Results by title

476 books match the query 'Criticism' and 12 start with b

cover of Bakhtin in Contexts: Across the Disciplines

Bakhtin in Contexts

Across the Disciplines

Amy Mandelker

Northwestern University Press, 1995

The Russian critic M. M. Bakhtin has recently become a major figure in contemporary theory beyond his traditional influence in Slavic literary studies. Bakhtin in Contexts explores the revolutionary impact Bakhtin's ideas have carried in contemporary discussion of language, art, culture, and social science in recent years. The contributors represent a broad range of disciplines in the humanities and social sciences, epitomizing the views of Russian and American specialists in those fields Bakhtin often referred to as "the human sciences." The diversity of perspective and flexibility of approach make this a unique contribution to Bakhtin studies and to the ongoing dialogue between Western and Russian theorists.
[more]
cover of Bauhaus Culture: From Weimar To The Cold War

Bauhaus Culture

From Weimar To The Cold War

Kathleen James-Chakraborty

University of Minnesota Press, 2006

Offering the first comprehensive training in the visual arts grounded in abstraction, the Bauhaus was the site of a dazzling range of influential experiments in painting, architecture, photography, industrial design, and even artistic education itself. Three-quarters of a century later, the “look” of the new remains indebted to the Bauhaus and its equation of technology with modernism. Central to discussions of the relationships between art, industrialization, and politics in the twentieth century, much of the school’s later impact was derived in part from its status as one of the foremost cultural symbols of Germany’s first democracy and its public reputation as a “cathedral of socialism.”

In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.

Their most explosive conclusions address the degree to which some aspects of Bauhaus design continued to flourish during the Third Reich before becoming one of the cold war’s most enduring emblems of artistic freedom. In doing so, Bauhaus Culture calls into question the degree to which this influential school should continue to symbolize an uncomplicated relationship between art, modern technology, and progressive politics.

Contributors: Greg Castillo, Juliet Koss, Rose-Carol Washton Long, John V. Maciuika, Wallis Miller, Winifried Nerdinger, Frederic J. Schwartz.

Kathleen James-Chakraborty is associate professor of architecture at the University of California, Berkeley, and author of German Architecture for a Mass Audience and Erich Mendelsohn and the Architecture of German Modernism.
[more]
cover of Beautiful Data: A History of Vision and Reason since 1945

Beautiful Data

A History of Vision and Reason since 1945

Orit Halpern

Duke University Press, 2015

Beautiful Data is both a history of big data and interactivity, and a sophisticated meditation on ideas about vision and cognition in the second half of the twentieth century. Contending that our forms of attention, observation, and truth are contingent and contested, Orit Halpern historicizes the ways that we are trained, and train ourselves, to observe and analyze the world. Tracing the postwar impact of cybernetics and the communication sciences on the social and human sciences, design, arts, and urban planning, she finds a radical shift in attitudes toward recording and displaying information. These changed attitudes produced what she calls communicative objectivity: new forms of observation, rationality, and economy based on the management and analysis of data. Halpern complicates assumptions about the value of data and visualization, arguing that changes in how we manage and train perception, and define reason and intelligence, are also transformations in governmentality. She also challenges the paradoxical belief that we are experiencing a crisis of attention caused by digital media, a crisis that can be resolved only through intensified media consumption.
[more]
cover of Beautiful Terrible Ruins: Detroit and the Anxiety of Decline

Beautiful Terrible Ruins

Detroit and the Anxiety of Decline

Apel, Dora

Rutgers University Press, 2015

Once the manufacturing powerhouse of the nation, Detroit has become emblematic of failing cities everywhere—the paradigmatic city of ruins—and the epicenter of an explosive growth in images of urban decay. In Beautiful Terrible Ruins, art historian Dora Apel explores a wide array of these images, ranging from photography, advertising, and television, to documentaries, video games, and zombie and disaster films.  
 
Apel shows how Detroit has become pivotal to an expanding network of ruin imagery, imagery ultimately driven by a pervasive and growing cultural pessimism, a loss of faith in progress, and a deepening fear that worse times are coming. The images of Detroit’s decay speak to the overarching anxieties of our era: increasing poverty, declining wages and social services, inadequate health care, unemployment, homelessness, and ecological disaster—in short, the failure of capitalism. Apel reveals how, through the aesthetic distancing of representation, the haunted beauty and fascination of ruin imagery, embodied by Detroit’s abandoned downtown skyscrapers, empty urban spaces, decaying factories, and derelict neighborhoods help us to cope with our fears. But Apel warns that these images, while pleasurable, have little explanatory power, lulling us into seeing Detroit’s deterioration as either inevitable or the city’s own fault, and absolving the real agents of decline—corporate disinvestment and globalization. Beautiful Terrible Ruins helps us understand the ways that the pleasure and the horror of urban decay hold us in thrall. 
 
 
[more]
cover of Becoming Philadelphia: How an Old American City Made Itself New Again

Becoming Philadelphia

How an Old American City Made Itself New Again

Inga Saffron

Rutgers University Press, 2020

Once dismissed as a rusting industrial has-been—the “Next Detroit”—Philadelphia has enjoyed an astonishing comeback in the 21st century. Over the past two decades, Inga Saffron has served as the premier chronicler of the city’s physical transformation as it emerged from a half century of decline. Through her Pulitzer Prize-winning columns on architecture and urbanism in the Philadelphia Inquirer, she has tracked the city’s revival on a weekly basis.

Becoming Philadelphia collects the best of Saffron’s work, plus a new introduction reflecting on the stunning changes the city has undergone. A fearless crusader who is also a seasoned reporter, Saffron ranges beyond the usual boundaries of architectural criticism to explore how big money and politics intersect with design, profoundly shaping our everyday experience of city life. Even as she celebrates Philadelphia’s resurgence, she considers how it finds itself grappling with the problems of success: gentrification, poverty, privatization, and the unequal distribution of public services.

What emerges in these 80 pieces is a remarkable narrative of a remarkable time. The proverbial first draft of history, these columns tell the story of how a great city shape-shifted before our very eyes.
[more]
cover of Before the Law: The Complete Text of Préjugés

Before the Law

The Complete Text of Préjugés

Jacques Derrida

University of Minnesota Press, 2018

Thinking judgment in relation to the work of Jean-François Lyotard


“How to judge—Jean-François Lyotard?” It is from this initial question that one of France’s most heralded philosophers of the twentieth century begins his essay on the origin of the law, of judgment, and the work of his colleague Jean-François Lyotard. If Jacques Derrida begins with the term préjugés, it is in part because of its impossibility to be rendered properly in other languages and also contain all its meanings: to pre-judge, to judge before judging, to hold prejudices, to know “how to judge,” and more still, to be already prejudged oneself. 

Striving to contain that which comes before the law, that is in front of the law and also prior to it, how to judge Jean-François Lyotard then becomes perhaps a beneficial attempt for Derrida to explore humanity’s rapport with judgment, origins, and naming. For how does one come to judge the author of the Differend? How does one abstain from judgment to accept the term préjugés as suspending judgment and at once as taking into account the impossibility of speaking before the law, prior to naming or judging? If this task indeed seems insurmountable, it is the site where Lyotard’s work itself is played out. Hence this sincere and intriguing essay presented by Jacques Derrida, published here for the first time in English.

[more]
cover of Black and Blue: The Bruising Passion of Camera Lucida, La Jete, Sans soleil, and Hiroshima mon amour

Black and Blue

The Bruising Passion of Camera Lucida, La Jete, Sans soleil, and Hiroshima mon amour

Carol Mavor

Duke University Press, 2012

Audacious and genre-defying, Black and Blue is steeped in melancholy, in the feeling of being blue, or, rather, black and blue, with all the literality of bruised flesh. Roland Barthes and Marcel Proust are inspirations for and subjects of Carol Mavor's exquisite, image-filled rumination on efforts to capture fleeting moments and to comprehend the incomprehensible. At the book's heart are one book and three films—Roland Barthes's Camera Lucida, Chris Marker's La Jetée and Sans soleil, and Marguerite Duras's and Alain Resnais's Hiroshima mon amour—postwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement.

Personal recollections punctuate Mavor's dazzling interpretations of these and many other works of art and criticism. Childhood memories become Proust's "small-scale contrivances," tiny sensations that open onto panoramas. Mavor's mother lost her memory to Alzheimer's, and Black and Blue is framed by the author's memories of her mother and effort to understand what it means to not be recognized by one to whom you were once so known.

[more]
cover of Blind Date: Sex and Philosophy

Blind Date

Sex and Philosophy

Anne Dufourmantelle. Translated by Catherine Porter.

University of Illinois Press, 2007

Bringing sex and philosophy together on a blind date, Anne Dufourmantelle’s provocative study uses this analogy to uncover and examine philosophy’s blind spot. Delightful and startling comparisons spring from the date: both sex and philosophy are dangerous, both are socially subversive, and both are obsessions. Although sex and philosophy have much in common, however, they have scarcely known one another until now.

Socrates and Diogenes had little to say about sex, and although it was notoriously explored by the Marquis de Sade, this study explains why philosophy has never been fully sexualized nor sex really philosophized. Blind Date highlights the marked deletion of sexual topics and themes from philosophical works, while also opening doors for their union. Inviting readers to remember that thought does not require repressed desire, Dufourmantelle argues that sex is everywhere, and it affects all kinds of thinking.

[more]
cover of Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism

Blindness and Insight

Essays in the Rhetoric of Contemporary Criticism

Paul De Man

University of Minnesota Press, 1983

[more]
cover of Blue Architecture: Water, Design, and Environmental Futures

Blue Architecture

Water, Design, and Environmental Futures

Brook Muller

University of Texas Press, 2022

2023 Finalist, PROSE Award in Architecture and Urban Planning

A guide to water-focused and climate-resilient architectural and urban design.

Le Corbusier famously said, “A house is a machine for living in.” We now confront the litany of environmental challenges associated with the legacy of the architectural machine: a changing climate, massive species die-off, diminished air and water quality, and resource scarcities. Brook Muller offers an alternative: water-centric urban design that fosters sustainability, equity, and architectural creativity.

Inspired by the vernacular, such as the levadas of Madeira Island and both the arid and drenched places of the American West, Muller articulates a “hydro-logical” philosophy in which architects and planners begin by conceptualizing interactions between existing waterways and the spaces they intend to develop. From these interactions—and the new technologies and approaches enabling them—aesthetic, spatial, and experiential opportunities follow. Not content merely to work around sensitive ecology, Muller argues for genuinely climate-adapted urban landscapes in which buildings act as ecological infrastructure that actually improve watersheds while delivering functionality and beauty for diverse communities. Rich in images and practical examples, Blue Architecture will change the way we think about our designed world.

[more]
cover of Bodies of the Text: Dance as Theory, Literature as Dance

Bodies of the Text

Dance as Theory, Literature as Dance

Edited by Ellen W Goellner

Rutgers University Press, 1995

Dance and literary studies have traditionally been at odds: dancers and dance critics have understood academic analysis to be overly invested in the mind at the expense of body signification; literary critics and theorists have seen dance studies as anti-theoretical, even anti-intellectual. Bodies of the Text is the first book-length study of the interconnections between the two arts and the body of writing about them. The essays, by scholar-critics of dance and literature, explore dances actual and fictional to offer powerful new insights into issues of gender, race, ethnicity, popular culture, feminist aesthetics, historical "embodiment," identity politics, and narrativity. The general introduction traces the genealogy of dance studies in the academy to suggest why critical and theoretical attention to dance--and dance's challenges to writing--is both compelling and overdue. A milestone in interdisciplinary studies, Bodies of the Text opens both its fields to new inquiry, new theoretical precision, and to new readers and writers. 
[more]
cover of Building Little Saigon: Refugee Urbanism in American Cities and Suburbs

Building Little Saigon

Refugee Urbanism in American Cities and Suburbs

Erica Allen-Kim

University of Texas Press, 2024

2026 Spiro Kostof Book Award, Society of Architectural Historians

An in-depth look at the diverging paths of Vietnamese American communities, or “Little Saigons,” in America’s built environment.

In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little Saigons, these built landscapes offer space for everyday activities as well as the staging of cultural heritage and political events.

Building Little Saigon examines nearly fifty years of city building by Vietnamese Americans—who number over 2.2 million today. Author Erica Allen-Kim highlights architecture and planning ideas adapted by the Vietnamese communities who, in turn, have influenced planning policies and mainstream practices. Allen-Kim traveled to ten Little Saigons in the United States to visit archives, buildings, and public art and to converse with developers, community planners, artists, business owners, and Vietnam veterans. By examining everyday buildings—who made them and what they mean for those who know them—Building Little Saigon shows us the complexities of migration unfolding across lifetimes and generations.

[more]