8642 books match the query '20th Century' and 836 start with a

cover of After the New Criticism

After the New Criticism

Frank Lentricchia

University of Chicago Press, 1981

This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom—and an analysis of their careers within the lineage established in part one.

Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.
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cover of After the West Was Won: Homesteaders and Town-Builders in Western South Dakota, 1900-1917

After the West Was Won

Homesteaders and Town-Builders in Western South Dakota, 1900-1917

Paula M. Nelson

University of Iowa Press, 1989

"In this well-written monograph Paula M. Nelson tells the story of the settlement of 'west river country,' that part of South Dakota west of the Missouri River....Nelson's major contribution is her reconstruction of the social life of this generation of settlers....Nelson is particularly sensitive to the experience of pioneer women, both those who labored within the family and those single women who homesteaded on their own."--American Historical Review "After the West Was Won is an impressively researched and beautifully written study....Nelson also conveys the sense of pain and suffering that pioneers in western South Dakota endured; the technology of steam, electricity, and internal combustion failed to create utopia in a primitive area after the West was won."--Technology and Culture "Paula M. Nelson's account of the trials and tribulations of the pioneers of that flat, windswept plain is a welcome addition to the literature on the agricultural frontier."--Journal of American History
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cover of Afterimages: Photography and U.S. Foreign Policy

Afterimages

Photography and U.S. Foreign Policy

Liam Kennedy

University of Chicago Press, 2016

In 2005, photographer Chris Hondros captured a striking image of a young Iraqi girl in the aftermath of the killing of her parents by American soldiers. The shot stunned the world and has since become iconic—comparable to the infamous photo by Nick Ut of a Vietnamese girl running from a napalm attack. Both images serve as microcosms for their respective conflicts. Afterimages looks at the work of war photographers like Hondros and Ut to understand how photojournalism interacts with the American worldview.

Liam Kennedy here maps the evolving relations between the American way of war and photographic coverage of it. Organized in its first section around key US military actions over the last fifty years, the book then moves on to examine how photographers engaged with these conflicts on wider ethical and political grounds, and finally on to the genre of photojournalism itself. Illustrated throughout with examples of the photographs being considered, Afterimages argues that photographs are important means for critical reflection on war, violence, and human rights. It goes on to analyze the high ethical, sociopolitical, and legalistic value we place on the still image’s ability to bear witness and stimulate action.
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cover of Afterlives of Modernism: Liberalism, Transnationalism, and Political Critique

Afterlives of Modernism

Liberalism, Transnationalism, and Political Critique

John Carlos Rowe

Dartmouth College Press, 2015

In times of liberal despair it helps to have someone like John Carlos Rowe put things into perspective, in this case, with a collection of essays that asks the question, “Must we throw out liberalism’s successes with the neoliberal bathwater?” Rowe first lays out a genealogy of early twentieth-century modernists, such as Gertrude Stein, John Dos Passos, William Faulkner, and Ralph Ellison, with an eye toward stressing their transnationally engaged liberalism and their efforts to introduce into the literary avant-garde the concerns of politically marginalized groups, whether defined by race, class, or gender. The second part of the volume includes essays on the works of Harper Lee, Thomas Berger, Louise Erdrich, and Philip Roth, emphasizing the continuity of efforts to represent domestic political and social concerns. While critical of the increasingly conservative tone of the neoliberalism of the past quarter-century, Rowe rescues the value of liberalism’s sympathetic and socially engaged intent, even as he criticizes modern liberalism’s inability to work transnationally.
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cover of Afterwords: Letters on the Death of Virginia Woolf

Afterwords

Letters on the Death of Virginia Woolf

Oldfield, Sybil

Rutgers University Press, 2005

On 28 March, 1941, at the height of Hitler's victories during the Second World War, Virginia Woolf filled her pockets with stones and drowned herself in the River Ouse near her home in Sussex. At the time of her death some voices in the press attacked her for showing cowardice in the face of the enemy and for setting a bad example to the general population. Woolf's suicide has been the subject of controversy for the media, for literary scholars, and for her biographers ever since.

Just when it may seem that nothing else could be said about Virginia Woolf and the ambiguous details of her suicide, Afterwords provides an entirely fresh perspective. It makes available to a wide readership for the first time letters sent to Leonard Woolf and Vanessa Bell (Virginia Woolf's sister) in the aftermath of the event. This unique volume brings together over two hundred letters from T. S. Eliot, H. G. Wells, May Sarton, Vita Sackville-West, Edith Sitwell, E. M. Forster, Radclyffe Hall, and many others, including political figures and religious leaders. In addition, informative annotations reveal the identities of many unexpected condolence-letter writers from among the general public.

In her introduction, editor Sybil Oldfield confronts the contemporary controversy over Woolf's suicide note, arguing that no one who knew Woolf or her work believed that she had deserted Britain. The ensuing collection of letters supports Oldfield's assertion. In elegant prose that rises to the stature of the occasion, these writers share remembrances of Virginia Woolf in life, comment on the quality of her work and her antifascist values, and reveal previously unknown facets of her capacity for friendship.

A richly deserved tribute to the life of an extraordinary woman as well as a testimony to the human capacity for sympathy, Afterwords is essential reading for anyone interested in the life, death, and enduring impact of Virginia Woolf.

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cover of Against Expression: An Anthology of Conceptual Writing

Against Expression

An Anthology of Conceptual Writing

Craig Dworkin and Kenneth Goldsmith

Northwestern University Press, 2011

In much the same way that photography forced painting to move in new directions, the advent of the World Wide Web, with its proliferation of easily transferable and manipulated text, forces us to think about writing, creativity, and the materiality of language in new ways. In Against Expression, editors Craig Dworkin and Kenneth Goldsmith present the most innovative works responding to the challenges posed by these developments.

Charles Bernstein has described conceptual poetry as "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Dworkin and Goldsmith, two of the leading spokespersons and practitioners of conceptual writing, chart the trajectory of the conceptual aesthetic from early precursors including Samuel Beckett and Marcel Duchamp to the most prominent of today’s writers. Nearly all of the major avant-garde groups of the past century are represented here, including Dada, OuLiPo, L=A=N=G=U=A=G=E, and Flarf to name just a few, but all the writers are united in their imaginative appropriation of found and generated texts and their exploration of nonexpressive language. Against Expression is a timely collection and an invaluable resource for readers and writers alike.
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cover of Against Immediacy: Video Art and Media Populism

Against Immediacy

Video Art and Media Populism

William Kaizen

Dartmouth College Press, 2016

Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which “the people” were ideologically figured by the commercial mass media. During this time, artists and organizations including Nam June Paik, Juan Downey, and the Women’s Video News Service challenged the existing limits of the one-to-many model of televisual broadcasting while simultaneously constructing more democratic, bottom-up models in which the people mediated themselves. Operating at the intersection between art history and media studies, Against Immediacy connects early video art and the rise of the media screen in gallery-based art to discussions about participation and the activation of the spectator in art and electronic media, moving from video art as an early form of democratic media practice to its canonization as a form of high art.
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cover of Against Labor: How U.S. Employers Organized to Defeat Union Activism

Against Labor

How U.S. Employers Organized to Defeat Union Activism

Edited by Rosemary Feurer and Chad Pearson

University of Illinois Press, 2017

Against Labor highlights the tenacious efforts by employers to organize themselves as a class to contest labor. Ranging across a spectrum of understudied issues, essayists explore employer anti-labor strategies and offer incisive portraits of people and organizations that aggressively opposed unions. Other contributors examine the anti-labor movement against a backdrop of larger forces, such as the intersection of race and ethnicity with anti-labor activity, and anti-unionism in the context of neoliberalism. Timely and revealing, Against Labor deepens our understanding of management history and employer activism and their metamorphic effects on workplace and society. Contributors: Michael Dennis, Elizabeth Esch, Rosemary Feurer, Dolores E. Janiewski, Thomas A. Klug, Chad Pearson, Peter Rachleff, David Roediger, Howard Stanger, and Robert Woodrum.
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cover of Against Literature

Against Literature

John Beverley

University of Minnesota Press, 1993

Is there a way of thinking about literature that is “outside” or “against” literature? In Against Literature, John Beverly brilliantly responds to this question, arguing for a negation of the literary that would allow nonliterary forms of cultural practice to displace literature’s hegemony.

Reminding us that most contemporary theorist speak today of literature with historically and socially specific conditions of production and reading formations, Beverley begins with a provocative exploration of Latin American literature, which he says the legacy of Columbus (discovery, conquest, and colonization) has endowed with an ambiguous cultural function, making it both a colonial institution and a historical agent of nation formation. He moves from this consideration to an extensive discussion of the postcolonial testimonio, poised between literature and the dynamics of subaltern culture. Beverley’s demonstration of how the internal logic that has always driven the dominant conception f literature must of necessity explode int cultural politics is a significant intervention into current debates about cultural studies, the canon, and multiculturalism.
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cover of Against Marginalization: Convergences in Black and Latinx Literatures

Against Marginalization

Convergences in Black and Latinx Literatures

Jose O. Fernandez

The Ohio State University Press, 2022

In Against Marginalization, Jose O. Fernandez examines thematic, aesthetic, historical, and cultural commonalities among post-1960s Black and Latinx writers, showing how such similarities have propelled their fight against social, cultural, and literary marginalization by engaging, adopting, and subverting elements from the larger American literary tradition. Drawing on the work of scholars in both literary traditions–including those who engage with the civil rights movements of the 1960s and 1970s–Fernandez finds intriguing points of convergence. His cross-cultural and comparative analysis puts Black and Latinx authors and literary works into the same frame as he considers the plays of Amiri Baraka and Luis Valdez, the fiction of James Baldwin and Rudolfo Anaya, the essays of Ralph Ellison and Richard Rodriguez, novels by Alice Walker and Helena María Viramontes, and the short fiction of Edward P. Jones and Junot Díaz. Against Marginalization thus uncovers points of correspondence and convergence among Black and Latinx literary and cultural legacies, interrogating how both traditions have moved from a position of literary marginalization to a moment of visibility and critical recognition.
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cover of Against Normalization: Writing Radical Democracy in South Africa

Against Normalization

Writing Radical Democracy in South Africa

Anthony O'Brien

Duke University Press, 2001

At the end of apartheid, under pressure from local and transnational capital and the hegemony of Western-style parliamentary democracy, South Africans felt called upon to normalize their conceptions of economics, politics, and culture in line with these Western models. In Against Normalization, however, Anthony O’Brien examines recent South African literature and theoretical debate which take a different line, resisting this neocolonial outcome, and investigating the role of culture in the formation of a more radically democratic society.
O’Brien brings together an unusual array of contemporary South African writing: cultural theory and debate, worker poetry, black and white feminist writing, Black Consciousness drama, the letters of exiled writers, and postapartheid fiction and film. Paying subtle attention to well-known figures like Nadine Gordimer, Bessie Head, and Njabulo Ndebele, but also foregrounding less-studied writers like Ingrid de Kok, Nise Malange, Maishe Maponya, and the Zimbabwean Dambudzo Marechera, he reveals in their work the construction of a political aesthetic more radically democratic than the current normalization of nationalism, ballot-box democracy, and liberal humanism in culture could imagine. Juxtaposing his readings of these writers with the theoretical traditions of postcolonial thinkers about race, gender, and nation like Paul Gilroy, bell hooks, and Gayatri Spivak, and with others such as Samuel Beckett and Vaclav Havel, O’Brien adopts a uniquely comparatist and internationalist approach to understanding South African writing and its relationship to the cultural settlement after apartheid.
With its appeal to specialists in South African fiction, poetry, history, and politics, to other Africanists, and to those in the fields of colonial, postcolonial, race, and gender studies, Against Normalization will make a significant intervention in the debates about cultural production in the postcolonial areas of global capitalism.
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cover of Against the Deportation Terror: Organizing for Immigrant Rights in the Twentieth Century

Against the Deportation Terror

Organizing for Immigrant Rights in the Twentieth Century

Rachel Ida Buff

Temple University Press, 2017

Despite being characterized as a “nation of immigrants,” the United States has seen a long history of immigrant rights struggles. In her timely book Against the Deportation Terror, Rachel Ida Buff uncovers this multiracial history. She traces the story of the American Committee for the Protection of the Foreign Born (ACPFB) from its origins in the 1930s through repression during the early Cold War, to engagement with “new” Latinx and Caribbean immigrants in the 1970s and early 1980s.

Functioning as a hub connecting diverse foreign-born communities and racial justice advocates, the ACPFB responded to various, ongoing crises of what they called “the deportation terror.” Advocates worked against repression, discrimination, detention, and expulsion in migrant communities across the nation at the same time as they supported reform of federal immigration policy. Prevailing in some cases and suffering defeats in others, the story of the ACPFB is characterized by persistence in multiracial organizing even during periods of protracted repression.

By tracing the work of the ACPFB and its allies over half a century, Against the Deportation Terror provides important historical precedent for contemporary immigrant rights organizing. Its lessons continue to resonate today.

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cover of Against!: Rebellious Daughters in Black Immigrant Fiction in the United States

Against!

Rebellious Daughters in Black Immigrant Fiction in the United States

Asha Jeffers

The Ohio State University Press, 2025

Against! is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status.

Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories.

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cover of Agent of Change: Adela Sloss-Vento, Mexican American Civil Rights Activist and Texas Feminist

Agent of Change

Adela Sloss-Vento, Mexican American Civil Rights Activist and Texas Feminist

By Cynthia E. Orozco

University of Texas Press, 2020

Liz Carpenter Award for Research in the History of Women, Texas State Historical Association

The essayist Adela Sloss-Vento (1901–1998) was a powerhouse of activism in South Texas’s Lower Rio Grande Valley throughout the Mexican American civil rights movement beginning in 1920 and the subsequent Chicano movement of the 1960s and 1970s. At last presenting the full story of Sloss-Vento’s achievements, Agent of Change revives a forgotten history of a major female Latina leader.

Bringing to light the economic and political transformations that swept through South Texas in the 1920s as ranching declined and agribusiness proliferated, Cynthia E. Orozco situates Sloss-Vento’s early years within the context of the Jim Crow/Juan Crow era. Recounting Sloss-Vento’s rise to prominence as a public intellectual, Orozco highlights a partnership with Alonso S. Perales, the principal founder of the League of United Latin American Citizens. Agent of Change explores such contradictions as Sloss-Vento’s tolerance of LULAC’s gender-segregated chapters, even though the activist was an outspoken critic of male privilege in the home and a decidedly progressive wife and mother. Inspiring and illuminating, this is a complete portrait of a savvy, brazen critic who demanded reform on both sides of the US-Mexico border.

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cover of Agents of Liberations: Holocaust Memory in Contemporary Art and Documentary Film

Agents of Liberations

Holocaust Memory in Contemporary Art and Documentary Film

Zoltán Kékesi

Central European University Press, 2015

The book explores representations of the Holocaust in contemporary art practices. Through carefully selected art projects, the author illuminates the specific historical, cultural, and political circumstances that influence the way we speak—or do not speak—about the Holocaust. The book's international focus brings into view film projects made by key artists reflecting critically upon forms of Holocaust memory in a variety of geographical contexts. Kékesi connects the ethical implications of the memory of the Holocaust with a critical analysis of contemporary societies, focusing upon artists who are deeply engaged in doing both of the above within three regions: Eastern Europe (especially Poland), Germany, and Israel. The case studies apply current methods of contemporary art theory, unfolding their implications in terms of memory politics and social critique.
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cover of Agitations: Ideologies and Strategies in African American Politics

Agitations

Ideologies and Strategies in African American Politics

Kevin R. Anderson

University of Arkansas Press, 2010

Though the activities of the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), and the Student Nonviolent Coordinating Committee (SNCC) were unified in their common idea of resistance to oppression, these groups fought their battles on multiple fronts. The NAACP filed lawsuits and aggressively lobbied Congress and state legislatures, while Martin Luther King Jr. and SCLC challenged the racial status quo through nonviolent mass action, and the SNCC focused on community empowerment activities. In Agitations, Kevin Anderson studies these various activities in order to trace the ideological foundations of these groups and to understand how diversity among African Americans created multiple political strategies.

Agitations goes beyond the traditionally acknowledged divide between integrationist and accommodationist wings of African American politics to explore the diverse fundamental ideologies and strategic outcomes among African American activists that still define, influence, and complicate political life today.

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cover of Agnes Heller: A Moralist in the Vortex of History

Agnes Heller

A Moralist in the Vortex of History

John Grumley

Pluto Press, 2005

Agnes Heller is one of the leading thinkers to come out of the tradition of critical theory. Her awesome intellectual range and output includes ethics, philosophical anthropology, political philosophy and a theory of modernity and its culture.

Hungarian by birth, she was one of the best known dissident Marxists in central Europe in the 1960's and 1970's. Since her forced immigration she has held visiting lectureships all over the world and has been the Hannah Arendt Professor of Philosophy at the New School in New York for the last twenty years.

This introduction to her thought is ideal for all students of philosophy, political theory and sociology. Grumley explores Heller's early work, elaborating her relation to Lukacs and the evolution of her own version of Marxism. He examines the subsequent break with Marxism and the initial development of an alternative radical philosophy. Finally, he explains and assesses her mature reflective post-modernism, a perspective that is both sceptical and utopian, that upholds a critical humanist perspective just as it critiques contemporary democratic culture.
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cover of Agony for Others: On Literature and Pain

Agony for Others

On Literature and Pain

Jessica Colangelo

University of Michigan Press, 2026

Agony for Others investigates the phenomenological, rhetorical, and political challenges of representing pain in literature. Pain cries vary between cultural and linguistic groups, and pain expression (such as grimacing or crying) can likewise vary in quality and intensity from person to person, affected by disability, temperament, and past experiences with pain, as well as the experiencer’s own understanding of what that pain is and what it means. Jessica Colangelo explores pain's role as a subjective indication of objective damage; that, contrary to claims of its subjective privacy, the feeling of pain is always felt in terms of an objectively existing entity (one’s physical body) which is perceivable by others. Thus, pain enters into intersubjectivity through the physical body—one's expressions, words, actions, presence—which then mediates between the self and the other.

Drawing on disability studies, phenomenology, philosophy, and literary studies, Colangelo examines works by Virginia Woolf, James Baldwin, Sarah Kane, Elie Wiesel, and Margaret Edson to argue that the belief that pain is incommunicable and thought-destroying obscures its central role in relationships and community formation. Agony for Others demonstrates that pain is not excluded from, but rather constitutive of, intersubjectivity, and argues that the aesthetic dimension of interpretation is essential to understanding the ethical and political role of pain.

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cover of Agrarian Revolt in the Sierra of Chihuahua, 1959–1965

Agrarian Revolt in the Sierra of Chihuahua, 1959–1965

Elizabeth Henson

University of Arizona Press, 2019

The early 1960s are remembered for the emergence of new radical movements influenced by the Cuban Revolution. One such protest movement rose in the Mexican state of Chihuahua. With large timber companies moving in on the forested sierra highlands, campesinos and rancheros did not sit by as their lands and livelihoods were threatened. Continuing a long history of agrarian movements and local traditions of armed self-defense, they organized and demanded agrarian rights.

Thousands of students joined the campesino protests in long-distance marches, land invasions, and direct actions that transcended political parties and marked the participants’ emergence as political subjects. The Popular Guerrilla Group (GPG) took shape from sporadic armed conflicts in the sierra. Early victories in the field encouraged the GPG to pursue more ambitious targets, and on September 23, 1965, armed farmers, agricultural workers, students, and teachers attacked an army base in Madera, Chihuahua. This bold move had deadly consequences.

With a sympathetic yet critical eye, historian Elizabeth Henson argues that the assault undermined and divided the movement that had been in its cradle, sacrificing the most militant, audacious, and serious of a generation at a time when such sacrifices were more frequently observed. Henson shows how local history merged with national tensions over one-party rule, the unrealized promises of the Mexican Revolution, and international ideologies.
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cover of Aid Imperium: United States Foreign Policy and Human Rights in Post-Cold War Southeast Asia

Aid Imperium

United States Foreign Policy and Human Rights in Post-Cold War Southeast Asia

Salvador Santino F. Regilme Jr.

University of Michigan Press, 2021

Does foreign aid promote human rights? As the world’s largest aid donor, the United States has provided foreign assistance to more than 200 countries. Deploying global numerical data on US foreign aid and comparative historical analysis of America’s post–Cold War foreign policies in Southeast Asia, Aid Imperium provides the most comprehensive explanation that links US strategic assistance to physical integrity rights outcomes in recipient countries, particularly in ways that previous quantitative studies have systematically ignored. The book innovatively highlights the active political agency of Global South states and actors as they negotiate and chart their political trajectories with the United States as the core state of the international system. Drawing from theoretical insights in the humanities and the social sciences as well as a wide range of empirical documents, Aid Imperium is the first multidisciplinary study to explain how US foreign policy affects state repression and physical integrity rights outcomes in Southeast Asia and the rest of the Global South.

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cover of Al Qaeda Declares War: The African Embassy Bombings and America’s Search for Justice

Al Qaeda Declares War

The African Embassy Bombings and America’s Search for Justice

Tod Hoffman

University Press of New England, 2014

Three years before the events of 9/11, Osama bin Laden sent al Qaeda suicide bombers on a coordinated attack to destroy the U.S. embassies in Nairobi, Kenya, and Dar es Salaam, Tanzania. That day, August 7, 1998, more than two hundred people were killed and thousands were wounded. Responding immediately, the FBI launched the largest international investigation in its history. Within months, suspects were arrested in six countries. The U.S. Attorney for the Southern District of New York indicted twenty-two individuals, including the elusive bin Laden. In February 2001 a landmark trial of four of the accused was held in Manhattan in the shadow of the World Trade Center. Al Qaeda Declares War: The African Embassy Bombings and America’s Search for Justice explores the step-by-step procedures the United States employed in analyzing these attacks, identifying the suspects, tracking down and apprehending them, building a case, and prosecuting them. It is this case that established the legal basis for hunting down bin Laden, and the trial makes for a gripping courtroom drama, in which the robust principles of American justice confront the fanaticism of true believers. Tod Hoffman argues forcefully that the process after the 1998 incident stands in marked contrast to the illegal detention, torture, and abrogation of rights that followed 9/11. Indeed, reverberations from the African embassy bombings continue in the ongoing hunt for perpetrators still at large, and in targeted killings by drones. Al Qaeda Declares War dramatically recounts the terror and bloodshed of that day in Africa and shows that America’s search for justice afterward offers important lessons for today.
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cover of Alabama Justice: The Cases and Faces That Changed a Nation

Alabama Justice

The Cases and Faces That Changed a Nation

Steven P. Brown

University of Alabama Press, 2020

WINNER OF THE ANNE B. & JAMES B. MCMILLAN PRIZE IN SOUTHERN HISTORY

Examines the legacies of eight momentous US Supreme Court decisions that have their origins in Alabama legal disputes.

Unknown to many, Alabama has played a remarkable role in a number of Supreme Court rulings that continue to touch the lives of every American. In Alabama Justice: The Cases and Faces That Changed a Nation, Steven P. Brown has identified eight landmark cases that deal with religion, voting rights, libel, gender discrimination, and other issues, all originating from legal disputes in Alabama.

Written in a concise and accessible manner, each case law chapter begins with the circumstances that created the dispute. Brown then provides historical and constitutional background for the issue followed by a review of the path of litigation. Excerpts from the Court’s ruling in the case are also presented, along with a brief account of the aftermath and significance of the decision. The First Amendment (New York Times v. Sullivan), racial redistricting (Gomillion v. Lightfoot), the Equal Protection Clause of the Fourteenth Amendment (Frontiero v. Richardson), and prayer in public schools (Wallace v. Jaffree) are among the pivotal issues stamped indelibly by disputes with their origins in Alabama legal, political, and cultural landscapes. By examining such landmark twentieth-century milestones and eras such as the Scottsboro Boys trial, the Civil Rights movement, and the fight for women’s rights through a legal lens, Brown sheds new and unexpected light on the ways that events in Alabama have shaped the nation.

In addition to his analysis of cases, Brown discusses the three associate Supreme Court justices from Alabama to the Supreme Court: John McKinley, John Archibald Campbell, and Hugo Black. Their cumulative influence on constitutional interpretation, the institution of the Court, and the day-to-day rights and liberties enjoyed by every American is impossible to measure. A closing chapter examines the careers and contributions of these three Alabamians.
 

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cover of Alabama in the Twentieth Century

Alabama in the Twentieth Century

Wayne Flynt

University of Alabama Press, 2004

An authoritative popular history that places the state in regional and national context.

Penned by one of Alabama’s most distinguished historians, this masterful work offers a sweeping yet intimate portrait of a century that reshaped both the state and the nation. With clarity, wit, and deep insight, the author traces the dramatic arc of the 20th century—from the dawn of flight and the rise of industrial power to revolutions in psychology, literature, and morality—all through the lens of Alabama’s unique experience.

Far more than a catalog of events, this book is a meditation on transformation. It captures the spirit of Alabamians as they confronted change with determination and vision, reckoning with the promises and perils of modernity. The author’s deep respect for archival sources and fellow scholars is matched by his gift for storytelling, making this an accessible and compelling read for both academics and general audiences.

With a voice honed by decades of scholarship and a heart rooted in Southern soil, the author brings history to life—illuminating how one state mirrored the nation’s evolution while forging its own path. This is essential reading for anyone seeking to understand Alabama’s place in the American story.
 

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cover of Alabama's Civil Rights Trail: An Illustrated Guide to the Cradle of Freedom

Alabama's Civil Rights Trail

An Illustrated Guide to the Cradle of Freedom

Frye Gaillard

University of Alabama Press, 2009

Alabama’s great civil rights events in a compact and accessible narrative, paired with a practical guide to Alabama’s preserved civil rights sites and monuments

No other state has embraced and preserved its civil rights history more thoroughly than Alabama. Nor is there a place where that history is richer. Alabama’s Civil Rights Trail tells of Alabama’s great civil rights events, as well as its lesser-known moments, in a compact and accessible narrative, paired with a practical guide to Alabama’s preserved civil rights sites and monuments.

In this history of Alabama’s civil rights movement, Cradle of Freedom (University of Alabama Press, 2004), Frye Gaillard contends that Alabama played the lead role in a historic movement that made all citizens of the nation, black and white, more free. This book, geared toward the casual traveler and the serious student alike, showcases in a vividly illustrated and compelling manner, valuable and rich details. It provides a user-friendly, graphic tool for the growing number of travelers, students, and civil rights pilgrims who visit the state annually.

The story of the civil rights movement in Alabama is told city by city, region by region, and town by town, with entries on Montgomery, Birmingham, Selma, Tuscaloosa, Tuskegee, and Mobile, as well as chapters on the Black Belt and the Alabama hill country. Smaller but important locales such as Greensboro, Monroeville, and Scottsboro are included, as are more obscure sites like Hale County’s Safe House Black History Museum and the birthplace of the Black Panther Party in Lowndes County.

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cover of AlabamaNorth: African-American Migrants, Community, and Working-Class Activism in Cleveland, 1915-45

AlabamaNorth

African-American Migrants, Community, and Working-Class Activism in Cleveland, 1915-45

Kimberley L. Phillips

University of Illinois Press, 1999

Langston Hughes called it "a great dark tide from the South": the unprecedented influx of blacks into Cleveland that gave the city the nickname "Alabama North." Kimberley L. Phillips reveals the breadth of working class black experiences and activities in Cleveland and the extent to which these were shaped by traditions and values brought from the South. 

Migrants' moves north established complex networks of kin and friends and infused Cleveland with a highly visible southern African American culture. Phillips examines the variety of black fraternal, benevolent, social, and church-based organizations that working class migrants created and demonstrates how these groups prepared the way for new forms of individual and collective activism in workplaces and the city. Giving special consideration to the experiences of working class black women, AlabamaNorth reveals how migrants' expressions of tradition and community gave them a new consciousness of themselves as organized workers and created the underpinning for new forms of black labor activism.

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cover of Alain L. Locke: The Biography of a Philosopher

Alain L. Locke

The Biography of a Philosopher

Leonard Harris and Charles Molesworth

University of Chicago Press, 2008

Alain L. Locke (1886-1954), in his famous 1925 anthology TheNew Negro, declared that “the pulse of the Negro world has begun to beat in Harlem.” Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey. The long-awaited first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America’s cultural and intellectual life.
 
Leonard Harris and Charles Molesworth trace this story through Locke’s Philadelphia upbringing, his undergraduate years at Harvard—where William James helped spark his influential engagement with pragmatism—and his tenure as the first African American Rhodes Scholar. The heart of their narrative illuminates Locke’s heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy. Harris and Molesworth show that throughout this illustrious career—despite a formal manner that many observers interpreted as elitist or distant—Locke remained a warm and effective teacher and mentor, as well as a fierce champion of literature and art as means of breaking down barriers between communities.
 
The multifaceted portrait that emerges from this engaging account effectively reclaims Locke’s rightful place in the pantheon of America’s most important minds.
[more]
cover of Alaska at War, 1941-1945: The Forgotten War Remembered

Alaska at War, 1941-1945

The Forgotten War Remembered

Edited by Fern Chandonnet

University of Alaska Press, 2007

Over the course of the past two hundred years, only one United States territory has experienced foreign occupation: Alaska. Available for the first time in paperback, Alaska at War brings readers face to face with the North Pacific front in World War II. Wide-ranging essays cover the war as seen by Alaskan eyes, including the Japanese invasion of the Attu and Kiska islands, the effects of the war on Aleutian Islanders, and the American campaign to recover occupied territory. Whether you’re a historian or a novice student interested in this pivotal period of American history, Alaska at War provides fascinating insight into the background, history, and cultural impact of war on the Alaskan homefront.
[more]
cover of Albert Camus, Jean Sénac, or The Rebel Son

Albert Camus, Jean Sénac, or The Rebel Son

Hamid Nacer-Khodja

Michigan State University Press, 2019

While Albert Camus is an internationally acclaimed figure, Jean Sénac has struggled to gain recognition, even in France and Algeria. The correspondence between the Nobel Prize recipient and the young poet, documented in this illuminating collection, is a testimony to a little-known friendship that lasted for over a decade (1947–1958) and coincided with the escalating conflict between France and Algeria. Their letters shed light on a passionate conflict that opposed two men on two sides of the Algerian War. On one side, Camus distanced himself from an Algerian insurrection that was becoming increasingly violent. On the other, Sénac espoused the armed insurrection of the National Liberation Front and Algeria’s right to independence and freedom. The exchange between Sénac and Camus allows for a deeper and more personal understanding of the Algerian conflict, and of the crucial role of writers, poets, and thinkers in the midst of a fratricidal colonial conflict. The letters translated here are also the intimate dialog between two men who had much in common and who shared a deep love for each other and for their homeland. 
[more]
cover of Albert Luthuli

Albert Luthuli

Robert Trent Vinson

Ohio University Press, 2018

In an excellent addition to the Ohio Short Histories of Africa series, Robert Trent Vinson recovers the important but largely forgotten story of Albert Luthuli, Africa’s first Nobel Peace Prize winner and president of the African National Congress from 1952 to 1967. One of the most respected African leaders, Luthuli linked South African antiapartheid politics with other movements, becoming South Africa’s leading advocate of Mahatma Gandhi’s nonviolent civil disobedience techniques. He also framed apartheid as a crime against humanity and thus linked South African antiapartheid struggles with international human rights campaigns.

Unlike previous studies, this book places Luthuli and the South African antiapartheid struggle in new global contexts, and aspects of Luthuli’s leadership that were not previously publicly known: Vinson is the first to use new archival evidence, numerous oral interviews, and personal memoirs to reveal that Luthuli privately supported sabotage as an additional strategy to end apartheid. This multifaceted portrait will be indispensable to students of African history and politics and nonviolence movements worldwide.

[more]
cover of Alberto Giacometti: Drawings and Watercolours. The Bruno Giacometti Bequest

Alberto Giacometti

Drawings and Watercolours. The Bruno Giacometti Bequest

Monique Meyer

Scheidegger and Spiess, 2014

Swiss artist Alberto Giacometti (1901–66) was one of the leading surrealist sculptors and inarguably one of the greatest artists of the twentieth century. His sculptures and drawings—displaying emaciated figures isolated in space—offer a revealing look into issues of mortality, embodiment, and the human condition, while giving physical expression to Giacometti’s twin obsessions, the human form and the alienation of modern life. In this book, Monique Meyer presents previously unpublished drawings and watercolors by the prolific artist from the collection Giacometti’s youngest brother Bruno bequeathed to Kunsthaus Zürich.
           
Comprising about one hundred of Giacometti’s works on paper, this well-guarded family treasure represents the artist’s entire life, from his youth in Stampa, Switzerland to his later years in Paris. This collection includes very early copies of works by old masters as well as studies of ancient Egyptian and Roman sculptures from the 1920s. It also shows how closely Giacometti looked at the art of Henri Matisse, Paul Cézanne, and Auguste Rodin, which then led to highly individual interpretations of their work. In addition, it contains important drawings of some of Giacometti’s relatives along with self-portraits, alpine landscapes from his native Val Bregaglia, and masterful figure studies from the 1950s and 60s.
           
Featuring 144 color images, this concise book features the first selection of these works the world has seen alongside an essay on their history and significance and an illustrated catalogue of the entire collection.
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cover of Alchemies of Theater: Plays, Scores, Writings

Alchemies of Theater

Plays, Scores, Writings

Dick Higgins

University of Michigan Press, 2024

In addition to his work as visual artist, publisher, poet, and composer, Dick Higgins (1938–98) was also a genuine man of the theater. A founder of Fluxus, he was a major figure in artistic communities in downtown New York City, across Europe, and in Japan. Yet as important as Higgins’s work has been to historians of the American avant-garde, relatively little attention has been paid to his radical theatrical vision. 

Alchemies of Theater brings together a broad selection of Higgins’s writings and theater-related work, much of it unpublished or long out of print, including plays and performance scores, drawings, and writings on theater and performance. As this book demonstrates, Higgins deconstructed the drama long before it became a project of theater; undercut the traditional roles of author and director; created what is now considered “devised” theater; pioneered the use of media in theater, writing the first electronic opera; and was a precursor in deconstruction and  “postdramatic” avant-garde traditions. His Intermedia manifesto offered a sweeping view of interdisciplinarity—in effect, a new arts ecology.
[more]
cover of Aleksandr Tvardovskii: Memory and Truth in the Soviet Union

Aleksandr Tvardovskii

Memory and Truth in the Soviet Union

Geoffrey Hosking

Central European University Press, 2025

Aleksandr Tvardovskii was not only one of the finest, most popular and most important poets of his epoch, but also the editor of Novyi mir, the most prominent Soviet literary journal of the postwar period until the 1970s. This book is a detailed biography of the writer and journal editor who probably changed the literary culture of the Soviet Union more than any other person in the two decades after Stalin's death. Geoffrey Hosking shows how Tvardovskii gradually evolved from being an ardent Stalinist who renounced his own so-called “kulak” family to becoming a convinced advocate of tolerance, an all-human morality, civil rights, and free literary creativity.
By giving a balanced account of his strengths and weaknesses, his achievements and failures, the author succeeds in giving the fullest picture available anywhere of a controversial man who turns out to be more complex than he has been portrayed so far. To understand him better is to understand why the Soviet intelligentsia changed so fundamentally in the USSR’s final decades, a change that helps to explain the rise of Gorbachev twenty years later. The study—which includes an in-depth analysis of Tvardovskii’s major works—also helps to better understand the fate of culture under an authoritarian regime and the intricacies of the struggle against censorship.
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cover of Alex and the Hobo: A Chicano Life and Story

Alex and the Hobo

A Chicano Life and Story

By José Inez Taylor and James M. Taggart

University of Texas Press, 2003

When a ten-year-old boy befriends a mysterious hobo in his southern Colorado hometown in the early 1940s, he learns about evil in his community and takes his first steps toward manhood by attempting to protect his new friend from corrupt officials. Though a fictional story, Alex and the Hobo is written out of the life experiences of its author, José Inez (Joe) Taylor, and it realistically portrays a boy's coming-of-age as a Spanish-speaking man who must carve out an honorable place for himself in a class-stratified and Anglo-dominated society.

In this innovative ethnography, anthropologist James Taggart collaborates with Joe Taylor to explore how Alex and the Hobo sprang from Taylor's life experiences and how it presents an insider's view of Mexicano culture and its constructions of manhood. They frame the story (included in its entirety) with chapters that discuss how it encapsulates notions that Taylor learned from the Chicano movement, the farmworkers' union, his community, his father, his mother, and his religion. Taggart gives the ethnography a solid theoretical underpinning by discussing how the story and Taylor's account of how he created it represent an act of resistance to the class system that Taylor perceives as destroying his native culture.

[more]
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Alexandre Kojève and the Specters of Russian Philosophy

Trevor Wilson

Northwestern University Press, 2025

Recounts Kojève’s key role in the pivotal exchange of ideas between Eastern and Western European intellectuals in the early twentieth century

This book shines critical new light on the story of Alexandre Kojève’s intellectual origins and his role in the emigration of Russian philosophy into the West in the early twentieth century. Trevor Wilson illustrates how Kojève, at once adversarial to the insular communities of émigré philosophy and yet dependent on their networks and ideas for professional success, navigated the specters of the Russian tradition in pursuit of an autonomous self-definition as a philosopher and intellectual.

Alexandre Kojève and the Specters of Russian Philosophy analyzes the philosopher’s complicated relationship to the interwar diaspora and the complex role played by the Russian tradition in his intellectual formation. Wilson examines Kojève’s early writings in the émigré press on Russian religious philosophy, Soviet politics, and Eurasianism and argues for their enduring relevance for understanding Kojève in his mature period. Crucially, he contextualizes Kojève’s famed seminars on Hegel and examines how Kojève’s thought became embedded in the politics of the Cold War. Based on newly transcribed and translated archival material, he highlights a previously unacknowledged, transnational exchange of ideas between Eastern and Western European intellectuals and shows how it played a pivotal role in twentieth-century intellectual history—and its legacy in the twenty-first.

[more]
cover of Alfred Bester

Alfred Bester

Jad Smith

University of Illinois Press, 2016

Alfred Bester's classic short stories and the canonical novel The Stars My Destination made him a science fiction legend. Fans and scholars praise him as a genre-bending pioneer and cyberpunk forefather. Writers like Neil Gaiman and William Gibson celebrate his prophetic vision and stylistic innovations.

Jad Smith traces the career of the unlikeliest of SF icons. Winner of the first Hugo Award for The Demolished Man, Bester also worked in comics, radio, and TV, and his intermittent SF writing led some critics to brand him a dabbler. In the 1960s, however, New Wave writers championed his work, and his reputation grew. Smith follows Bester's journey from consummate outsider to an artist venerated for foundational works that influenced the New Wave and cyberpunk revolutions. He also explores the little-known roots of a wayward journey fueled by curiosity, disappointment with the SF mainstream, and an artist's determination to go his own way.

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cover of Alfredo Boulton: Looking at Venezuela, 1928–1978

Alfredo Boulton

Looking at Venezuela, 1928–1978

Idurre Alonso

J. Paul Getty Trust, The, 0

This lavishly illustrated volume examines the work of the Venezuelan photographer and art historian Alfredo Boulton, one of the main intellectuals of Latin American modernity.
 
Alfredo Boulton (1908–1995) is considered one of the most important champions of modern art in Venezuela and a key intellectual of twentieth-century modernism. He was a pioneer of modern photography, an art critic, a researcher and historian of Venezuelan art, a friend to many of the great artists and architects of the twentieth century, and an expert on the imagery of the heroes of his country’s independence.
 
Yet, Boulton is shockingly underrecognized outside of his native land. The few exhibitions related to his work have focused exclusively on his photographic production; never has there been a project that looks at the full range of Boulton’s efforts, foregrounding his influence on the shaping of Venezuelan art. This volume addresses these lacunae by analyzing Boulton’s groundbreaking photographic practice, his central role in the construction of a modern national artistic canon, and his influence in formalizing and developing art history and criticism in Venezuela. Based on the extensive materials held in Boulton’s archive at the Getty Research Institute, Alfredo Boulton brings together essays by leading scholars in the field to offer a commanding, original perspective on his contributions to the formation of a distinctive modernity at home and beyond.
 
This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from August 29, 2023, to January 21, 2024.
[more]
cover of Alfredo Jaar: Decolonial Time and the Aesthetics of the Unfinished

Alfredo Jaar

Decolonial Time and the Aesthetics of the Unfinished

Florencia San Martin. With a Foreword by Wolfgang Kaleck.

Duke University Press, 2026

In Alfredo Jaar, the first critical academic survey devoted to the prominent Chilean-born artist, Florencia San Martín shows how his work takes up mourning, accountability, and failure, offering a new model for how to think about global contemporary art today.

In Alfredo Jaar, Florencia San Martín analyzes the work of the prominent Chilean-born artist Alfredo Jaar, whose work challenges the linear and triumphalist temporality of Western modernity that obscures the violence of colonization and globalization. San Martín argues that Jaar’s work represents decolonial time, exposing the limits of the violent systems we inhabit. His art, she maintains, is informed by and responds to two interconnected historical events relevant to his own life: the US-backed military coup that established Pinochet’s dictatorship in Chile and the implementation around the world of the corollary neoliberal economic system. San Martín explores the key themes in Jaar’s artistic practice—mourning, accountability, and failure—which situates the victims of the Chilean regime in a global context, directly confronts the architects of atrocity, and questions how ideas of diversity and inclusion have been co-opted by modern neoliberal discourses. Alfredo Jaar enables us to reimagine art history, offering a fresh paradigm with which to think about global contemporary art.
[more]
cover of Alice Paul and the American Suffrage Campaign

Alice Paul and the American Suffrage Campaign

Katharine H. Adams and Michael L. Keene

University of Illinois Press, 2007

Past biographies, histories, and government documents have ignored Alice Paul's contribution to the women's suffrage movement, but this groundbreaking study scrupulously fills the gap in the historical record. Masterfully framed by an analysis of Paul's nonviolent and visual rhetorical strategies, Alice Paul and the American Suffrage Campaign narrates the remarkable story of the first person to picket the White House, the first to attempt a national political boycott, the first to burn the president in effigy, and the first to lead a successful campaign of nonviolence.

Katherine H. Adams and Michael L. Keene also chronicle other dramatic techniques that Paul deftly used to gain publicity for the suffrage movement. Stunningly woven into the narrative are accounts of many instances in which women were in physical danger. Rather than avoid discussion of Paul's imprisonment, hunger strikes, and forced feeding, the authors divulge the strategies she employed in her campaign. Paul's controversial approach, the authors assert, was essential in changing American attitudes toward suffrage.

[more]
cover of Alice and Eleanor: A Contrast in Style and Purpose

Alice and Eleanor

A Contrast in Style and Purpose

Sandra R. Curtis

University of Wisconsin Press, 0

Alice and Eleanor: A Contrast in Style and Purpose explores the lifelong personal struggles, political involvement, and private relationship of Alice Roosevelt Longworth and Eleanor Roosevelt.
[more]
cover of Alien Neighbors, Foreign Friends: Asian Americans, Housing, and the Transformation of Urban California

Alien Neighbors, Foreign Friends

Asian Americans, Housing, and the Transformation of Urban California

Charlotte Brooks

University of Chicago Press, 2009

Between the early 1900s and the late 1950s, the attitudes of white Californians toward their Asian American neighbors evolved from outright hostility to relative acceptance. Charlotte Brooks examines this transformation through the lens of California’s urban housing markets, arguing that the perceived foreignness of Asian Americans, which initially stranded them in segregated areas, eventually facilitated their integration into neighborhoods that rejected other minorities.

Against the backdrop of cold war efforts to win Asian hearts and minds, whites who saw little difference between Asians and Asian Americans increasingly advocated the latter group’s access to middle-class life and the residential areas that went with it. But as they transformed Asian Americans into a “model minority,” whites purposefully ignored the long backstory of Chinese and Japanese Americans’ early and largely failed attempts to participate in public and private housing programs. As Brooks tells this multifaceted story, she draws on a broad range of sources in multiple languages, giving voice to an array of community leaders, journalists, activists, and homeowners—and insightfully conveying the complexity of racialized housing in a multiracial society.

[more]
cover of Alien Soil: Oral Histories of Great Migration Newark

Alien Soil

Oral Histories of Great Migration Newark

Katie Singer

Rutgers University Press, 2024

Alien Soil: Oral Histories of Great Migration Newark explores Newark’s Krueger-Scott African-American Cultural Center collection of over 100 oral histories. Historian Katie Singer separates these stories into thematic categories of social and political events, including church, work, and activism, in order to paint an intimate portrait of everyday urbanity and the larger Black urban experience in Newark. Through the examination of these Krueger-Scott narratives, Singer challenges historical falsehoods with the lived experiences of Newarkers who traveled North during the Great Migration, as well as established city residents. Alien Soil effectively contextualizes Newark history and re-inserts Black voices into historiography traditionally dominated by “outsiders."

The book begins with the Krueger-Scott Mansion’s deep history, followed by the sequence of events surrounding the proposed Cultural Center. Last owned by African-American millionaire and beauty-culture entrepreneur Louise Scott, the Victorian Krueger-Scott Mansion was built by beer baron Gottfried Krueger in 1888. Through the history of the Mansion, and the ultimately failed Cultural Center project, one learns about the Newark that African Americans migrated to, what they found when they got there, how living in the city changed them, and how they, individually and collectively, changed Newark.

After the Cultural Center project was officially halted in 2000, the cassette tapes of the oral history interviews were stored away at the Newark Public Library. Ten years later they were unearthed, and ultimately digitized. As of yet, no one has applied these sources directly to their research. Deeply committed to these rich, insightful stories, Singer calls for a more thoughtful consideration of all cities, reminding us that Newark is much more than its 1967 rebellion.
 
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cover of Alienated Women: A Study on Polish Women's Writing, 1845 -1918

Alienated Women

A Study on Polish Women's Writing, 1845 -1918

Grazyna Borkowska

Central European University Press, 2001

Women’s studies are still in their infancy in Poland and this pioneering book is one of the most comprehensive and well-researched studies on nineteenth-century Polish women prose writers. Selecting writers that reflect the most turbulent time in Polish women’s literature, such as Klementyna Hoffmanowa, Narcyza Zmichovska, Eliza Orzeszkowa and Zofia Nalkowska. Borkowska’s approach of major feminist theories and post-feminist thought results in astonishing findings that throw new light on Polish women writers and their contribution to European thought. The author’s intelligent and effective use of feminist criticism and clarity of thought make Alienated Women a landmark study, suitable for (all students) and scholars of Polish literature, women’s studies and feminist theory.
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cover of Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91

Alienation Effects

Performance and Self-Management in Yugoslavia, 1945-91

Branislav Jakovljevic

University of Michigan Press, 2016

In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official” or “dissident” art; and shows that the break up of Yugoslavia was not a result of “ancient hatreds” among its peoples but instead came from the distortion and defeat of the idea of self-management.

The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.

[more]
cover of Aliens and Dissenters: Federal Suppression of Radicals, 1903-1933

Aliens and Dissenters

Federal Suppression of Radicals, 1903-1933

William Preston, Jr.

University of Illinois Press, 1994

This edition features a new foreword by Paul Buhle and a new epilogue by the author.

 
[more]
cover of All Contraries Confounded: The Lyrical Fiction

All Contraries Confounded

The Lyrical Fiction

Karen Kaivola

University of Iowa Press, 1991

This insightful volume extends feminist critical studies of twentieth-century women writers as it examines the complex ways female subjectivity experiences and is shaped by gender and power in literary texts. Because of the ways ambivalence and contradiction operate in the works of Woolf, Barnes, and Duras, to read them is to able to interrogate and thus more fully understand the ways our own subjectivity are constructed in relation to complex configurations of desire, loss, sexuality, power, vulnerability, and violence.
Kaivola has worked out a strikingly original means of reading difference—and reading differently—in order to account for what has been inexplicable in different literary texts by women. All Contraries Confounded seeks to problematize feminist theory that celebrates resistance in fiction by women, for it questions the ability of dominant modes of feminist critical theory to recognize and address fully the forms of contradiction and ambivalence that riddle women's writings—and women's lives.
[more]
cover of All In: The Spread of Gambling in Twentieth-Century United States

All In

The Spread of Gambling in Twentieth-Century United States

Jonathan D Cohen

University of Nevada Press, 2018

Gambling, the risky enterprise of chance, is one of America’s favorite pastimes. Office March Madness brackets, a day at the race track, a friendly wager, the random ridiculous Super Bowl prop bet, bingo night, or the latest media frenzy over the Powerball jackpot—all emphasize the ubiquity of this major economic force and cultural phenomenon. Approximately 70 percent of Americans regularly engage in some form of betting, amounting to over $140 billion in combined casino and lottery revenue every year. A hundred years ago, however, legal gambling was a rarity in the United States.
 
A fresh take on the history of modern American gambling, All In provides a closer look at the shifting economic, cultural, religious, and political conditions that facilitated gambling’s expansion and prominence in American consumerism and popular culture. In its pages, a diverse range of essays covering commercial and Native American casinos, sports betting, lotteries, bingo, and more piece together a picture of how gambling became so widespread over the course of the twentieth century.

Drawing from a range of academic disciplines, this collection explores five aspects of American gambling history: crime, advertising, politics, religion, and identity.

In doing so, All In illuminates the on-the-ground debates over gambling’s expansion, the failed attempts to thwart legalized betting, and the consequences of its present ubiquity in the United States.
[more]
cover of All My Mothers and Fathers: A Memoir

All My Mothers and Fathers

A Memoir

Michael Blumenthal

West Virginia University Press, 2016

Shortly after his mother dies of breast cancer when he is ten years old, Michael Blumenthal discovers that she was not his biological mother, and that his aunt and uncle, immigrant chicken farmers living in Vineland, New Jersey, are really his parents.
 
As fate would have it, his adoptive father, a German-Jewish refugee raised by a loveless and embittered stepmother after his own mother died in childbirth, has inflicted on his stepson a fate uncannily—and terrifyingly—similar to his own: Having first adopted Michael, in part, to help his dying wife, he then imposes on him the same sort of penurious and loveless stepmother whom he himself had had to survive. With these revelations, the "mysteries" that seem to have permeated Michael's childhood are laid bare, triggering a quest for belonging that will infiltrate the author's entire adult life.
 
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cover of All My Relatives: Community in Contemporary Ethnic American Literatures

All My Relatives

Community in Contemporary Ethnic American Literatures

Bonnie TuSmith

University of Michigan Press, 1994

All My Relatives challenges the prevailing notion that the work of all American writers reflects a sense of determined individualism. Highlighting works by Frank Chin, Sandra Cisneros, Maxine Hong Kingston, N. Scott Momaday, Tomas Rivera, Leslie Marmon Silko, Alice Walker, and John Edgar Wideman, Bonnie TuSmith shows that a "first language of community" exists within the cultures of ethnic Americans and is evident in their literary texts. TuSmith suggests that the proper understanding of these texts demands that we dismiss an interpretive frame borrowed from European-American literature.
All My Relatives provides a new way of reading popular works such as The Woman Warrior, The Joy Luck Club, The Color Purple and John Edgar Wideman's Sent for You Yesterday. TuSmith's study will appeal to general readers as well as students and scholars of American culture, ethnic studies, and American literature.
"An original contribution to the field. TuSmith's willingness to step over invisible boundaries and to draw parallels between the cultural contexts of several ethnic groups at once is refreshing and important." --Amy Ling, University of Wisconsin, Madison
"Ambitious and timely . . . a significant work that Americanists will want to read. TuSmith does an excellent job of clarifying the meaning and significance of the term "ethnicity" in relation to American literature."--Ramón Saldívar, Stanford University
". . . TuSmith establishes the importance of traditional (usually oral) modes of expression to ethnic texts that are both relational and accessible . . . . [S]hould become a standard point of reference in the emerging field of comparative American literature."--Choice
Bonnie TuSmith is Assistant Professor of English, Bowling Green State University.
[more]
cover of All Play and No Work: American Work Ideals and the Comic Plays of the Federal Theatre Project

All Play and No Work

American Work Ideals and the Comic Plays of the Federal Theatre Project

Gagliardi, Paul

Temple University Press, 2024

Many of the Federal Theatre Project (FTP) plays Paul Gagliardi analyzes in All Play and No Work feature complex portrayals of labor and work relief at a time when access to work was difficult. Gagliardi asks, what does it mean that many plays produced by the FTP celebrated forms of labor like speculation and swindling?     

All Play and No Work directly contradicts the promoted ideals of work found in American society, culture, and within the broader New Deal itself. Gagliardi shows how comedies of the Great Depression engaged questions of labor, labor history, and labor ethics. He considers the breadth of the FTP’s production history, staging plays including Ah, Wilderness!, Help Yourself, and Mississippi Rainbow.

Gagliardi examines backstage comedies, middle-class comedies, comedies of chance, and con-artist comedies that employed diverse casts and crew and contained radical economic and labor ideas. He contextualizes these plays within the ideologically complicated New Deal, showing how programs like the Social Security Act straddled progressive ideals and conservative, capitalist norms. Addressing topics including the politicization of theatrical labor and the real dangers of unchecked economic con artists, the comic plays of the FTP reveal acts of political resistance and inequality that reflected the concerns of their audiences.
[more]
cover of All Religions Are Good in Tzintzuntzan: Evangelicals in Catholic Mexico

All Religions Are Good in Tzintzuntzan

Evangelicals in Catholic Mexico

By Peter S. Cahn

University of Texas Press, 2003

Since the 1960s, evangelical Christian denominations have made converts throughout much of Roman Catholic Latin America, causing clashes of faith that sometimes escalate to violence. Yet in one Mexican town, Tzintzuntzan, the appearance of new churches has provoked only harmony. Catholics and evangelicals alike profess that "all religions are good," a sentiment not far removed from "here we are all equal," which was commonly spoken in the community before evangelicals arrived.

In this paradigm-challenging study, Peter Cahn investigates why the coming of evangelical churches to Tzintzuntzan has produced neither the interfaith clashes nor the economic prosperity that evangelical conversion has brought to other communities in Mexico and Latin America. Drawing on extensive ethnographic fieldwork, he demonstrates that the evangelicals' energetic brand of faith has not erupted into violence because converts continue to participate in communal life, while Catholics, in turn, participate in evangelical practices. He also underscores how Tzintzuntzan's integration into global economic networks strongly motivates the preservation of community identity and encourages this mutual borrowing. At the same time, however, Cahn concludes that the suppression of religious difference undermines the revolutionary potential of religion.

[more]