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117 books match the query 'Anthology' and 6 start with b

cover of Bending the Bow: An Anthology of African Love Poetry

Bending the Bow

An Anthology of African Love Poetry

Edited by Frank M. Chipasula

Southern Illinois University Press, 2008

From the ancient Egyptian inventors of the love lyric to contemporary poets, Bending the Bow: An Anthology of African Love Poetry gathers together both written and sung love poetry from Africa.

This anthology is a work of literary archaeology that lays bare a genre of African poetry that has been overshadowed by political poetry. Frank Chipasula has assembled a historically and geographically comprehensive wealth of African love poetry that spans more than three thousand years. By collecting a continent’s celebrations and explorations of the nature of love, he expands African literature into the sublime territory of the heart.


Bending the Bow traces the development of African love poetry from antiquity to modernity while establishing a cross-millennial dialogue. The anonymously written love poems fromPharaonic Egypt that open the anthology both predate Biblical love poetry and reveal the longevity of written love poetry in Africa. The middle section is devoted to sung love poetry from all regions of the continent. These great works serve as the foundation for modern poetry and testify to love poetry’s omnipresence in Africa. The final section, showcasing forty-eight modern African poets, celebrates the genre’s continuing vitality. Among those represented are Muyaka bin Hajji and Shaaban Robert,two major Swahili poets; Gabriel Okara, the innovative though underrated Nigerian poet; Léopold Sédar Senghor, the first president of Senegal and a founder of the Negritude Movement in francophone African literature; Rashidah Ismaili from Benin; Flavien Ranaivo from Madagascar; and Gabeba Baderoon from South Africa. 


Ranging from the subtly suggestive to the openly erotic, this collection highlights love’s endurance in a world too often riven by contention. Bending the Bow bears testimony to poetry’s role as conciliator while opening up a new area of study for scholars and students.

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cover of Beyond Memory: An Anthology of Contemporary Arab American Creative Nonfiction

Beyond Memory

An Anthology of Contemporary Arab American Creative Nonfiction

Pauline Kaldas

University of Arkansas Press, 2020

This anthology brings together the voices of both new and established Arab American writers in a compilation of creative nonfiction that reveals the stories of the Arab diaspora in styles that range from the traditional to the experimental. Writers from Egypt, Lebanon, Libya, Palestine, and Syria explore issues related to politics, family, culture, and racism. Coming from different belief systems and cultures and including first- and second-generation immigrants as well as those whose identities encompass more than a single culture, these writers tell stories that speak to the complexity of the Arab American experience.
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cover of Beyond September 11: An Anthology of Dissent

Beyond September 11

An Anthology of Dissent

Edited by Phil Scraton

Pluto Press, 2002

The unprecedented and tragic events in New York, Washington and Pennsylvania left an indelible mark on world politics. Civilian deaths in horrific circumstances triggered an uncompromising response from the US administration and its allies: an open-ended 'war on terrorism'.

This anthology includes some of the world's leading commentators - Noam Chomsky, Robert Fisk, Naomi Klein, John Pilger, Paul Foot and A.Sivanandan. It presents accessible, detailed and often deeply personal accounts of the aftermath, the bombing of Afghanistan and the dubious claims for its legality. From investigative journalists to critical academics, human rights lawyers and anti-racist campaigners, the contributors are united in their opposition to military intervention in Afghanistan and beyond and to the attack on civil liberties in the US, the UK and Europe.

From the US and Canada, Herman and Julia Schwendinger, Jonathan Farley, Tony Platt, Cecilia O'Leary, Christian Parenti and Michael Mandel are among critical academics who assess the validity, lawfulness and political consequences of the Bush/Blair agenda. European based commentators include Martti Gronfors and Thomas Mathiesen.

Examining the the context and rhetoric of US vengeance -- ennobled by the symbolic title 'Enduring Freedom' -- they challenge political and popular definitions, constructions,pathologisation and reporting of terrorism. In questioning the representation of war as 'just', the anthology focuses on civilian deaths in Afghanistan, evidence of US/allied atrocities, violations of prisoners' rights and US determination to escalate military offensives, regardless of global destabilisation.
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cover of Birds: An Anthology

Birds

An Anthology

Edited by Jaqueline Mitchell

Bodleian Library Publishing, 2020

Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.
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cover of Black Studies in Europe: An Anthology of Soil and Seeds

Black Studies in Europe

An Anthology of Soil and Seeds

Nicole Grégoire, Sarah Fila-Bakabadio, and Jacinthe Mazzocchetti (eds.)

Northwestern University Press, 2025

Reflecting on contemporary epistemologies of European Blackness
 
Long absent from research in the humanities and social sciences, Black people in continental Europe have become the focus of a growing body of literature in the past two decades that addresses their unique history and social positioning. Black Studies in Europe: An Anthology of Soil and Seeds brings together essays and case studies by a collective of scholars, writers, and activists to offer a critical overview of the emerging field of Black European studies and a vital reflection on contemporary epistemologies of European Blackness. This collection addresses key questions: What is Blackness from a European standpoint? Which epistemologies and theoretical tools have been used to offer a better understanding of Black experiences in Europe? How is this knowledge being produced and by whom? Can we define a common European conceptual framework for Black studies? Related to this work is an even more urgent enterprise: forging an epistemological distinction between the study of Black people and “Black studies” as an emancipatory project.
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cover of Brown River, White Ocean: An Anthology of Twentieth-Century Philippine Literature in English

Brown River, White Ocean

An Anthology of Twentieth-Century Philippine Literature in English

Francia, Luis H

Rutgers University Press, 1993

English is often a primary literary language for Filipino writers--not only for those in the Philippines but for those resident in the US; both groups are included in this anthology of 31 stories and 108 poems documenting a tradition that began at the turn-of-the-century. Manila-born poet and writer Francia, an editor at the Village Voice, gathers and validates creative work that has had limited distribution not only here but in Asia. ``In the Philippine context, what is foreign and what is indigenous has always been a tricky and ultimately impossible subject,'' Francia writes in his introduction. ``Filipinos have unconsciously perfected the art of mixing the two up....'' Readers who expect Filipino English to have the unexpected inflections and inventiveness of Indian or Caribbean English will be disappointed: the Filipino writer uses standard American English as a native language, but spices it naturally with words form indigenous and adopted tongues: Tagalog, Spanish, Ilokano, etc. Stories look at unrequited passion (in which the sensual tropical ambiance is at odds with society's rules); village life; the different cultures that have settled in the archipelago--Chinese, Japanese, Spanish, Hindu Indian; and the consequences of military, colonial, and economic occupation. Both poems and stories consider the experience of Filipinos--some intellectual, some humble--in the US. Among the more familiar contributors: Carlos Bulosan, Jos‚ Garc¡a Villa, Jessica Hagedorn, and Ninotchka Rosca. While the prose selected here is more consistent in quality than the poetry, the poems seem more wide-ranging; like the fiction writers, the poets consider love, politics, and metaphysics but move as well into experimentation and the modernist realm. A satisfying and worthwhile project.
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