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Questions of human rights are among the most pressing and intractable matters at this historical moment. If claims to human rights are by definition universal, the formulation, legislation, and implementation of them tend to be significantly less than universal. And Justice for All? a special issue of SAQ, examines the idea and the reality of human rights and their attendant discourses. The essays gathered here—from academics and activists working in law, philosophy, political theory, literature, medicine, and ngos—collectively interrogate these universal claims to human rights and the political justice that may or may not follow from them.

Grappling with the philosophical and theoretical questions at the heart of human rights, these essays take into consideration current political configurations such as sovereignty, genocide, humanitarian intervention, and the neglected domain of cultural rights (the right to a cultural identity). Drawing on Enlightenment thinking about human rights at the same time that they analyze the central concepts at work there—including the “humanity of man” and the nature of rights or of law—the contributors make a necessary intervention in a world system that Enlightenment thinkers could scarcely have envisioned.

Contributors. Etienne Balibar, Rony Brauman, Wendy Brown, Rebecca Comay, Jacques Derrida, Paul Downes, Werner Hamacher, Thomas Keenan, Susan Maslan, Jacques Rancière, Bruce Robbins, Avital Ronell, Gayatri Chakravorty Spivak, Elsa Stamatopoulou, Slavoj Zizek

The Student Nonviolent Coordinating Committee (SNCC) arrived in Arkansas in October 1962 at the request of the Arkansas Council on Human Relations, the state affiliate of the Southern Regional Council. SNCC efforts began with Bill Hansen, a young white Ohioan--already an early veteran of the civil rights movement--who traveled to Little Rock in the early sixties to help stimulate student sit-in movements promoting desegregation. Thanks in large part to SNCC's bold initiatives, most of Little Rock's public and private facilities were desegregated by 1963, and in the years that followed many more SNCC volunteers rushed to the state to set up projects across the Arkansas Delta to help empower local people to take a stand against racial discrimination. In the five short years before it disbanded, the SNCC's Arkansas Project played a pivotal part in transforming the state, yet this fascinating branch of the national organization has barely garnered a footnote in the history of the civil rights movement. This collection serves as a corrective by bringing articles on SNCC's activities in Arkansas together for the first time, by providing powerful firsthand testimonies, and by collecting key historical documents from SNCC's role in the region's emergence from the slough of southern injustice.

Explore how jazz legends and literary icons united art and activism, shaping the civil rights movement and transforming American culture during the pivotal period between 1955 and 1965.

Art and Activism explores the powerful, symbiotic relationships among artists such as Nina Simone, Abbey Lincoln, and Lena Horne and their literary counterparts—Lorraine Hansberry, Maya Angelou, and Langston Hughes. These creative figures positioned themselves as cultural thought leaders within the evolving civil rights movement. While the Jim Crow South was the movement’s operational front, Jack Marchbanks argues that New York City’s intellectual, cultural, and fundraising communities functioned as its strategic command center.

Readers who admire jazz legends like Duke Ellington, Dave Brubeck, Miles Davis, and Charles Mingus—and those fascinated by prominent African American writers like James Baldwin and Ralph Ellison—will discover how these artists intertwined their work with the civil rights struggle. The book examines their involvement in pivotal confrontations and their connections with key leaders such as the Reverend Dr. Martin Luther King Jr., Daisy Bates, Ella Baker, and Malcolm X.

By illuminating the intersection of art and activism, this study offers a fresh perspective on the pivotal decade from 1955 to 1965. It is an essential resource for undergraduate courses and an engaging read for anyone seeking to understand the civil rights era through a cultural lens.

Leading experts in the analysis of ethnicity and indigenous rights explore the questions of why and how the circumstances of indigenous peoples are improving in some places of the world, while their human rights continue to be abused in others. Drawing on case studies from Asia, Africa, Australia, and the Americas, chapters explore how political organization, natural resource management, economic development, and conflicting definitions over cultural, linguistic, religious, and territorial identity have informed indigenous strategies for empowerment.
Combining rich ethnographic descriptions with clear theoretical analyses, At the Risk of Being Heard considers the paradoxical challenges and opportunities confronting indigenous peoples at the dawn of the twenty-first century. In the face of state-sanctioned violence, indigenous peoples encounter considerable risks when asserting their rights, especially to self-determination. Yet, if they remain silent or absent from new arenas of power, hiding in marginalized homelands or cultural practices, they risk being invisible to those allies that would aid them in their struggles for survival.
At the Risk of Being Heard offers needed insights for individuals working on issues of governance, sustainable development, resource management, globalization, and indigenous affairs. It will undoubtedly appeal to undergraduate and graduate students in anthropology, sociology, history, political science, peace studies, and to those students in courses that explore relationships among postcolonial states, indigenous peoples, and human rights.
Bartholomew Dean is Assistant Professor of Anthropology, University of Kansas. Jerome M. Levi is Associate Professor of Anthropology, Carleton College.