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A classic work detailing an 11,000-year period of human culture within the largest river system of North America

The earliest recorded description of the Central Mississippi Valley and its inhabitants is contained within the DeSoto chronicles written after the conquistadors passed through the area between 1539 and 1543. In 1882 a field agent for the Bureau of American Ethnology conducted the first systematic archaeological survey of the region, an area that extends from near the mouth of the Ohio River to the mouth of the Arkansas River, bounded on the east by the Mississippi River and on the west by the Ozark Highlands and Grand Prairie. One hundred years later, the authors produced this first comprehensive overview of all of the archaeological research conducted in the valley during the interim. It is a well-organized compendium, written with both the professional archaeologist and the layperson in mind, and is profusely illustrated with maps, charts, artifact photographs, and drawings. This volume was the first published history of the archaeology of the region and stands as the basic resource for that work today.


 

Archaeology without Borders presents new research by leading U.S. and Mexican scholars and explores the impacts on archaeology of the border between the United States and Mexico. Including data previously not readily available to English-speaking readers, the twenty-four essays discuss early agricultural adaptations in the region and groundbreaking archaeological research on social identity and cultural landscapes, as well as economic and social interactions within the area now encompassed by northern Mexico and the U.S. Southwest.

Contributors examining early agriculture offer models for understanding the transition to agriculture, explore relationships between the spread of agriculture and Uto-Aztecan migrations, and present data from Arizona, New Mexico, and Chihuahua. Contributors focusing on social identity discuss migration, enculturation, social boundaries, and ethnic identities. They draw on case studies that include diverse artifact classes - rock art, lithics, architecture, murals, ceramics, cordage, sandals, baskets, faunal remains, and oral histories. Mexican scholars present data from Chihuahua, Durango, Zacatecas, Michoacan, Coahuila, and Nuevo Leon. They address topics including Spanish-indigenous conflicts, archaeological history, cultural landscapes, and interactions among Mesoamerica, northern Mexico, and the U.S. Southwest.

Laurie D. Webster is a visiting scholar in the Department of Anthropology at the University of Arizona. Maxine E. McBrinn is a postdoctoral research scientist at the Field Museum in Chicago. Proceedings of the 2004 Southwest Symposium. Contributors include Karen R. Adams, M. Nicolás Caretta, Patricia Carot, John Carpenter, Jeffery Clark, Linda S. Cordell, William E. Doolittle, Suzanne L. Eckert, Gayle J. Fritz, Eduardo Gamboa Carrera, Leticia González Arratia, Arturo Guevara Sánchez, Robert J. Hard, Kelly Hays-Gilpin, Marie-Areti Hers, Amber L. Johnson, Steven A. LeBlanc, Patrick Lyons, Jonathan B. Mabry, A. C. MacWilliams, Federico Mancera, Maxine E. McBrinn, Francisco Mendiola Galván, William L. Merrill, Martha Monzón Flores, Scott G. Ortman, John R. Roney, Guadalupe Sanchez de Carpenter, Moisés Valadez Moreno, Bradley J. Vierra, Laurie D. Webster, and Phil C. Weigand.

Arkansas has long been recognized as a state with a rich archaeological heritage that is unsurpassed in North America. The Toltec Mounds were made famous by the Smithsonian's research at the turn of the century. The Sloan site, dated to 8500 B.C., is the oldest documented burial ground in the New World. The alluvial plain of the central Mississippi River valley supported perhaps the greatest prehistoric urban population. And the Parkin site has yielded important information about the de Soto incursion into the continent. This festschrift recognizes the contributions made in researching this varied heritage by Dan and Phyllis Morse from the inception of the Arkansas Archeological Survey in 1967 to their retirement in 1997. The essays were prepared by thirteen of their colleagues, recognized experts in archaeology and related fields, and represent state-of-the-art knowledge about Arkansas's archaeology. The topics range broadly: from prehistoric environments and regional syntheses to specialized studies of specific culture periods and historical archaeology. Paul and Hazel Delcourt and Roger Saucier provide a chapter that will serve as a standard reference for many years on Holocene environments; Chris Gillam's contribution demonstrates the utility of Geographic Information Systems in broad-scale pattern analysis; Robert Mainfort uses large collections of ceramics to show that traditional methods for grouping Late Mississippian sites are insufficient; Michael Hoffman introduces a new line of evidence from old newspaper accounts; and Frank Schambach, in reinterpreting the spectacular Spiro site in eastern Oklahoma, gives us a powerful, classic example of archaeological and ethnohistoric interpretation. This volume will, of course, be of great interest to professional archaeologists and anthropologists, but the essays are also accessible to students, amateur archaeologists, historians, and enthusiastic general readers. As the new millennium dawns, this book celebrates the legacy of two very distinguished careers in archaeology and heralds the proliferation of innovative new approaches and techniques for the continuing study of Arkansas's prehistoric peoples.

Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts.

This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more.

As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.

The history of the Northern Paiutes of Pyramid Lake in northwestern Nevada is one fraught with the conflicts and tensions of the modern West—relentless encroachment by non-Indians into Indian lands; disputes over scarce water; endangerment of a rare and valuable species of fish—all played out on a stage that stretches from the centers of national politics in Washington, DC, to a remote desert reservation where an ancient people struggles to preserve the traditional center of its spiritual and economic life. Martha Knack’s and Omer Stewart’s brilliant interdisciplinary study of the Pyramid Lake Reservation, first published in 1984, is considered a major landmark in American Indian history—a lucid and insightful examination of the Paiutes, their reservation, and the ongoing controversy over control of their land and the life-giving Truckee River waters that feed Pyramid Lake. The complex interethnic relations described in this book offer readers a case study of the dominant issues in Indian affairs and the themes of the legislation and court decisions that shape the fates of native peoples.

Despite the force of Oregon’s founding mythology, the Willamette Valley was not an empty Eden awaiting settlement by hardy American pioneers. Rather, it was, as Melinda Jetté explores in At the Hearth of the Crossed Races, one of the earliest sites of extensive intercultural contact in the Pacific Northwest.

Jetté’s study focuses on the “hearth” of this contact: French Prairie, so named for the French-Indian families who resettled the homeland of the Ahantchuyuk Kalapuyans. Although these families sought a middle course in their relations with their various neighbors, their presence ultimately contributed to the Anglo-American colonization of the region. By establishing farming and husbandry operations in the valley, the French-Indian settlers enhanced the Willamette Valley’s appeal as a destination of choice for the Anglo-Americans who later emigrated to the Pacific Northwest via the Oregon Trail.

Upon these emigrants’ arrival, the social space for the people of the “crossed races” diminished considerably, as the Anglo-Americans instituted a system of settler colonialism based on racial exclusion. Like their Native kin, the French-Indian families pursued various strategies to navigate the changing times and Jetté’s study of French Prairie takes on the relationships among all three: the French-Indian families, the indigenous peoples, and the Anglo-American settlers.  

With At the Hearth of the Crossed Races, Jetté delivers a social history that deepens our understanding of the Oregon Country in the nineteenth century. This history of French Prairie provides a window into the multi-racial history of the Pacific Northwest and offers an alternative vision of early Oregon in the lives of the biracial French-Indian families whose community challenged notions of white supremacy, racial separation, and social exclusion.

Aurum is a fiercely original poetry collection that reveals the marginalized and estranged Native American experience in the wake of industrial progress. With unforgettable imagery and haunting honesty, these poems are powerfully resonant.
 

In this innovative history, Paige Raibmon examines the political ramifications of ideas about “real Indians.” Focusing on the Northwest Coast in the late nineteenth century and early twentieth, she describes how government officials, missionaries, anthropologists, reformers, settlers, and tourists developed definitions of Indian authenticity based on such binaries as Indian versus White, traditional versus modern, and uncivilized versus civilized. They recognized as authentic only those expressions of “Indianness” that conformed to their limited definitions and reflected their sense of colonial legitimacy and racial superiority. Raibmon shows that Whites and Aboriginals were collaborators—albeit unequal ones—in the politics of authenticity. Non-Aboriginal people employed definitions of Indian culture that limited Aboriginal claims to resources, land, and sovereignty, while Aboriginals utilized those same definitions to access the social, political, and economic means necessary for their survival under colonialism.

Drawing on research in newspapers, magazines, agency and missionary records, memoirs, and diaries, Raibmon combines cultural and labor history. She looks at three historical episodes: the participation of a group of Kwakwaka’wakw from Vancouver in the 1893 World’s Columbian Exposition in Chicago; the work of migrant Aboriginal laborers in the hop fields of Puget Sound; and the legal efforts of Tlingit artist Rudolph Walton to have his mixed-race step-children admitted to the white public school in Sitka, Alaska. Together these episodes reveal the consequences of outsiders’ attempts to define authentic Aboriginal culture. Raibmon argues that Aboriginal culture is much more than the reproduction of rituals; it also lies in the means by which Aboriginal people generate new and meaningful ways of identifying their place in a changing modern environment.