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Chronicling reproduction and parenting within a lesbian relationship, this poetry collection reveals both the anxieties and awe inspired by rearing children. 

In her frank, vulnerable third book of poetry, Elizabeth Lindsey Rogers considers queer kinship through scientific, cultural, and personal lenses. Bad Cell presents perspectives on family and inheritance that are at once granular and comprehensive. From a pregnant woman being mistaken as a man by a store clerk to some “FAQs Re: Queers & Reproduction” that dispel stereotypes, the collection celebrates the fluidity of gender.

Early in the volume, Rogers addresses the emotional and physical complications of fertility treatment and pregnancy loss, a medical journey that, though harrowing, is gorgeously rendered in taut lyric language. Later, in forms like the abecedarian, definition poem, questionnaire, haibun, and a sonnet crown, the poet looks at how cells themselves—the stuff of life—divide and recombine. As in previous collections, Rogers leans into science-inspired verse, showcasing her talent for turning small-scale mechanics into meaningful metaphors. 

The book also supports an openness to neurodivergence in children: “I want to assemble / something that can speak / for everyone,” says the speaker of “Apraxia.” And Rogers does, with the skill of a seasoned poet and essay writer, whose eye for the particularness of the world is encompassing and gives new insight into the experience of parenting: “But I’m not mom, I tell / writers who think I’ve gone soft, given up deeper subjects. As if these wild, / xenogeneic offspring aren’t a full-on wrestle with the deep.”

"White's Barack Obama's America eloquently captures both the important nuances of the current political scene and its long-term consequences."
---Richard Wirthlin, former pollster for Ronald Reagan

"This delightfully written and accessible book is the best available account of the changes in culture, society, and politics that have given us Barack Obama's America."
---Stan Greenberg, pollster for Bill Clinton and Chairman and CEO of Greenberg Quinlan Rosner Research

"From one of the nation's foremost experts on how values shape our politics, a clear and compelling account of the dramatic shifts in social attitudes that are transforming American political culture. White's masterful blend of narrative and data illuminates the arc of electoral history from Reagan to Obama, making a powerful case for why we are entering a new progressive political era."
---Matthew R. Kerbel, Professor of Political Science, Villanova University, and author of Netroots

"John Kenneth White is bold. He asks the big questions . . . Who are we? What do we claim to believe? How do we actually live? What are our politics? John Kenneth White writes compellingly about religion and the role it played in making Barack Obama president. White's keen insight into America's many faiths clarifies why Barack Obama succeeded against all odds. It is a fascinating description of religion and politics in twenty-first-century America---a must-read."
---Kathleen Kennedy Townsend, former Lieutenant Governor of Maryland and author of Failing America's Faithful

"In Barack Obama's America, John Kenneth White has written the political equivalent of Baedeker or Michelin, the definitive guide to and through the new, uncharted political landscape of our world. White captures and explains what America means---and what it means to be an American---in the twenty-first century."
---Mark Shields, nationally syndicated columnist and political commentator for PBS NewsHour

"John White has always caught important trends in American politics that others missed. With his shrewd analysis of why Barack Obama won, he's done it again."
---E. J. Dionne, Jr., Senior Fellow, Brookings Institution, and University Professor in the Foundations of Democracy and Culture at Georgetown University

The election of Barack Obama to the presidency marks a conclusive end to the Reagan era, writes John Kenneth White in Barack Obama's America. Reagan symbolized a 1950s and 1960s America, largely white and suburban, with married couples and kids at home, who attended church more often than not.

Obama's election marks a new era, the author writes. Whites will be a minority by 2042. Marriage is at an all-time low. Cohabitation has increased from a half-million couples in 1960 to more than 5 million in 2000 to even more this year. Gay marriages and civil unions are redefining what it means to be a family. And organized religions are suffering, even as Americans continue to think of themselves as a religious people. Obama's inauguration was a defining moment in the political destiny of this country, based largely on demographic shifts, as described in Barack Obama's America.

John Kenneth White is Professor of Politics at the Catholic University of America in Washington, D.C.

Cover image: "Out of many, we are one: Dare to Hope: Faces from 2008 Obama Rallies" by Anne C. Savage, view and buy full image at http://revolutionaryviews.com/obama_poster.html.

Winner, 2026 Society of Midland Authors Book Award
Finalist, 2026 Kingsley Tufts Poetry Award
Finalist, 2026 Griffin Poetry Prize

Barley Child, Greg Rappleye’s fifth collection, draws from family legends, whispered stories, and sworn denials across four generations of Irish American lives—recalled, imagined, and reconstructed from census records, old letters, church registries, yellowed newspaper clippings, and a few odd photographs in which the human figures are often unnamed. The sum of these affidavits, arrayed across the lyric and narrative lines of these poems, is an electrifying human choir—male and female, child and adult, Irish and American—their voices rising out of shame, poverty, absurdity, violence, a strained Catholic faith, and a virulent legacy of madness and alcoholism.

Free of nostalgia and cant, with a sharp Irish wit that often braves nearly monstrous subject matter, and reported with eyes that seldom mist over, Barley Child is a volume that once again confirms Greg Rappleye as a poet of witness.

A coming-of-age tale of a young Dominican American boy facing a grave loss and a feathered phantom

Between the looming buildings of Brooklyn, a young Dominican American boy only ever called mijo by his family has just lost his father to brain cancer. In the wake of his grief, he begins to see his deceased father take the form of a pigeon and ghost, acting as protector and advisor in moments of duress and confusion. Determined to find out the truth behind his father’s appearances, he sets out on the streets of Brooklyn with his outspoken friend Naño, and in the hills of the Dominican Republic with his cousin Matias, in search of answers, only to discover more ghostly apparitions and inexplicable occurrences. In a world of lost things and in-betweens, the grief-stricken son must choose whether he can bear to let go of his father or accept the consequences of what we let haunt us.
 

Blooming Fiascoes is a collective of verse that deconstructs identity. We are beautiful and monstrous. We live in a beautiful and monstrous world. Ellen Hagan poetically mirrors these metaphoric adversaries, drawing on her experiences as a woman, an artist, a mother, a transplanted southerner, and above all, a human being. She plumbs origins in history, body, and living to question how we reckon our whole selves in the catacombs of a world gone mad:

We mourn, we bless, / we blow, we wail, we / wind—down, we sip, / we spin, we blind, we / bend, bow & hem. We / hip, we blend, we bind, / we shake, we shine, / shine. We lips & we / teeth, we praise & protest.

In these poems, Assyrian, Italian, and Irish lines seep deeper into a body that is growing older but remains engaged with unruly encounters: the experience of raising daughters, sexual freedom, and squaring body image against the body’s prohibitions. This is a work where the legacy is still evolving and always asking questions in real time. Blooming Fiascos spindles poetry that is not afraid to see itself and the lives it inhabits.

Any event can be a vigil: a walk by a river, a flu shot at Walgreens, an hour spent by a bird feeder attracting mostly cardinals. A vigil means you are keeping watch, and these poems are watching the world around them—and the worlds beneath those worlds, too. The poems in this collection pull from dreams and apparitions as much as they do reality: a woman in a house, a coffee mug, a book of matches, a load of unfolded laundry, a goldfish won at a county fair. All is fair game. Bonfires & Other Vigils celebrates the watching in unconventional ways. Readers can expect to revel in the elusive wonder of haziness, otherworldliness, and wildness of examining life through lenses of vigilant dreaming.

Brothers is Nico Slate’s poignant memoir about Peter Slate, aka XL, a Black rapper and screenwriter whose life was tragically cut short. Nico and Peter shared the same White American mother but had different fathers. Nico’s was White; Peter’s was Black. Growing up in California in the 1980s and 1990s, Nico often forgot about their racial differences until one night in March 1994 when Peter was attacked by a White man in a nightclub in Los Angeles.

Nico began writing Brothers with the hope that investigating the attack would bring him closer to Peter. He could not understand that night, however, without grappling with the many ways race had long separated him from his brother.

This is a memoir of loss—the loss of a life and the loss at the heart of our racial divide—but it is also a memoir of love. The love between Nico and Peter permeates every page of Brothers. This achingly beautiful memoir presents one family’s resilience on the fault lines of race in contemporary America.