173 books match the query 'Collective Memory' and 9 start with b

cover of Battling for Hearts and Minds: Memory Struggles in Pinochet's Chile, 1973–1988

Battling for Hearts and Minds

Memory Struggles in Pinochet's Chile, 1973–1988

Steve J. Stern

Duke University Press, 2006

Battling for Hearts and Minds is the story of the dramatic struggle to define collective memory in Chile during the violent, repressive dictatorship of General Augusto Pinochet, from the 1973 military coup in which he seized power through his defeat in a 1988 plebiscite. Steve J. Stern provides a riveting narration of Chile’s political history during this period. At the same time, he analyzes Chileans’ conflicting interpretations of events as they unfolded. Drawing on testimonios, archives, Truth Commission documents, radio addresses, memoirs, and written and oral histories, Stern identifies four distinct perspectives on life and events under the dictatorship. He describes how some Chileans viewed the regime as salvation from ruin by Leftists (the narrative favored by Pinochet’s junta), some as a wound repeatedly reopened by the state, others as an experience of persecution and awakening, and still others as a closed book, a past to be buried and forgotten.

In the 1970s, Chilean dissidents were lonely “voices in the wilderness” insisting that state terror and its victims be recognized and remembered. By the 1980s, the dissent had spread, catalyzing a mass movement of individuals who revived public dialogue by taking to the streets, creating alternative media, and demanding democracy and human rights. Despite long odds and discouraging defeats, people of conscience—victims of the dictatorship, priests, youth, women, workers, and others—overcame fear and succeeded in creating truthful public memories of state atrocities. Recounting both their efforts and those of the regime’s supporters to win the battle for Chileans’ hearts and minds, Stern shows how profoundly the struggle to create memories, to tell history, matters.

Battling for Hearts and Minds is the second volume in the trilogy The Memory Box of Pinochet’s Chile. The third book will examine Chileans’ efforts to achieve democracy while reckoning with Pinochet’s legacy.

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cover of Beautiful War: Studies in a Dreadful Fascination

Beautiful War

Studies in a Dreadful Fascination

Philip D. Beidler

University of Alabama Press, 2016

A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war?

Beautiful War: Studies in a Dreadful Fascination
is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself.
 
Beidler’s critical scope spans from Shakespeare’s plays, through the Victorian battle paintings of Lady Butler, into the post-World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept.
 
Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.

Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media’s influence on contemporary values and memories of the past.
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cover of Before the Fire Dogs Steal the Sun: An Elegy

Before the Fire Dogs Steal the Sun

An Elegy

Crystal Mun-hye Baik

Duke University Press, 2026

In Before the Fire Dogs Steal the Sun, Crystal Mun-hye Baik offers an intimate cultural history of war, illness, banishment, and estrangement through the experiential lens of her family. Beginning with her father's death and mother's psychiatric hold in 2022, Baik situates her parents’ lives within the enmeshed narratives of Japanese colonialism, war, and transoceanic migration, examining Korean diasporic grief as a felt form of thinking and writing, rather than an object of study. In doing so, she reckons with diasporic genealogies of precarity that have configured the everyday lives of her parents and ancestral communities. Blending different genres from narrative prose to visual essay, epistles to ancestral mourning rites, Before the Fire Dogs Steal the Sun is a meditation on the personal and ethical entanglements scholars must confront when they are implicated in the histories of violence they study.
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cover of Being German Canadian: History, Memory, Generations

Being German Canadian

History, Memory, Generations

Alexander Freund

University of Manitoba Press, 2021

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cover of Beyond Berlin: Twelve German Cities Confront the Nazi Past

Beyond Berlin

Twelve German Cities Confront the Nazi Past

Gavriel D. Rosenfeld and Paul B. Jaskot, Editors

University of Michigan Press, 2015

Beyond Berlin breaks new ground in the ongoing effort to understand how memorials, buildings, and other spaces have figured in Germany's confrontation with its Nazi past. The contributors challenge reigning views of Germany's postwar memory work by examining how specific urban centers apart from the nation's capital have wrestled with their respective Nazi legacies. A wide range of West and East German cities is profiled in the volume: prominent metropolises like Hamburg, dynamic regional centers like Dresden, gritty industrial cities like Wolfsburg, and idyllic rural towns like Quedlinburg. In employing historical, art historical, anthropological, and geographical methodologies to examine these and other important urban centers, the volume's case studies shed new light upon the complex ways in which the confrontation with the Nazi past has directly shaped the German urban landscape since the end of the Second World War.

"Beyond Berlin is one of the most fascinating, deeply probing collections ever published on Germany's ongoing confrontation with its Nazi past. Its editors, Gavriel Rosenfeld and Paul Jaskot, have taken the exploration of Germany's urban memorial landscape to its highest level yet."
---James E. Young, Professor and Chair, Department of Judaic and Near Eastern Studies, University of Massachusetts Amherst, and author of The Texture of Memory and At Memory's Edge

"This is a top-notch collection of essays that positions itself in the populated field of memory studies by bringing together original contributions representing the best of new scholarship on architecture, urban design, monuments, and memory in East and West Germany. Taken together, the essays remind readers that the Nazi past is always present when German architects, urban planners, and politicians make decisions to tear down, rebuild, restore, and memorialize."
---S. Jonathan Wiesen, Department of History, Southern Illinois University, Carbondale

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cover of Biographies in the Global South: Life Stories Embedded in Figurations and Discourses

Biographies in the Global South

Life Stories Embedded in Figurations and Discourses

Edited by Gabriele Rosenthal and Artur Bogner

Campus Verlag, 2017

Research into biography has historically focused almost wholly on the lives of people in the wealthier nations of the Global North. This book corrects that with a focus on the biographical histories of people—seen as part of larger groups or collectives, whether religious or political—from the Global South, with a particular focus on Africa and the Middle East. Taking the perspective of biographical research and figurational sociology, the essays gathered here break new ground in the study of biography.
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cover of Black Undertow

Black Undertow

Hugo ka Canham

Duke University Press, 2026

Meditative and theoretical, Black Undertow reorients the thinking of blackness away from the Atlantic to the African shorelines of the Indian Ocean, places where queerness and black life frequently brush up against one another. Hugo ka Canham listens for what he names the buzz of the undertow, the traces of African ancestors who linger in water, sand, coastal forts, corals, ritual practices, and unruly imaginations along the shore. In tracking these elusive figures, he develops an approach that honors a queer right to opacity. Canham reconstitutes the siloed disciplinarity that imagines African studies, Black studies, Queer African studies, and Queer studies as necessarily different. When read as coconstitutive instead, Canham demonstrates that they better allow for explicating local life, history, poetics, and theory. In so doing, he forges methods of studying black life that think beyond the limits of traditional, textual archives.
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cover of Booker T. Washington in American Memory

Booker T. Washington in American Memory

Kenneth M. Hamilton

University of Illinois Press, 2017

Since the 1960s, many historians have condemned Booker T. Washington as a problematic, even negative, influence on African American progress. This attitude dramatically contrasts with the nationwide outpouring of grief and reverence that followed Washington's death in 1915. Kenneth M. Hamilton describes how, when, where, and why Americans commemorated the life of Booker T. Washington. For months following his death, tens of thousands of Americans, especially blacks, honored his memory. Their memorials revealed that Washington enjoyed widespread national support for his vision of America and the programs that he imparted to achieve his aspirations. Their actions and articulations provide rich insight into how a cross section of Washington's contemporaries viewed him. From private messages of solace to public pronouncements, countless Americans portrayed him as a revered national icon. Among other characteristics, commemorates voiced their appreciation of his humanitarianism, humility, nationalism, perseverance, philanthropy, progressivism, spirituality, and wisdom. Washington was the leading advocate of the Yankee Protestantism Ethic, which promoted education, and personal qualities such as pragmatism, perseverance, cleanliness, thrift, and the dignity of labor among African Americans.
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cover of Born in the U.S.A.: Birth, Commemoration, and American Public Memory

Born in the U.S.A.

Birth, Commemoration, and American Public Memory

Seth C. Bruggeman

University of Massachusetts Press, 2012

Scores of birthplace monuments and historic childhood homes dot the American landscape. These special places, many dating to the early years of the last century, have enshrined nativity alongside patriotism and valor among the key pillars of the nation's popular historical imagination. The essays in this volume suggest that the way Americans have celebrated famous births reflects evolving expectations of citizenship as well as a willingness to edit the past when those hopes go unfulfilled. The contributors also demonstrate that the reinvention of origin myths at birthplace monuments still factors in American political culture and the search for meaning in an ever-shifting global order.

Beyond asking why it is that Americans care about birthplaces and how they choose which ones to commemorate, Born in the U.S.A. offers insights from historians, curators, interpretive specialists, and others whose experience speaks directly to the challenges of managing historical sites. Each essay points to new ways of telling old stories at these mainstays of American memory. The case of the modern house museum receives special attention in a provocative concluding essay by Patricia West.

In addition to West and the editor, contributors include Christine Arato, Dan Currie, Keith A. Erekson, David Glassberg, Anna Thompson Hajdik, Zachary J. Lechner, Paul Lewis, Hilary Iris Lowe, Cynthia Miller, Laura Lawfer Orr, Robert Paynter, Angela Phelps, and Paul Reber.
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