942 books match the query 'Ancient' and 110 start with a

cover of Around the Roman Table: Food and Feasting in Ancient Rome

Around the Roman Table

Food and Feasting in Ancient Rome

Patrick Faas

University of Chicago Press, 2005

Craving dolphin meatballs? Can't find a reliable restaurant for boiled parrot? Have a hankering for jellyfish omelettes, sows' wombs in brine, sheep's brain pate, or stuffed mice? Look no further than Around the Roman Table, a unique hybrid cookbook and history lesson. A portrait of Roman society from the vantage point of the dining table, kitchen, and market stalls, Around the Roman Table offers both an account of Roman eating customs and 150 recipes reconstructed for the modern cook.

Faas guides readers through the culinary conquests of Roman invasions—as conquerors pillaged foodstuffs from faraway lands—to the decadence of Imperial Rome and its associated table manners, dining arrangements, spices, seasonings, and cooking techniques. With recipes for such appetizing dishes as chicken galantine with lambs' brains and fish relish, Around the Roman Table is ideal for food aficionados who wish to understand how the desire for power and conquest was manifested in Roman appetites.

"There are many misconceptions about the food of ancient Rome that Faas sets out to correct. The result is half cookbook, half history book and is entirely fascinating to both chef and antiquarian alike."—Washington Times
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cover of Arrian the Historian: Writing the Greek Past in the Roman Empire

Arrian the Historian

Writing the Greek Past in the Roman Empire

By Daniel W. Leon

University of Texas Press, 2021

During the first centuries of the Roman Empire, Greek intellectuals wrote a great many texts modeled on the dialect and literature of Classical Athens, some 500 years prior. Among the most successful of these literary figures were sophists, whose highly influential display oratory has been the prevailing focus of scholarship on Roman Greece over the past fifty years. Often overlooked are the period’s historians, who spurned sophistic oral performance in favor of written accounts. One such author is Arrian of Nicomedia.

Daniel W. Leon examines the works of Arrian to show how the era's historians responded to their sophistic peers’ claims of authority and played a crucial role in theorizing the past at a time when knowledge of history was central to defining Greek cultural identity. Best known for his history of Alexander the Great, Arrian articulated a methodical approach to the study of the past and a notion of historical progress that established a continuous line of human activity leading to his present and imparting moral and political lessons. Using Arrian as a case study in Greek historiography, Leon demonstrates how the genre functioned during the Imperial Period and what it brings to the study of the Roman world in the second century.

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cover of Art, Culture, and Cuisine: Ancient and Medieval Gastronomy

Art, Culture, and Cuisine

Ancient and Medieval Gastronomy

Phyllis Pray Bober

University of Chicago Press, 1999

In Art, Culture, and Cuisine, Phyllis Pray Bober examines cooking through an assortment of recipes as well as the dual lens of archaeology and art history. Believing that the unity of a culture extends across all forms of expression, Bober seeks to understand the minds and hearts of those who practiced cookery or consumed it as reflected in the visual art of the time.

Bober draws on archaeology and art history to examine prehistoric eating customs in ancient Turkey; traditions of the great civilizations of Egypt, Mesopotamia, Greece, and Rome; and rituals of the Middle Ages. Both elegant and entertaining, Art, Culture, and Cuisine reveals cuisine and dining's place at the heart of cultural, religious, and social activities that have shaped Western sensibilities.
 
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cover of Artifact and Artifice: Classical Archaeology and the Ancient Historian

Artifact and Artifice

Classical Archaeology and the Ancient Historian

Jonathan M. Hall

University of Chicago Press, 2013

Is it possible to trace the footprints of the historical Sokrates in Athens? Was there really an individual named Romulus, and if so, when did he found Rome? Is the tomb beneath the high altar of St. Peter’s Basilica home to the apostle Peter? To answer these questions, we need both dirt and words—that is, archaeology and history. Bringing the two fields into conversation, Artifact and Artifice offers an exciting excursion into the relationship between ancient history and archaeology and reveals the possibilities and limitations of using archaeological evidence in writing about the past.
 
Jonathan M. Hall employs a series of well-known cases to investigate how historians may ignore or minimize material evidence that contributes to our knowledge of antiquity unless it correlates with information gleaned from texts. Dismantling the myth that archaeological evidence cannot impart information on its own, he illuminates the methodological and political principles at stake in using such evidence and describes how the disciplines of history and classical archaeology may be enlisted to work together. He also provides a brief sketch of how the discipline of classical archaeology evolved and considers its present and future role in historical approaches to antiquity. Written in clear prose and packed with maps, photos, and drawings, Artifact and Artifice will be an essential book for undergraduates in the humanities.
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cover of Assyria’s Plunder: From Ancient Empire to Modern Loot

Assyria’s Plunder

From Ancient Empire to Modern Loot

Jessie DeGrado

University Press of Colorado, 2026

Assyria’s Plunder offers a new history of ancient Assyria and its interactions with its client states of Israel and Judah. Considering the entanglement of modern imperialism with the historiography of ancient empire, Jessie DeGrado reassesses the conventional understanding of the Neo-Assyrian Empire using textual analysis, art history, and archaeology.

Engaging texts from Israel and Judah, DeGrado refuses the usual framings of Biblical resistance to Assyrian despotism and asks instead why subject populations may have capitulated to Assyrian rule. Paired chapters consider specific Assyrian imperial practices and biblical texts that engage them. As the study moves from the awe-filled spectacle of Assyrian throne rooms to the Assyrian policy of deporting divine statues, Assyria’s Plunder centers the embodied experiences of those subjected to Assyrian hegemony. DeGrado also explores how the empire’s violence still holds sway in the popular imagination while Euro-American imperialism goes largely unacknowledged.

Drawing on decolonial studies alongside epigraphic and textual analysis, Assyria’s Plunder shows how critical historiography and theory can enrich historical analysis and provide a fuller portrait of Assyrian interaction with its client states.

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cover of Athens 415: The City in Crisis

Athens 415

The City in Crisis

Clara Shaw Hardy, with translations by Robert B. Hardy

University of Michigan Press, 2020

On a summer night in 415 BCE, unknown persons systematically mutilated most of the domestic “herms”—guardian statues of the god Hermes—in Athens. The reaction was immediate and extreme:  the Athenians feared a terrifying conspiracy was underway against the city and its large fleet—and possibly against democracy itself.   The city established a board of investigators, which led to informants, accusations, and flight by many of the accused.  Ultimately, dozens were exiled or executed, their property confiscated.

This dramatic period offers the opportunity to observe the city in crisis. Sequential events allow us to see the workings of the major institutions of the city (assembly, council, law courts, and theater, as well as public and private religion). Remarkably, the primary sources for these tumultuous months name conspirators and informants from a very wide range of status-groups: citizens, women, slaves, and free residents. Thus the incident provides a particularly effective entry-point into a full multifaceted view of the way Athens worked in the late fifth century.

Designed for classroom use, Athens 415 is no potted history, but rather a source-based presentation of ancient urban life ideal for the study of a people and their institutions and beliefs.  Original texts—all translated by poet Robert B. Hardy—are presented along with thoughtful discussion and analyses by Clara Shaw Hardy in an engaging narrative that draws students into Athens’ crisis.

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cover of Athens, Etruria, and the Many Lives of Greek Figured Pottery

Athens, Etruria, and the Many Lives of Greek Figured Pottery

Sheramy D. Bundrick

University of Wisconsin Press, 2021

A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts.

Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.
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cover of Attic Greek Prose Syntax: Revised and Expanded in English, Volume 1

Attic Greek Prose Syntax

Revised and Expanded in English, Volume 1

K. W. Kruger

University of Michigan Press, 1998

The language of classical Greek literature has been extensively studied since the Renaissance, and the most generally admired approach to Greek grammar and syntax has long been K. W. Krüger's Griechische Sprachlehre. In this translation Guy L. Cooper III accepts Krüger's simple and transparent organization, but greatly expands the substance of the earlier work by increasing the total number of citations from the original texts. Research since 1875, especially the contributions of Basil Lanneau Gildersleeve, is incorporated so as to create a reference work, in English, which covers the full range of this complex subject.

Krüger's original paragraph numbering has been maintained so that references in previously published works can be followed directly in the new work. However, every paragraph and chapter has been revised and expanded, opening up new subheadings within Krüger's format. The English has moved away from Krüger's laconic style to a more flowing, readable presentation, without jargon and unexplained technical language. A complete index of passages cited and the impressive number of citations make the work a running syntactic commentary on the whole range of Attic prose literature. The net result is a new comprehensive reference work, an essential reference for libraries and personal collections alike.

Guy L. Cooper III is Professor Emeritus of Classics, University of North Carolina at Asheville.

Volume 2
cloth ISBN 0-472-10844-1

Set of Volumes 1 & 2
cloth ISBN 0-472-10844-1

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cover of Attic Greek Prose Syntax: Revised and Expanded in English, Volume 2

Attic Greek Prose Syntax

Revised and Expanded in English, Volume 2

K. W. Kruger

University of Michigan Press, 1998

The language of classical Greek literature has been extensively studied since the Renaissance, and the most generally admired approach to Greek grammar and syntax has long been K. W. Krüger's Griechische Sprachlehre. In this translation Guy L. Cooper III accepts Krüger's simple and transparent organization, but greatly expands the substance of the earlier work by increasing the total number of citations from the original texts. Research since 1875, especially the contributions of Basil Lanneau Gildersleeve, is incorporated so as to create a reference work, in English, which covers the full range of this complex subject.

Krüger's original paragraph numbering has been maintained so that references in previously published works can be followed directly in the new work. However, every paragraph and chapter has been revised and expanded, opening up new subheadings within Krüger's format. The English has moved away from Krüger's laconic style to a more flowing, readable presentation, without jargon and unexplained technical language. A complete index of passages cited and the impressive number of citations make the work a running syntactic commentary on the whole range of Attic prose literature. The net result is a new comprehensive reference work, an essential reference for libraries and personal collections alike.

Guy L. Cooper III is Professor Emeritus of Classics, University of North Carolina at Asheville.

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cover of Automated Athens: Ancient Greek Ideals in the Early Age of Automation

Automated Athens

Ancient Greek Ideals in the Early Age of Automation

Michele Kennerly

University of Chicago Press, 2026

A critical history of the recurring idea that technology will free us from work and bring about a truly democratic society.

In popular thought, ancient Athens endures as a place ahead of its time—the birthplace of democracy, a cultural center, and a model toward which modern societies should strive. In Automated Athens, Michele Kennerly examines the many and frequent appeals to this nostalgic vision of the ancient city-state throughout the early age of computerized automation. In the mid-twentieth century, people hoped that automation would free us from mindless, dehumanizing work so that we could attend to creative and communal pursuits. Proponents appealed to ancient Athens, saying automated systems and machines would stand in for the craftsmen, enslaved people, and subordinated women who performed the undesirable work that enabled that city-state’s flourishing. Automated Athens scrutinizes this appeal as it moves chronologically into present debates about the promise of automation and AI. For Kennerly, our inability to settle debates about where accelerating automation may take us, especially politically, reveals a deeper cultural indecisiveness about how to live well and live well together.

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