long held that earth’s two hemispheres were essentially cut off from one another as a result of the post-Pleistocene meltwater-fed rising oceans that covered that bridge. The oceans, along with arctic climates and daunting terrestrial distances, formed impermeable barriers to interhemispheric communication. This viewpoint implies that the cultures of the Old World and those of the Americas developed independently.
 
Drawing on abundant and concrete evidence to support his theory for significant pre-Columbian contacts, Jett suggests that many ancient peoples had both the seafaring capabilities and the motives to cross the oceans and, in fact, did so repeatedly and with great impact. His deep and broad work synthesizes information and ideas from archaeology, geography, linguistics, climatology, oceanography, ethnobotany, genetics, medicine, and the history of navigation and seafaring, making an innovative and persuasive multidisciplinary case for a new understanding of human societies and their diffuse but interconnected development.
 
[more]
cover of Animation and America

Animation and America

Wells, Paul

Rutgers University Press, 2002

The "cartoon"in the output of the all conquering Disney studio, the anarchic antics of Bugs Bunny and Daffy Duck in Looney Tunes, and the satiric vision of the Simpsons on television is synonymous with the United States, but the genre rarely is taken seriously. Nevertheless, cartoons are important artistic and cultural achievements, and are an essential ingredient in how America is viewed, both by itself and by others.

In Animation and America, Paul Wells looks afresh at this unique art, discussing the distinctiveness of the cartoon form, as well as myriad other types of animation production. Insisting upon the "modernity" of the genre, Wells examines its importance as a barometer of the social conditions in which it is made and which it reflects. This book is not a standard history of animation in America, but rather uses animation as a way of discussing social and political change. Wells concentrates on the ways in which the form continues to grow, experiment, and remain subversiveand, increasingly, gaining acclaim and recognition. Now in the vanguard of visual culture, animation occupies an important position in representing both the outcomes and impacts of new technologies, and it also has laid the foundations for a new understanding of social and artistic practice.
[more]
cover of Another Face of Empire: Bartolomé de Las Casas, Indigenous Rights, and Ecclesiastical Imperialism

Another Face of Empire

Bartolomé de Las Casas, Indigenous Rights, and Ecclesiastical Imperialism

Daniel Castro

Duke University Press, 2007

The Spanish cleric Bartolomé de Las Casas is a key figure in the history of Spain’s conquest of the Americas. Las Casas condemned the torture and murder of natives by the conquistadores in reports to the Spanish royal court and in tracts such as A Short Account of the Destruction of the Indies (1552). For his unrelenting denunciation of the colonialists’ atrocities, Las Casas has been revered as a noble protector of the Indians and as a pioneering anti-imperialist. He has become a larger-than-life figure invoked by generations of anticolonialists in Europe and Latin America.

Separating historical reality from myth, Daniel Castro provides a nuanced, revisionist assessment of the friar’s career, writings, and political activities. Castro argues that Las Casas was very much an imperialist. Intent on converting the Indians to Christianity, the religion of the colonizers, Las Casas simply offered the natives another face of empire: a paternalistic, ecclesiastical imperialism. Castro contends that while the friar was a skilled political manipulator, influential at what was arguably the world’s most powerful sixteenth-century imperial court, his advocacy on behalf of the natives had little impact on their lives. Analyzing Las Casas’s extensive writings, Castro points out that in his many years in the Americas, Las Casas spent very little time among the indigenous people he professed to love, and he made virtually no effort to learn their languages. He saw himself as an emissary from a superior culture with a divine mandate to impose a set of ideas and beliefs on the colonized. He differed from his compatriots primarily in his antipathy to violence as the means for achieving conversion.

[more]
cover of Antislavery: The Crusade for Freedom in America

Antislavery

The Crusade for Freedom in America

Dwight Lowell Dumond

University of Michigan Press, 1961

Beliving all men to be created equal, we plundered peaceful nations, hunted men like wild beasts, and advertised and sold them with cattle and hogs. Believing freedom to be the sacred right of every man, we made nearly four million men slaves. This work of dedicated scholarship and immense learning reveals with extraordinary force the truth behind the Civil War. Year by year slavery in the United States became more sinister. It contaminated the body politic, it tainted all institutional life, it became a colossus of arbitrary power and greed. On these pages you will see battle waged in constitutional conventions, legistlative halls, courtrooms, churches, schools, in the hearts of men, and finally on the battle field. You will see ill manners turn to brutality. Printing presses are destroyed, schools closed, churches, private homes, and public buildings burned, the mails pillaged, men beaten, stoned, hanged, and shot. And there appear the men and women who before the Civil War courageously fought that all America might be free: the mystic John Woolman, tailor from New Jersey; the distinguished Philadelphia physician Benjamin Rush; the most remarkable Samuel Doak; the brilliant Denmark Vesey; the lonely, wandering saddle maker, Benjamin Lundy; the fearless Angelina Grimke. This life work of the notable American historian Dwight L. Dumond is a major testament for our time, essential reading for everyone interested in justice and equality under the law. The Declaration of Independence assumes new dignity and importance. Birney, Garrison, Lundy, Weld, and a dozen other abolitionists emerge as superior in integrity, patriotism, and vision. Tricky legalistic defenses fall before the frankness of the defenders of human rights. Natural rights, the equality of man, and the higher law come back with pristine gusto. A basic text in the history of race relations and the origins of the Civil War, Antislavery tells of belief, betrayal, and glory in the crusade for freedom in America.
[more]
cover of Approaching the Millennium: Essays on Angels in America

Approaching the Millennium

Essays on Angels in America

Deborah R. Geis and Steven F. Kruger, Editors

University of Michigan Press, 1997

Tony Kushner's complex and demanding play Angels in America: A Gay Fantasia on National Themes has been the most talked about, analyzed, and celebrated play of the decade. The critic Harold Bloom has included Kushner's play in his "Western canon" alongside Shakespeare and the Bible, and drama scholar John M. Clum has termed it "a turning point in the history of gay drama, the history of American drama, and of American literary culture." While we might be somewhat wary of the instant canonization that such critical assessments confer, clearly Kushner's play is an important work, honored by the Pulitzer Prize, thought worthy of recognition on "purely aesthetic" grounds at the same time that it has been embraced--and occasionally rejected--for its politics.
Kushner's play explicitly positions itself in the current American conflict over identity politics, yet also situates that debate in a broader historical context: the American history of McCarthyism, of immigration and the "melting pot," of westward expansion, and of racist exploitation. Furthermore, the play enters into the politically volatile struggles of the AIDS crisis, struggles themselves interconnected with the politics of sexuality, gender, race, and class.
The original essays in Approaching the Millennium explore the complexities of the play and situate it in its particular, conflicted historical moment. The contributors help us understand and appreciate the play as a literary work, as theatrical text, as popular cultural phenomenon, and as political reflection and intervention. Specific topics include how the play thematizes gender and sexuality, race and ethnicity; the postmodern incarnation of the Brechtian epic; AIDS and the landscape of American politics. The range of different international productions of Angels in America provides a rich basis for discussion of its production history, including the linguistic and cultural shifts required in its "translation" from one stage to the next.
The last section of Approaching the Millennium includes interviews with Tony Kushner and other key creators and players involved in the original productions of Angels. The interviews explore issues raised earlier in the volume and dialogues between the creative artists who have shaped the play and the critics and "theatricians" engaged in responding to it.
Contributors to this volume are Arnold Aronson, Art Borreca, Gregory W. Bredbeck, Michael Cadden, Nicholas de Jongh, Allen J. Frantzen, Stanton B. Garner, Deborah R. Geis, Martin Harries, Steven F. Kruger, James Miller, Framji Minwalla, Donald Pease, Janelle Reinelt, David Román, David Savran, Ron Scapp, and Alisa Solomon.
Deborah Geis is Associate Professor of English, Queens College, City University of New York. Steven F. Kruger is Professor and Chair of the Department of English, Queens College, City University of New York.
[more]
cover of Arabs in America: Building a New Future

Arabs in America

Building a New Future

edited by Michael W. Suleiman

Temple University Press, 1999

For many North Americans, Arab Americans are invisible, recalled only when words like "terrorism" or "anti-American sentiments" arise. However, people of Arab descent have been contributing to U. S. an d  Canadian culture since the 1870s in fields as diverse as literature, science, politics, medicine, and commerce -- witness surgeon Michael DeBakey, former Oregon governor Victor Atiyeh, consumer advocate Ralph Nader, and Canadian M.P. Mac Harb. Yet while Arab American contributions to our society are significant and Arab Americans surpass the U.S. average in both education and economics, they still struggle for recognition and acceptance.

In this volume, editor Michael Suleiman brings together 21 prominent scholars from a wide range of perspectives -- including anthropology, economics, history, law, literature and culture, political science, and sociology -- to take a close look at the status of Arabs in North America. Topics range from the career of Arab American singer, dancer, and storyteller Wadeeha Atiyeh to a historical examination of Arab Americans and Zionism. The contributors discuss in Detroit, a group of well-educated Jordanian men, and the Shi'a Muslims -- to illustrate the range of Arab emigre experience. More broadly, they examine Arab American identity, political activism, and attempts by Arab immigrants to achieve respect and recognition in their new homes. They address both the  present situation for Arab Americans and prospects for their future.

Arabs in America will engage anyone interested in Arab American studies, ethnic studies, and American studies.
[more]
cover of Arendt and America

Arendt and America

Richard H. King

University of Chicago Press, 2015

German-Jewish political philosopher Hannah Arendt (1906–75) fled from the Nazis to New York in 1941, and during the next thirty years in America she wrote her best-known and most influential works, such as The Human Condition, The Origins of Totalitarianism, and On Revolution. Yet, despite the fact that a substantial portion of her oeuvre was written in America, not Europe, no one has directly considered the influence of America on her thought—until now. In Arendt and America, historian Richard H. King argues that while all of Arendt’s work was haunted by her experience of totalitarianism, it was only in her adopted homeland that she was able to formulate the idea of the modern republic as an alternative to totalitarian rule.
 
Situating Arendt within the context of U.S. intellectual, political, and social history, King reveals how Arendt developed a fascination with the political thought of the Founding Fathers. King also re-creates her intellectual exchanges with American friends and colleagues, such as Dwight Macdonald and Mary McCarthy, and shows how her lively correspondence with sociologist David Riesman helped her understand modern American culture and society. In the last section of Arendt and America, King sets out the context in which the Eichmann controversy took place and follows the debate about “the banality of evil” that has continued ever since.  As King shows, Arendt’s work, regardless of focus, was shaped by postwar American thought, culture, and politics, including the Civil Rights Movement and the Cold War.

For Arendt, the United States was much more than a refuge from Nazi Germany; it was a stimulus to rethink the political, ethical, and historical traditions of human culture. This authoritative combination of intellectual history and biography offers a unique approach for thinking about the influence of America on Arendt’s ideas and also the effect of her ideas on American thought.
[more]
cover of Aristocracy in America: From the Sketch-Book of a German Nobleman

Aristocracy in America

From the Sketch-Book of a German Nobleman

Francis J. Grund, edited with an introduction by Armin Mattes

University of Missouri Press, 2018

In Jacksonian America, as Grund exposes, the wealthy inhabitants of northern cities and the plantation South may have been willing to accept their poorer neighbors as political and legal peers, but rarely as social equals. In this important work, he thus sheds light on the nature of the struggle between “aristocracy” and “democracy” that loomed so large in early republican Americans’ minds.
 
Francis J. Grund, a German emigrant, was one of the most influential journalists in America in the three decades preceding the Civil War. He also wrote several books, including this fictional, satiric travel memoir in response to Alexis de Tocqueville’s famous Democracy in America. Armin Mattes provides a thorough account of Grund’s dynamic engagement in American political life, and brings to light many of Grund’s reflections on American social and political life previously published only in German. Mattes shows how Grund’s work can expand our understanding of the emerging democratic political culture and society in the antebellum United States.
[more]
cover of Aristotle's Voice: Rhetoric, Theory, and Writing in America

Aristotle's Voice

Rhetoric, Theory, and Writing in America

Jasper Neel

Southern Illinois University Press, 1994

In this book, Jasper Neel’s sure-to-be-controversial resituating of Aristotle centers around three questions that have been constants in his twenty-two years of teaching experience: What does itmean to teach writing? What should one know before teaching writing? And, if there is such a thing as "research in the teaching of writing," what is it?

Believing that all composition teachers are situated politically and socially, both as part of the institution in which they teach and as beings with lived histories, Neel examines his own life and the life of composition studies as a discipline in the context of Aristotle. Neel first situates the Rhetoric as a political document; he then situates the Rhetoric in the Aristotelian system and describes how professional discourse came to know itself through Aristotle’s way of studying the world; finally, he examines the operation of the Rhetoric inside itself before arguing the need to turn to Aristotle’s notion of sophistry as a way of negating his system.

By pointing out the connections among Aristotelian rhetoric, the contemporary university, and the contemporary writing teacher, Neel shows that Aristotle’s frightening social theories are as alive today as are Aristotelian notions of discourse.

Neel explains that by their very nature teachers must speak with a professional voice. It is through showing how to "hear" one’s professional voice that Neel explores the notion of professional discourse that originates with Aristotle. In maintaining that one must pay a high price in order to speak through Aristotle’s theory or to assume the role of "professional," he argues that no neutral ground exists either for pedagogy or for the analysis of pedagogy. Neel concludes this discussion by proposing that Aristotelian sophistry is both an antidote to Aristotelian racism, sexism, and bigotry and a way of allowing Aristotelian categories of discourse to remain useful.

Finally, as an Aristotelian, a teacher, and a writer, Neel responds both to Aristotle and to professionalism by rethinking the influence of the past and reviving the voice of Aristotelian sophistry.

[more]
cover of Arthur Miller's America: Theater and Culture in a Time of Change

Arthur Miller's America

Theater and Culture in a Time of Change

Enoch Brater, Editor

University of Michigan Press, 2005

Perspectives on America's greatest living playwright that explore his longstanding commitment to forging a uniquely American theater

Arthur Miller's America collects new writing by leading international critics and scholars that considers the dramatic world of icon, activist, and playwright Arthur Miller's theater as it reflects the changing moral equations of his time. Written on the occasion of Miller's 85th year, the original essays and interviews in Arthur Miller's America treat the breadth of Miller's work, including his early political writings for the campus newspaper at the University of Michigan, his famous work with John Huston, Clark Gable and Marilyn Monroe on The Misfits, and his signature plays like Death of a Salesman and All My Sons.
[more]
cover of At the Moon's Inn

At the Moon's Inn

Andrew Lytle

University of Alabama Press, 2009

A fascinating tale that brings to life the history of Spanish efforts to establish a controlling presence in the New World during the first half of the 16th century
 
At the Moon’s Inn, first published in 1941, provides a fictional account of De Soto’s famous Spanish expedition to La Florida and through the southeastern United States between 1539 and 1543. The novel begins in Spain in 1538, where De Soto and his chief lieutenants, veterans of the campaigns in South America, pledge themselves to a new enterprise to explore and exploit La Florida. The narrative follows them on their voyage to Cuba, where they rest and obtain additional supplies, then set sail for the area now known as Tampa Bay. Lytle’s brilliant historical novel takes the readers with the conquistadores through the hot, humid land, where despite their advantage in military technology they found they must rely on the Indians for food. The author explores the cultural confrontation that seriously weakened the Indians, while the Spaniards’ dreams of gold gradually turned to hopes of survival in the hostile environment.
 
Drawing his facts from the 1939 United States De Soto Commission Report and from the surviving historical chronicles of the expedition, Lytle weaves a fascinating tale that brings to life the history of Spanish efforts to establish a controlling presence in the New World during the first half of the 16th century.
 
In his introduction, Douglas Jones places At the Moon’s Inn within the context of the documentary record, as well as within the framework of its distinguished author’s career.
 
[more]
cover of Awakening to Race: Individualism and Social Consciousness in America

Awakening to Race

Individualism and Social Consciousness in America

Jack Turner

University of Chicago Press, 2012

The election of America’s first black president has led many to believe that race is no longer a real obstacle to success and that remaining racial inequality stems largely from the failure of minority groups to take personal responsibility for seeking out opportunities. Often this argument is made in the name of the long tradition of self-reliance and American individualism. In Awakening to Race, Jack Turner upends this view, arguing that it expresses not a deep commitment to the values of individualism, but a narrow understanding of them.
 
Drawing on the works of Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, Ralph Ellison, and James Baldwin, Turner offers an original reconstruction of democratic individualism in American thought. All these thinkers, he shows, held that personal responsibility entails a refusal to be complicit in injustice and a duty to combat the conditions and structures that support it. At a time when individualism is invoked as a reason for inaction, Turner makes the individualist tradition the basis of a bold and impassioned case for race consciousness—consciousness of the ways that race continues to constrain opportunity in America. Turner’s “new individualism” becomes the grounds for concerted public action against racial injustice.
[more]