72 books match the query 'Being' and 11 start with b

Gail Gilliland
University of Iowa Press, 1994
There are countless theoretical arguments that attempt to define “major” and “minor” literatures, but this lively and deeply felt work is one of the first to speak from the authority of the experience of being minor—of being the “minor writer” who, according to the definition of “author” given by Michel Foucault, does not possess a “name.” This book, then, is an impassioned critical and ethical defense of the act of writing for purposes other than critical acclaim.
In the tradition of Horace's
Ars Poetica,Gilliland uses comments by a broad range of writers, as well as her own experience as a minor woman writer, to consider the basic Horatian questions of purpose, choice of subject matter and genre, diction, characterization, setting, and style. She points out that in the absence of major recognition, the minor writer is continually confronted by the existential question, why do I (still) write? This book offers not only a challenge to existing critical theories but an argument in favor of being—for
stillbeing, for continuing
anywaywith one's life and art
Jeff Frank
Lever Press, 2019
Georges Didi-Huberman
University of Minnesota Press, 2016
What would a sculpture look like that has as its task to touch thought? For the French philosopher and Art Historian, Georges Didi-Huberman, this is the central question that permeates throughout the work of Italian artist Giuseppe Penone. Through a careful study of Penone’s work regarding a sculptural and haptic process of contact with place, thought, and artistic practice, Didi-Huberman takes the reader on a journey through various modes of thinking by way of being. Taking Penone’s artwork “Being the river” as a thematic starting point, Didi-Huberman sketches a sweeping view of how artists through the centuries have worked with conceptions of the skull, that is, the mind, and ruminates on where thought is indeed located.
From Leonardo da Vinci to Albrecht Dürer, Didi-Huberman guides us to the work of Penone and from there, into the attempts of a sculptor whose works strives to touch thought. What we uncover is a sculptor whose work becomes a series of traces of the site of thought. Attempting to trace, by way of a series of frottages, reports, and developments, this imperceptible zone of contact. The result is a kind of fossil of the brain: the site of thought, namely, the site for getting lost and for disproving space. Sculpting at the same time what inhabits as well as what incorporates us.

Linda Braun
American Library Association, 2012
Sondra G. Jones
University of Utah Press, 2019
Katherine Pratt Ewing
Russell Sage Foundation, 2008
Lorenz B. Puntel and Alan White
Northwestern University Press, 2011
Peter Graif
HAU, 2018
Ralph M. McInerny
Catholic University of America Press, 2018
Robert E. Wood
Catholic University of America Press, 2018
Kevin Quashie
Duke University Press, 2021