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Becoming Hybrid offers an intimate exploration of creative process and hybrid poetics. Weaving together essays, interviews, personal narrative, and pedagogical reflections, this book explores what it means to be “hybrid” in the twenty-first century, as artists increasingly produce work that challenges traditional formal boundaries. The book examines the transdisciplinary practice of artists like Cecilia Vicuña, Don Mee Choi, and Claudia Rankine, many of whom write from diasporic experience or from identities historically pushed to the margins. Emerging from Barizo’s lifelong engagements with music, philosophy, art, and literature, the book illuminates the idiosyncratic pathways she has taken to unsettle disciplinary boundaries as an author, artist, and performer. Becoming Hybrid traces how disciplinary and genre-bound conventions have shifted and dissolved across time, offering tools for decolonial pedagogy and collaborative writing workshops that honor multiple voices, lived experiences, and cultural traditions. Accessible yet intellectually rigorous, the book opens up a conversation about hybridity and creativity, making it an essential guide for anyone interested in how contemporary art and literature are reshaping the ways we think, write, and create today.

Becoming the Story examines the transformation of war reporting in the decade after 9/11. Lindsay Palmer delves into times when print or television correspondents themselves received intense public scrutiny because of an incident associated with the work of war reporting. Such instances include Daniel Pearl’s kidnapping and murder; Bob Woodruff’s near-fatal injury in Iraq; the expulsions of Maziar Bahari and Nazila Fathi from Iran in 2009; the sexual assault of Lara Logan; and Marie Colvin’s 2012 death in Syria. Merging analysis with in-depth interviews of Woodruff and others, Palmer shows what these events say about how post-9/11 conflicts transformed the day-to-day labor of reporting. But they also illuminate how journalists’ work became entangled with issues ranging from digitization processes to unprecedented hostility from all sides to the political logic of the War on Terror.

From cannibalism to light-calligraphy, from self-harming to animal sacrifice, from meat entwined with sex toys to a commodity-embedded ice wall, the idiosyncratic output of Chinese time-based art over the past twenty-five years has invigorated contemporary global art movements and conversation. In Beijing Xingwei, Meiling Cheng engages with such artworks created to mark China's rapid social, economical, cultural, intellectual, and environmental transformations in its post-Deng era.

An alternative view of Puerto Rico’s past, present, and future

How do we map the pathways to liberation where we have been taught to see only trauma, suffering, and lack? Melissa L. Rosario offers an alternative view of Puerto Rico, America’s oldest colony, removing readers from the framework of crisis to consider the deeper legacies of its current impasse. Beyond Disaster: Building Collective Futures in Puerto Rico is an intimate portrait, weaving insights from the author’s own life, research, and organizing work as a scholar in the diaspora who rematriated. Rosario bridges the genres of social history and memoir to unsettle the meaning of resistance and freedom, underscoring the deep wounds of colonialism while still uplifting the profound possibilities of embodied alternatives.

Beyond Disaster critiques the framework of debt and crisis by examining the psychological, emotional, and spiritual effects of colonialism. Rosario highlights key examples of organizing efforts to defend land and education against total enclosure, protecting life amid loss. This book offers a series of microhistories, vignettes, and prose poetry to foreground the daily practices necessary to anchor the ecological and political landscapes of our collective future.

Winner of the 2020 Outstanding Book Award from the Association for Theatre in Higher Education

Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts.
 
Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.

 

This volume offers a nuanced picture with specific instances of religion and politics in Muslim, Jewish, Christian, Buddhist, and Hindu contexts, broadly presenting the phenomenon of religion and politics via country and thematic case studies. Qualitative, quantitative, material, philosophical, and theological analyses draw upon social theory to show how (and why) religion matters deeply in each time and place.  

The authors and contributors demonstrate that religion is a significant force that drives societies and polities around the world, and that a radical change in the Western understanding of value-driven global politics is needed. Beyond the Death of God offers new, local voices to Western audiences—through essays that suggest the need for an appreciation of Divinity as a quintessence holding a significant place in the hearts, minds, social orders, and political organization of polities around the world.

The essays in Bible Trouble all engage queer theories for purposes of biblical interpretation, a rare effort to date within biblical scholarship. The title phrase “Bible Trouble” plays on Judith Butler's Gender Trouble, gesturing toward a primary text for contemporary queer theory. The essays consider, among others, the Lazarus story, the Ethiopian eunuch, “gender trouble” in Judges 4 and 5, the Song of Songs, and an unorthodox coupling of the books of Samuel and the film Paris Is Burning. This volume “troubles” not only the boundaries between biblical scholarship and queer theory but also the boundaries between different frameworks currently used in the analysis of biblical literature, including sexuality, gender, race, class, history, and literature. The contributors are Ellen T. Armour, Michael Joseph Brown, Sean D. Burke, Heidi Epstein, Deryn Guest, Jione Havea, Teresa J. Hornsby, Lynn R. Huber, S. Tamar Kamionkowski, Joseph A. Marchal, Jeremy Punt, Erin Runions, Ken Stone, Gillian Townsley, Jay Twomey, and Manuel Villalobos.

In this book, Makarychev and Medvedev examine the importance of biopolitics in fueling Russia’s confrontation with the West. In their view, the development of Putin’s illiberal authoritarianism was largely triggered by what they call a biopolitical turn. This shift is exemplified by the use of an increasing number of regulatory mechanisms to discipline and constrain the human body. Such political practices concern issues of sexuality, reproductive behavior, adoption, fertility, family planning, public hygiene, and demography. This turn created a new disciplinary framework for the population and the elite. Bans and restrictions of a biopolitical nature, became one of the main tools for articulating the rules of belonging in the political community and drawing its political boundaries. Biopolitical discourses have taken up the core of the Russian identity formation, which contrasts a positive “conservative Russia” with a supposedly vicious “liberal West.”

The presentation of the political genealogy of the body-centric structures of power and hegemony in Russia implies their transformation from bio- to necropolitics. Necropolitical (repressive and life-depriving) components are inscribed in the biopolitical regimes of power: they form the core of Putin’s rule over Russia and are a key factor behind the war against Ukraine. 

Exploring the forces that keep black people vulnerable even amid economically privileged lives

At a moment in U.S. history with repeated reminders of the vulnerability of African Americans to state and extralegal violence, Black Bourgeois is the first book to consider the contradiction of privileged, presumably protected black bodies that nonetheless remain racially vulnerable. Examining disruptions around race and class status in literary texts, Candice M. Jenkins reminds us that the conflicted relation of the black subject to privilege is not, solely, a recent phenomenon.

Focusing on works by Toni Morrison, Spike Lee, Danzy Senna, Rebecca Walker, Reginald McKnight, Percival Everett, Colson Whitehead, and Michael Thomas, Jenkins shows that the seemingly abrupt discursive shift from post–Civil Rights to Black Lives Matter, from an emphasis on privilege and progress to an emphasis on vulnerability and precariousness, suggests a pendulum swing between two interrelated positions still in tension. By analyzing how these narratives stage the fraught interaction between the black and the bourgeois, Jenkins offers renewed attention to class as a framework for the study of black life—a necessary shift in an age of rapidly increasing income inequality and societal stratification.

Black Bourgeois thus challenges the assumed link between blackness and poverty that has become so ingrained in the United States, reminding us that privileged subjects, too, are “classed.” This book offers, finally, a rigorous and nuanced grasp of how African Americans live within complex, intersecting identities.