482 books match the query '17th century' and 18 start with b

cover of Bachelors of Science: Seventeenth Century Identity, Then and Now

Bachelors of Science

Seventeenth Century Identity, Then and Now

Naomi Zack

Temple University Press, 1996

Naomi Zack begins this extraordinary book with the premise that if one is to understand Western conceptions of racialized and gendered identity, one needs to go back to a period when such categories were not salient and examine how notions of identity in the seventeenth century were fundamentally different from subsequent constructions. The seventeenth century is the last time, for example, that Europeans had any contact with non-Europeans without racializing them. From the eighteenth century onward, race becomes a central category for Europeans in their transactions with a different world, and gender undergoes radical transformation. Zack takes the reader through a lucid tour of the lives, times, and writings of such key "bachelors of Science" as Bacon, Descartes, Newton, and Gassendi. The book situates these empiricist philosophers and their canonical reputations within the larger framework of the de facto "masculinization of science" and "scientizing of masculinity" in the seventeenth century, arguing for a more nuanced understanding of these key thinkers of the period. Other fascinating issues examined in this book include pre-racial conceptions of slavery, witchcraft trials and their connection to homosociality, and the highly sexualized nature of women's identity in the seventeenth century. Zack points out the link between elite bachelorhood, the profession of philosophy, and scientific pursuit as recreational activity. This book is a must for understanding the historical and philosophical precedents of modern scientific identity, race, and gender.
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cover of Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime

Backstage at the Revolution

How the Royal Paris Opera Survived the End of the Old Regime

Victoria Johnson

University of Chicago Press, 2008

On July 14, 1789, a crowd of angry French citizens en route to the Bastille broke into the Paris Opera and helped themselves to any sturdy weapon they could find. Yet despite its long association with the royal court, its special privileges, and the splendor of its performances, the Opera itself was spared, even protected, by Revolutionary officials. Victoria Johnson’s Backstage at the Revolution tells the story of how this legendary opera house, despite being a lightning rod for charges of tyranny and waste, weathered the most dramatic political upheaval in European history.
            Sifting through royal edicts, private letters, and Revolutionary records of all kinds, Johnson uncovers the roots of the Opera’s survival in its identity as a uniquely privileged icon of French culture—an identity established by the conditions of its founding one hundred years earlier under Louis XIV. Johnson’s rich cultural history moves between both epochs, taking readers backstage to see how a motley crew of singers, dancers, royal ministers, poet entrepreneurs, shady managers, and the king of France all played a part in the creation and preservation of one of the world’s most fabled cultural institutions.
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cover of Barbarous Play: Race on the English Renaissance Stage

Barbarous Play

Race on the English Renaissance Stage

Lara Bovilsky

University of Minnesota Press, 2008

Like our own, early modern beliefs about race depended on metaphorical, selective, and contradictory understandings of how membership in groups is determined. Although race took distinctive forms in the past, the fallacies that underlie early modern racial experience generally are precisely-and surprisingly-the same as those in contemporary culture.

Exploring the similar underpinnings of early modern and contemporary ideas of difference, Barbarous Play examines English Renaissance understandings of race as depicted in drama. Reading plays by Shakespeare, Marlowe, Webster, and Middleton, Bovilsky offers case studies of how racial meanings are generated by narratives of boundary crossing-especially miscegenation, religious conversion, class transgression, and moral and physical degeneracy. In the process, she reveals deep parallels between the period’s conceptions of race and gender.

Barbarous Play contests the widely held view that race and racism depend on modern science for their existence and argues that understanding just what is false and figurative in past depictions of race, such as those found in Othello, The Merchant of Venice, The White Devil, and The Changeling, can clarify the illogic of present-day racism.

Lara Bovilsky is assistant professor of English at Washington University in St. Louis.

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cover of Baroque Science

Baroque Science

Ofer Gal and Raz Chen-Morris

University of Chicago Press, 2013

In Baroque Science, Ofer Gal and Raz Chen-Morris present a radically new perspective on the scientific revolution of the seventeenth century. Instead of celebrating the triumph of reason and rationality, they study the paradoxes and anxieties that stemmed from the New Science and the intellectual compromises that shaped it and enabled its spectacular success.
 
Gal and Chen-Morris show how the protagonists of the new mathematical natural philosophy grasped at the very far and very small by entrusting observation to the mediation of artificial instruments, and how they justified this mediation by naturalizing and denigrating the human senses. They show how the physical-mathematical ordering of heavens and earth demanded obscure and spurious mathematical procedures, replacing the divine harmonies of the late Renaissance with an assemblage of isolated, contingent laws and approximated constants.  Finally, they show how the new savants, forced to contend that reason is hopelessly estranged from its surrounding world and that nature is irreducibly complex, turned to the passions to provide an alternative, naturalized foundation for their epistemology and ethics.
 
Enforcing order in the face of threatening chaos, blurring the boundaries of the natural and the artificial, and mobilizing the passions in the service of objective knowledge, the New Science, Gal and Chen-Morris reveal, is a Baroque phenomenon: deeply entrenched in and crucially formative of the culture of its time.
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cover of Baroque Times in Old Mexico: Seventeenth-Century Persons, Places, and Practices

Baroque Times in Old Mexico

Seventeenth-Century Persons, Places, and Practices

Irving A. Leonard

University of Michigan Press, 1959

This book opens a window on a forgotten and glorious time—the life of colonial Mexico. Here is the color of that era in a mosaic of life—a worldly ambitious archbishop, a beautiful nun-poetess, a Creole scholar torn between faith and scientific learning, poetasters, inquisitors—and in the background, the first glimmers of Mexican nationalism. Baroque in its intricate pattern of caste and custom, rich with silver pouring from its mines, the feudal society of Old Mexico lives in this account of a vanished time.

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cover of Basques and Vicuñas at the Mouth of Hell: A Documentary History of Potosí in the Early 1620s

Basques and Vicuñas at the Mouth of Hell

A Documentary History of Potosí in the Early 1620s

Kris Lane

University of Nevada Press, 2024

In June 1622, the silver mining metropolis of Potosí, Bolivia, erupted in gangland violence, only halted three years later by a viceroy’s blanket amnesty. Basque immigrants were at the center of the controversy, squaring off against nearly a dozen other nations known collectively as Vicuñas. At stake were the world’s richest silver mines, a means to wealth and power in the Americas, Europe, and beyond.

As mines flooded and Indigenous workers died or fled, the city descended into a maelstrom of swordfights, gun battles, ambushes, sniper attacks, and summary executions. Though its roots were economic, the Basque-Vicuña conflict strained the sinews of Habsburg global governance even as it exposed festering local tensions, only some of which were unique to Potosí.

This rich collection of original sources, all of them archival documents housed in Bolivia, Spain, the United Kingdom, and the United States, consists of contemporary eyewitness accounts from several perspectives, allowing readers to play historian. All sources have been expertly translated and carefully annotated in a manner that will engage students and scholars alike. Basques and Vicuñas at the Mouth of Hell includes an extensive introduction, seven vital documents in translation, and appendices on everyday life in 1620s Potosí and on the historiography of this watershed episode of colonial violence.
 
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cover of Before Intimacy: Asocial Sexuality in Early Modern England

Before Intimacy

Asocial Sexuality in Early Modern England

Daniel Juan Gil

University of Minnesota Press, 2006

Before the eighteenth-century rise of the ideology of intimacy, sexuality was defined not by social affiliations but by bodies. In Before Intimacy, Daniel Juan Gil examines sixteenth-century English literary concepts of sexuality that frame erotic ties as neither bound by social customs nor transgressive of them, but rather as “loopholes” in people’s experiences and associations. 

Engaging the poems of Wyatt, Sidney’s Astrophil and Stella, Spenser’s Amoretti and The Faerie Queene, and Shakespeare’s Troilus and Cressida and the Sonnets, Gil demonstrates how sexuality was conceived as a relationship system inhabited by men and women interchangeably—set apart from the “norm” and not institutionalized in a private or domestic realm. Going beyond the sodomy-as-transgression analytic, he asserts the existence of socially inconsequential sexual bonds while recognizing the pleasurable effects of violating the supposed traditional modes of bonding and ideals of universal humanity and social hierarchy. 

Celebrating the ability of corporeal emotions to interpret connections between people who share nothing in terms of societal structure, Before Intimacy shows how these works of early modern literature provide a discourse of sexuality that strives to understand status differences in erotic contexts and thereby question key assumptions of modernity. 

Daniel Juan Gil is assistant professor of English at TCU.
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cover of Before Voltaire: The French Origins of “Newtonian” Mechanics, 1680-1715

Before Voltaire

The French Origins of “Newtonian” Mechanics, 1680-1715

J.B. Shank

University of Chicago Press, 2017

We have grown accustomed to the idea that scientific theories are embedded in their place and time. But in the case of the development of mathematical physics in eighteenth-century France, the relationship was extremely close. In Before Voltaire, J.B. Shank shows that although the publication of Isaac Newton’s Principia in 1687 exerted strong influence, the development of calculus-based physics is better understood as an outcome that grew from French culture in general.
 
Before Voltaire explores how Newton’s ideas made their way not just through the realm of French science, but into the larger world of society and culture of which Principia was an intertwined part. Shank also details a history of the beginnings of calculus-based mathematical physics that integrates it into the larger intellectual currents in France at the time, including the Battle of the Ancients and the Moderns, the emergence of wider audiences for science, and the role of the newly reorganized Royal Academy of Sciences. The resulting book offers an unprecedented cultural history of one the most important and influential elements of Enlightenment science.
 
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cover of Behemoth or The Long Parliament

Behemoth or The Long Parliament

Thomas Hobbes

University of Chicago Press, 1990

Behemoth, or The Long Parliament is essential to any reader interested in the historical context of the thought of Thomas Hobbes (1588-1679). In De Cive (1642) and Leviathan (1651), the great political philosopher had developed an analytical framework for discussing sedition, rebellion, and the breakdown of authority. Behemoth, completed around 1668 and not published until after Hobbe's death, represents the systematic application of this framework to the English Civil War.

In his insightful and substantial Introduction, Stephen Holmes examines the major themes and implications of Behemoth in Hobbes's system of thought. Holmes notes that a fresh consideration of Behemoth dispels persistent misreadings of Hobbes, including the idea that man is motivated solely by a desire for self-preservation. Behemoth, which is cast as a series of dialogues between a teacher and his pupil, locates the principal cause of the Civil War less in economic interests than in the stubborn irrationality of key actors. It also shows more vividly than any of Hobbe's other works the importance of religion in his theories of human nature and behavior.
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cover of Between Design and Making: Architecture and Craftsmanship, 1630–1760

Between Design and Making

Architecture and Craftsmanship, 1630–1760

Edited by Andrew Tierney and Melanie Hayes

University College London, 2024

A necessary insight into the contribution of artisanal work in early modern architecture.

The seventeenth and eighteenth centuries represent a high point in design and workmanship intersectionality. Skilled artisans worked across a spectrum of practices in design, supervision, and execution, and architects relied on this experience when building sites. However, this relationship has been under-studied in the architectural achievement of the early modern era.
 
Combining analysis of buildings, archival material, and eighteenth-century writings, editors Andrew Tierney and Melanie Hayes re-evaluate the social and professional fabric binding design to the act of making and reflect on the asymmetry between architecture and craft. They argue for a process-oriented understanding of architectural production that explores the scribbled and annotated beginnings of design; the debates and revisions in forging details; and the grappling with building materials that pushed projects from conception to completion.
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cover of Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy

Between Raphael and Galileo

Mutio Oddi and the Mathematical Culture of Late Renaissance Italy

Alexander Marr

University of Chicago Press, 2011

Although largely unknown today, during his lifetime Mutio Oddi of Urbino (1569–1639) was a highly esteemed scholar, teacher, and practitioner of a wide range of disciplines related to mathematics. A prime example of the artisan-scholar so prevalent in the late Renaissance, Oddi was also accomplished in the fields of civil and military architecture and the design and retail of mathematical instruments, as well as writing and publishing. 

In Between Raphael and Galileo, Alexander Marr resurrects the career and achievements of Oddi in order to examine the ways in which mathematics, material culture, and the book shaped knowledge, society, and the visual arts in late Renaissance Italy. Marr scrutinizes the extensive archive of Oddi papers, documenting Oddi’s collaboration with prominent intellectuals and officials and shedding new light on the practice of science and art during his day. What becomes clear is that Oddi, precisely because he was not spectacularly innovative and did not attain the status of a hero in modern science, is characteristic of the majority of scientific practitioners and educators active in this formative age, particularly those whose energetic popularization of mathematics laid the foundations for the Scientific Revolution. Marr also demonstrates that scientific change in this era was multivalent and contested, governed as much by friendship as by principle and determined as much by places as by purpose.

Plunging the reader into Oddi’s world, Between Raphael and Galileo is a finely wrought and meticulously researched tale of science, art, commerce, and society in the late sixteenth and early seventeenth century. It will become required reading for any scholar interested in the history of science, visual art, and print culture of the Early Modern period.

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cover of Biblical Families in Music: Conflict and Heterodoxy in Oratorios, 1670–1770

Biblical Families in Music

Conflict and Heterodoxy in Oratorios, 1670–1770

Robert L. Kendrick

University of Chicago Press, 2025

Examines how stories of biblical families were reconfigured and projected in the genre of the oratorio, a form of sacred opera, in the seventeenth and eighteenth centuries.

Based to a great extent on the Old Testament, the largely Catholic musical-dramatic genre was popular in Italy, Austria, and southern Germany in the seventeenth and eighteenth centuries. Biblical Families in Music reveals how difficult stories of fratricide, child sacrifice, death, and forbidden love performed a didactic function in oratorios, teaching early modern audiences about piety and the rules of proper family life.

In the century after 1670, the heavily adapted tales of Abraham and Isaac, Cain and Abel, and the Egyptian slave Hagar and her son Ishmael were set to music by figures such as Alessandro Scarlatti and Antonio Sacchini and performed during Lent in churches and other sacred spaces for an audience of court nobility, clergy, and the urban patriciate. By examining the resonance of Catholic oratorios within predominantly upper-class social realities, the book broadens our cultural understanding of the early modern European family and underscores the centrality of family and familial relation to social position, devotional taste, and identity.
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cover of Birth Figures: Early Modern Prints and the Pregnant Body

Birth Figures

Early Modern Prints and the Pregnant Body

Rebecca Whiteley

University of Chicago Press, 2023

The first full study of “birth figures” and their place in early modern knowledge-making. 

Birth figures are printed images of the pregnant womb, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images’ creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books in Western Europe from the mid-sixteenth to the mid-eighteenth century. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. 

Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy.
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cover of Blood Relations: Christian and Jew in The Merchant of Venice

Blood Relations

Christian and Jew in The Merchant of Venice

Janet Adelman

University of Chicago Press, 2008

In Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism.

Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown.

In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.
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cover of Bloody Numbers: The Early Atlantic Slave Trade and the Invention of Modern Corporeality

Bloody Numbers

The Early Atlantic Slave Trade and the Invention of Modern Corporeality

Pablo F. Gómez

University of Chicago Press, 2026

Upends current thinking about how early modern people started to conceptualize human beings in terms of populations.
 
Bloody Numbers is a provocative account of the violent world of the sixteenth- and seventeenth-century South Atlantic slave-trading societies, where traders, financiers, officials, surgeons, notaries, ship captains, and others began thinking about human bodies as aggregate populations understood through numbers: measurements, averages, and calculations of risk and value assessed through the tabulation of heights, weights, tumors, scars, and other characteristics. Pablo F. Gómez explores how figures within the world of slave trading used this model for understanding human bodies to generalize about behavior and disease in ways that foreshadowed the work of modern epidemiologists and public health officials—though they employed their calculations with the aim of protecting their financial interests rather than of caring for enslaved people. The ruthlessness inherent in these practices became ingrained in the modern corporeal mathematics that emerged from the early slave trade and diffused through its vast political, financial, logistical, and intellectual networks.

A pathbreaking work, Bloody Numbers reveals the historical actions that rendered populations quantifiable. In doing so, it shows that confronting these origins is essential to understanding the violent political, legal, economic, and scientific practices that ascribe numbers to our own bodies.

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cover of Bold Conscience: Luther to Shakespeare to Milton

Bold Conscience

Luther to Shakespeare to Milton

Joshua R. Held

University of Alabama Press, 2023

Traces how conscience—inner moral conviction—came to shape public life, fueling martyrdom, free speech, and political revolts

Bold Conscience: Luther to Shakespeare to Milton is a sweeping, original study of how conscience became one of the most powerful ideas in early modern England. Tracing the emergence of what Joshua R. Held calls the “bold conscience,” the book shows how inner moral conviction moved from the realm of private guilt to public action, fueling debates about authority, obedience, free speech, and resistance. By placing conscience at the center of literary, religious, and political conflict, Bold Conscience reveals a vital intellectual throughline linking the Reformation to the birth of modern ideas of liberty and toleration.

The book unfolds chronologically, beginning with Martin Luther and Henry VIII and moving through Shakespeare’s Hamlet and Henry VIII, John Donne’s court sermons, and John Milton’s polemical and poetic works, including Areopagitica and Paradise Lost. Each chapter combines close literary reading with historical and theological analysis, showing how conscience operates across genres—drama, sermon, pamphlet, and epic poetry. Joshua R. Held is a distinguished scholar of early modern literature whose work bridges literary criticism, intellectual history, and religious studies, bringing clarity and narrative energy to complex debates.

Bold Conscience will appeal to scholars and students of early modern literature, Shakespeare, Milton, and Reformation history, as well as readers interested in the origins of religious freedom and political dissent. It will also engage anyone concerned with how moral conviction shapes public life then and now.

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cover of Both from the Ears and Mind: Thinking about Music in Early Modern England

Both from the Ears and Mind

Thinking about Music in Early Modern England

Linda Phyllis Austern

University of Chicago Press, 2020

Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.
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cover of British Literature and Technology, 1600-1830

British Literature and Technology, 1600-1830

Kristin M. Girten

Bucknell University Press, 2023

Enlightenment-era writers had not yet come to take technology for granted, but nonetheless were—as we are today—both attracted to and repelled by its potential. This volume registers the deep history of such ambivalence, examining technology’s influence on Enlightenment British literature, as well as the impact of literature on conceptions of, attitudes toward, and implementations of technology. Offering a counterbalance to the abundance of studies on literature and science in seventeenth- and eighteenth-century Britain, this volume’s focus encompasses approaches to literary history that help us understand technologies like the steam engine and the telegraph along with representations of technology in literature such as the “political machine.” Contributors ultimately show how literature across genres provided important sites for Enlightenment readers to recognize themselves as “chimeras”—“hybrids of machine and organism”—and to explore the modern self as “a creature of social reality as well as a creature of fiction.”

 

 

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