752 books match the query 'Illinois' and 63 start with a

cover of An Unsentimental Education: Writers and Chicago

An Unsentimental Education

Writers and Chicago

Molly McQuade

University of Chicago Press, 1995

"Writers are both born and made, and their teachers share in the making of them, but in what ways?" Molly McQuade asks in An Unsentimental Education, a collection of candid interviews with twenty-one of our leading novelists and poets. Presented as first-person essays, the interviews are with contemporary writers who have studied, taught at, or cultivated other ties with the University of Chicago. The book provides an occasion for the writers to reflect on their Chicago experiences and on ideas about education in general. What education does a writer need? How can formal learning impel the writing life? What school stories or tales told out of school do Philip Roth, Hayden Carruth, Marguerite Young, George Steiner, Charles Simic, Susan Sontag, and Saul Bellow have in store and want to share.

Interviews with:Saul Bellow, Paul Carroll, Hayden Carruth, Robert Coover, Leon Forrest, June Jordan, Janet Kauffman, Morris Philipson, M. L. Rosenthal, Philip Roth, Susan Fromberg Shaeffer, Charles Simic, Susan Sontag, George Starbuck, George Steiner, Richard Stern, Nathaniel Tarn, Douglas Unger, Kurt Vonnegut, and Marguerite Young.
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cover of Another Way Home: The Tangled Roots of Race in One Chicago Family

Another Way Home

The Tangled Roots of Race in One Chicago Family

Ronne Hartfield

University of Chicago Press, 2004

In her prologue to Another Way Home, Ronne Hartfield notes the dearth of stories about African Americans who have occupied the area of mixed race with ease and harmony for generations. Her moving family history is filled with such stories, told in beautifully crafted and unsentimental prose. Spanning most of the twentieth century, Hartfield's book celebrates the special occasion of being born and reared in a household where miscegenation was the rule rather than the exception—where being a woman of mixed race could be a fundamental source of strength, vitality, and courage.

Hartfield begins with the early life of her mother, Day Shepherd. Born to a wealthy British plantation owner and the mixed-race daughter of a former slave, Day negotiates the complicated circumstances of plantation life in the border country of Louisiana and Mississippi and, as she enters womanhood, the quadroon and octoroon societies of New Orleans. Equally a tale of the Great Migration, Another Way Home traces Day's journey to Bronzeville, the epicenter of black Chicago during the first half of the twentieth century. Here, through the eyes of Day and, ultimately, her daughter, we witness the bustling city streets and vibrant middle-class culture of this iconic black neighborhood. We also relive crucial moments in African American history as they are experienced by the author's family and others in Chicago's South Side black community, from the race riots of 1919 and the Great Depression to the murder of Emmett Till and the dawn of the civil rights movement.

Throughout her book, Hartfield portrays mixed-race Americans navigating the challenges of their lives with resilience and grace, making Another Way Home an intimate and compelling encounter with one family's response to our racially charged culture.
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cover of Arguments for Learning: An Intellectual History of the College of Education at the University of Illinois

Arguments for Learning

An Intellectual History of the College of Education at the University of Illinois

Bill Cope and Walter Feinberg

University of Illinois Press, 2025

Almost every educational idea worth a thought has been considered at the University of Illinois, and anything worth trying has been tested. In this history of ideas, Bill Cope and Walter Feinberg chronicle the intellectual lives of education thinkers at the university while tracking the development of educational ideas and practices in general.

Cope and Feinberg draw on conversations, narratives, and archival research that reveal how different generations explored their role in defining and carrying out the College’s multifaceted mission. Their account raises critical questions about the character of learning, the aims of teaching, and the nature of teaching as a profession. At the same time, the authors address issues that range from the role of schools in fostering individual and collective identity to the introduction of computer-mediated and online learning. Cope and Feinberg examine changes in self-understanding about fundamental ideas and chart how the College evolved from its original narrow mission of training children’s schoolteachers to embracing global perspectives.

A wide-ranging portrait of an institution, Arguments for Learning uses the School of Education to tell the stories of thinkers dedicated to the idea that education can change the world for the better.

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cover of Army Life of an Illinois Soldier: Including a Day-by-Day Record of Sherman's March to the Sea

Army Life of an Illinois Soldier

Including a Day-by-Day Record of Sherman's March to the Sea

Charles W. Wills. Foreword by John Y. Simon

Southern Illinois University Press, 1996

A high-spirited idealist who craved excitement when he enlisted in the Eighth Illinois Volunteers for three months and reenlisted for three years, Charles W. Wills of Canton, Illinois, wrote frequently to his sister Mary Emily Wills and kept a diary of General William T. Sherman’s campaigns during the last year of the war. In the beginning of his service, Wills could boast that his company refused to enlist "roughs." He reported that he and his comrades "drink no liquors and keep ourselves as cleanly as possible.... Almost all are reading or writing, and I defy anyone to find 75 men without any restraint, paying more attention to the Sabbath. . . . Health generally excellent in our company, because we are all careful."

A student and store clerk before enlisting, Wills found that army life "beats clerking." He enlisted as a private at the age of twenty-one and by twenty-four was a major. He had thought he might receive an infantry commission eventually, but when the opportunity arose for promotion to first lieutenant in the Seventh Illinois Cavalry, "cupidity and ambition" caused him to abandon the Eighth, enabling him to hold rank "without so much walking." For a while, though, he seriously rued his lack of action. "Haven’t I a brilliant record," he wrote. "Thirty-three months in service and not a battle." As Simon points out, however, "in the year ahead, Wills would have more than his fill of battles." Battle starved once, his enthusiasm for carnage waned as he marched with Sherman to the sea. Yet Major Wills was impressed by his troops’ "endurance, spirit and recklessness."

Wills matured in the army. He joined solely to preserve the Union, and his early comments on slaves "lacked sympathy, even decency," according to Simon. Later he came to the point where he would arm blacks—in part, with an eye toward gaining rank by leading the new regiments. Yet he was not blind to the anomalies of a slave society.

Wills died in 1883. To preserve his memory, his sister (now Mary Kellogg) printed his diary in 1904. Two years later, Kellogg combined the diary with the letters Wills had written to her earlier in the war. Simon renders this assessment: "Wills had a sparkling, witty style that contrasted sharply with that of both his contemporaries in the field and the seven regimental veterans who compiled their diaries. In assembling this book, Mary E. Kellogg wisely allowed her brother to speak for himself; rarely intruding a comment of her own, excising from his letters home inevitable expressions of concern for his sister and her welfare but leaving intact the sparkling flow of camp gossip and military speculation."

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cover of Art for People's Sake: Artists and Community in Black Chicago, 1965-1975

Art for People's Sake

Artists and Community in Black Chicago, 1965-1975

Rebecca Zorach

Duke University Press, 2019

In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
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cover of Art in Chicago: A History from the Fire to Now

Art in Chicago

A History from the Fire to Now

Edited by Maggie Taft and Robert Cozzolino

University of Chicago Press, 2018

For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art.
 
Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage.
 
Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
 
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cover of As Others See Chicago: Impressions of Visitors, 1673-1933

As Others See Chicago

Impressions of Visitors, 1673-1933

Bessie Louise Pierce

University of Chicago Press, 2004

Sometimes it takes an outsider to capture the essence of an individual place. The impressions of travelers in particular have a special allure—unanticipated and serendipitous, their views get to the heart of a particular region because nothing to them is routine or expected.

First published in 1933 by the University of Chicago Press to mark the occasion of the Century of Progress Exhibition, As Others See Chicago consists of writings culled from over a thousand men and women who visited the city and commented on the best and worst it had to offer, from the skyscrapers to the stockyards. Originally compiled by Bessie Louise Pierce, the first major historian of Chicago, and featuring her own incisive commentary, the volume brings together the impressions of visitors to Chicago over two and a half centuries, from the early years of Westward Expansion to the height of the Great Depression. In addition to writings from better known personalities such as Rudyard Kipling and Waldo Frank, the book collects the opinions of missionaries, aristocrats, journalists, and politicians—observers who were perfectly placed to comment on the development of the city, its inhabitants, and well known events that would one day define Chicago history, such as the Great Fire of 1871 and the 1893 World's Fair.

Taking us back to a time when Chicago was "more astonishing than the wildest visions of the most vagrant imaginations," As Others See Chicago offers an enthralling portrait of an enduring American metropolis.
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cover of Asylum, Prison, and Poorhouse: The Writings and Reform Work of Dorothea Dix in Illinois

Asylum, Prison, and Poorhouse

The Writings and Reform Work of Dorothea Dix in Illinois

David L. Lightner

Southern Illinois University Press, 1999

This illustrated collection of annotated newspaper articles and memorials by Dorothea Dix provides a forum for the great mid-nineteenth-century humanitarian and reformer to speak for herself.

Dorothea Lynde Dix (1802­–87) was perhaps the most famous and admired woman in America for much of the nineteenth century. Beginning in the early 1840s, she launched a personal crusade to persuade the various states to provide humane care and effective treatment for the mentally ill by funding specialized hospitals for that purpose. The appalling conditions endured by most mentally ill inmates in prisons, jails, and poorhouses led her to take an active interest also in prison reform and in efforts to ameliorate poverty.

In 1846–­47 Dix brought her crusade to Illinois. She presented two lengthy memorials to the legislature, the first describing conditions at the state penitentiary at Alton and the second discussing the sufferings of the insane and urging the establishment of a state hospital for their care. She also wrote a series of newspaper articles detailing conditions in the jails and poorhouses of many Illinois communities.

These long-forgotten documents, which appear in unabridged form in this book, contain a wealth of information on the living conditions of some of the most unfortunate inhabitants of Illinois. In his preface, David L. Lightner describes some of the vivid images that emerge from Dorothea Dix's descriptions of social conditions in Illinois a century and a half ago: "A helpless maniac confined throughout the bitter cold of winter to a dark and filthy pit. Prison inmates chained in hallways and cellars because no more men can be squeezed into the dank and airless cells. Aged paupers auctioned off by county officers to whoever will maintain them at the lowest cost."

Lightner provides an introduction to every document, placing each memorial and newspaper article in its proper social and historical context. He also furnishes detailed notes, making these documents readily accessible to readers a century and a half later. In his final chapter, Lightner assesses both the immediate and the continuing impact of Dix's work.

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cover of At Grandma's House: The World War II Homefront in Havana, Illinois

At Grandma's House

The World War II Homefront in Havana, Illinois

H. Byron Earhart with Illustrations by John Michael Downs

Southern Illinois University Press, 2020

Illinois State Historical Society Certificate of Excellence Winner, 2021

When H. Byron Earhart’s father enlisted in the U.S. Navy in 1942, young Byron and his family moved into his grandparents' old-fashioned home with a coal-fired range and potbelly stove, and his mother took charge of the family business, a frozen food locker. Grandma was the undisputed head of the family. While his father served on the battleship USS Missouri, his grandparents and mother held the family and the business together. At Grandma’s House is a tribute to everyday Americans who provided the social glue for a country at war as they balanced fear and anxiety for loved ones with the challenges and pleasures of daily life. The experiences of the Earhart family and this Midwestern community, supplemented by contemporary documents, family photos, and professional illustrations, recount with vivid local color the drama that played out on the national and international stage.
 
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cover of At Grandma's House: The World War II Homefront in Havana, Illinois

At Grandma's House

The World War II Homefront in Havana, Illinois

H. Byron Earhart

Southern Illinois University Press, 2020

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cover of At Grandma's House: The World War II Homefront in Havana, Illinois

At Grandma's House

The World War II Homefront in Havana, Illinois

H. Byron Earhart

Southern Illinois University Press, 2020

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cover of At the Core and in the Margins: Incorporation of Mexican Immigrants in Two Rural Midwestern Communities

At the Core and in the Margins

Incorporation of Mexican Immigrants in Two Rural Midwestern Communities

Julia Albarracín

Michigan State University Press, 2016

Beardstown and Monmouth, Illinois, two rural Midwestern towns, have been transformed by immigration in the last three decades. This book examines how Mexican immigrants who have made these towns their homes have integrated legally, culturally, and institutionally. What accounts for the massive growth in the Mexican immigrant populations in these two small towns, and what does the future hold for them?
Based on 260 surveys and 47 in-depth interviews, this study combines quantitative and qualitative research to explore the level and characteristics of immigrant incorporation in Beardstown and Monmouth. It assesses the advancement of immigrants in the immigration/ residency/citizenship process, the immigrants’ level of cultural integration (via language, their connectedness with other members of society, and their relationships with neighbors), the degree and characteristics of discrimination against immigrants in these two towns, and the extent to which immigrants participate in different social and political activities and trust government institutions.
Immigrants in new destinations are likely to be poorer, to be less educated, and to have weaker English-language skills than immigrants in traditional destinations. Studying how this population negotiates the obstacles to and opportunities for incorporation is crucial.
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cover of Avenues of Transformation: Illinois's Path from Territory to State

Avenues of Transformation

Illinois's Path from Territory to State

James A. Edstrom

Southern Illinois University Press, 2022

WINNER, 2023 Illinois State Historical Society Russell P. Strange Book of the Year Award!

A territory split by slavery, a state forged for union


Avenues of Transformation traces the surprising path, marked by shame, ambition, and will that led to Illinois’s admission to the Union in 1818. Historian James A. Edstrom guides the reader through this story by associating each stage of the narrative—the original statehood campaign, the passage of Illinois’s statehood-enabling act by Congress, and Illinois’s first constitutional convention—with the primary leaders in each of those episodes. The lives of these men—Daniel Pope Cook, Nathaniel Pope, and Elias Kent Kane—reflect the momentous tangle of politics, slavery, and geography. This history maps the drive for statehood in the conflict between nation and state, in the perpetuation of slavery, and in the sweep of water and commerce. It underscores the ways in which the Prairie State is uniquely intertwined—economically, socially, and politically—with every region of the Union: North, South, East, and West—and captures the compelling moment when Illinois statehood stood ready to more perfectly unify the nation.

This volume is the first full-length book in over a century to describe and analyze Illinois’s admission to the Union. It marks the first time that a historian has analyzed in detail the roll-call votes of the first state constitutional convention, seated evenly by pro- and antislavery delegates. Edstrom’s wit and prose weave a lively narrative of political ambition and human failure. Patiently crafted, Avenues of Transformation will be the first source for readers to turn to for gaining a better understanding of Illinois statehood.
 
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