Patrick Faas
University of Chicago Press, 2005
By Daniel W. Leon
University of Texas Press, 2021
During the first centuries of the Roman Empire, Greek intellectuals wrote a great many texts modeled on the dialect and literature of Classical Athens, some 500 years prior. Among the most successful of these literary figures were sophists, whose highly influential display oratory has been the prevailing focus of scholarship on Roman Greece over the past fifty years. Often overlooked are the period’s historians, who spurned sophistic oral performance in favor of written accounts. One such author is Arrian of Nicomedia.
Daniel W. Leon examines the works of Arrian to show how the era's historians responded to their sophistic peers’ claims of authority and played a crucial role in theorizing the past at a time when knowledge of history was central to defining Greek cultural identity. Best known for his history of Alexander the Great, Arrian articulated a methodical approach to the study of the past and a notion of historical progress that established a continuous line of human activity leading to his present and imparting moral and political lessons. Using Arrian as a case study in Greek historiography, Leon demonstrates how the genre functioned during the Imperial Period and what it brings to the study of the Roman world in the second century.
Phyllis Pray Bober
University of Chicago Press, 1999
Jonathan M. Hall
University of Chicago Press, 2013
Jessie DeGrado
University Press of Colorado, 2026
Assyria’s Plunder offers a new history of ancient Assyria and its interactions with its client states of Israel and Judah. Considering the entanglement of modern imperialism with the historiography of ancient empire, Jessie DeGrado reassesses the conventional understanding of the Neo-Assyrian Empire using textual analysis, art history, and archaeology.
Engaging texts from Israel and Judah, DeGrado refuses the usual framings of Biblical resistance to Assyrian despotism and asks instead why subject populations may have capitulated to Assyrian rule. Paired chapters consider specific Assyrian imperial practices and biblical texts that engage them. As the study moves from the awe-filled spectacle of Assyrian throne rooms to the Assyrian policy of deporting divine statues, Assyria’s Plunder centers the embodied experiences of those subjected to Assyrian hegemony. DeGrado also explores how the empire’s violence still holds sway in the popular imagination while Euro-American imperialism goes largely unacknowledged.
Drawing on decolonial studies alongside epigraphic and textual analysis, Assyria’s Plunder shows how critical historiography and theory can enrich historical analysis and provide a fuller portrait of Assyrian interaction with its client states.
Clara Shaw Hardy, with translations by Robert B. Hardy
University of Michigan Press, 2020
On a summer night in 415 BCE, unknown persons systematically mutilated most of the domestic “herms”—guardian statues of the god Hermes—in Athens. The reaction was immediate and extreme: the Athenians feared a terrifying conspiracy was underway against the city and its large fleet—and possibly against democracy itself. The city established a board of investigators, which led to informants, accusations, and flight by many of the accused. Ultimately, dozens were exiled or executed, their property confiscated.
This dramatic period offers the opportunity to observe the city in crisis. Sequential events allow us to see the workings of the major institutions of the city (assembly, council, law courts, and theater, as well as public and private religion). Remarkably, the primary sources for these tumultuous months name conspirators and informants from a very wide range of status-groups: citizens, women, slaves, and free residents. Thus the incident provides a particularly effective entry-point into a full multifaceted view of the way Athens worked in the late fifth century.
Designed for classroom use, Athens 415 is no potted history, but rather a source-based presentation of ancient urban life ideal for the study of a people and their institutions and beliefs. Original texts—all translated by poet Robert B. Hardy—are presented along with thoughtful discussion and analyses by Clara Shaw Hardy in an engaging narrative that draws students into Athens’ crisis.
Sheramy D. Bundrick
University of Wisconsin Press, 2021
K. W. Kruger
University of Michigan Press, 1998
The language of classical Greek literature has been extensively studied since the Renaissance, and the most generally admired approach to Greek grammar and syntax has long been K. W. Krüger's Griechische Sprachlehre. In this translation Guy L. Cooper III accepts Krüger's simple and transparent organization, but greatly expands the substance of the earlier work by increasing the total number of citations from the original texts. Research since 1875, especially the contributions of Basil Lanneau Gildersleeve, is incorporated so as to create a reference work, in English, which covers the full range of this complex subject.
Krüger's original paragraph numbering has been maintained so that references in previously published works can be followed directly in the new work. However, every paragraph and chapter has been revised and expanded, opening up new subheadings within Krüger's format. The English has moved away from Krüger's laconic style to a more flowing, readable presentation, without jargon and unexplained technical language. A complete index of passages cited and the impressive number of citations make the work a running syntactic commentary on the whole range of Attic prose literature. The net result is a new comprehensive reference work, an essential reference for libraries and personal collections alike.
Guy L. Cooper III is Professor Emeritus of Classics, University of North Carolina at Asheville.
Volume 2
cloth ISBN 0-472-10844-1
Set of Volumes 1 & 2
cloth ISBN 0-472-10844-1
K. W. Kruger
University of Michigan Press, 1998
The language of classical Greek literature has been extensively studied since the Renaissance, and the most generally admired approach to Greek grammar and syntax has long been K. W. Krüger's Griechische Sprachlehre. In this translation Guy L. Cooper III accepts Krüger's simple and transparent organization, but greatly expands the substance of the earlier work by increasing the total number of citations from the original texts. Research since 1875, especially the contributions of Basil Lanneau Gildersleeve, is incorporated so as to create a reference work, in English, which covers the full range of this complex subject.
Krüger's original paragraph numbering has been maintained so that references in previously published works can be followed directly in the new work. However, every paragraph and chapter has been revised and expanded, opening up new subheadings within Krüger's format. The English has moved away from Krüger's laconic style to a more flowing, readable presentation, without jargon and unexplained technical language. A complete index of passages cited and the impressive number of citations make the work a running syntactic commentary on the whole range of Attic prose literature. The net result is a new comprehensive reference work, an essential reference for libraries and personal collections alike.
Guy L. Cooper III is Professor Emeritus of Classics, University of North Carolina at Asheville.
Michele Kennerly
University of Chicago Press, 2026
A critical history of the recurring idea that technology will free us from work and bring about a truly democratic society.
In popular thought, ancient Athens endures as a place ahead of its time—the birthplace of democracy, a cultural center, and a model toward which modern societies should strive. In Automated Athens, Michele Kennerly examines the many and frequent appeals to this nostalgic vision of the ancient city-state throughout the early age of computerized automation. In the mid-twentieth century, people hoped that automation would free us from mindless, dehumanizing work so that we could attend to creative and communal pursuits. Proponents appealed to ancient Athens, saying automated systems and machines would stand in for the craftsmen, enslaved people, and subordinated women who performed the undesirable work that enabled that city-state’s flourishing. Automated Athens scrutinizes this appeal as it moves chronologically into present debates about the promise of automation and AI. For Kennerly, our inability to settle debates about where accelerating automation may take us, especially politically, reveals a deeper cultural indecisiveness about how to live well and live well together.