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Organized crime figures and their minions honeycombed unions while leadership instituted nepotism, salary padding, and other practices that undermined the well-being of the rank and file. But in New York City, groups of union members and their legal allies waged a years-long struggle against corruption and for better working conditions. Jane LaTour combines rich oral histories with research to take readers into the construction sites, power plants, and Merchant Marine ships where the dramas played out. Dissidents risked their livelihoods for a variety of reasons, from practical concerns like job security and safety to larger ideas like union democracy. LaTour examines the factors that allowed unchecked corruption and kept unions from living up to their potential. But she also tells the eyewitness stories of solidarity and worker spirit that fueled the fight to retake labor power. A rare history of union corruption, Backroom Bargaining shines a light on worker campaigns to uphold fairness and equity in the workplace.

Battling Siki (1887–1925) was once one of the four or five most recognizable black men in the world, and was written about in detail by such figures as Ring Lardner and his son John, Damon Runyon, and Westbrook Pegler. One can find his legacy in the name of a popular rock group, one of Che Guevara’s lieutenants, a character on Xena, Warrior Princess, and the Battling Siki Hotel in the fighter’s homeland, Senegal. Peter Benson’s biography of the first African to win a world championshipin boxing delves into the complex world of sports, race, colonialism, and the cult of personality in the early twentieth century. Born Amadu Fall, Siki was taken from Senegal to France by an actress and assumed the name Louis M’barick Fall. After an inauspicious beginning as a boxer, he served in World War I with distinction then returned to boxing and compiled a most impressive record (forty-three wins in forty-six bouts). Then, on September 24, 1922, at Paris’s Buffalo Velodrome, before forty thousand stunned spectators (including a young Ernest Hemingway, who wrote about the fight), Battling Siki, employing his trademark “windmill” punch, fought and defeated the reigning world and European light heavyweight champion, Georges Carpentier. The colorful Siki spent a fortune partying and carousing, was arrested for firing a pistol in the air, and was frequently seen on the streets of Paris, dressed in flashy clothes, walking his pet lion cubs on a leash. But he also provoked a scandal by exposing the corruption of the fight game in France, spoke out boldly against racisim, and was arrected for deliberately defying the code of racial segregation in the American South. Siki’s flamboyant image was largely created by newsmen. In fact, the real Siki, while he did certainly like to party, was also an intelligent and socially conscious person, who detested the media’s image of him as a simple-minded drunken savage. Offers rushed in for him to fight in the United States, maybe even against Jack Dempsey. But in a move many have called one of the strangest a fighter ever made, he fought Irishman Mike McTigue in Dublin on St. Patrick’s Day—and lost. After losing his European title he came to the United States and fought without much success. He continued to drink and get into street brawls. On the evening of December 15, 1925, at the age of twenty-eight, he was shot and killed in Hell’s Kitchen in what some claimed was a gangland execution. Peter Benson’s biography beautifully captures Battling Siki’s amazing boxing career and sheds new light on the scandal surrounding his marriages and public behavior, his alleged participation in ring fixes, and the mystery surrounding his death.

Taking financial risks is an essential part of what banks do, but there’s no clear sense of what constitutes responsible risk. Taking legal risks seems to have become part of what banks do as well. Since the financial crisis, Congress has passed copious amounts of legislation aimed at curbing banks’ risky behavior. Lawsuits against large banks have cost them billions. Yet bad behavior continues to plague the industry. Why isn’t there more change?
           
In Better Bankers, Better Banks, Claire A. Hill and Richard W. Painter look back at the history of banking and show how the current culture of bad behavior—dramatized by the corrupt, cocaine-snorting bankers of The Wolf of Wall Street—came to be. In the early 1980s, banks went from partnerships whose partners had personal liability to corporations whose managers had no such liability and could take risks with other people’s money. A major reason bankers remain resistant to change, Hill and Painter argue, is that while banks have been faced with large fines, penalties, and legal fees—which have exceeded one hundred billion dollars since the onset of the crisis—the banks (which really means the banks’shareholders) have paid them, not the bankers themselves. The problem also extends well beyond the pursuit of profit to the issue of how success is defined within the banking industry, where highly paid bankers clamor for status and clients may regard as inevitable bankers who prioritize their own self-interest. While many solutions have been proposed, Hill and Painter show that a successful transformation of banker behavior must begin with the bankers themselves. Bankers must be personally liable from their own assets for some portion of the bank’s losses from excessive risk-taking and illegal behavior. This would instill a culture that discourages such behavior and in turn influence the sorts of behavior society celebrates or condemns.

Despite many sensible proposals seeking to reign in excessive risk-taking, the continuing trajectory of scandals suggests that we’re far from ready to avert the next crisis. Better Bankers, Better Banks is a refreshing call for bankers to return to the idea that theirs is a noble profession.

Between 1996 and 2014, Mark Driscoll's Mars Hill Church multiplied from its base in Seattle into fifteen facilities spread across five states with 13,000 attendees. When it closed, the church was beset by scandal, with former attendees testifying to spiritual abuse, emotional manipulation, and financial exploitation. In Biblical Porn Jessica Johnson examines how Mars Hill's congregants became entangled in processes of religious conviction. Johnson shows how they were affectively recruited into sexualized and militarized dynamics of power through the mobilization of what she calls "biblical porn"—the affective labor of communicating, promoting, and embodying Driscoll's teaching on biblical masculinity, femininity, and sexuality, which simultaneously worked as a marketing strategy, social imaginary, and biopolitical instrument. Johnson theorizes religious conviction as a social process through which Mars Hill's congregants circulated and amplified feelings of hope, joy, shame, and paranoia as affective value that the church capitalized on to grow at all costs.