Results by title

145 books match the query 'American Studies' and 9 start with b

cover of Bad Medicine: Settler Colonialism and the Institutionalization of American Indians

Bad Medicine

Settler Colonialism and the Institutionalization of American Indians

Sarah A. Whitt

Duke University Press, 2025

In Bad Medicine, Sarah A. Whitt exposes how Native American boarding schools and other settler institutions like asylums, factories, and hospitals during the late nineteenth and early twentieth centuries worked together as a part of an interconnected system of settler domination. In so doing, Whitt centers the experiences of Indigenous youth and adults alike at the Carlisle Indian School, Canton Asylum for Insane Indians, Ford Motor Company Factory, House of the Good Shepherd, and other Progressive Era facilities. She demonstrates that in the administration of these institutions, which involved moving Indigenous people from one location to another, everyday white Americans became deputized as agents of the settler order. Bringing together Native American history, settler colonial studies, and the history of medicine, Whitt breaks new ground by showing how the confinement of Indigenous people across interlocking institutional sites helped concretize networks of white racial power—a regime that Native nations and communities continue to negotiate and actively resist today.
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cover of Bear With Me: A Cultural History of Famous Bears in America

Bear With Me

A Cultural History of Famous Bears in America

Daniel Horowitz

Duke University Press, 2025

From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children’s books, cartoons, movies, and video games. In Bear With Me, Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears’ ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Horowitz charts the complexities and depth of American culture’s unique and enduring relationship with bears.
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cover of Beyond Dreamers: Transitions to Adulthood in an Uncertain Age

Beyond Dreamers

Transitions to Adulthood in an Uncertain Age

Sofya Aptekar

Russell Sage Foundation, 2026

The typical image of a Dreamer is an undocumented Latinx youth—brought to the U.S. through no choice of their own—who excels academically and aspires to contribute to the U.S. economy. This image has engendered political good will and helped push through an executive order that created Deferred Action for Childhood Arrivals, but it is limited. It fails to account for the full spectrum of diversity among undocumented youth. It also leaves the Dreamer figure stuck in a stage of youth and innocence waiting for immigration reform to allow them to finally transition to adulthood. There is little room in the Dreamer narrative for navigating complex family obligations, employment, entering adult relationships, or other markers of adulthood. In Beyond Dreamers, sociologists Sofya Aptekar and Amy Hsin examine how undocumented young adults navigate the transition to adulthood.

Drawing on more than one hundred interviews with a racially and ethnically diverse group of undocumented college students in New York City, with and without DACA authorization, Aptekar and Hsin show that there is no single undocumented experience. They find that while legal status matters enormously, its impacts are influenced by race, national origin, gender, class, sexuality, family resources, educational institutions, neighborhood contexts, and access to local and transnational co-ethnic communities and labor markets. These forces not only shape the kinds of opportunities available to undocumented young adults, but how they choose to approach disclosing their undocumented status and interact with family, peers, employers, professors, and police. 

Aptekar and Hsin pay particular attention to the effect of one’s mode of entry into the United States, highlighting the distinction between visa overstayers and those who entered the country without inspection. This highly consequential divide shapes early experiences of illegality, labor market options, exposure to surveillance and precarity, and the possibility of adjusting status. Individuals who overstay their visas have more avenues to adjust their undocumented status, including family sponsorship and marriage to U.S. citizens. Opportunities for legalization are much more restricted for those who made unauthorized border crossings. If these immigrant youth want to adjust their status, they are required to leave the country and remain abroad for at least ten years to do so. Other methods of adjusting their status, such as claiming extreme hardship on their American families or trying to obtain visas for victims of crime or parental abuse or neglect, are extremely difficult to obtain, costly, and can lead to division in families, making legalization all but impossible and, therefore, limiting youths’ opportunities. Thus, mode of entry strongly influences how some young adults imagine their future lives in the U.S. and beyond.

Beyond Dreamers deftly underscores how deeply legal uncertainty continues to structure the lives of undocumented young adults.

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cover of Beyond White Picket Fences: Evolution of an American Town

Beyond White Picket Fences

Evolution of an American Town

Catherine Simpson Bueker

Russell Sage Foundation, 2025

Wellesley, Massachusetts has long been considered the archetypal New England WASP community. However, as new groups moved in over the 20th and 21st centuries, Wellesley has undergone slow but consistent change, transforming into a more demographically diverse and multilayered town. In Beyond White Picket Fences, sociologist Catherine Simpson Bueker explores how Wellesley has been shaped—and continues to be shaped—by its diversity.
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Drawing on interviews, archival data, and participant observations, Bueker examines how Italian, Jewish, and Chinese newcomers influenced and were influenced by the established Wellesley community. She examines the ways in which immigrant and ethnic groups assimilate, retain their cultural backgrounds, and respond to discrimination, sometimes simultaneously, and, in doing so, alter the mainstream. Some new residents responded to Wellesley by assimilating to it. They developed relationships with long-term resident neighbors, volunteered in their children’s schools, and ran for elected positions. In adapting themselves to their new community, however, they also influenced it by virtue of their distinct cultural backgrounds.

Other new residents worked to preserve their cultures by establishing ethnic-specific organizations, lobbying to have new holidays incorporated into the calendar, and hewing to their own ethnic culinary traditions. Their efforts also influenced the established community. When newcomers attempted to retain their culture by requesting ethnic-specific food items be stocked at the local grocery store, opening ethic restaurants, or renting space for a new organization, for example, they impacted the established community. New individuals and groups also responded to experiences of hostility and discrimination. Italian residents fought against attempts at school redistricting targeting them in the 1930s, Jewish residents pushed back against housing discrimination in the 1950s and 1960s, and Chinese residents responded to anti-Asian incidents in the wake of the COVID-19 pandemic in 2020. These groups had to engage with the larger community to rectify these injustices. Some of the changes in Wellesley have come about with little recognition or response, others have been met with resistance and anger. Whether the changes are subtle or obvious and whether new groups are embraced or resisted, the whole town is altered in an ongoing process as new groups continue to move to and settle in Wellesley.

Beyond White Picket Fences is a timely and compelling examination of the ways newcomers become part of and shape American communities.
 
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cover of Big Game, Small World: A Basketball Adventure

Big Game, Small World

A Basketball Adventure

Alexander Wolff

Duke University Press, 2022

During the late 1990s, eminent basketball journalist Alexander Wolff traveled the globe to determine how a game invented by a Canadian clergyman became an international phenomenon. Big Game, Small World presents Wolff’s dispatches from sixteen countries spread across five continents and multiple US states. In them, he asks: What can the game tell us about the world? And what can the world tell us about the game? Whether traveling to Bhutan to challenge its king to a pickup game, exploring the women’s game in Brazil, or covering the Afrobasket tournament in Luanda, Angola, during a civil war, Wolff shows how basketball has the power to define an individual, a culture, and even a country.

This updated twentieth anniversary edition features a new preface in which Wolff outlines the contemporary rise of athlete-activists while discussing the increasing dominance within the NBA of marquee international players like Luka Dončić and Giannis Antetokounmpo. A loving celebration of basketball, Big Game, Small World is one of the most insightful books ever written about the game.

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cover of Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion

Birds of Fire

Jazz, Rock, Funk, and the Creation of Fusion

Kevin Fellezs

Duke University Press, 2011

Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and funk in the late 1960s and 1970s. At the time, fusion was disparaged by jazz writers and ignored by rock critics. In the years since, it has come to be seen as a commercially driven jazz substyle. Fusion never did coalesce into a genre. In Birds of Fire, Kevin Fellezs contends that hybridity was its reason for being. By mixing different musical and cultural traditions, fusion artists sought to disrupt generic boundaries, cultural hierarchies, and critical assumptions. Interpreting the work of four distinctive fusion artists—Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock—Fellezs highlights the ways that they challenged convention in the 1960s and 1970s. He also considers the extent to which a musician can be taken seriously as an artist across divergent musical traditions. Birds of Fire concludes with a look at the current activities of McLaughlin, Mitchell, and Hancock; Williams’s final recordings; and the legacy of the fusion music made by these four pioneering artists.
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cover of Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince

Blackstar Rising and the Purple Reign

The Sonic Afterlives of David Bowie and Prince

Daphne A. Brooks, editor

Duke University Press, 2026

Blackstar Rising and the Purple Reign is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.

Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler
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cover of Body and Nation: The Global Realm of U.S. Body Politics in the Twentieth Century

Body and Nation

The Global Realm of U.S. Body Politics in the Twentieth Century

Emily S. Rosenberg and Shanon Fitzpatrick, eds.

Duke University Press, 2014

Body and Nation interrogates the connections among the body, the nation, and the world in twentieth-century U.S. history. The idea that bodies and bodily characteristics are heavily freighted with values that are often linked to political and social spheres remains underdeveloped in the histories of America's relations with the rest of the world. Attentive to diverse state and nonstate actors, the contributors provide historically grounded insights into the transnational dimensions of biopolitics. Their subjects range from the regulation of prostitution in the Philippines by the U.S. Army to Cold War ideals of American feminine beauty, and from "body counts" as metrics of military success to cultural representations of Mexican migrants in the United States as public health threats. By considering bodies as complex, fluctuating, and interrelated sites of meaning, the contributors to this collection offer new insights into the workings of both soft and hard power.

Contributors. Frank Costigliola, Janet M. Davis, Shanon Fitzpatrick, Paul A. Kramer, Shirley Jennifer Lim, Mary Ting Yi Lui, Natalia Molina, Brenda Gayle Plummer, Emily S. Rosenberg, Kristina Shull, Annessa C. Stagner, Marilyn B. Young
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cover of Bright Signals: A History of Color Television

Bright Signals

A History of Color Television

Susan Murray

Duke University Press, 2018

First demonstrated in 1928, color television remained little more than a novelty for decades as the industry struggled with the considerable technical, regulatory, commercial, and cultural complications posed by the medium. Only fully adopted by all three networks in the 1960s, color television was imagined as a new way of seeing that was distinct from both monochrome television and other forms of color media. It also inspired compelling popular, scientific, and industry conversations about the use and meaning of color and its effects on emotions, vision, and desire. In Bright Signals Susan Murray traces these wide-ranging debates within and beyond the television industry, positioning the story of color television, which was replete with false starts, failure, and ingenuity, as central to the broader history of twentieth-century visual culture. In so doing, she shows how color television disrupted and reframed the very idea of television while it simultaneously revealed the tensions about technology's relationship to consumerism, human sight, and the natural world.
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