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Though the Czech Republic is a young nation, the areas within and just outside its modern borders boast an ancient and intricate past. A History of the Czech Lands provides one of the most complete historical accounts of this region to date. This history begins in the Neolithic era and follows the development of the state as it transformed into the Kingdom of Bohemia during the ninth century, into Czechoslovakia after World War I, and finally into the Czech Republic. Such a tumultuous political past arises in part from a fascinating native people, and A History of the Czech Lands profiles the Czechs in great detail, delving into past and present traditions and explaining how generation after generation adapted to a perpetually changing government and economy. In addition, the authors examine the many minorities that now call these lands home—Jews, Slovaks, Poles, Germans, Ukrainians, and others—and how each group’s migration to the region contributed to life in the Czech Republic today.
 
The second edition includes sixty new photographs and a new chapter detailing the transformation of this post-communist country into a member of the European Union. The only study in English of this scope and ambition, A History of the Czech Lands is essential for scholars of Slavic, Central, and East European studies and a must-read for those who trace their ancestry to these lands.

The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s.

Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. 

In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

In the second volume of his vivid history of the Swedes, Vilhelm Moberg brings his focus on the common people to bear on a period that included two dramatic revolts: the national insurrection under Engelbrekt and the last desperate attempt of the Smaland peasantry to retain their medieval liberties - a defiance bloodily crushed by King Gustav Vasa. Using a wide variety of local historical source materials, Moberg studies the ruthless monarch Vasa and his two tragic opponents: the psychopathic Christian II of Denmark and Nils Dracke, the leader of the Smalanders. Furthermore, he examines the enigmatic and wide appeal of the Swedish forest and investigates the origins of the Swedish hatred of Danes, which was implanted by propaganda through songs commissioned by Karl VIII's chancellery.Moberg's history has been widely hailed by the Swedish press as a masterpiece of popular history writing and has been an all-time best-seller in Swedish bookstores.

The twentieth century was a golden age of mapmaking, an era of cartographic boom. Maps proliferated and permeated almost every aspect of daily life, not only chronicling geography and history but also charting and conveying myriad political and social agendas. Here Tim Bryars and Tom Harper select one hundred maps from the millions printed, drawn, or otherwise constructed during the twentieth century and recount through them a narrative of the century’s key events and developments.
           
As Bryars and Harper reveal, maps make ideal narrators, and the maps in this book tell the story of the 1900s—which saw two world wars, the Great Depression, the Swinging Sixties, the Cold War, feminism, leisure, and the Internet. Several of the maps have already gained recognition for their historical significance—for example, Harry Beck’s iconic London Underground map—but the majority of maps on these pages have rarely, if ever, been seen in print since they first appeared. There are maps that were printed on handkerchiefs and on the endpapers of books; maps that were used in advertising or propaganda; maps that were strictly official and those that were entirely commercial; maps that were printed by the thousand, and highly specialist maps issued in editions of just a few dozen; maps that were envisaged as permanent keepsakes of major events, and maps that were relevant for a matter of hours or days.
           
As much a pleasure to view as it is to read, A History of the Twentieth Century in 100 Maps celebrates the visual variety of twentieth century maps and the hilarious, shocking, or poignant narratives of the individuals and institutions caught up in their production and use.

The First General History in English of the Germanic People Who Sacked Rome in the Fifth Century AD and Established a Kingdom in North Africa

The fifth century AD was a time of great changes in the Mediterranean world. In the early 400s, the Roman Empire ranged from the lowlands of Scotland to the Upper Nile and from Portugal to the Caucasus. It was almost at its widest extent, and although ruled by two emperors—one in the West and one in the East—it was still a single empire. One hundred years later, Roman control of Western Europe and Western North Africa had been lost. In its place, a number of Germanic kingdoms had been established in these regions, with hundreds of thousands of Germanic and other peoples settling permanently inside the former borders of the Western Roman Empire.

            One of the most fascinating of these tribes of late antiquity were the Vandals, who over a period of six hundred years had migrated from the woodland regions of Scandinavia across Europe and ended in the deserts of North Africa. In A History of the Vandals, the first general account in English covering the entire story of the Vandals from their emergence to the end of their kingdom, historian Torsten Cumberland Jacobsen pieces together what we know about the Vandals, sifting fact from fiction. In the middle of the fifth century the Vandals, who professed Arianism, a form of Christianity considered heretical by the Roman emperor, created the first permanent Germanic successor state in the West and were one of the deciding factors in the downfall of the Western Roman Empire. Later Christian historians described their sack of Rome in 455 and their vehement persecution of Catholics in their kingdom, accounts that were sensationalized and gave birth to the term “vandalism.”

            In the mid-sixth century, the Vandals and their North African kingdom were the first target of Byzantine Emperor Justinian’s ambitious plan to reconquer the lost territories of the fallen Western Empire. In less than four months, what had been considered one of the strongest Germanic kingdoms had been defeated by a small Roman army led by the general Belisarius. Despite later rebellions, this was the end of the Germanic presence in North Africa, and in many ways the end of the Arian heresy of Christianity. For the Romans it was the incredibly successful start of the reconquest of the lost lands of the Western Empire.

How has the world come to focus on the Holocaust and why has it invariably done so in the heat of controversy, scandal, and polemics about the past? These questions are at the heart of this unique investigation of the Treblinka affair that occurred in France in 1966 when Jean-Francois Steiner, a young Jewish journalist, published Treblinka: The Revolt of an Extermination Camp. A cross between a history and a novel, Steiner’s book narrated the 1943 revolt at one of the major Nazi death camps. Abetted by a scandalous interview he gave, as well as Simone de Beauvoir’s glowing preface, the book shot to the top of the Parisian bestseller list and prompted a wide-ranging controversy in which both the well-known and the obscure were embroiled. Few had heard of Treblinka, or other death camps, before the affair. The validity of the difference between those killing centers and the larger network of concentration camps making up the universe of Nazi crime had to be fought out in public. The affair also bore on the frequently raised question of the Jews’ response to their dire straits. Moyn delves into events surrounding the publication of Steiner’s book and the subsequent furor. In the process, he sheds light on a few forgotten but thought-provoking months in French cultural history. Reconstructing the affair in detail, Moyn studies it as a paradigm-shifting controversy that helped change perceptions of the Holocaust in the French public and among French Jews in particular. Then Moyn follows the controversy beyond French borders to the other countries—especially Israel and the United States—where it resonated powerfully. Based on a complete reconstruction of the debate in the press (including Yiddish dailies) and on archives on three continents, Moyn’s study concludes with the response of the survivors of Treblinka to the controversy and reflects on its place in the longer history of Holocaust memory. Finally, Moyn revisits, in the context of a detailed case study, some of the theoretical controversies the genocide has provoked, including whether it is appropriate to draw universalistic lessons from the victimhood of particular groups.

Eminent social historian Jacob Katz examines the rise and transformation of Jewish communal leadership in Central Europe. It is a story of fragmentation and polarization that sheds light on the tensions within the 19th-century Jewish community in Central Europe as it struggled to respond to the promises and perils of modernization.

How and why does Denmark have one of the richest, most equal, and happiest societies in the world today? Historians have often pointed to developments from the late nineteenth century, when small peasant farmers worked together through agricultural cooperatives, whose exports of butter and bacon rapidly gained a strong foothold on the British market.

This book presents a radical retelling of this story, placing (largely German-speaking) landed elites—rather than the Danish peasantry—at center stage. After acquiring estates in Denmark, these elites imported and adapted new practices from outside the kingdom, thus embarking on an ambitious program of agricultural reform and sparking a chain of events that eventually led to the emergence of Denmark’s famous peasant cooperatives in 1882. A Land of Milk and Butter presents a new interpretation of the origin of these cooperatives with striking implications for developing countries today.
 

Provence through the eyes of its writers—those who wrote of it in Provençal or French and also those visitors who were moved by its beauty—that is the inspiration behind A Literary Guide to Provence. In this compact travel guide, Marseilles native Daniel Vitaglione presents a literary panorama of the region of southern France from the Avignon of Mistral to Colette’s St. Tropez.

Including such sites as the birthplace of Nostradamus and the ruins of the Marquis de Sade’s castle, A Literary Guide to Provence presents a thousand years of history entwined with maps and photos that provide readers on tour with a sense of the historical import of this most beautiful of regions even as they experience it firsthand.

Both authors of Provençal ancestry and those who came to love and live in Provence are featured in this comprehensive and enchanting picture of the garden place of France. The Riviera enticed Virginia Woolf. Toulon inspired two novels by Georges Sand. Robert Louis Stevenson resided in Hyères, as did Edith Wharton. Le Lavandou was Willa Cather’s favorite place. F. Scott Fitzgerald lived in St. Raphael and Juan-les-Pins, where he wrote Tender is the Night.

This illustrated guide follows in these writers’ footsteps, and the practical information on hotels and restaurants (phones, web sites, email, etc.) make it the ideal traveling companion for armchair tourists and those who cannot resist seeing Provence for themselves.

From his earliest childhood, Giles Radice has held Europe close to his heart. Ten years after the end of World War II, at the age of 18, he set off to cycle across the continent. Meeting his European contemporaries, Radice discussed the prospects of building a new and better Europe, in which war might be ended forever and prosperity assured for all. It was clear to him that Europe should unite, and that Britain could not stay on the margins. Elected to Parliament, Radice did his part, pushing Britain to become and remain officially a part of Europe, and asking why the British always remained reluctant Europeans, forever skeptical about the benefits of greater union. Now, post-Brexit, he confronts those questions anew. Why have the underlying forces of the EU not pulled Britain closer to the continent? How much should we blame the negative influence of the media? From Thatcher’s Euroscepticism to Blair’s soundbites and the half-hearted campaign from both main parties in the referendum of 2016, Radice ultimately places the blame squarely on the political class itself.

From The Things They Carried and Platoon to today’s documentaries of soldiers fighting in Iraq and Afghanistan, the ordeals of wartime soldiers are gripping, morally complex narratives of human strength and frailty. A Month at the Front offers another fresh and personal perspective on war. Recently acquired by the Bodleian Library, it is a first-hand account of a young and anonymous British soldier fighting in the frontline trenches of the First World War.

A Month at the Front chronicles one month in the life of a soldier from the 12th East Surrey regiment, and the economical yet powerful narrative vividly brings to life the sights, sounds, and horrors of war. “The first night passed uneventfully, except that we were shelled”—so begins the young man in spare prose, and the quiet drama unfolds from there. Constant bombings and the sobering landscape of war—“It was nothing unusual to come across . . . a dead comrade lying waiting for burial”—are occasionally relieved by humorous events such as the discovery that a troop of advancing Germans was “nothing more than few short willow shrubs waving about in the breeze.” The young soldier describes how his comrades gradually fall one by one, until he and three remaining fellow soldiers are captured by the enemy, an event that abruptly ends the narrative.

A Month at the Front is not penned by a famous author, nor does it claim to offer any broad perspective. Rather, it is the lone voice of an unknown young man thrust into fatal circumstances.

The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.

Between the years 1778 and 1784, groups that had previously been excluded from the Irish political sphere—women, Catholics, lower-class Protestants, farmers, shopkeepers, and other members of the laboring and agrarian classes—began to imagine themselves as civil subjects with a stake in matters of the state. This politicization of non-elites was largely driven by the Volunteers, a local militia force that emerged in Ireland as British troops were called away to the American War of Independence. With remarkable speed, the Volunteers challenged central features of British imperial rule over Ireland and helped citizens express a new Irish national identity.
    In A Nation of Politicians, Padhraig Higgins argues that the development of Volunteer-initiated activities—associating, petitioning, subscribing, shopping, and attending celebrations—expanded the scope of political participation. Using a wide range of literary, archival, and visual sources, Higgins examines how ubiquitous forms of communication—sermons, songs and ballads, handbills, toasts, graffiti, theater, rumors, and gossip—encouraged ordinary Irish citizens to engage in the politics of a more inclusive society and consider the broader questions of civil liberties and the British Empire. A Nation of Politicians presents a fascinating tale of the beginnings of Ireland’s richly vocal political tradition at this important intersection of cultural, intellectual, social, and public history.

 

 

Winner of the Donald Murphy Prize for Distinguished First Book, American Conference for Irish Studies

A sound track of Germany in the early twentieth century might conjure military music and the voice of Adolf Hitler rising above a cheering crowd. In A National Acoustics, Brian Currid challenges this reductive characterization by investigating the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime. 

Offering a nuanced analysis of how publicity was constructed through radio programming, print media, popular song, and film, Currid examines how German citizens developed an emotional investment in the nation and other forms of collectivity that were tied to the sonic experience. Reading in detail popular genres of music—the Schlager (or “hit”), so-called gypsy music, and jazz—he offers a complex view of how they played a part in the creation of German culture. 

A National Acoustics contributes to a new understanding of what constitutes the public sphere. In doing so, it illustrates the contradictions between Germany’s social and cultural histories and how the technologies of recording not only were vital to the emergence of a national imaginary but also exposed the fault lines in the contested terrain of mass communication. 

Brian Currid is an independent scholar who lives in Berlin.

An innovative investigation of the entangled histories of race, transnational adoption, and post-Nazi Germany.

In a moving blend of family history and cutting-edge scholarship, Tracey Owens Patton’s A Nation’s Undesirables synthesizes work in rhetorical postmemory studies, critical adoption studies, Afrofuturism, and more to tell the story of her mother and aunt, Lore and Lilli. Two of thousands of children born to white German women and Black American men after World War II, the twins moved to the United States at age seven, where their mother renounced her parental rights and put them into the adoption system. They did not see her again for fifty-two years.

Patton takes up the twins’ story and their reckoning with their mixed-race, Black German identity to disrupt standard narratives around World War II, Black experiences in Germany, and race and adoption. Combining family interviews, historical artifacts, and autoethnographic reflection, Patton composes a new narrative of women and Black German children in the postwar era. In examining the systemic racism of Germany’s efforts to move children like Lore and Lilli out of the country—and the suppression of German women’s bodily autonomy—Patton amplifies the once unacknowledged identities of these Black German children to broaden our understanding of citizenship, racism, and sexism after World War II.

A Network of Converso Families in Early Modern Toledo addresses the fortunes of Jewish families who converted to Catholicism in fifteenth-century Spain. From the fifteenth through the seventeenth century, their careers, successes, and misfortunes are traced as they confront institutional and societal prejudices in the form of the Spanish Inquisition and pure blood statutes.
Linda M. Martz focuses on families that were immersed in the worlds of business and finance. They formed the backbone of the trade industry and, during the economic expansion of the sixteenth century, enjoyed a high degree of affluence. The seventeenth century, however, brought harder times. How these families rose to positions of commercial eminence and then adapted to this economic downturn is one of the questions addressed in this insightful book.
A Network of Converso Families in Early Modern Toledo relies heavily on archival evidence--notarial, parish, and city records--that offers new insights into the families' histories. Business endeavors, marriage alliances, involvement in local politics, and the pursuit of improved social status are all subjected to Martz's keen analysis.
These families appear to have been well integrated into their contemporary society; aside from their business and financial activities, many were members of the city's governing council. But how well did they integrate with the lower classes? Assimilating minorities in the majority culture is a task that confronts most modern societies, so the experience of Spain and this particular minority may serve as an example of how earlier societies viewed and confronted this challenge.
This book will appeal to historians of medieval and Renaissance Spain and those interested in the Inquisition's effect on Renaissance Spain. It will also prove to be indispensable for those interested in the history of the Jewish race, as well as for those pursuing the question of marginalization.
Linda M. Martz is an independent historian as well as a freelance editor and writer.

A smart and succinct history of the Labour left

*A Guardian Book of the Day*

The defeat of socialist firebrand Jeremy Corbyn as Labour Leader in 2019 confirmed Tony Benn's famous retort 'the Labour party has never been a socialist party, although there have always been socialists in it.'

For over a hundred years, the British Labour Party has been a bastion for working-class organization and struggle. However, has it ever truly been on the side of the workers? Where do its interests really lie? And can we rely on it to provide a barrier against right-wing forces?

Simon Hannah's smart and succinct history of the Labour left guides us through the twists and turns of the party, from the Bevanite movement and the celebrated government of Clement Attlee, through the emergence of a New Left in the 1970s and the Blairism of the 1990s, to Corbyn's defeat and his replacement by Keir Starmer.

This new edition is updated throughout, with a new final chapter and conclusion bringing the story up to date.

The fight of an oppressed nation for its sovereignty has often dovetailed with that of a militant working class for social justice.

At every home game of FC Barcelona, at 17 minutes and 14 seconds of play, the 100,000-capacity Camp Nou stadium is filled by the roar of “IN-DE-PEN-DÈN-CI-A!” Time stops for a second. History lives in the present...

Catalonia's national consciousness has deep roots. There are countries twice the size with histories half as interesting. A People's History of Catalonia tells that history, from below, in all its richness and complexity. The region's struggle for independence has, for centuries, been violently resisted, the Catalan language suppressed and its leaders jailed.

From the peasant revolts of the 15th century and the siege of Barcelona in 1714, to defeat in the Spanish Civil War, and the slow re-emergence of the workers' movement and anti-Francoist resistance in the years that followed, Michael Eaude tells a compelling story whose ending has yet to be written.

The origin of capitalism and modern industrialism—and, not unrelated, the birthplace of Marxism—modern Europe provided the perfect conditions for a great number of political revolutions. From the monarchical terror of the Middle Ages to the mangled Europe of the twenty-first century, A People’s History of Modern Europe tracks the history of the continent through the deeds of those whom mainstream history tries to forget.
 
Along the way, William A. Pelz examines the German peasant wars of Thomas Müntzer, the bourgeoisie revolutions of the eighteenth century, the rise of the industrial worker in England, the turbulent journey of the Russian Soviets, the role of the European working class throughout the Cold War, and the revolutionary students in 1968. He then brings his story to the present day, where we continue to fight to forge an alternative to a heartless and often barbaric economic system. 
 
As Germany and Greece argue over who owes what, with the very idea of Europe crumbling around them, Pelz’s accessible, provocative history could not be timelier. Sure to resonate with fans of books like Howard Zinn’s A People’s History of the United States, this people’s history sweeps away the tired platitudes of the privileged and provides an opportunity to understand the story of Europe from the ground up.

The exceptionality of America’s Supreme Court has long been conventional wisdom. But the United States Supreme Court is no longer the only one changing the landscape of public rights and values. Over the past thirty years, the European Court of Human Rights has developed an ambitious, American-style body of law. Unheralded by the mass press, this obscure tribunal in Strasbourg, France has become, in many ways, the Supreme Court of Europe.

Michael Goldhaber introduces American audiences to the judicial arm of the Council of Europe—a group distinct from the European Union, and much larger—whose mission is centered on interpreting the European Convention on Human Rights. The Council routinely confronts nations over their most culturally-sensitive, hot-button issues. It has stared down France on the issue of Muslim immigration; Ireland on abortion; Greece on Greek Orthodoxy; Turkey on Kurdish separatism; Austria on Nazism; and Britain on gay rights and corporal punishment. And what is most extraordinary is that nations commonly comply.

In the battle for the world’s conscience, Goldhaber shows how the court in Strasbourg may be pulling ahead.

In October 1918, war-weary German sailors mutinied rather than engage in one final, fruitless battle with the British Royal Navy. That revolt, coming as World War I slowly ended, quickly became far bigger, erupting into a full-scale revolution that toppled the monarchy and inaugurated a brief period of radical popular democracy. This book tells that mostly forgotten story, going beyond the handful of familiar names such as Rosa Luxemburg and Karl Liebknecht to present the revolution from the bottom up. Through stories of the actions of rank-and-file activists and ordinary workers, Willam A. Pelz builds a compelling case that, for a brief period, the actions of the common people shaped a truly revolutionary society.

On the 25th April 1974, a coup destroyed the ranks of Portugal’s fascist Estado Novo government as the Portuguese people flooded the streets of Lisbon, placing red carnations in the barrels of guns and demanding a ‘land for those who work in it’.

This became the Carnation Revolution - an international coalition of working class and social movements, which also incited struggles for independence in Portugal’s African colonies, the rebellion of the young military captains in the national armed forces and the uprising of Portugal’s long-oppressed working classes. It was through the organising power of these diverse movements that a popular-front government was instituted and Portugal withdrew from its overseas colonies.

Cutting against the grain of mainstream accounts, Raquel Cardeira Varela explores the role of trade unions, artists and women in the revolution, providing a rich account of the challenges faced and the victories gained through revolutionary means.

The Russian Revolution may be the most misunderstood and misrepresented event in modern history, its history told in a mix of legends and anecdotes. In A People's History of the Russian Revolution, Neil Faulkner sets out to debunk the myths and pry fact from fiction, putting at the heart of the story the Russian people who are the true heroes of this tumultuous tale. In this fast-paced introduction, Faulkner tells the powerful narrative of how millions of people came together in a mass movement, organized democratic assemblies, mobilized for militant action, and overturned a vast regime of landlords, profiteers, and warmongers.
 
Faulkner rejects caricatures of Lenin and the Bolsheviks as authoritarian conspirators or the progenitors of Stalinist dictatorship, and forcefully argues that the Russian Revolution was an explosion of democracy and creativity—and that it was crushed by bloody counter-revolution and replaced with a form of bureaucratic state-capitalism.
 
Grounded by powerful first-hand testimony, this history marks the centenary of the Revolution by restoring the democratic essence of the revolution, offering a perfect primer for the modern reader.

A Poetry Precise and Free collects 150 lyric poems by the Renaissance Italian poet Giovanni Battista Guarini in new translations, accompanied by the Italian originals and commentary that will enlighten and engage both scholars and general readers.  Guarini’s madrigals provide insight into northern Italian court culture of the late Renaissance, when poetry and music were enjoyed as companion arts. Hundreds of composers of Guarini’s day set his lyric poems to music. Primarily known today in their vocal settings, most famously those of Claudio Monteverdi, the poems merit appreciation in their own right.

This volume is organized into ten sections, grouping the madrigals around themes such as the anguish of passion, the asymmetry of desire, the incursions of jealousy, and the possibility of mutual bliss. Nicholas R. Jones renders Guarini’s poetry into accessible contemporary English verse that nevertheless stays true to the substance and form of the original texts, reflecting their roots in the Petrarchan poetic tradition and displaying the emotion and musicality that made these lyrics so popular from the start. A substantive introduction provides cultural context for the madrigals and their musical settings; brief commentaries follow each translation to illuminate aspects of poetic and rhetorical craft. An extensive appendix lists the madrigal compositions that set these lyrics for vocal performance.

The book fills a major gap in the scholarship on Guarini’s literary legacy. It will appeal to scholars of literature, Renaissance studies, and musicology, early-music performers, and general readers interested in poetry and classical music.

What Is the Third Estate? was the most influential pamphlet of 1789. It did much to set the French Revolution on a radically democratic course. It also launched its author, the Abbé Sieyes, on a remarkable political career that spanned the entire revolutionary decade. Sieyes both opened the revolution by authoring the National Assembly’s declaration of sovereignty in June of 1789 and closed it in 1799 by engineering Napoleon Bonaparte’s coup d’état.
This book studies the powerful rhetoric of the great pamphlet and the brilliant but enigmatic thought of its author. William H. Sewell’s insightful analysis reveals the fundamental role played by the new discourse of political economy in Sieyes’s thought and uncovers the strategies by which this gifted rhetorician gained the assent of his intended readers—educated and prosperous bourgeois who felt excluded by the nobility in the hierarchical social order of the old regime. He also probes the contradictions and incoherencies of the pamphlet’s highly polished text to reveal fissures that reach to the core of Sieyes’s thought—and to the core of the revolutionary project itself.
Combining techniques of intellectual history and literary analysis with a deep understanding of French social and political history, Sewell not only fashions an illuminating portrait of a crucial political document, but outlines a fresh perspective on the history of revolutionary political culture.

In nineteenth-century London, a clubbable man was a fortunate man, indeed. The Reform, the Athenaeum, the Travellers, the Carlton, the United Service are just a few of the gentlemen’s clubs that formed the exclusive preserve known as “clubland” in Victorian London—the City of Clubs that arose during the Golden Age of Clubs. Why were these associations for men only such a powerful emergent institution in nineteenth-century London? Distinctly British, how did these single-sex clubs help fashion men, foster a culture of manliness, and assist in the project of nation building? What can elite male affiliative culture tell us about nineteenth-century Britishness?

A Room of His Own sheds light on the mysterious ways of male associational culture as it examines such topics as fraternity, sophistication, nostalgia, social capital, celebrity, gossip, and male professionalism. The story of clubland (and the literature it generated) begins with Britain’s military heroes home from the Napoleonic campaign and quickly turns to Dickens’s and Thackeray’s acrimonious Garrick Club Affair. It takes us to Richard Burton’s curious Cannibal Club and Winston Churchill’s The Other Club; it goes underground to consider Uranian desire and Oscar Wilde’s clubbing and resurfaces to examine the problematics of belonging in Trollope’s novels. The trespass of French socialist Flora Tristan, who cross-dressed her way into the clubs of Pall Mall, provides a brief interlude. London’s clubland—this all-important room of his own—comes to life as Barbara Black explores the literary representations of clubland and the important social and cultural work that this urban site enacts. Our present-day culture of connectivity owes much to nineteenth-century sociability and Victorian networks; clubland reveals to us our own enduring desire to belong, to construct imagined communities, and to affiliate with like-minded comrades.